Nobel Prize in Literature Winning Authors 2020
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Correlations Between Creativity In
1 ARTISTIC SCIENTISTS AND SCIENTIFIC ARTISTS: THE LINK BETWEEN POLYMATHY AND CREATIVITY ROBERT AND MICHELE ROOT-BERNSTEIN, 517-336-8444; [email protected] [Near final draft for Root-Bernstein, Robert and Root-Bernstein, Michele. (2004). “Artistic Scientists and Scientific Artists: The Link Between Polymathy and Creativity,” in Robert Sternberg, Elena Grigorenko and Jerome Singer, (Eds.). Creativity: From Potential to Realization (Washington D.C.: American Psychological Association, 2004), pp. 127-151.] The literature comparing artistic and scientific creativity is sparse, perhaps because it is assumed that the arts and sciences are so different as to attract different types of minds who work in very different ways. As C. P. Snow wrote in his famous essay, The Two Cultures, artists and intellectuals stand at one pole and scientists at the other: “Between the two a gulf of mutual incomprehension -- sometimes ... hostility and dislike, but most of all lack of understanding... Their attitudes are so different that, even on the level of emotion, they can't find much common ground." (Snow, 1964, 4) Our purpose here is to argue that Snow's oft-repeated opinion has little substantive basis. Without denying that the products of the arts and sciences are different in both aspect and purpose, we nonetheless find that the processes used by artists and scientists to forge innovations are extremely similar. In fact, an unexpected proportion of scientists are amateur and sometimes even professional artists, and vice versa. Contrary to Snow’s two-cultures thesis, the arts and sciences are part of one, common creative culture largely composed of polymathic individuals. -
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
Pan Macmillan September 2021 Highlights
Pan Macmillan September 2021 Highlights They Got You Too Futhi Ntshingila Hans van Rooyen is a former police general raised by two women who survived the 1899 South African War. He finds himself being cared for in an old age home by the daughter of liberation struggle activists. At 80, he carries with him the memories of crimes he committed as an officer under the apartheid government. Having eluded the public confessions at the TRC for his time in the Border Wars, he retained his position in the democratic South Africa, serving as an institutional memory for a new generation of police recruits. Zoe Zondi is tasked to care for the old man. Her gentle and compassionate nature prompts Hans to review his decision to go to the grave with all his secrets. Zoe has her own life story to tell and, as their unlikely bond deepens, strengthened by the isolation that COVID-19 lockdown brings, they provide a safe space for each other to say the things that are often left unsaid. Futhi Ntshingila is a writer from Pietermaritzburg. The author of Shameless and Do Not Go Gentle, her work centres on women and marginalised communities. Futhi holds a Master’s Degree in Conflict Resolution and currently lives and works in Pretoria. • ISBN: 9781770107281 • Format: Trade Paperback • Genre: Fiction • Extent: TBC • Price: R290,00 IMMEDIATE RELEASE Shuggie Bain Winner of the Booker Prize 2020 July release Douglas Stuart It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. -
John Harbison's Songs for Baritone: a Performer's Guide
John Harbison‘s Songs for Baritone: A Performer‘s Guide A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2011 by Peter C. Keates B.M.A., University of Oklahoma, 2004 M.M., University of Cincinnati, CCM, 2006 Abstract This document is a performance guide for Words from Paterson and Flashes and Illuminations, John Harbison‘s song cycles for baritone. It confronts the issues of text interpretation and musical style one must address in order to give the most informed performance of these songs. It provides a synthesis of information about the poems and readings of the poetry Harbison set to music, offers insight into Harbison‘s interpretations of the text, and demonstrates how Harbison‘s atonal style and unique compositional techniques provide a successful musical setting for the chosen texts. The guide also discusses performance issues based on personal experience as well as the experience of the composer and other performers. The poetic style of William Carlos Williams, Michael Fried, Czeslaw Milosz, Elizabeth Bishop, and Eugenio Montale are examined. A transcription of an interview with John Harbison is also included. Table of Contents Introduction .......................................................................................................................................... 1 I. Paterson ............................................................................................................................................... -
Remember to Have a Page Before the Title Page with Title and Name
“This place being South Africa”: Reading race, sex and power in J.M. Coetzee’s Disgrace by Kimberly Chou “This place being South Africa”: Reading race, sex and power in J.M. Coetzee’s Disgrace by Kimberly Chou A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Spring 2009 © Kimberly Chou 16 March 2009 For fellow readers who have picked up this deeply provocative novel and found themselves at its close with more questions than answers—and for those who have yet to join the conversation. Acknowledgements I am indebted to my advisor, Jennifer Wenzel, for her guidance, patience and forthright criticism. Thank you for challenging me to challenge myself, and for sharing great appreciation for the work of J.M. Coetzee and, most importantly, a love of South Africa. Thank you to Cathy Sanok and Andrea Zemgulys, for unwavering support throughout the thesis-writing process. Thank you to the 2009 English honors thesis cohort for creating a space of encouragement and commiseration. Thank you to the peers and professors at the University of Cape Town who influenced early development of this project. A special thank you to Obs Books in Observatory, Cape Town. Thank you to my family and friends, who have, at this point, likely heard more about the ethics of reading and the politics of place than they had ever wished. Sincere thanks to M.M., F.R., E.M. and J.N. for their honesty and advice. Abstract Whatever discourse J.M. Coetzee intended to arouse with Disgrace, his 1999 novel that addresses changing social dynamics in post-apartheid South Africa, the conversation it has inspired since its publication has been dominated by readers’ suspicions. -
Claude Simon: the Artist As Orion
Claude Simon: The Artist as Orion 1blind Orion hungry for the morn1 S.W. Sykes Thesis submitted for the Degree of Doctor of Philosophy University of Glasgow 1973 ProQuest Number: 11017972 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11017972 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ACKNOWLEDGEMENTS My thanks are due to Dr Stanley Jones, of the French Department in the University of Glasgow, for the interest shown and advice given during the supervision of this thesis; to the Staff of Glasgow University Library; and to / A M. Jerome Lindon, who allowed me to study material kept in the offices of Editions de Minuit. TABLE OF CONTENTS SUMMARY INTRODUCTION CHAPTER I Prolegomena to Le Vent Early Writings 19^5-5^ CHAPTER II Chaos and the Semblance of Order Le Vent 1957 CHAPTER III The Presence of the Past: L 'Herbe 1958 CHAPTER IV The Assassination of Time: La Route des Flandres i960 CHAPTER V A Dream of Revolution:. Le Palace 1962 CHAPTER VI •A pattern of timeless moments': Histoire 1967 -
Ian Wooldridge Director
Ian Wooldridge Director For details of Ian's freelance productions, and his international work in training and education go to www.ianwooldridge.com Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Theatre Production Company Notes ARTISTIC DIRECTOR, ROYAL LYCEUM THEATRE COMPANY, EDINBURGH, 1984-1993 THE TAMING OF THE SHREW Royal Lyceum Theatre Shakespeare Company, Edinburgh MERLIN Royal Lyceum Theatre Tankred Dorst Company Edinburgh ROMEO AND JULIET Royal Lyceum Theatre Shakespeare Company Edinburgh THE CRUCIBLE Royal Lyceum Theatre Arthur Miller Company Edinburgh THE ODD COUPLE Royal Lyceum Theatre Neil Simon Company Edinburgh JUNO AND THE PAYCOCK Royal Lyceum Theatre Sean O'Casey Company Edinburgh OTHELLO Royal Lyceum Theatre Shakespeare Company Edinburgh United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE HOUSE OF BERNARDA ALBA Royal Lyceum Theatre Federico Garcia Lorca Company Edinburgh HOBSON'S CHOICE Royal Lyceum Theatre Harold Brighouse Company Edinburgh DEATH OF A SALESMAN Royal Lyceum Theatre Arthur Miller Company Edinburgh THE GLASS MENAGERIE Royal Lyceum Theatre Tennessee Williams Company, Edinburgh ALICE IN WONDERLAND Royal Lyceum Theatre Adapted from the novel by Lewis Company, Edinburgh Carroll A MIDSUMMER NIGHT'S DREAM Royal Lyceum Theatre Shakespeare Company Edinburgh A STREETCAR NAMED DESIRE Royal Lyceum Theatre Tennessee Williams Company, Edinburgh THE NUTCRACKER SUITE Royal Lyceum -
The Role of Translation in the Nobel Prize in Literature : a Case Study of Howard Goldblatt's Translations of Mo Yan's Works
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of Translation 3-9-2016 The role of translation in the Nobel Prize in literature : a case study of Howard Goldblatt's translations of Mo Yan's works Yau Wun YIM Follow this and additional works at: https://commons.ln.edu.hk/tran_etd Part of the Applied Linguistics Commons, and the Translation Studies Commons Recommended Citation Yim, Y. W. (2016). The role of translation in the Nobel Prize in literature: A case study of Howard Goldblatt's translations of Mo Yan's works (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://commons.ln.edu.hk/tran_etd/16/ This Thesis is brought to you for free and open access by the Department of Translation at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. THE ROLE OF TRANSLATION IN THE NOBEL PRIZE IN LITERATURE: A CASE STUDY OF HOWARD GOLDBLATT’S TRANSLATIONS OF MO YAN’S WORKS YIM YAU WUN MPHIL LINGNAN UNIVERSITY 2016 THE ROLE OF TRANSLATION IN THE NOBEL PRIZE IN LITERATURE: A CASE STUDY OF HOWARD GOLDBLATT’S TRANSLATIONS OF MO YAN’S WORKS by YIM Yau Wun 嚴柔媛 A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in Translation LINGNAN UNIVERSITY 2016 ABSTRACT The Role of Translation in the Nobel Prize in Literature: A Case Study of Howard Goldblatt’s Translations of Mo Yan’s Works by YIM Yau Wun Master of Philosophy The purpose of this thesis is to explore the role of the translator and translation in the Nobel Prize in Literature through an illustration of the case of Howard Goldblatt’s translations of Mo Yan’s works. -
Durham E-Theses
Durham E-Theses Rethinking Binarism in Translation Studies A Case Study of Translating the Chinese Nobel Laureates of Literature XIAO, DI How to cite: XIAO, DI (2017) Rethinking Binarism in Translation Studies A Case Study of Translating the Chinese Nobel Laureates of Literature, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12393/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 RETHINKING BINARISM IN TRANSLATION STUDIES A CASE STUDY OF TRANSLATING THE CHINESE NOBEL LAUREATES OF LITERATURE Submitted by Di Xiao School of Modern Languages and Cultures In partial fulfilment of the requirements For the Degree of Doctor of Philosophy Durham University 2017 DECLARATION The candidate confirms that the work is her own and that it has not been submitted, in whole or in part, in any previous application for a degree. -
TIWARI-DISSERTATION-2014.Pdf
Copyright by Bhavya Tiwari 2014 The Dissertation Committee for Bhavya Tiwari Certifies that this is the approved version of the following dissertation: Beyond English: Translating Modernism in the Global South Committee: Elizabeth Richmond-Garza, Supervisor David Damrosch Martha Ann Selby Cesar Salgado Hannah Wojciehowski Beyond English: Translating Modernism in the Global South by Bhavya Tiwari, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Dedication ~ For my mother ~ Acknowledgements Nothing is ever accomplished alone. This project would not have been possible without the organic support of my committee. I am specifically thankful to my supervisor, Elizabeth Richmond-Garza, for giving me the freedom to explore ideas at my own pace, and for reminding me to pause when my thoughts would become restless. A pause is as important as movement in the journey of a thought. I am thankful to Martha Ann Selby for suggesting me to subhead sections in the dissertation. What a world of difference subheadings make! I am grateful for all the conversations I had with Cesar Salgado in our classes on Transcolonial Joyce, Literary Theory, and beyond. I am also very thankful to Michael Johnson and Hannah Chapelle Wojciehowski for patiently listening to me in Boston and Austin over luncheons and dinners respectively. I am forever indebted to David Damrosch for continuing to read all my drafts since February 2007. I am very glad that our paths crossed in Kali’s Kolkata. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
The Aesthetic and Ethic of the Chinese Diasporic Artist Mu Xin
“Art Is to Sacrifice One’s Death”: The Aesthetic and Ethic of the Chinese Diasporic Artist Mu Xin by Muyun Zhou Department of Asian and Middle Eastern Studies Duke University Date:_______________________ Approved: ___________________________ Carlos Rojas, Supervisor ___________________________ Eileen Chow ___________________________ Leo Ching Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Critical Asian Humanities in the Department of Asian and Middle Eastern Studies in the Graduate School of Duke University 2021 ABSTRACT “Art Is to Sacrifice One’s Death”: The Aesthetic and Ethic of the Chinese Diasporic Artist Mu Xin by Muyun Zhou Department of Asian and Middle Eastern Studies Duke University Date:_______________________ Approved: ___________________________ Carlos Rojas, Supervisor ___________________________ Eileen Chow ___________________________ Leo Ching An abstract of a thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Critical Asian Humanities in the Department of Asian and Middle Eastern Studies in the Graduate School of Duke University 2021 Copyright by Muyun Zhou 2021 Abstract In his world literature lecture series running from 1989 to 1994, the Chinese diasporic writer-painter Mu Xin (1927-2011) provided a puzzling proposition for a group of emerging Chinese artists living in New York: “Art is to sacrifice.” Reading this proposition in tandem with Mu Xin’s other comments on “sacrifice” from the lecture series, this study examines the intricate relationship between aesthetics and ethics in Mu Xin’s project of art. The question of diasporic positionality is inherent in the relationship between aesthetic and ethical discourses, for the two discourses were born in a Western tradition, once foreign to Mu Xin.