On This Date Daily Trivia Happy Birthday! Quote of The

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THE

TUESDAY, DECEMBER 15, 2020

On This Date
Quote of the Day

1488 – With his arrival in

Portugal, Bartolomeu Dias became the ﬁrst known European to successfully sail around the Cape of Good Hope.

“Woodstock was both a peaceful protest and a global celebration.”

~ Richie Havens,
Woodstock opening act

1791 – With Virginia’s vote, the

United States Bill of Rights was ratiﬁed,

becoming the ﬁrst 10 amendments to the Constitution.

Happy Birthday!

1903 – New York City
Max Yasgur (1919–1973) was not

justasimpledairyfarmer.Bythe1960s,

he was the largest milk producer in Sullivan County, New York. When he oﬀered one of his ﬁelds to host the Woodstock Music Festival, he had no idea that he was setting the stage for the largest countercultural event in American history. In fact, Yasgur was a Republican

street
vendor
Italo

Marchiony received a patent for a device that molded ice-cream cones.

1944 – Somewhere over the English Channel, a plane carrying Major Glenn Miller went missing. The singer was on his way to lead his Air Force Band in a concert. and supporter of

the Vietnam War. However, Yasgur

Daily Trivia

Truffles, the darling of the food scene, grow on the roots of truffle oaks. They come in three colors. Black truffles are generally from France, white are generally from
Italy, and gray can be found in North America. was also a believer in free speech and so supported young people in defining themselves. He once said, “If the generation gap is to be closed, we older people have to do more than we have done.”

Recommended publications

Barefoot in Babylon the Creation of the WOODSTOCK MUSIC FESTIVAL,1969

Barefoot in Babylon The Creation of the WOODSTOCK MUSIC FESTIVAL,1969 BOB SPITZ A PLUME BOOK 22480 9780142180877_BarefootInBa_FM.indd 3 22480 3/10/14 8:09 AM Introduction to the 2014 Edition t’s taken all of forty- five earsy to get the mud out of our pores, but there are Isome things about Woodstock that won’t wash away. Forget about the vibe; vibes come and go. The effects of the brown acid have finally worn off. Peace and love? A noble, albeit archaic, concept. They even managed to get traffic moving on the New York State Thruway again— though just barely. Yet for all the event’s remnants eroded by time, Woodstock remains the cynosure of a generation with a conflicted identity. A great many hippies morphed into a species that swapped their bellbot- toms for a Prada suit, their VW vans for a BMW SUV, and spare change for a 401(k). Others craving more civil liberties became libertarians, while those prophesying free love wound up prostrate, in divorce court. Who of us vow- ing to share the land ever suspected we’d land a jumbo mortgage? Or vote for a guy who pledged to end welfare (well, maybe not him)? In any case, a lot of screwy stuff has come down the pike. Boomers persist in embracing Woodstock as a warm, fuzzy keepsake; a special moment from their past that continues to burn in their loins like a first love. There is ample justification for it. Woodstock sets them apart from earlier generations that followed a narrow, buttoned- down script for their lives.
BOLD CHOICES “May Your Choices Reflect Your Hopes and Not Your Fears.” - Nelson Mandela

IFEA PRESIDENT’S LETTER BY STEVEN WOOD SCHMADER, CFEE BOLD CHOICES “May your choices reflect your hopes and not your fears.” - Nelson Mandela ’d like to start this article by remembering our friends and professional colleagues with the Gilroy Garlic Festival. Execu- tive Director of the festival, Brian Bowe, sent his appreciation to all of us in the IFEA family for our thoughts and support in Ithe wake of the tragic mass shooting at his event on July 28th. And while it has only been 3 1/2 months since that horrible occurrence, the number of additional shootings and tragedies, at other soft-target venues and locations, since that time, can make it feel like an eternity has passed. But to so quickly allow ourselves and others to become accepting of that, as an almost expected and natural occurrence, while waiting for the next unthinkable headline, is unacceptable. We continued to hold multiple sessions at this year’s IFEA Convention, which is also becoming almost the norm each year, to address what we may all do to protect our events and our stakeholders moving forward; and while we will ask everyone in our industry to continue working closely with your law enforcement officials, insurance carriers, professional peers and city management to take every step possible to protect against future tragedies, please remember to let your government and political representatives – at at every level - know that this is unacceptable and that we expect them to take common-sense action to help stem, slow and stop this long-running and expanding pattern that runs in direct conflict with what our events are created to do – to provide safe, welcoming and inclusive participation by all attendees, while celebrating who we are when we are at our best.
Table of Contents (PDF)

Defining Moments Woodstock Kevin Hillstrom and Laurie Collier Hillstrom 155 W. Congress, Suite 200 Detroit, MI 48226 Table of Contents Preface . .vii How to Use This Book . .xi Research Topics for Defining Moments: Woodstock . .xiii Narrative Overview Prologue . 3 Chapter 1: American Culture in the 1960s . 7 Chapter 2: Music Drives Social Change . 23 Chapter 3: Planning for an Epic Concert . 37 Chapter 4: The Music at Woodstock . 53 Chapter 5: The Scene at Woodstock . 69 Chapter 6: After Woodstock . 83 Chapter 7: The Legacy of Woodstock . 99 Biographies Joan Baez (1941-) . 115 Folksinger, Political Activist, and Woodstock Performer Bob Dylan (1941-) . 119 Influential Rock and Folk Music Singer-Songwriter Jimi Hendrix (1942-1970) . 124 Rock and Roll Guitarist and Performer at Woodstock Artie Kornfeld (1942-) . 128 Woodstock Promoter and Recording Industry Executive v Defining Moments: Woodstock Michael Lang (1944-) . 131 Concert Promoter and Co-founder of the Woodstock Music and Art Fair John Roberts (1945-2001) . 135 Woodstock Promoter and Business Entrepreneur Hugh “Wavy Gravy” Romney (1936-) . 138 Leader of the Hog Farm Commune and Social Activist Joel Rosenman (1942-) . 142 Woodstock Promoter and Business Entrepreneur Michael Wadleigh (1942-) . 145 Documentary Filmmaker Who Directed Woodstock Max Yasgur (1919-1973) . 149 Owner of Yasgur Farms and Host of the Woodstock Festival Primary Sources Historian Arthur Schlesinger Jr. Predicts the “Mood” of the 1960s . 155 Michael Lang Recalls the Frantic Search for a New Concert Site . 162 Breakfast in Bed for 400,000 . 167 Rocking Out with Santana at Woodstock . 170 Bad Memories of Woodstock . 176 A Military Veteran Remembers the Festival .
Garrett Stack's American Jukebox®Originating on WMNR Fine Arts

Originating on WMNR Fine Arts Radio [email protected] Playlist Program archived 24-48 hours after broadcast. Can be heard free of charge. Garrett Stack’s American Jukebox® Public Radio Exchange > exchange.prx.org > American Jukebox Show #: 292PRX Broadcast Date: August 17, 2019 Time:16:00 - 18:00 # Selections: 27 Since 2006 – Celebrating Classic Pop, Rock & Soul from the ‘50s, ‘60s and ‘70s American Jukebox® Theme Song Credit: “What Did You Do With Your Old 45’s,” Bobby Vinton, Bobby Vinton’s Greatest Hits, Curb Records, 1989. By Pam A. Hanna & George Pickard. Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 5:08 Louis Gossett, Jr/Richie Havens Handsome Johnny - LIVE Richie Havens Woodstock Artists iTunes/Amazon 1969 These are artists who sang at Woodstock and sang many of these songs. But, these are not RKV Woodstock 0:37 1 2019 8/17/19 the live recordings from the 1969 Woodstock Festival. 02 2:44 Tim Hardin If I Were A Carpenter Tim Hardin The Best Of Time Hardin - The Millenium UMG/Motown 1969 An iTunes download, 8/17/19. All tracks on this CD circa 1969. Find more info. CDFK Hardin 0:14 08 2002 8/17/19 Collection 03 2:00 Tim Hardin Reason To Believe Tim Hardin The Best Of Time Hardin - The Millenium UMG/Motown 1969 An iTunes download, 8/17/19. All tracks on this CD circa 1969. Find more info. CDFK Hardin 0:06 03 2002 8/17/19 Collection 04 4:25 Bob Dylan Mr.
Woodstock: 40 Years Down the Road and a Nation Lost

WOODSTOCK: 40 YEARS DOWN THE ROAD AND A NATION LOST Well, I came upon a child of God He was walking along the road And I asked him, Tell me, where are you going? This he told me Said, I’m going down to Yasgur’s Farm, Gonna join in a rock and roll band. Got to get back to the land and set my soul free. As you may have heard, we are on the precipice of the 40th anniversary of Woodstock. The famous, and infamous, cultural milestone took place down on Max Yasgur’s dairy farm outside of Bethel New York between August 15 and August 18, 1969. Thirty-two acts performed, during a sometimes rainy weekend, in front of nearly half a million concertgoers. The history and lore of Woodstock began immediately, it was clear to both those who loved it, and those who hated it, that it was a uniquely seminal moment. Well, then can I roam beside you? I have come to lose the smog, And I feel myself a cog in somethin’ turning. And maybe it’s the time of year, Yes and maybe it’s the time of man. And I don’t know who I am, But life is for learning. We are stardust, we are golden, We are billion year old carbon, And we got to get ourselves back to the garden. Something had happened. Something big and transformational. But what? The prevailing view seems to be that it was a symbol of the discord and unrest of the 60’s, the antiwar movement and the counterculture generation.
CNHI Woodstock 20190814

A half-century later, the mother of all music festivals still resonates ifty years after the fact, it still resonates with us. Tucked up in the Catskill Mountains, the Woodstock Music & Art Fair — promoted as “An Aquarian Exposition, Three Days of Peace and Music,” but known to one and all as simply Woodstock — took place in 1969 over three-plus days. From Friday, Aug. 15, through the morning of Monday, Aug. 18, dairy farmer Max Yasgur’s 600- acre parcel of land in Bethel, New York — forever immortalized in Joni Mitchell’s “Woodstock” (ironically, she wasn’t at the event itself) — became the epicenter of the music and cultural universe, a haven for 400,000-plus hippies, bohemians, music lovers and mem- bers of the counterculture. It began when folkie Richie Havens began strumming his gui- tar, kicking off the festival with Paul Gerry/Bethel Woods Collection “From the Prison.” Thirty-two more acts, about 66 hours and several rainstorms later, it ended when guitar god Jimi Hendrix capped off a stellar set with his rendition of “Hey Joe.” Thousands of cars were left stranded for miles and miles en route to the venue as concertgo- ers walked to their destination. Tickets for the festival were $18, but many attendees got in for free when the crowd more than tripled what organizers had anticipated. Dallas Taylor, the drummer for supergroup Crosby, Stills, Nash & Young (playing just its second-ever show), asked the helicopter pilot James Sarles/Bethel Woods Collection James Sarles/Bethel Woods Collection flying him to the event what body of More than 400,000 people descended on a dairy farm in Bethel, N.Y., for the concert held 50 years ago.
Yasgur Road Campground Business Plan Is a Simple One: Utilize an Existing Market to Its Full Potential

10/9/2017 YASGUR ROAD 10/9/2017 YASGURCAMPGROUND ROAD CAMPGROUNDBUSINESS PLAN BUSINESS PLAN JERYL ABRAMSON YASGUR ROAD PRODUCTIONS, LLC P.O. BOX 301 JERYL ABRAMSON BETHEL, NY 12720 YASGUR ROAD PRODUCTIONS,845-798 LLC-5906 P.O. BOX 301 BETHEL, NY 12720 845-798-5906 Overview “It’s time we got to Bethel” The Yasgur Road Campground Business Plan is a simple one: Utilize an existing market to its full potential. The Past Max Yasgur made history for the town of Bethel when he originally agreed to host the 1969 Woodstock Music and Arts Festival on his 38-acre alfalfa field. When the anticipated 40,000 attendees a day mushroomed into 500,000 for a week, the tiny hamlet of Bethel became ground zero for a legendary traffic jam that began in an unsuspecting farming community in upstate New York and ended 90 miles south in New York City. To briefly describe the scene as I witnessed it; it began as a gathering for peace, love and music, then quickly turned into a logistical nightmare for the overwhelmed community, then ended as a tribute to peace, love and music. After Woodstock, devotees and revelers returned to Bethel’s famous field annually to celebrate the spiritual force that originally brought them together. For the next 25 years or more, once a year, around the third week of August, Max Yasgur’s innocent alfalfa field became the unwitting host of these impromptu events. However, without proper organization, the gatherings became a burden to the community. The Present The original site of Woodstock is now The Bethel Woods Center for The Arts.
Fifty Years Ago Some 400,000 Young People Converged in a Field in Upstate New York for a Festival That Rocked the World

Fifty years ago some 400,000 young people converged in a field in upstate New York for a festival that rocked the world. Jim Shelley ’72 was there. Still is. BY KELLEY FREUND n a Saturday afternoon in late “What’s that spell?” but they decide to stick around when the April, the only sound in the Five times Country Joe asked the ques- woman selling tickets mentions a tour will O grassy bowl behind the Bethel tion, and five times the crowd sent its be starting in a few minutes. Woods Center for the Arts in Bethel, New response rumbling back across the field. So here they stand, facing a 10-by-20- York, is the occasional passing car. Some- A young man seated a couple hundred foot photograph pasted on the back wall times one stops, and a few people get out yards from the stage, headed into his that depicts thousands of people watch- to walk up a short slope, stare down at sophomore year at the University of Notre ing a sunrise. And as their guide starts his the field and read a plaque. But 50 years Dame, felt his ears pound with each word, spiel by announcing how much time they ago, on the weekend of August 15, 1969, as the exhalation of almost half a million can expect to spend wandering through the scene was different. For one thing, rock music fans moved the air and carried the 1960s, two volunteers near the en- it was muddier, but most important was the obscenity over the hills of Sullivan trance exchange glances and snicker.
Woodstock: the Creation and Evolution of a Myth

UNLV Retrospective Theses & Dissertations 1-1-1994 Woodstock: The creation and evolution of a myth Jo Raelene Sorrell University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Sorrell, Jo Raelene, "Woodstock: The creation and evolution of a myth" (1994). UNLV Retrospective Theses & Dissertations. 394. http://dx.doi.org/10.25669/hbla-mq2i This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microhlm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
Woodstock Played a Role in Sheboygan Life “Like Legions of Vagabond Soldiers”

Woodstock played a role in Sheboygan life “Like legions of vagabond soldiers”. that’s how the one and only Sheboygan Press article about Woodstock started its report. Technically known as the Woodstock Music Festival; An Aquarian Exposition: Three Days of Peace and Music, the event lasted for four hot and miserable days in August 1969. From August 15-18 more than 400,000 music lovers rolled onto farmland about 70 miles west of Poughkeepsie. The event was organized by four young men, the oldest of whom was only 27. That small group of guys dreamed of a recording studio and a retreat for rock musicians near the village of Woodstock, New York. It had to be a success they reasoned; after all, Bob Dylan and other musicians already lived there. But, capital was needed and a weekend rock concert was just the ticket to raise the money. It was hoped that 50,000 people would attend. A number of communities turned down the opportunity to host the event before dairy farmer, Max Yasgur, lawyer turned dairy farmer, gave the okay for use of his property. His 600-acre farm was perfectly suited for a concert venue. Its largest alfalfa field sloped into a natural amphitheater, complete with a lake as a backdrop. Yasgur was paid $75,000, about $500,000.00 today. He would grow to be a counterculture icon among the hippies and a pariah among the locals. The neighboring community was decidedly conservative in demeanor. Young people cut their hair short and wore clothing on all parts of their body, none of it tie-died.
Open THESIS FINAL.Pdf

THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FILM-VIDEO AND MEDIA STUDIES AUTHENTICITY AND COMMUNITY IN THE POSTMODERN SPECTACLE LOLLAPALOOZA AS ALTERNATIVE REPRESENTATION CREIG SMITH Spring 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Telecommunications with honors in Media Studies Reviewed and approved by the following: C. Michael Elavsky Assistant Professor of Media Studies Thesis Supervisor Jeanne Hall Associate Professor of Media Studies Honors Adviser Matt Jackson Associate Professor and Head of Department of Telecommunications Additional Reader * Signatures are on file in the Schreyer Honors College. ABSTRACT This paper broadly examines notions of authenticity and community as they intersect in the music industry, particularly through the concept of the music festival. In seeking to understand these concepts‟ relation to society, the paper briefly overviews some of the tenets of the theory of postmodernism that underlie notions of authenticity and community. These ideas often come in conflict with the dominant, spectacular representations in society. Next, in trying to apply these concepts as represented in the idea of the music festival, it maps the early framework of the original Lollapalooza festivals as notable breaks in the spectacle, defining authenticity and community in an era otherwise indifferent to those concepts. With its antecedent clearly mapped, the paper then examines the role of the reincarnated Lollapalooza festivals and its possibilities to expand on the original‟s framework. Arguing that the new Lollapalooza reveals the ways in which the alternative can be collapsed into the larger spectacle, the paper finally examines the corporate censorship of 2007 headliner Pearl Jam, and how this act stands as antithetical to the original festivals‟ intentions.
REMEMBERING WOODSTOCK the Museum at Bethel Woods Launches 1969 Woodstock Festival Media Archive

FOR IMMEDIATE RELEASE Contact: Emily Casey v.845.295.2522 [email protected] REMEMBERING WOODSTOCK The Museum at Bethel Woods Launches 1969 Woodstock Festival Media Archive BETHEL, NY (August 01, 2018) – Today The Museum at Bethel Woods, located at the National Register Historic Site of the 1969 Woodstock Music & Art Fair in Bethel, NY launched an online archive of Woodstock photography and video from its collection; making rare archival images available to the public for the first time on the eve of the festival’s 49th Anniversary. Part of Bethel Woods Center for the Arts, a 501c3 nonprofit cultural center located 90 miles from New York City, The Museum immerses visitors of all ages in the story of the societal evolution of the 1960s. Through engaging exhibits, artifacts, and programs guests are connected to the roots of today’s freedom of expression and resurgent human spirit that defined the politics, music, art and societal issues of that remarkable and challenging decade which culminated in the Woodstock festival. The 800-acre campus also includes an outdoor amphitheater with a capacity of 15,000, an indoor performance space, festivals and creative learning programs for all ages. The archive features iconic photos and video from almost 30 contributors including aerial photography of the massive crowd of 500,000 gathered on Max Yasgur’s farm, the iconic field and festival stage, infamous traffic, and festival attendees who gathered for three days and showed the world the power of peace, love, and music. It serves as a lens to explore the historic festival and is available for license and download for commercial, media, tourism, educational, and personal use providing a never-before available resource for the press, students, historians, documentarians, designers and advertisers in advance of the festival’s 50th Anniversary in 2019.