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Texas Beaches Face Tragedy Meadow Lane
PAGE SIXTEEN - EVENING HERALD, Tues., August 7, 1979 Area Students Metric Is the Way Piflraguay Aims to Annul Woodstock Generation: Violent Lightning StormStorr Pair of Arms Feature Finish Course Where Are They Now? Claims Traffic Signals Boston Red Sox Win ■AT. iiF But Costs Too Much Rights of War Criminal To Aid Nurses Page$ 6, 7 Page 10 - Page 11 WALTHAM, Mass. (UPI) - While I can’t believe they couldn’t learn in Page 2 MANCHESTER - Six area high Ny the debate continues over whether less than a month." school students recently completed America would lose or benefit by And so Webster dismissed the peo Manchester Memorial Hospital's converting Inches to centimeters; ple problem in metric conversion. High School Nurse Aide program and miles to kilometers; and quarts to And in testimony before the U.S. are now employed as aides on the liters, the president of a small Metric Board in June, he discounted iiaitrhpHtpr hospital's various patient care units. problems with capital equipment as The four-week voluntary course Massachussetts firm which manufac tures machine tools has already well. Clearing Today, was taught by the hospital's In- decided metric is the answer. “Our production machinery is Service Education Department and But the costs of metric conversion almost all numerically controlled or Sunny Tomorrow required nearly 105 hours of intensive have caused him to hold back, at equipped with digital readouts, which training in the basic skills for care of least for the time being. are easily converted to metrics,” he Detalle on page 2 the ill. -
A Cultural Justice Approach to Popular Music Heritage in Deindustrialising Cities
International Journal of Heritage Studies ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rjhs20 A cultural justice approach to popular music heritage in deindustrialising cities Zelmarie Cantillon , Sarah Baker & Raphaël Nowak To cite this article: Zelmarie Cantillon , Sarah Baker & Raphaël Nowak (2020): A cultural justice approach to popular music heritage in deindustrialising cities, International Journal of Heritage Studies, DOI: 10.1080/13527258.2020.1768579 To link to this article: https://doi.org/10.1080/13527258.2020.1768579 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 27 May 2020. Submit your article to this journal Article views: 736 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rjhs20 INTERNATIONAL JOURNAL OF HERITAGE STUDIES https://doi.org/10.1080/13527258.2020.1768579 A cultural justice approach to popular music heritage in deindustrialising cities Zelmarie Cantillon a,b, Sarah Baker c and Raphaël Nowak b aInstitute for Culture and Society, Western Sydney University, Parramatta, Australia; bGriffith Centre for Social and Cultural Research, Griffith University, Brisbane, Australia; cSchool of Humanities, Languages and Social Science, Griffith University, Gold Coast, Australia ABSTRACT ARTICLE HISTORY Deindustrialisation contributes to significant transformations for local Received 2 April 2020 communities, including rising unemployment, poverty and urban decay. Accepted 10 May 2020 ‘ ’ Following the creative city phenomenon in cultural policy, deindustrialis- KEYWORDS ing cities across the globe have increasingly turned to arts, culture and Cultural justice; popular heritage as strategies for economic diversification and urban renewal. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Gedanken Über "Sweet Home Chicago"
Gedanken über "Sweet Home Chicago" Bei der Titelauswahl für "BlueSimon Special Vol.4 - Recorded In Chicago 1945 - 1955" bin ich naturgemäß auf diesen Song gestoßen, habe aber keine Aufnahme gefunden, die in den Zeitrahmen gepasst hätte. Jimmy McCracklin's Coverversion (als "Baby Don't You Want To Go" für Globe Records, 1945) hätte zwar gepasst, wurde aber in Los Angeles eingespielt. Roosevelt Sykes' "Sweet Old Chicago" (Imperial Records 5347, 1954) ebenfalls, ist aber in New Orleans aufgenommen. BoBo Jenkins Version (als "Baby Don't You Want To Go" für Fortune Records) ist aus 1956 und aus Detroit, passt also in zweierlei Hinsicht nicht. Bleibt nur David "Honeyboy" Edwards Aufnahme für Chess Records aus 1953, aber die ist meines Wissens nie veröffentlicht worden. Allerdings muss ich zugeben, dass ich auch eine in jeder Hinsicht passende Version nicht mit einbezogen hätte, war ich doch bemüht, weniger Bekanntes aus der Dekade auf die CDs zu bringen. "Sweet Home Chicago" ist neben einigen anderen Songs wohl einer der bekanntesten (und abgedroschensten) Bluestitel aller Zeiten, nicht zuletzt wegen der Popversion der Blues Brothers. A propos Popversion: Robert Johnson's legendäre Platte, aufgenommen 1936 und veröffentlicht 1937 als Vocalion 03601 war damals auch Popmusik und wurde eingespielt, um Geld zu verdienen. Also weniger Geld für den Künstler, sondern vielmehr für die Plattenfirma, die allerdings wegen der schlechten Verkaufszahlen einigermaßen enttäuscht gewesen sein dürfte. Johnson war aber immerhin bekannt genug, um von John Hammond für die "Spirituals To Swing" Konzerte jeweils um Weihnachten 1938 und 1939 ausgewählt zu werden. Seine musikalische Qualität ist bis heute unumstritten, seine Popularität war aber mehr auf seine Liveauftritte zurück zu führen, bei denen er zumeist mit anderen Musikern seiner Zeit in den verschiedensten Joints spielte. -
Shoosh 800-900 Series Master Tracklist 800-977
SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount -
Andy Arleo Université De Nantes (CRINI)
LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success. -
Central Campus Medical Campus
D. R R LLE FU CENTRAL CAMPUS & MEDICAL CAMPUS MEDICAL 1 R DR. ENTE P BUILDING DIRECTORY SCHOOL L C A P CAMPUS F5 Alumni Center E5 Rackham Building OF NURSING IC D P D8 Angell Hall F8 Randall Laboratory (RAND) KKINGSLINGSLEY ST. E P . M UNIVERSITY HOSPITAL . T T E S C7 Betsy Barbour Residence (BBR) E11 Ross School of Business (ROSS) S W . 2 E5 Burton Memorial Tower G7 Ruthven Museums M E LLS H7 Central Campus Recreation Building (CCRB) F9 Shapiro Undergraduate Library (UGL) LLS D I C GA GA F6 Chemistry Building (CHEM) F10 School of Social Work A L E9 Clements Library (CL) D10 South Hall C N. IN N. IN E E9 Martha Cook Residence (COOK) C10 South Quad P N CATHERHERINE ST. T . TAUBMAN E E H4 Couzens Hall D5 202 S. Thayer Building (THAYER) E LIBRARY R R 3 V V D E A F7 Dana Building, School of Natural H6 Stockwell Hall A R H TAUBMAN MOLECULAR AND P . Resources & Environment (DANA) C8 Student Activities Building (SAB) C BIOMEDICAL SCIENCE BEHAVIORAL T I RESEARCH NEUROSCIENCE P GLEN GLEN G8 Dennison Building (DENN) D9 Tappan Hall (TAP) GRADUATE DETROIT A P Taubman Biomedical Science Research Building E. ANN ST. OBSERVATORY G6 School of Dentistry (DENT) G4 HOTEL N I I3 Detroit Observatory G3 Taubman Library Z COUZENS F7 Dow Laboratory (DOW) D8 Tisch Hall 4 G9 East Hall I9 Trotter Multicultural Center LL E. MEDMEDIICAL CENTERCENTER DR. E. HHUURON ST. P O ALMER FIELD P OWE G11 East Quad (Residential College) G5 Undergraduate Science Building (USB) Y D MARY F10 School of Education F5 University Health Service (UHS) RACKHKHAAM POWER P MARKLEY R A P CENTER LM F11 Executive Education J2 University Hospital NORTH L HALL A N QUAD E C8 Fleming Administration Building D11 Weill Hall (Ford School) R R E. -
Grande Ballroom, The: Detroitrsquo;S Rock Lsquo;Nrsquo; Roll Palace (Landmarks) Online
6Wgt8 (Download) Grande Ballroom, The: Detroitrsquo;s Rock lsquo;nrsquo; Roll Palace (Landmarks) Online [6Wgt8.ebook] Grande Ballroom, The: Detroitrsquo;s Rock lsquo;nrsquo; Roll Palace (Landmarks) Pdf Free Leo Early *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #367803 in Books 2016-10-03 2016-10-03Original language:English 9.00 x .31 x 6.00l, .4 #File Name: 1626197814240 pages | File size: 70.Mb Leo Early : Grande Ballroom, The: Detroitrsquo;s Rock lsquo;nrsquo; Roll Palace (Landmarks) before purchasing it in order to gage whether or not it would be worth my time, and all praised Grande Ballroom, The: Detroitrsquo;s Rock lsquo;nrsquo; Roll Palace (Landmarks): 4 of 4 people found the following review helpful. An excellent book Detroit classic rockBy Georgia glassI have been reading books on classic rock for almost 20 years now and I found this book just excellent. It has a brief, but interesting introduction to the history of the Grande before it starts discussing it's classic rock roots. The chapters are formatted into brief stories in chronological order that were well written and included quotes from people who were there and pictures interspersed. The formatting of the chapters into these mini stories made the book very easy to read and I did not even use a bookmark. The writing itself is well done and kept my interest the whole week I quickly devoured this book. Overall, I learned a lot I didn't know (how unfortunate about the historical nomination that didn't happen) and would definitely recommend for anyone interested in classic rock, Detroit history or any mix of the two.3 of 3 people found the following review helpful. -
University of Michigan Michigan Union Renovation
UNIVERSITY OF MICHIGAN MICHIGAN UNION RENOVATION Strategic Positioning and Concept Study 06.03.16 This report is a result of a collaborative PROJECT NUMBERS UNIVERSITY PLANNING TEAM effort led by Integrated Design Solutions, Workshop Architects, and Hartman-Cox University of Michigan: P00007758 Diana Adzemovic, Lead Design Manager, UM AEC Architects. The design team is grateful to Integrated Design Solutions: 15203-1000 Eric Heilmeier, Interim Director, Michigan Union and Director of Campus Information Center those who have devoted their concentrated time, vision, ideas and energy to this Workshop Architects: 15-212 Heather Livingston, Program Manager, Student Life ACP process. Hartman-Cox: 1513 Deanna Mabry, Associate Director for Planning and Design, UM AEC Susan Pile, Senior Director, University Unions and Auxiliary Services Laura Rayner, Senior Interior Designer, Auxiliary Capital Planning Loren Rullman, Associate Vice President for Student Life Greg Wright, AIA, Assistant Director, Auxiliary Capital Planning Robert Yurk, Director, Auxiliary Capital Planning 3 06.03.16 A COLLABORATIVE EFFORT UNIVERSITY PLANNING TEAM PLANNING TEAM STUDENT INVOLVEMENT INTEGRATED DESIGN SOLUTIONS, LLC WORKSHOP ARCHITECTS, INC HARTMAN-COX ARCHITECTS Building a Better Michigan Charles Lewis, AIA, Senior Vice President, Director of Student Life Jan van den Kieboom, AIA, NCARB, Principal MK Lanzillotta, FAIA, LEED AP Lee Becker, FAIA Michigan Union Board of Representatives Aubree Robichaud, Assoc. AIA Peter van den Kieboom Tyler Pitt Student Renovation Advisory -
Little Joe Blue
Little Joe Blue by Opal Louis Nations The clincher that puts Little Joe Blue a notch above most B.B. King imitators is the fact that he took the former’s mannerisms and affectations and added a few twists of his own. This made him an extremely emotive original, aside from the fact that he possessed the skills to write uniquely infectious lyrics like the anguished “Dirty work going on” (Movin 1966), the urgent “Standing on the threshold” (Jewel 1968) and the poetic “Give me an hour in your garden” (Miles Ahead 1974). He was born Joseph Valery Jnr. in Vicksburg, Miss. on September 23, 1934 to Abraham Fields and Willie Hodges. He was raised across the Mississippi River in Tallulah, La. through the 1940s then moved to Detroit. As a youngster in Tallulah, Joseph came to be called “Little Joe Blue” because he constantly played Eugene Field’s traditional “Little boy blue” on his harmonica. His first encounters with the blues were in Vicksburg at the Green Lantern dance hall where he snuck around the back and peeked in the door. Jimmy Liggins and T-Bone Walker, among others, played there. From 1951-53 he served in the U.S. Army and was posted out to the Korean front. With a natural propensity to use his hands, he worked on auto assembly lines before he started (at the urging of his hero B.B. King) entering talent shows and sit-in gigs with local bands as a stand-up singer. One of these gigs involved the great “Bobo” Jenkins from Forkland, Alabama. -
Here Often? and Light Organ June 12 Various Artists 12” Records Present: a Record Store Day Show Unreleased Songs from the Vault Collection
THESE RELEASES WILL BE AVAILABLE JUNE 12TH DROP ARTIST TITLE FORMAT Picture Disc of Original 'Allied Forces' Studio Album Live in Cleveland' 1981 2x LP Single – Tribute 2021 June 12 Triumph 7" Allied Forces” + “Magic Power” Live from 12" Picture Disc Ottawa 1982 (Never Before Released) 11x17 Maple Leaf Gardens Poster (CANADA EXCLUSIVE) June 12 Our Lady Peace Healthy in Paranoid Times LP Detour De Force 30th Anniversary of BNL’s Yellow Tape! Includes two songs from the forthcoming June 12 Barenaked Ladies Cassette Barenaked Ladies album, Detour de Force: “New Disaster” and “Internal Dynamo (radio edit), which is an RSD exclusive Metal Queen (Limited Edition 180 Gram Pink June 12 Lee Aaron LP Vinyl + 20x20 limited edition poster) Comedy Here Often? And Light Organ June 12 Various Artists 12” Records present: A Record Store Day Show Unreleased Songs From The Vault Collection. June 12 Stompin' Tom Connors Vol 4: Let's Smile Again 12” Grey Vinyl with Black Marbling June 12 Greg Keelor Share The Love: Lost Cause Sessions LP "Through The Mists of Time" / "Witch's Spell" June 12 AC/DC 12" Picture Disc Picture Disc June 12 Air People in the City 12" Picture Disc June 12 Al Green Give Me More Love 12" June 12 Albert Collins with the Barrelhouse Live LP June 12 Alestorm Sunset On The Golden Age 2 LP June 12 Alkaline Trio From Here to Infirmary LP June 12 Amy Winehouse Remixes 2LP June 12 Animal Collective Prospect Hummer 12" June 12 Anti-Flag 20/20 Division LP Apollo Brown, Planet Asia, Gensu Dean, June 12 Stitched Up & Shaken 12" Guilty Simpson June 12 Ariana Grande k bye for now (swt live) 3 LP June 12 Ariana Grande k bye for now (swt live) 2 CD June 12 Arthur Verocia Mochilla Presents Timeless: Arthur Verocai 2 LP Gatefold June 12 AVATAR Hunter Gather 2LP Angel Miners & The Lightning Riders Live June 12 AWOLNATION 12” From 2020 June 12 Beastie Boys Aglio E Olio 12" June 12 Beck Hyperspace (2020) LP June 12 Ben Howard Variations Vol. -
Revenue and Expenditure Operating Budgets for FY 2019-2020
THE UNIVERSITY OF MICHIGAN REGENTS COMMUNICATION Action Item Subject: FY 2019-2020 Budgets Action Requested: Approval of Revenue and Expenditure Operating Budgets for FY 2019-2020 Background and Summary: The three campuses of the University of Michigan have developed budgets for the 2019-2020 fiscal year. At this time, we are presenting summary revenue and expenditure budgets for the General Fund, Designated Fund, Auxiliary Activities, and Expendable Restricted Fund. These budgets conform to all University policies. We recommend that the following summary revenue and expenditure budgets be approved effective July 1, 2019 for the period July 1, 2019 through June 30, 2020. Revenue Bud!et: Ann Arbor Dearborn Flint Total General Fund $ 2,307,881 $ 162,300 $ 117,657 $ 2,587,838 Designated Fund 232,028 1,020 1,340 234,388 Auxiliary Activities 5,699,783 1,770 5,260 5,706,813 Expendable Restricted 1,398,915 22,500 21,730 1,443,145 Totals $ 9,638,606 $ 187,590 $ 145,987 $ 9,972,183 ExJ!nditure Budget: Ann Arbor Dearborn Flint Total General Fund $ 2,307,881 $ 162,300 $ 117,657 $ 2,587,838 Designated Fund 232,028 1,020 1,340 234,388 Auxiliary Activities 5,730,165 1,770 5,260 5,737,195 Expendable Restricted 1,383,915 22,500 21,730 1,428,145 Totals $ 9,653,988 $ 187,590 $ 145,987 $ 9,987,565 Note: Budget amounts are shown in thousands. Detail may not add exactly to totals due to rounding. MarschaU S. Runge President Pro st and Executive Vice President Executive Vice President and Chief Financial Officer for cademic Affairs for Medical Affairs and Dean of the Medical School June 2019 THE UNIVERSITY OF MICHIGAN REGENTS COMMUNICATION ACTION REQUEST Subject: Proposed Ann Arbor fiscal year 20 19-2020 General Fund Operating Budget and Student Tuition and Fee Rates Action Requested: Approval Background: The attached document includes the fiscal year 2019-2020 General Fund budget proposal for the Ann Arbor campus.