DOCSLIB.ORG

By Seamus Heaney

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
By Seamus Heaney Irish Human Rights Commission Writer & Righter By Seamus Heaney Fourth IHRC Annual Human Rights Lecture, 9 December 2009 First published June 2010 By Irish Human Rights Commission 4th Floor, Jervis House Jervis Street Dublin 1 Copyright © of text of Writer & Righter is the sole property of Seamus Heaney Copyright © of publication belongs to the Irish Human Rights Commission ISBN 978-0-9558048-4-7 The Irish Human Rights Commission (IHRC) was established, under statute in 2000, to promote and protect human rights in Ireland. The human rights that the IHRC protects are the rights, liberties and freedoms guaranteed under the Irish Constitution and the international agreements, treaties and conventions to which Ireland is a party. All human beings are born free & equal in dignity and rights. They are endowed with reason & conscience & should act towards one another in a spirit of brotherhood. www.ihrc.ie 2 & 3 Preface As one of Ireland’s most distinguished poets and prominent advocates for human rights, we invited Seamus Heaney to give our fourth Annual Human Rights Lecture. We considered it an honour when he accepted our invitation. The theme Seamus Heaney chose was the relevance of poetry in times of societal upheaval and unrest. Was it ethical to create poetry when a country or people were in turmoil? Was it ‘right on’ to ‘write on’? He particularly highlighted the differences between the sedentary w-r-i-t-e-r-s and the pro-active r-i-g-h-t-e-r-s, the former whose job it is to reflect and the latter whose role it is to take action. The literary traditions of this country illustrate to us that writers have always ‘written on’ in times of turmoil. They have, as so eloquently described in his lecture, suffered with the sufferers. Those of us who work every day for human rights know the inspiration which writers can give us. Their powerful observations allow us to reflect in ways which would otherwise not be possible. Seamus Heaney has, throughout his career, shown us how a w-r-i-t-e-r can be a r-i-g-h-t-e-r. One of the clearest examples is From the Republic of Conscience, which is one of the most inspirational poems in support of human rights ever written. The simplicity and power of the poem; the idea that the visitor to this Republic became a dual-citizen and representative to speak on behalf of the Republic, which has embassies everywhere, operating independently, and from which no ambassador can be relieved. When thinking about this poem, it brought home to me the sense of responsibility that stirs all of us to act to uphold human rights. It represents the idea that once you become aware of your rights, and the rights of others, you cannot but be a representative for them. You cannot sit idly by and let the rights of others be eroded or abused. It is in this way that writers both inspire righters, and are righters themselves. Seamus Heaney’s work rouses us to press forward with renewed energy. Indeed, we were so moved by his words that night in December we wanted to share the insight of this writer and righter by publishing it. His lecture, given on the eve of Human Rights Day 2009, is a unique contribution to the canon of literature on human rights. We wish to thank him for this inspirational and visceral piece of work which spurs all of us on to take action in the defence of human rights. Maurice Manning President Human Rights Commission Writer & Righter Writer & Righter Fourth IHRC Annual Human Rights Lecture, 9 December 2009 www.ihrc.ie 44 && 55 It’s an honour to give this important lecture, yet to follow speakers as highly respected and qualified as President Mary McAleese and Council of Europe Human Rights Commissioner Thomas Hammarberg is also something of a test. But then it’s always a test for somebody who practises what Yeats called the ‘sedentary trade’ of writing to stand up and address people who are active in the practical, principled, courageous work of defending human rights. What I experience on these occasions is something like defensiveness, a need to justify the good of the imaginative work done by writers, a need to affirm the value of their particular contribution when faced with the more obviously focused effort of the lawyer taking a case or the aid worker keeping going on the ground or the advocate writing a report on human rights abuses and injustices. So when my respected friend Michael Farrell approached me to speak on this occasion I hesitated - because it struck me that Michael himself would be a better man for the job. For a start, he has far more knowledge and experience in the area of human rights than I have, but that is not his only entitlement. He is also a man with a deeply cultivated literary sensibility – something I’ve been aware of ever since he was a student in a tutorial I taught in the Queen’s University English Department forty years ago. In the meantime, Michael’s intelligence has been at the service of people less gifted than himself, exposed to what the poet John Keats called a world of pain and troubles. And his compassionate response to that world produced a result that can be described in Keats’s terms also: his intelligence has been schooled into becoming a soul, (1) the soul of a conscience-bound individual, passionate, intellectual and answerable; and in that respect he is admirably representative of the values that motivate and sustain every endeavour and every member of the Irish Human Rights Commission. The work of the Commission is worthy of the highest praise, especially at this moment when economic downturn weighs most cruelly upon the under- represented and the underprivileged. The Commission’s endeavours to keep the country’s conscience informed are constant, extensive and urgent, something I discovered when I read a catalogue of the reports and observations it has submitted to the Government in the past few months. To name only a few of the topics listed on its website is to realize how vigilant and indispensable the Commission is proving itself to be. Things it has reported on recently include, for example, the determination of life sentences, the human rights compliance of the Garda Síochána and safeguarding the rights of migrant workers and their families; it has also published observations on the Immigration, Residence and Protection Bill (2008), made submissions to the Government on the protection of rights of transgendered persons, on women’s rights in Ireland and the conventions for the elimination of discrimination against women, on racial discrimination, on Travellers’ rights. And that is only a fraction of the reports and submissions and observations listed. Writer & Righter In the course of preparing for this lecture, I came to realize how necessary and admirable a part the Commission plays in our public life, north and south, how many committed people are at work on behalf of the vulnerable and the exploited. Each and every one of these individuals is helping to maintain what we might call the immunity system of the body politic. More obviously than writers, who are also part of that immunity system, human rights workers contribute to the good health of society at local, national and international level; their endeavours are noble and indispensable, even if they cannot guarantee that the noxious conditions they are fighting will be defeated or won’t recur. The great web that unites those local, national and international endeavours has thirty meshes and each of those meshes is woven into and woven out of the document which we celebrate again this evening, the United Nation’s Universal Declaration of Human Rights. Sixty years ago this promulgation made an immense difference to the work of each and every person and indeed nation striving for justice and equality, and each and every person and nation suffering injustice and inequality. In ratifying the principles articulated in the Declaration, the governments of the world gave epoch-making sanction to the human need for fairness and natural justice, and in doing so they strengthened the moral standing of international law. Even if the articles of the Declaration are not legally binding, there is immense potency in the cogent, simple language in which they are framed, as is evident in the all-encompassing first Article: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. On two occasions recently I have heard Mary Robinson argue with great force that the keyword here is dignity, the dignity of the individual, that dignity which is the basis of his or her self-respect and inner freedom at a personal level, and the basis of his or her right to fair treatment and democratic representation at a political level. And behind the primary words and sentiments of that first article, of course, you can hear the echoes of many of the great foundational texts of western civilization, from Sophocles’ paean to the wonders of man in the famous Chorus in his Antigone, through Christ’s Sermon on the Mount, right on up to the American Declaration of Independence and the French Declaration of the Rights of Man. These documents did undoubtedly lay the foundation for the moral consensus which the Declaration embodies, but the imaginative work of individual creative writers has been equally influential and ameliorating in the formation of human consciousness.
Load more

Recommended publications
  • John Harbison's Songs for Baritone: a Performer's Guide
    John Harbison‘s Songs for Baritone: A Performer‘s Guide A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2011 by Peter C. Keates B.M.A., University of Oklahoma, 2004 M.M., University of Cincinnati, CCM, 2006 Abstract This document is a performance guide for Words from Paterson and Flashes and Illuminations, John Harbison‘s song cycles for baritone. It confronts the issues of text interpretation and musical style one must address in order to give the most informed performance of these songs. It provides a synthesis of information about the poems and readings of the poetry Harbison set to music, offers insight into Harbison‘s interpretations of the text, and demonstrates how Harbison‘s atonal style and unique compositional techniques provide a successful musical setting for the chosen texts. The guide also discusses performance issues based on personal experience as well as the experience of the composer and other performers. The poetic style of William Carlos Williams, Michael Fried, Czeslaw Milosz, Elizabeth Bishop, and Eugenio Montale are examined. A transcription of an interview with John Harbison is also included. Table of Contents Introduction .......................................................................................................................................... 1 I. Paterson ...............................................................................................................................................
    [Show full text]
  • La Poesa Intertextual De Jos Ngel Valente
    LA ESPIRAL ONTOLÓGICA E INTERTEXTUAL EN LA POESÍA DE JOSÉ ÁNGEL VALENTE: CREACIÓN POÉTICA Y BÚSQUEDA ÍNTIMO-MÍSTICA EN LOS ALBORES DE LA PREMODERNIDAD DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jorge Machín-Lucas ***** The Ohio State University 2005 Dissertation Committee: Professor Stephen J. Summerhill, Adviser Approved by Professor Salvador García Castañeda ______________________________ Adviser Professor Donald R. Larson Graduate program in Spanish and Portuguese ABSTRACT This dissertation proposes a new approach to the poetics of the late Spanish poet José Ángel Valente (1929-2000), a member of the “Generation of the 50’s”. Its purpose is to evaluate mystical influences as a projection of an ontological state, a necessity of being to explore its own immanence. The historical context is the divide between modernity and postmodernity in a movement toward an ideal notion of premodernity. Valente develops an immanent and transcendent inner voyage which is not just a reaction against the age of mechanical or technological reproduction, but a way of establishing a new epistemological analysis in order to examine more effectively the traditional notion of “reality”. His is an antirationalist thought that seeks to fill in the gaps in the traditional rationalistic and positivistic modes of analysis. Thus, his attitude is the same as the one practiced by mystics of all eras, who have always tried to avoid established ways of thought, whether religious, social or linguistic. All of Valente’s essays, critical works and books of poetry are permeated by mystical intertextualities and by the literary and philosophical commentaries of three mystical traditions which have been deeply rooted in Spain: the Jewish Cabala (Abraham Abulafia, Moses de León, Moses Cordovero…), Muslim Sufism (Ibn ‘Arabī, the Avicena brothers…), and the Christian Catholics (San Juan de la Cruz, Santa Teresa de Jesús, ii Miguel de Molinos…).
    [Show full text]
  • Imprima Este Artículo
    RESENAS IANNE GABRIELE RECK. Horacio Quiroga, biografia y critica. Colecci6n Studium, 57. M6xico: Ediciones de Andrea, 1966. Hanne Gabriele Reck es oriunda de Munich, Alemania. Ha estudiado letras hispinicas en las Universidades de Heidelberg y de Santander. Se doctor6 en la de Columbia, Nueva York. Con posterioridad, ha sido profesora en la Univer- sidad de Puerto Rico. Fascinada por la narrativa de Horacio Quiroga, se ha especializado en la vida y obra del gran cuentista uruguayo. No s6lo investig6 su producci6n lite- raria, sino que tambi6n visit6 la regi6n de las Misiones argentinas, sus hombres y sus animales, para lograr el mas cabal conocimiento de su expresi6n artistica. El libro puede dividirse en tres partes: primero, la autora narra la vida de Quiroga; segundo, comenta y analiza su obra literaria; y, tercero, da una bibliografia extensa. La profesora Reck relata c6mo la vida de Horacio Quiroga fue marcada por muertes violentas -Ila de su padre, la de su padrastro, la de un amigo, la de su primera esposa, y, finalmente, la suya propia. Quiroga termin6 su vida envenenindose. Su estancia en Paris, cuando era joven, parece haberle influido en ciertos aspectos negativos. Sufri6 apuros econ6micos en la capital francesa que le lleva- ron a odiar la ciudad. La autora cree que si no fuera por su visita a Paris, con la consiguiente desilusi6n, es posible que Quiroga hubiese continuado con el estilo decadente, de influencia parisiense, que se nota en sus primeros escritos, en vez de descubrir su verdadera meta en la literatura de la selva: "es muy posible que la miseria sufrida por Quiroga en Paris al mismo tiempo le haya impedido sucumbir a las tentaciones de aquella metr6poli y perderse alli, apre- surando su regreso a su pais nativo y el encuentro con el nundo salvaje ameri- cano cuyo gran narrador habria de ser".
    [Show full text]
  • Informe Final
    Universidad de San Carlos de Guatemala (USAC) Dirección General de Investigación (DIGI) Programa Universitario de Investigación en Cultura, Pensamiento e Identidad de la Sociedad Guatemalteca INFORME FINAL ESTUDIO CRÍTICO DE LA OBRA DEL ESCRITOR DANTE LIANO, PREMIO NACIONAL DE LITERATURA “MIGUEL ÁNGEL ASTURIAS” 1991 Equipo de Investigación Nancy Noemí Maldonado Enríquez de Masaya - Coordinadora Blanca Lilia Mendoza Hidalgo - Investigadora Gladys Tobar Aguilar - Investigadora Asociada 2008 Estudio crítico de la obra del escritor Dante Liano, Premio Nacional de Literatura “Miguel Ángel Asturias” 1991 Universidad de San Carlos de Guatemala (USAC) Dirección General de Investigación (DIGI) Programa Universitario de Investigación en Cultura, Pensamiento e Identidad de la Sociedad Guatemalteca INFORME FINAL Programa Universitario de investigación: Estudio crítico de la obra del escritor Dante Liano, Premio Nacional de Literatura: “Miguel Ángel Asturias” 1998. Producto final de la investigación del proyecto: • Documental artístico-educativo Dante Liano: Visión de dos mundos • Informe final de la investigación, el cual podría ser editado para su publicación posterior • Afiche promocional • Bifoliar informativo Nombre de los integrantes del equipo de investigación: Licda. Nancy Noemí Maldonado Enríquez de Masaya – Coordinadora Dra. Blanca Lilia Mendoza Hidalgo – Investigadora Dra. Gladys Tobar Aguilar – Investigadora asociada Fecha de la presentación del informe escrito: Guatemala, 26 de noviembre de 2008. Instituciones participantes: Facultad
    [Show full text]
  • Nobel Prize in Literature Winning Authors 2020
    NOBEL PRIZE IN LITERATURE WINNING AUTHORS 2020 – Louise Gluck Title: MEADOWLANDS Original Date: 1996 DB 43058 Title: POEMS 1962-2012 Original Date: 2012 DB 79850 Title: TRIUMPH OF ACHILLES Original Date: 1985 BR 06473 Title: WILD IRIS Original Date: 1992 DB 37600 2019 – Olga Tokarczuk Title: DRIVE YOUR PLOW OVER THE BONES OF THE DEAD Original Date: 2009 DB 96156 Title: FLIGHTS Original Date: 2017 DB 92242 2019 – Peter Handke English Titles Title: A sorrow beyond dreams: a life story Original Date: 1975 BRJ 00848 (Request via ILL) German Titles Title: Der kurze Brief zum langen Abschied 10/2017 NOBEL PRIZE IN LITERATURE WINNING AUTHORS Original Date: 1972 BRF 00716 (Request from foreign language collection) 2018 – No prize awarded 2017 – Kazuo Ishiguro Title: BURIED GIANT Original Date: 2015 BR 20746 /DB 80886 Title: NEVER LET ME GO Original Date: 2005 BR 21107 / DB 59667 Title: NOCTURNES: FIVE STORIES OF MUSIC AND NIGHTFALL Original Date: 2009 DB 71863 Title: REMAINS OF THE DAY Original Date: 1989 BR 20842 / DB 30751 Title: UNCONSOLED Original Date: 1995 DB 41420 BARD Title: WHEN WE WERE ORPHANS Original Date: 2000 DB 50876 2016 – Bob Dylan Title: CHRONICLES, VOLUME 1 Original Date: 2004 BR 15792 / DB 59429 BARD 10/2017 NOBEL PRIZE IN LITERATURE WINNING AUTHORS Title: LYRICS, 1962-2001 Original Date: 2004 BR 15916 /DB 60150 BARD 2015 – Svetlana Alexievich (no books in the collection by this author) 2014 – Patrick Modiano Title: DORA BRUDER Original Date: 1999 DB 80920 Title: SUSPENDED SENTENCES: THREE NOVELLAS Original Date: 2014 BR 20705
    [Show full text]
  • Medieval Literature
    CMLT-C 523 (23233) mistaken assumptions—though advanced students are welcome. Our initial aim will be Medieval Literature: intimate acquaintance with the complexities of the texts--both Hebrew Bible and (to a lesser Constructions of the Other extent) New Testament— including the ideas behind them and the ideas they have inspired; | R. McGerr| TR 1:00 pm – but we shall be concerned too with more general issues of authority and originality, metaphor 2:15 pm | Meets with and enigma, interpretative license and the status of the author—issues that biblical criticism MEST M-502 | 4 cr raises in their acutest form. Secondary reading will include ancient Near Eastern and Mediterranean parallels, literary retellings, and classic works of biblical interpretation, ancient Negotiating differences between and modern, religious and secular. people plays an important role in developing individual self- No special preparation or knowledge is required, but students with Hebrew (or for the New consciousness, as well as in Testament Greek) will be encouraged to work with the original. As a base text, I would building communities. At the recommend the old (1952) Revised Standard Version (RSV)—better in most respects than the same time, unexamined assumptions about the significance of differences can be destructive to NRSV—though we shall be looking at multiple versions, including the KJV and the Buber- individuals and communities: constructing the Other in order to suggest the superiority of the Rosenzweig “Verdeutschung” with its English and French imitations by Fox and Chouraqui. Self often involves the demonization or dehumanization of people, which one group can use to Due to a nasty campaign by the National Council of the Churches of Christ (comparable to justify destruction or exploitation of these “inferior” Others.
    [Show full text]
  • Eugenio Montale and the Literature of the Sixties: Intertexts for Satura And
    Eugenio Montale and the Literature of the Sixties: Intertexts forSatura and the Later Poetry John Clifford Butcher University College London Submitted for the Degree of PhD ProQuest Number: 10015796 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10015796 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis sets out to explore the significant impact that poetry, fiction and essays published in the Sixties had on the development of Eugenio Montale’s later poetry. The primary focus is Satura (1971) but space is also accorded to Montale’s ensuing four collections,Diario del ’71 e del ’72 (1973), Quaderno di quattro anni (1977), Altri versi (1980) and Diario postumo (1996). The first part of this study delves into the role played by contemporary literature in that ‘svolta’ that took place with the composition of the ‘Xenia’ {Satura). Amongst those texts mentioned are an Italian translation of verse by William Carlos Williams and Natalia Ginzburg’s Lessico famigliare. The second part of this thesis deals with those works that helped effect the grand shift from the poetic mode of the ‘Xenia’ to that of ‘Satura T and ‘Satura IT (the final two sections ofSatura).
    [Show full text]
  • Scarica Scarica
    altrelettere Carmela Pesca The Narrative Function of Clothing in Elena Ferrante’s Troubling Love Abstract Elena Ferrante’s first published novel Troubling Love deals with the dark side of the mother- daughter relation as no other of her works. The narration takes the form of a painful assembly of events, dealing with both rupture and continuity between the narrator Delia and the story’s protagonist, her mother Amalia. Essentially, Delia sews images together as they emerge from her visceral, rather than intellective or even imaginative revisiting of her childhood and adolescence. Amalia’s drowned body is progressively dressed by Delia’s pieces of memory, equivalent to clothing items that shape the narrative’s fabric. Part of the communication among different characters happens through exchange of clothes, fabric and lingerie, corresponding to their attempts to tailor Amalia’s narrative in the name of their troubled love, which comes in different patterns. Delia’s recollections of episodes of domestic violence, however, convey laceration and amorphousness, as she continuously stitches and makes adjustments, whereas no clothes or narratives can contain the true Amalia. This essay intends to highlight the path along which the narration’s thread runs. It explores the correspondences between the text’s form and content, and analyzes the narrator’s struggle to come to terms with a character whose very substance remains unreachable, encrypted in her old garments that have resisted violence, manipulation, and imposition of forms. Key-words: Mother-daughter relation; Elena Ferrante; narrative body; clothing; amorphousness 1. Dressing the narrative body If each of Elena Ferrante’s published works deals with the dark side of the mother-daughter relationship while raising intentionally uncomfortable questions, her first novel Troubling Love revolves around such an intricate subject more than any other writings, by digging into muddy materials, from which uneasy matter emerges.
    [Show full text]
  • Rachael Boast Phd Thesis
    PART I DARK SAYING: A STUDY OF THE JOBIAN DILEMMA IN RELATION TO CONTEMPORARY ARS POETICA PART II BEDROCK: POEMS Rachael Boast A Thesis Submitted for the Degree of PhD at the University of St Andrews 2009 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/906 This item is protected by original copyright Part I Dark Saying: A Study of the Jobian Dilemma in Relation to Contemporary Ars Poetica Part II Bedrock: Poems Rachael Boast A Thesis Presented for the Degree of Doctor of Philosophy University of St Andrews School of English July 2009 ii Abstract Part I of this thesis has been written with a view to exploring the relevance a text over 2500 years old has for contemporary ars poetica. From a detailed study of ‘The Book of Job’ I highlight three main tropes, ‘cognitive dissonance’, ‘tĕšuvah’, and ‘dark saying’, and demonstrate how these might inform the working methods of the contemporary poet. In the introduction I define these tropes in their theological and historical context. Chapter one provides a detailed examination of ‘Job’, its antecedents and its influence on literature. In chapters two and three I examine in detail techniques of Classical Hebrew poetry employed in ‘Job’ and argue for a confluence between literary technique and Jobian cosmology. Stylistically, the rest of the thesis is a critical meditation on how the main tropes of ‘Job’ can be mapped onto contemporary ars poetica.
    [Show full text]
  • The Stephen Spender Prize for Poetry in Translation 2020
    The Stephen Spender Prize for poetry in translation 2020 in association with The Stephen Spender Prize 2020 for poetry in translation in association with The Guardian Winners and commended 14-and-under COMMENDED Vishal Saha ‘When we were kids’ by Mario Benedetti (Uruguayan Spanish) Maddie Stoll ‘Hope’ FIRST SECOND THIRD by Ai Qing (Chinese) Hannah Kripa Jordan Grace Wu Caroline-Olivia Edwards Omar Ullah ‘And Yet – Our Tamil Life’ ‘muse of the moon’ ‘Versos Sencillos, Verso III’ ‘Lest they say something’ by Manushya Puthiran by Li Bai by José Martí by Kamini Roy (Bangla) (Tamil) (Chinese) (Cuban Spanish) 16-and-under COMMENDED Matilda Stepek ‘Passions of a Ghostly Fury’ by Ovid (Latin) Gabriela O’Keeffe ‘Tears for America’ (extract) by Michael Davitt (Irish) FIRST SECOND THIRD Megan Turtle Alessandro d’Attanasio Alice Garcia Kalmus ‘Do not leave your room’ ‘Saturday in the village’ ‘I write against an open window’ by Joseph Brodsky by Giacomo Leopardi by Mario Quintana (Russian) (Italian) (Brazilian Portuguese) 18-and-under COMMENDED Vassil Gilbert ‘A short summer night’ by Yosa Buson (Japanese) Jasper Maughan ‘Stay’ by Rainald Simon (German) FIRST SECOND THIRD Maryam Zaidi Olivia Flint Isobel Birkeland Cosima Deetman ‘The Lemons’ ‘The Schoolchildren’ ‘Writing rhymes with ‘Cyber Insomnia’ by Eugenio Montale by Pedro Serrano Sir Ishii’ by Martin Piekar (German) (Italian) (Mexican Spanish) by Qiu Jin (Chinese) Open COMMENDED Oliver Fallon ‘Conception of a New God’ (verses 1.33-47) by Kālidāsa (Sanskrit) Peter Frankopan ‘The Night of the Falling
    [Show full text]
  • Translation and Literature Cumulative Index Volume 30
    Translation and Literature Cumulative Index Volume 30 (2021) Part 2 Articles and Notes A. S. G. Edwards: Gavin Bone and his Old English Translations Mary Boyle: ‘Hardly gear for woman to meddle with’: Kriemhild’s Violence in Nineteenth- Century Women’s Versions of the Nibelungenlied Andrew Barker: Giant Bug or Monstrous Vermin? Translating Kafka’s Die Verwandlung in its Cultural, Social, and Biological Contexts Review Essay Caroline Batten and Charles Tolkien-Gillett: Translating Beowulf for our Times Reviews Gideon Nisbet: After Fame: The Epigrams of Martial, by Sam Riviere Sarah Carter: Ovid and Adaptation in Early Modern English Theatre, edited by Lisa S. Starks; Ovidian Transversions: Iphis and Ianthe, 1300-1650, edited by Valerie Traub, Patricia Badir, and Peggy McCracken Carla Suthren: Xenophon: Cyropaedia, translated by William Barker, edited by Jane Grogan James Simpson: The Song of Roland: A Verse Translation, by Anthony Mortimer Jonathan Evans: Zola and the Art of Television: Adaptation, Recreation, Translation, by Kate Griffiths Ritchie Robertson: Karl Kraus: The Third Walpurgis Night: The Complete Text, translated by Fred Bridgham and Edward Timms Enza De Francisci: Celebrity Translation in British Theatre: Relevance and Reception, Voice and Visibility, by Robert Stock Catherine Davies: Ten Contemporary Spanish Women Poets, edited and translated by Terence Dooley Céline Sabiron: Translation et violence, by Tiphaine Samoyault Marjorie Huet-Martin: Textuality and Translation, edited by Catherine Chavin and Céline Sabiron Volume
    [Show full text]
  • History of Poetry and Prose Categories
    History of Poetry and Prose Categories 2010 – 2013 Poetry Categories A. A New Voice in Poetry. Explores contemporary poetry; Perform a published poem, multiple poems or excerpts of poems - no more than 6 - written by one poet born 1960 or after. Poetry can be woven. B. My Voice Through Poetry. Perform a theme-centered program using at least 2 poems by at least two poets. No more than 6 poems. May be woven. No anonymous. 2010 – 2013 Prose Categories A. Generation X, Y and Beyond. Perform a single prose selection by one author born in 1960 or after. B. In the News. Perform a single prose selection or program of prose related to a significant news story – fiction or nonfiction, written by one author or a collaborative work by 2 or more authors. Can be woven but no more than 4 prose selections used. 2007 – 2010 Poetry Categories A. Exploring Excellence in Poetry. Perform a published poem, multiple poems, or excerpts of poems, written by an award-winning poet. Approved award list designated. B. Exploring Poetry. Perform a single poem or excerpt of a poem by one poet; or perform a thematic collection of up to six poems by one or more poets. The thematic collection may be woven or it may incorporate transitions without weaving. 2007 – 2010 Prose Categories A. Exploring the Southern Experience. Author shall be born in one of the following states: Alabama, Arkansas, Florida, Georgia, Louisiana, Kentucky, Mississippi, North Carolina, South Carolina, Tennessee, Virginia, or West Virginia. B. Exploring Prose Fiction. Piece of prose fiction and the literary work may be written by a single author or be a collaborative work by two or more authors.
    [Show full text]