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On This Date Daily Trivia Happy Birthday! Quote of The
THE TUESDAY, DECEMBER 15, 2020 On This Date 1488 – With his arrival in Quote of the Day Portugal, Bartolomeu Dias became “Woodstock was both a the first known European to peaceful protest and a successfully sail around the Cape of global celebration.” Good Hope. ~ Richie Havens, 1791 – With Virginia’s vote, the Woodstock opening act United States Bill of Rights was ratified, becoming the first 10 amendments to the Constitution. Happy Birthday! 1903 – New York City Max Yasgur (1919–1973) was not street vendor Italo just a simple dairy farmer. By the 1960s, Marchiony received a he was the largest milk producer in patent for a device that Sullivan County, New York. When molded ice-cream cones. he offered one of his fields to host the Woodstock Music Festival, he had 1944 – Somewhere over the English no idea that he was setting the stage Channel, a plane carrying Major for the largest countercultural event Glenn Miller went missing. The in American history. In fact, Yasgur singer was on his way to lead his was a Republican Air Force Band in a concert. and supporter of Daily Trivia the Vietnam War. However, Yasgur Truffles, the darling of the food was also a believer scene, grow on the roots of truffle in free speech and oaks. They come in three colors. so supported young Black truffles are generally from people in defining themselves. He France, white are generally from once said, “If the generation gap is Italy, and gray can be found to be closed, we older people have to in North America. -
Texas Beaches Face Tragedy Meadow Lane
PAGE SIXTEEN - EVENING HERALD, Tues., August 7, 1979 Area Students Metric Is the Way Piflraguay Aims to Annul Woodstock Generation: Violent Lightning StormStorr Pair of Arms Feature Finish Course Where Are They Now? Claims Traffic Signals Boston Red Sox Win ■AT. iiF But Costs Too Much Rights of War Criminal To Aid Nurses Page$ 6, 7 Page 10 - Page 11 WALTHAM, Mass. (UPI) - While I can’t believe they couldn’t learn in Page 2 MANCHESTER - Six area high Ny the debate continues over whether less than a month." school students recently completed America would lose or benefit by And so Webster dismissed the peo Manchester Memorial Hospital's converting Inches to centimeters; ple problem in metric conversion. High School Nurse Aide program and miles to kilometers; and quarts to And in testimony before the U.S. are now employed as aides on the liters, the president of a small Metric Board in June, he discounted iiaitrhpHtpr hospital's various patient care units. problems with capital equipment as The four-week voluntary course Massachussetts firm which manufac tures machine tools has already well. Clearing Today, was taught by the hospital's In- decided metric is the answer. “Our production machinery is Service Education Department and But the costs of metric conversion almost all numerically controlled or Sunny Tomorrow required nearly 105 hours of intensive have caused him to hold back, at equipped with digital readouts, which training in the basic skills for care of least for the time being. are easily converted to metrics,” he Detalle on page 2 the ill. -
Andy Arleo Université De Nantes (CRINI)
LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ P --------- / CP060727 / CP060727 20th Anniversary Notes: The original art, done by Gary Grimshaw for ArtRock Gallery, in San Francisco Benefit: First American Tour 1969 Artist: Gary Grimshaw Promoter: Artrock Items: Original poster / CP060727 / CP060727 (11 x 17) Performers: : Led Zeppelin ------------------------------ GBR-G/G 1966 T-1 --------- 1966 / GBR G/G CP010035 / CS05131 Free Ticket for Grande Ballroom Notes: Grande Free Pass The "Good for One Free Trip at the Grande" pass has more than passing meaning. It was the key to distributing the Grande postcards on the street and in schools. Volunteers, mostly high-school-aged kids, would get a stack of cards to pass out, plus a free pass to the Grande for themselves. Russ Gibb, who ran the Grande Ballroom, says that this was the ticket, so to speak, to bring in the crowds. While posters in Detroit did not have the effect that posters in San Francisco had, and handbills were only somewhat better, the cards turned out to actually work best. These cards are quite rare. Artist: Gary Grimshaw Venue: Grande Ballroom Promoter: Russ Gibb Presents Items: Ticket GBR-G/G Edition 1 / CP010035 / CS05131 Performers: 1966: Grande Ballroom ------------------------------ GBR-G/G P-01 (H-01) 1966-10-07 P-1 -- ------- 1966-10-07 / GBR G/G P-01 (H-01) CP007394 / CP02638 MC5, Chosen Few at Grande Ballroom - Detroit, MI Notes: Not the very rarest (they are at lest 12, perhaps as 15-16 known copies), but this is the first poster in the series, and considered more or less essential. -
Barefoot in Babylon the Creation of the WOODSTOCK MUSIC FESTIVAL,1969
Barefoot in Babylon The Creation of the WOODSTOCK MUSIC FESTIVAL,1969 BOB SPITZ A PLUME BOOK 22480 9780142180877_BarefootInBa_FM.indd 3 22480 3/10/14 8:09 AM Introduction to the 2014 Edition t’s taken all of forty- five earsy to get the mud out of our pores, but there are Isome things about Woodstock that won’t wash away. Forget about the vibe; vibes come and go. The effects of the brown acid have finally worn off. Peace and love? A noble, albeit archaic, concept. They even managed to get traffic moving on the New York State Thruway again— though just barely. Yet for all the event’s remnants eroded by time, Woodstock remains the cynosure of a generation with a conflicted identity. A great many hippies morphed into a species that swapped their bellbot- toms for a Prada suit, their VW vans for a BMW SUV, and spare change for a 401(k). Others craving more civil liberties became libertarians, while those prophesying free love wound up prostrate, in divorce court. Who of us vow- ing to share the land ever suspected we’d land a jumbo mortgage? Or vote for a guy who pledged to end welfare (well, maybe not him)? In any case, a lot of screwy stuff has come down the pike. Boomers persist in embracing Woodstock as a warm, fuzzy keepsake; a special moment from their past that continues to burn in their loins like a first love. There is ample justification for it. Woodstock sets them apart from earlier generations that followed a narrow, buttoned- down script for their lives. -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
BOLD CHOICES “May Your Choices Reflect Your Hopes and Not Your Fears.” - Nelson Mandela
IFEA PRESIDENT’S LETTER BY STEVEN WOOD SCHMADER, CFEE BOLD CHOICES “May your choices reflect your hopes and not your fears.” - Nelson Mandela ’d like to start this article by remembering our friends and professional colleagues with the Gilroy Garlic Festival. Execu- tive Director of the festival, Brian Bowe, sent his appreciation to all of us in the IFEA family for our thoughts and support in Ithe wake of the tragic mass shooting at his event on July 28th. And while it has only been 3 1/2 months since that horrible occurrence, the number of additional shootings and tragedies, at other soft-target venues and locations, since that time, can make it feel like an eternity has passed. But to so quickly allow ourselves and others to become accepting of that, as an almost expected and natural occurrence, while waiting for the next unthinkable headline, is unacceptable. We continued to hold multiple sessions at this year’s IFEA Convention, which is also becoming almost the norm each year, to address what we may all do to protect our events and our stakeholders moving forward; and while we will ask everyone in our industry to continue working closely with your law enforcement officials, insurance carriers, professional peers and city management to take every step possible to protect against future tragedies, please remember to let your government and political representatives – at at every level - know that this is unacceptable and that we expect them to take common-sense action to help stem, slow and stop this long-running and expanding pattern that runs in direct conflict with what our events are created to do – to provide safe, welcoming and inclusive participation by all attendees, while celebrating who we are when we are at our best. -
Table of Contents (PDF)
Defining Moments Woodstock Kevin Hillstrom and Laurie Collier Hillstrom 155 W. Congress, Suite 200 Detroit, MI 48226 Table of Contents Preface . .vii How to Use This Book . .xi Research Topics for Defining Moments: Woodstock . .xiii Narrative Overview Prologue . 3 Chapter 1: American Culture in the 1960s . 7 Chapter 2: Music Drives Social Change . 23 Chapter 3: Planning for an Epic Concert . 37 Chapter 4: The Music at Woodstock . 53 Chapter 5: The Scene at Woodstock . 69 Chapter 6: After Woodstock . 83 Chapter 7: The Legacy of Woodstock . 99 Biographies Joan Baez (1941-) . 115 Folksinger, Political Activist, and Woodstock Performer Bob Dylan (1941-) . 119 Influential Rock and Folk Music Singer-Songwriter Jimi Hendrix (1942-1970) . 124 Rock and Roll Guitarist and Performer at Woodstock Artie Kornfeld (1942-) . 128 Woodstock Promoter and Recording Industry Executive v Defining Moments: Woodstock Michael Lang (1944-) . 131 Concert Promoter and Co-founder of the Woodstock Music and Art Fair John Roberts (1945-2001) . 135 Woodstock Promoter and Business Entrepreneur Hugh “Wavy Gravy” Romney (1936-) . 138 Leader of the Hog Farm Commune and Social Activist Joel Rosenman (1942-) . 142 Woodstock Promoter and Business Entrepreneur Michael Wadleigh (1942-) . 145 Documentary Filmmaker Who Directed Woodstock Max Yasgur (1919-1973) . 149 Owner of Yasgur Farms and Host of the Woodstock Festival Primary Sources Historian Arthur Schlesinger Jr. Predicts the “Mood” of the 1960s . 155 Michael Lang Recalls the Frantic Search for a New Concert Site . 162 Breakfast in Bed for 400,000 . 167 Rocking Out with Santana at Woodstock . 170 Bad Memories of Woodstock . 176 A Military Veteran Remembers the Festival . -
Garrett Stack's American Jukebox®Originating on WMNR Fine Arts
Originating on WMNR Fine Arts Radio [email protected] Playlist Program archived 24-48 hours after broadcast. Can be heard free of charge. Garrett Stack’s American Jukebox® Public Radio Exchange > exchange.prx.org > American Jukebox Show #: 292PRX Broadcast Date: August 17, 2019 Time:16:00 - 18:00 # Selections: 27 Since 2006 – Celebrating Classic Pop, Rock & Soul from the ‘50s, ‘60s and ‘70s American Jukebox® Theme Song Credit: “What Did You Do With Your Old 45’s,” Bobby Vinton, Bobby Vinton’s Greatest Hits, Curb Records, 1989. By Pam A. Hanna & George Pickard. Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 5:08 Louis Gossett, Jr/Richie Havens Handsome Johnny - LIVE Richie Havens Woodstock Artists iTunes/Amazon 1969 These are artists who sang at Woodstock and sang many of these songs. But, these are not RKV Woodstock 0:37 1 2019 8/17/19 the live recordings from the 1969 Woodstock Festival. 02 2:44 Tim Hardin If I Were A Carpenter Tim Hardin The Best Of Time Hardin - The Millenium UMG/Motown 1969 An iTunes download, 8/17/19. All tracks on this CD circa 1969. Find more info. CDFK Hardin 0:14 08 2002 8/17/19 Collection 03 2:00 Tim Hardin Reason To Believe Tim Hardin The Best Of Time Hardin - The Millenium UMG/Motown 1969 An iTunes download, 8/17/19. All tracks on this CD circa 1969. Find more info. CDFK Hardin 0:06 03 2002 8/17/19 Collection 04 4:25 Bob Dylan Mr. -
Camp Winnarainbow Provides a Here's Grace's Full Description: Counselor at the Camp
Teaching, Entertaining, Educating and Empowering Children through the Arts Camp nurtures and develops a com- munity that reflects the world in which children will grow up. While campers benefit from a wide variety of fun and stimulating activities – trapeze, drama, nature hikes, hip-hop dance, and po- etry just to name a few -- they also gain an appreciation for differences as they live among children who come from all kinds of backgrounds. It is the Camp’s conviction that they can then become the catalysts for social change and have a positive effect on the future. “This place brings out your talent, it makes better people," says one young camp counselor. "It's neat seeing kids taking home these talents and skills. If you can stand up in front of 100 peo- ple and perform, you can do a whole . Continued from page One “In that next month, I stopped expecting the lot better dealing one on one." The Grace and Joy Scholarship Program worst and instead, for the first time in my life, The "Life Show" I felt free to be a child. Besides learning to Twenty-five percent of the camp’s five ses- ÌWe work to create a living envi- sions with 700 children, ages 7-14 years old, swim, stilt walk and juggle, I also picked up ronment of love, safety and har- come through this scholarship program. They life skills without even realizing it . how to mony. are economically disadvantaged children - channel my feelings of frustration and anger Ì kids from homeless shelters, foster care and into more positive avenues . -
For Immediate Release
FOR IMMEDIATE RELEASE presents A TESTAMENT TO THE SHEER JOY OF LIVING A LIFE OF SERVICE TO HUMANKIND AND OUR PLANET THE WAVY GRAVY MOVIE: SAINT MISBEHAVIN' RELEASES NOVEMBER 15 ON DIGITAL AND DVD An unforgettable trip through the extraordinary life of a poet, clown, activist and FUNdraiser “’Saint Misbehavin’’ is an unabashed love letter to the world that defies the cynicism of our age.” – The New York Times September 19, 2011 – “Some people tell me I’m a saint, I tell them I’m Saint Misbehavin’.” Poet, activist, entertainer, clown. These are a few ways to describe Wavy Gravy, an activist and prominent figure during the Woodstock era who continues to spread a message that we can make a difference in the world and have fun doing it! THE WAVY GRAVY MOVIE paints a moving and surprising portrait of his lifelong passion for peace, justice and understanding. The film features extensive verité footage and interviews with Wavy telling his own stories: from communal life with The Hog Farm, to his circus and performing arts camp, Camp Winnarainbow, to the epic cross-continent bus trip through Europe and South Asia that led to the founding of the Seva Foundation. Award-winning director Michelle Esrick weaves together this compelling film with rare footage from key events: Greenwich Village beat poets and folk music, Woodstock, non- violent protests, and many seminal moments of the ‘60s and ‘70s, and Wavy’s present day life. The Gaslight Café The year was 1958. The Vietnam War had just begun. Born as Hugh Romney, Wavy commanded the stage as a poet, comedian “tongue dancer,” and MC at The Gaslight Café in New York City’s Greenwich Village. -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar.