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If You Like My Ántonia, Check These Out!
If you like My Ántonia, check these out! This event is part of The Big Read, an initiative of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and Arts Midwest. Other Books by Cather About Willa Cather Alexander's Bridge (CAT) Willa Cather: The Emerging Voice Cather's first novel is a charming period piece, a love by Sharon O'Brien (920 CATHER, W.) story, and a fatalistic fable about a doomed love affair and the lives it destroys. Willa Cather: A Literary Life by James Leslie Woodress (920 CATHER, W.) Death Comes for the Archbishop (CAT) Cather's best-known novel recounts a life lived simply Willa Cather: The Writer and her World in the silence of the southwestern desert. by Janis P. Stout (920 CATHER, W.) A Lost Lady (CAT) Willa Cather: The Road is All This Cather classic depicts the encroachment of the (920 DVD CATHER, W.) civilization that supplanted the pioneer spirit of Nebraska's frontier. My Mortal Enemy (CAT) First published in 1926, this is Cather's sparest and most dramatic novel, a dark and oddly prescient portrait of a marriage that subverts our oldest notions about the nature of happiness and the sanctity of the hearth. One of Ours (CAT) Alienated from his parents and rejected by his wife, Claude Wheeler finally finds his destiny on the bloody battlefields of World War I. O Pioneers! (CAT) Willa Cather's second novel, a timeless tale of a strong pioneer woman facing great challenges, shines a light on the immigrant experience. -
AP English Literature and Composition: Study Guide
AP English Literature and Composition: Study Guide AP is a registered trademark of the College Board, which was not involved in the production of, and does not endorse, this product. Key Exam Details While there is some degree of latitude for how your specific exam will be arranged, every AP English Literature and Composition exam will include three sections: • Short Fiction (45–50% of the total) • Poetry (35–45% of the total) • Long Fiction or Drama (15–20% of the total) The AP examination will take 3 hours: 1 hour for the multiple-choice section and 2 hours for the free response section, divided into three 40-minute sections. There are 55 multiple choice questions, which will count for 45% of your grade. The Free Response writing component, which will count for 55% of your grade, will require you to write essays on poetry, prose fiction, and literary argument. The Free Response (or “Essay” component) will take 2 hours, divided into the three sections of 40 minutes per section. The course skills tested on your exam will require an assessment and explanation of the following: • The function of character: 15–20 % of the questions • The psychological condition of the narrator or speaker: 20–25% • The design of the plot or narrative structure: 15–20% • The employment of a distinctive language, as it affects imagery, symbols, and other linguistic signatures: 10–15% • And encompassing all of these skills, an ability to draw a comparison between works, authors and genres: 10–15 % The free response portion of the exam will test all these skills, while asking for a thesis statement supported by an argument that is substantiated by evidence and a logical arrangement of the salient points. -
Alice Walker's the Color Purple
Alice Walker's The Color Purple RUTH EL SAFFAR, University of Illinois Alice Walker's The Color Purple (1982) is the work that has made a writer who has published consistently good writing over the past decade and a half into some thing resembling a national treasure. Earlier works, like her collection of short stories, In Love and Trouble (1973), and her poems, collected under the title Revo lutionary Petunias and Other Poems (1973), have won awards.' And there are other novels, short stories, poems, and essays that have attracted critical attention.2 But with The Color Purple, which won both the American Book Award and the Pulitzer Prize, Alice Walker has made it onto everyone's reading list, bringing into our consciousness with clarity and power the long-submerged voice of a black woman raised southern and poor. Although Celie, the novel's principal narrator/character, speaks initially from a deeply regional and isolated perspective, both she and the novel ultimately achieve a vision which escapes the limitations of time and space. The Color Purple is a novel that explores the process by which one discovers one's essential value, and learns to claim one's own birthright. It is about the magical recovery of truth that a world caught in lies has all but obscured. Shug Avery, the high-living, self-affirming spirit through whom the transfor mation of the principal narrator/character takes place reveals the secret at a crucial point: "God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. -
University Interscholastic League Literary Criticism Contest • Invitational a • 2021
University Interscholastic League Literary Criticism Contest • Invitational A • 2021 Part 1: Knowledge of Literary Terms and of Literary History 30 items (1 point each) 1. A line of verse consisting of five feet that char- 6. The repetition of initial consonant sounds or any acterizes serious English language verse since vowel sounds in successive or closely associated Chaucer's time is known as syllables is recognized as A) hexameter. A) alliteration. B) pentameter. B) assonance. C) pentastich. C) consonance. D) tetralogy. D) resonance. E) tetrameter. E) sigmatism. 2. The trope, one of Kenneth Burke's four master 7. In Greek mythology, not among the nine daugh- tropes, in which a part signifies the whole or the ters of Mnemosyne and Zeus, known collectively whole signifies the part is called as the Muses, is A) chiasmus. A) Calliope. B) hyperbole. B) Erato. C) litotes. C) Polyhymnia. D) synecdoche. D) Urania. E) zeugma. E) Zoe. 3. Considered by some to be the most important Irish 8. A chronicle, usually autobiographical, presenting poet since William Butler Yeats, the poet and cele- the life story of a rascal of low degree engaged brated translator of the Old English folk epic Beo- in menial tasks and making his living more wulf who was awarded the 1995 Nobel Prize for through his wit than his industry, and tending to Literature is be episodic and structureless, is known as a (n) A) Samuel Beckett. A) epistolary novel. B) Seamus Heaney. B) novel of character. C) C. S. Lewis. C) novel of manners. D) Spike Milligan. D) novel of the soil. -
Reading List Gr 11-12
Thirty-three Books (and One Book of Poetry) We Love Sandia Prep English Department Suggested Reading List for students entering 11th and 12th grades Animal Dreams, Barbara Kingsolver In this provocative look at a young woman returning home to face her past and her need for a renewed sense of purpose, Kingsolver weaves Native American legends with environmental issues and with a search for love and identity. Anna Karenina, Leo Tolstoy The novel’s opening line is justly famous: “Happy families are all alike; every unhappy family is unhappy in its own way.” Here Tolstoy explores two characters’ very different ways of seeking meaning in their lives, one through a passionate love affair, the other through a commitment to family and to work. Arranged Marriage, Chitra Divakaruni In the collection of short stories, Divakaruni explores the lives and problems of several Indian women who struggle to adapt to new situations while maintaining their ties to traditional beliefs and habits. As I Lay Dying, William Faulkner Often called Faulkner’s most accessible novel, the work has a simple story line—that of a husband seeking to give his wife the burial she wished for—but it is told through the viewpoints of several characters. A fascinating and often comedic look at people’s hopes and delusions, their passions and compromises. The Blind Assassin, Margaret Atwood Here Canadian author Atwood examines a family over time, each member caught in a social tapestry of power and of current events and many searching to understand a tragic earlier event. Breakfast of Champions, Kurt Vonnegut Vonnegut, a great American man of letters, introduces us to a world of American values circa 1973. -
1 Fordham Center on Religion and Culture
The Fordham Center On Religion and Culture 1 www.fordham.edu/CRC Fordham Center on Religion and Culture UNTO DUST: A LITERARY WAKE October 15, 2015 Fordham University | Lincoln Center E. Gerald Corrigan Conference Center | 113 W. 60th Street Panelists: Alice McDermott National Book Award-Winning Novelist and Author of Charming Billy, After This, and Someone Thomas Lynch Undertaker, Poet, Essayist and Author of The Good Funeral: Death, Grief and the Community of Care (with Thomas G. Long) and The Sin-Eater: A Breviary JAMES McCARTIN: Good evening. Welcome to Fordham. I am Jim McCartin, Director of the Fordham Center on Religion and Culture. I have to say that it is a particular thrill for me tonight to welcome here all of you, to be part of this conversation between the two very best people I could think of to discuss our mortal end. It is a topic that, I have to admit, I can never get enough of. It was at the tender age of eight that I began one of my still-favorite pastimes, which is to say, scouring the obituaries. In my perhaps somewhat peculiar point of view as a fully grown adult now, I contend that there are few things more satisfying than a proper funeral. Some will say — and perhaps McDermott and Lynch will agree with this — that my interest in death and in its many permutations runs deep in my Irish American heritage. But for me I gather it is something more than just the peculiarities of my ancestral identity. In studying the death notices as a young kid, what I was really trying to figure out, I think, was how the families of my hometown of Troy, New York, formed webs of relation with one another — how they were connected, who they married or loved, what institutions and organization formed them into the ordinary and sometimes, rarely, extraordinary people that they were. -
The Color Purple: Shug Avery and Bisexuality
Reading Bisexually Acknowledging a Bisexual Perspective in Giovanni’s Room, The Color Purple, and Brokeback Mountain Maiken Solli A Thesis Presented to The Department of Literature, Area Studies and European Languages in partial Fulfillment of the Requirements for the Master’s Degree UNIVERSITY OF OSLO Spring Term 2012 II Reading Bisexually: Acknowledging a Bisexual Perspective in Giovanni’s Room, The Color Purple, and Brokeback Mountain By Maiken Solli A Thesis Presented to The Department of Literature, Area Studies and European Languages in partial Fulfillment of the Requirements for the Master’s Degree Supervisor: Rebecca Scherr UNIVERSITY OF OSLO Spring Term 2012 III IV © Maiken Solli 2012 Reading Bisexually: The Importance and Significance of Acknowledging a Bisexual Perspective in Fictional Literature Maiken Solli Supervisor: Rebecca Scherr http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo V Abstract In literary theory, literary criticism and in the Western literary canon there is evidence of an exclusion or erasure of a bisexual perspective, and this has also been the case within much of the written history of sexuality and theory, relating to gender, sexuality and identity. This thesis examines and analyses three literary classics; ‘Giovanni’s Room’ by James Baldwin, Alice Walker’s ‘The Color Purple,’ and ‘Brokeback Mountain’ by Annie Proulx, from a bisexual perspective. I have sought out to reveal, emphasize, and analyze bisexual elements present in the respective texts from a bisexual literary standpoint. This aspect of the texts has been ignored by most critics, and I believe it is paramount to begin to acknowledge the importance and significance of reading bisexually. -
Hollinghurst, Alan (B
Hollinghurst, Alan (b. 1954) by Raymond-Jean Frontain Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com Alan Hollinghurst. Photograph by Robert Alan Hollinghurst has been as warmly celebrated for his elegant prose style and subtle Taylor. representations of moral ambiguities, as he has been criticized by gay and straight Image courtesy readers alike for his frank representations of casual gay sex. In recent years he has Bloomsbury USA. emerged as the most important gay novelist in Great Britain since E. M. Forster. Hollinghurst extends the narrative tradition inaugurated by Christopher Isherwood and developed most significantly by Edmund White in which a character's gayness is simply a given in the novel, forcing the reader to adjust his or her expectations accordingly. Hollinghurst neither idealizes nor melodramatizes his characters' experiences, but dares to present the emotional complexities of everyday gay life in all of their mundanity. Hollinghurst possesses a sharp eye for social excesses and for the individual's propensity for self-delusion. His satiric impulse is tempered by a lyrical gift that renders many passages poems in prose. In Hollinghurst's novels, an exquisite aesthetic sensibility is conjoined with what Hollinghurst himself terms an acceptance of sex as "an essential thread running through everything . in a person's life." Were Marcel Proust or Ronald Firbank able to impose his style upon the subject matter of Jean Genet, the result would read like Hollinghurst's fiction. Biography Hollinghurst was born on May 26, 1954, into an economically comfortable, politically conservative household in Stroud, Gloucestershire. -
TALK SERIES Updated February 2013
TALK SERIES updated February 2013 To schedule a book series for your local library, senior center, historical society, or other Kansas nonprofit community organization, visit www.kansashumanities.org. Questions? Contact Leslie Von Holten, [email protected], 785/357-0359. THE 1930s COMING OF AGE IN RURAL AMERICA All the King’s Men by Robert Penn Warren Farmer Boy by Laura Ingalls Wilder The Day of the Locust by Nathanael West Good Land by Bruce Bair Mules and Men by Zora Neale Hurston Nathan Coulter by Wendell Berry The Worst Hard Time by Timothy Egan Under the Feet of Jesus by Helena Maria Viramontes Winter Wheat by Mildred Walker AFRICAN-AMERICAN PERSPECTIVES The Autobiography of Malcolm X COMMUNITY: THE WAY WE LIVE The Fire Next Time by James Baldwin Bailey’s Cafe by Gloria Naylor I Know Why the Caged Bird Sings by Maya Angelou Mama Day by Gloria Naylor Praisesong for the Widow by Paule Marshall Cannery Row by John Steinbeck Race Matters by Cornel West Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg Their Eyes Were Watching God by Zora Neale Hurston The Milagro Beanfield War by John Nichols Snow Falling on Cedars by David Guterson AWARD WINNERS Charming Billy by Alice McDermott CONTEMPORARY IMMIGRATION Cold Mountain by Charles Frazier Breath, Eyes, Memory by Edwidge Danticat Gilead by Marilynne Robinson Caramelo by Sandra Cisneros Motherless Brooklyn by Jonathan Lethem Harbor by Lorraine Adams Typical American by Gish Jen BEFORE THE CIVIL WAR The All-True Travels and Adventures of Lidie Newton by Jane Smiley ENCOUNTERING ASIA The Englishman in Kansas by T. -
The American Jewishness in Philip Roth's Fiction—The Thematic Study
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 3, No. 2, pp. 313-317, February 2013 © 2013 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.3.2.313-317 The American Jewishness in Philip Roth’s Fiction—The Thematic Study of American Pastoral Ting Gao Shandong University of Finance and Economics, Ji Nan, China Abstract—As one of the most prominent living Jewish writers in contemporary American Literature, Philip Roth (1933- ) has been producing excellent works despite his 80-year-old age. He is a frequent subject of Chinese researchers, but among those literary studies of Philip Roth’s fiction, Jewishness is not a subject to be discussed much. One of the reasons is that as an ethnic term, Jewishness is ambiguous in perception. As Roth persists with his American stance in interviews, literary discussions on his Jewishness seems to be more ambiguous. Nevertheless, Roth does not deny his Jewish root, and Roth devotes his whole life writing with the subject of American Jewish life. In view of this, there is a Jewishness that exists in his fiction which best reflects his ethnic ethos as well as the characteristic position he holds as a Jew and American writer. In analyzing one of the Roth’s most important works in late-twentieth century, namely, American Pastoral, this thesis aims to put forward the idea that Jewishness exhibited in this fiction is Americanized Jewishness. Index Terms—Jewisheness, Americanized Jewishness, the American pastoral I. INTRODUCTION Generally speaking, Jewishness is regarded as an inherited and inherent trait which indicates an ancestral background or lineage to genetics. -
Bitter-Sweet Home: the Pastoral Ideal in African-American Literature, from Douglass to Wright
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2011 Bitter-Sweet Home: The Pastoral Ideal in African-American Literature, from Douglass to Wright Robyn Merideth Preston-McGee University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, North America Commons Recommended Citation Preston-McGee, Robyn Merideth, "Bitter-Sweet Home: The Pastoral Ideal in African-American Literature, from Douglass to Wright" (2011). Dissertations. 689. https://aquila.usm.edu/dissertations/689 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi BITTER-SWEET HOME: THE PASTORAL IDEAL IN AFRICAN-AMERICAN LITERATURE, FROM DOUGLASS TO WRIGHT by Robyn Merideth Preston-McGee Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2011 The University of Southern Mississippi BITTER-SWEET HOME: THE PASTORAL IDEAL IN AFRICAN-AMERICAN LITERATURE, FROM DOUGLASS TO WRIGHT by Robyn Merideth Preston-McGee May 2011 Discussions of the pastoral mode in American literary history frequently omit the complicated relationship between African Americans and the natural world, particularly as it relates to the South. The pastoral, as a sensibility, has long been an important part of the southern identity, for the mythos of the South long depended upon its association with a new “Garden of the World” image, a paradise dependent upon slave labor and a racial hierarchy to sustain it. -
Inter/View: Talks with America's Writing Women
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 Inter/View: Talks with America's Writing Women Mickey Pearlman Katherine Usher Henderson Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey and Henderson, Katherine Usher, "Inter/View: Talks with America's Writing Women" (1990). Literature in English, North America. 56. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/56 Inter/View Inter/View Talks with America's Writing Women Mickey Pearlman and Katherine Usher Henderson THE UNIVERSITY PRESS OF KENTUCKY PHOTO CREDITS: M.A. Armstrong (Alice McDermott), Jerry Bauer (Kate Braverman, Louise Erdrich, Gail Godwin, Josephine Humphreys), Brian Berman (Joyce Carol Oates), Nancy Cramp- ton (Laurie Colwin), Donna DeCesare (Gloria Naylor), Robert Foothorap (Amy Tan), Paul Fraughton (Francine Prose), Alvah Henderson (Janet Lewis), Marv Hoffman (Rosellen Brown), Doug Kirkland (Carolyn See), Carol Lazar (Shirley Ann Grau), Eric Lindbloom (Nancy Willard), Neil Schaeffer (Susan Fromberg Schaeffer), Gayle Shomer (Alison Lurie), Thomas Victor (Harriet Doerr, Diane Johnson, Anne Lamott, Carole