Here Often? and Light Organ June 12 Various Artists 12” Records Present: a Record Store Day Show Unreleased Songs from the Vault Collection
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112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
Gedanken Über "Sweet Home Chicago"
Gedanken über "Sweet Home Chicago" Bei der Titelauswahl für "BlueSimon Special Vol.4 - Recorded In Chicago 1945 - 1955" bin ich naturgemäß auf diesen Song gestoßen, habe aber keine Aufnahme gefunden, die in den Zeitrahmen gepasst hätte. Jimmy McCracklin's Coverversion (als "Baby Don't You Want To Go" für Globe Records, 1945) hätte zwar gepasst, wurde aber in Los Angeles eingespielt. Roosevelt Sykes' "Sweet Old Chicago" (Imperial Records 5347, 1954) ebenfalls, ist aber in New Orleans aufgenommen. BoBo Jenkins Version (als "Baby Don't You Want To Go" für Fortune Records) ist aus 1956 und aus Detroit, passt also in zweierlei Hinsicht nicht. Bleibt nur David "Honeyboy" Edwards Aufnahme für Chess Records aus 1953, aber die ist meines Wissens nie veröffentlicht worden. Allerdings muss ich zugeben, dass ich auch eine in jeder Hinsicht passende Version nicht mit einbezogen hätte, war ich doch bemüht, weniger Bekanntes aus der Dekade auf die CDs zu bringen. "Sweet Home Chicago" ist neben einigen anderen Songs wohl einer der bekanntesten (und abgedroschensten) Bluestitel aller Zeiten, nicht zuletzt wegen der Popversion der Blues Brothers. A propos Popversion: Robert Johnson's legendäre Platte, aufgenommen 1936 und veröffentlicht 1937 als Vocalion 03601 war damals auch Popmusik und wurde eingespielt, um Geld zu verdienen. Also weniger Geld für den Künstler, sondern vielmehr für die Plattenfirma, die allerdings wegen der schlechten Verkaufszahlen einigermaßen enttäuscht gewesen sein dürfte. Johnson war aber immerhin bekannt genug, um von John Hammond für die "Spirituals To Swing" Konzerte jeweils um Weihnachten 1938 und 1939 ausgewählt zu werden. Seine musikalische Qualität ist bis heute unumstritten, seine Popularität war aber mehr auf seine Liveauftritte zurück zu führen, bei denen er zumeist mit anderen Musikern seiner Zeit in den verschiedensten Joints spielte. -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ P --------- / CP060727 / CP060727 20th Anniversary Notes: The original art, done by Gary Grimshaw for ArtRock Gallery, in San Francisco Benefit: First American Tour 1969 Artist: Gary Grimshaw Promoter: Artrock Items: Original poster / CP060727 / CP060727 (11 x 17) Performers: : Led Zeppelin ------------------------------ GBR-G/G 1966 T-1 --------- 1966 / GBR G/G CP010035 / CS05131 Free Ticket for Grande Ballroom Notes: Grande Free Pass The "Good for One Free Trip at the Grande" pass has more than passing meaning. It was the key to distributing the Grande postcards on the street and in schools. Volunteers, mostly high-school-aged kids, would get a stack of cards to pass out, plus a free pass to the Grande for themselves. Russ Gibb, who ran the Grande Ballroom, says that this was the ticket, so to speak, to bring in the crowds. While posters in Detroit did not have the effect that posters in San Francisco had, and handbills were only somewhat better, the cards turned out to actually work best. These cards are quite rare. Artist: Gary Grimshaw Venue: Grande Ballroom Promoter: Russ Gibb Presents Items: Ticket GBR-G/G Edition 1 / CP010035 / CS05131 Performers: 1966: Grande Ballroom ------------------------------ GBR-G/G P-01 (H-01) 1966-10-07 P-1 -- ------- 1966-10-07 / GBR G/G P-01 (H-01) CP007394 / CP02638 MC5, Chosen Few at Grande Ballroom - Detroit, MI Notes: Not the very rarest (they are at lest 12, perhaps as 15-16 known copies), but this is the first poster in the series, and considered more or less essential. -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
Ivan Lins: Um “Ator Móvel” Na MPB Dos Anos 1970
Revista Brasileira de Estudos da Canção – ISSN 2238-1198 Natal, v.1, n.1, jan-jun 2012. Disponível em: www.rbec.ect.ufrn.br Ivan Lins: um “ator móvel” na MPB dos anos 1970 Thaís Lima Nicodemo16 [email protected] Resumo: O tema central do presente artigo é a produção do compositor Ivan Lins entre os anos 1970 e o início dos anos 1980. Ao longo desse período sua trajetória passou por significativas transformações, que trazem à tona contradições e conflitos, demarcando a atuação de um artista em busca de seu espaço, mediado pelas relações de mercado. Nos discos de Ivan Lins lançados nesse período, é possível notar uma frequente mudança de estilos musicais e do conteúdo poético das letras, que revelam a maneira como se ajustou à dinâmica da indústria cultural, assim como às transformações nos planos político, ideológico e econômico, durante a década de 1970, no Brasil. Palavras-chave: MPB; anos 1970; Ivan Lins. Abstract: The main subject of this paper is the production of songwriter Ivan Lins from the 1970s to the beginning of the 1980s. Throughout this period his career underwent significant changes, which bring about contradictions and conflicts, showing an artist’s search for his own ground, a process mediated by market relations. In his albums from this period, one notes a frequent shift in musical style and in the poetic contents of the lyrics, which reveal the way by which he adapted himself to the dynamics of cultural industry, as well as the political, ideological and economical transformations that took place in Brazil in the 1970s. -
Arthur Verocai Download Zip
Arthur verocai download zip click here to download Arthur Verocai – Arthur Verocai (). Tracklist: A1. Caboclo. A2. Pelas Sombras. A3. Sylvia. A4. Presente Grego. A5. Dedicada A Ela. B1. ARTHUR VEROCAI - arthur verocai () Silver Messenger - From ORBEATIZE [BEAT] LP "Starport" download: a Miracle () - [image: www.doorway.ru] Laura. Arthur Verocai. Item Preview. item image #1 by Arthur Verocai. Publication date 1, Views. DOWNLOAD OPTIONS. download 1 file. Here you can download arthur verocai shared files: Arthur www.doorway.ru www.doorway.ru arthur verocai arthur verocai zl RapidShare arthur verocai arthur verocai. Arthur Verocai's long-lost solo LP straddles the continents to fuse Brazilian tropicalia with Arthur Verocai - Presente Grego .. Download Lp. Ontem estava ouvindo Cassius Marcelo Clay do disco Negro é Lindo () e fui procurar quem fez os arranjos, Arthur Verocai ah tá! Link original: Artur Verocai - Arthur Verocai () Publicado em: Sunday I am not using any kind of download accelerators and the problem appears in the link www.doorway.ru, a kind. Soul Strut # 16 Arthur Verocai - Arthur Verocai () - Soul Strut .. Much respect and super cheers for the zip link. Arthur Verocai Link Helio Delmiro - guitar. Robertinho Silva, Paschoal Meirelles - drums. Luiz Alves - bass. Aloysio Aguiar - piano. DOWNLOAD! Faixas: Caboclo Pelas Sombras Sylvia Presente Grego Dedicada a Ela Seriado Na Boca do Sol Karma – Karma () {O Terço, Arthur Verocai) Arrangements and orchestrations by Arthur Verocai . If that doesn't fix the problem you may have a broken archive, meaning that it didn't download the entire file. When opening this with most un-zip applications you will just get an error message that. -
Little Joe Blue
Little Joe Blue by Opal Louis Nations The clincher that puts Little Joe Blue a notch above most B.B. King imitators is the fact that he took the former’s mannerisms and affectations and added a few twists of his own. This made him an extremely emotive original, aside from the fact that he possessed the skills to write uniquely infectious lyrics like the anguished “Dirty work going on” (Movin 1966), the urgent “Standing on the threshold” (Jewel 1968) and the poetic “Give me an hour in your garden” (Miles Ahead 1974). He was born Joseph Valery Jnr. in Vicksburg, Miss. on September 23, 1934 to Abraham Fields and Willie Hodges. He was raised across the Mississippi River in Tallulah, La. through the 1940s then moved to Detroit. As a youngster in Tallulah, Joseph came to be called “Little Joe Blue” because he constantly played Eugene Field’s traditional “Little boy blue” on his harmonica. His first encounters with the blues were in Vicksburg at the Green Lantern dance hall where he snuck around the back and peeked in the door. Jimmy Liggins and T-Bone Walker, among others, played there. From 1951-53 he served in the U.S. Army and was posted out to the Korean front. With a natural propensity to use his hands, he worked on auto assembly lines before he started (at the urging of his hero B.B. King) entering talent shows and sit-in gigs with local bands as a stand-up singer. One of these gigs involved the great “Bobo” Jenkins from Forkland, Alabama. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
1. Twenty One Pilots Heathens 2. Volbeat the Devil's
1. TWENTY ONE PILOTS HEATHENS 2. VOLBEAT THE DEVIL’S BLEEDING CROWN 3. DISTURBED THE SOUND OF SILENCE 4. ROB ZOMBIE WELL, EVERYBODY’S…IN A U.F.O. 5. LUMINEERS, THE OPHELIA 6. TWENTY ONE PILOTS STRESSED OUT 7. FIVE FINGER DEATH PUNCH WASH IT ALL AWAY 8. RED HOT CHILI PEPPERS DARK NECCESSITIES 9. SHINEDOWN ASKING FOR IT 10. BLINK 182 BORED TO DEATH 11. GREEN DAY BANG BANG 12. TWENTY ONE PILOTS RIDE 13. BREAKING BENJAMIN ANGLES FALL 14. CAGE THE ELEPHANT MESS AROUND 15. COLD WAR KIDS FIRST 16. BASTILLE GOOD GRIEF 17. HEAD AND THE HEART ALL WE EVER KNEW 18. FITZ AND THE TANTRUMS HANDCLAP 19. KORN ROTTING IN VAIN 20. METALLICA HARDWIRED 21. PRETTY RECKLESS TAKE ME DOWN 22. FIVE FINGER DEATH PUNCH MY NEMESIS 23. 3 DOORS DOWN IN THE DARK 24. X AMBASSADORS UNSTEADY 25. STRUTS, THE KISS THIS 26. PAPA ROACH GRAVITY 27. POP EVIL TAKE IT ALL 28. SKILLET FEEL INVINCIBLE 29. KINGS OF LEON WASTE A MOMENT 30. BECK WOW 31. JUDAH & THE LION TAKE IT ALL BACK 32. SIXX: A.M. RISE 33. GHOST FROM THE PINNACLE TO THE PIT 34. SHINEDOWN STATE OF MY HEAD 35. BRING ME THE HORIZON THRONE 36. DISTURBED THE VENGEFUL ONE 37. AVENGED SEVENFOLD THE STAGE 38. DEFTONES, THE PRAYERS/TRIANGLE 39. GROUPLOVE WELCOME TO YOUR LIFE 40. BISHOP BRIGGS RIVER 41. FOALS MOUNTAIN AT MY GATES 42. AWOLNATION WOMAN WOMAN 43. PHANTOGRAM YOU DON’T GET ME HIGH ANYMORE 44. BLUE OCTOBER HOME 45. SICK PUPPIES STICK TO YOUR GUNS 46. -
THESE RELEASES WILL BE AVAILABLE JUNE 12Th ARTIST TITLE LABEL FORMAT
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE JUNE 12th ARTIST TITLE LABEL FORMAT "Through The Mists of Time" / "Witch's E AC/DC Columbia Records 12" Picture Disc Spell" E Air People In the City WM France Picture Disc E Alestorm Sunset On The Golden Age (DLX Version) Napalm Records 2 X LP F Alkaline Trio From Here To Infirmary Vagrant Records LP L Jimmie Allen Hazy-O! Stoney Creek RecordsEP F Animal Collective Prospect Hummer Domino Record Co.12" Vinyl F Anti-Flag 20/20 Division Spinefarm LP F Avatar Hunter Gather eOne 2 X LP Angel Miners & The Lightning Riders Live E AWOLNATION Better Noise LP From 2020 E The Band Camino 4 songs by your buds in The Band Camino Elektra 12" Vinyl F Danny Barnes Dirt on the Angel Terminus Records 2 X LP E Beck Hyperspace (2020) Capitol LP E Black Sabbath Mob Rules Warner Records Picture Disc F Black Francis Abbabubba Demon Records LP E Black Sabbath Heaven & Hell Warner Records Picture Disc I Wish I Knew How it Would Feel to Be E The Blind Boys of Alabama Single Lock Records7" Vinyl Free F Tommy Bolin Energy II Friday Music EP L Brainiac Attic Tapes Touch & Go 2 X LP L Brainiac From Dayton Ohio Touch & Go 2 X LP L Brotha Lynch Hung/C-BO Blocc Movement RBC 2 X LP L The Bruisers The Bruisers Singles Collection 1989-1997 TAANG! 2 X LP L The Brummies Live from Grimeys Sandbox EntertainmentLP F Precious Bryant Fool Me Good Terminus Records LP E Buzzcocks A Different Compilation Cherry Red 2 X LP L C-Murder/Boozie Badazz Penitentiary Chances RBC 2 X LP Canned Heat Blues Band (Trans Gold F Canned Heat Friday Music LP Vinyl/Limited Anniversary Edition) Village Of The Damned (Original Motion E John Carpenter & Dave Davies Varese Sarabande 2 X LP Picture Soundtrack) E DEVO's Gerald V. -
Chief Keef’S Big-League Debut Aren’T Terribly Second Solo Album—Co-Founder,Remarkable
ISSUE #24 MMUSICMAG.COM REVIEWS HOLE CNobody’sHIEF KEEF Daughter [Universal] Finally Rich [Interscope] The first album released under the Hole moniker since 1998’s Celebrity Skin is really frontwoman Courtney Love’sTaken out of context, the songs on Chief Keef’s big-league debut aren’t terribly second solo album—co-founder,remarkable. The Chicago rapper slurs his way through slang-heavy lines about songwriter and lead guitarist Eric Erlandson isn’t involved,liquor, drugs, money, guns, jewelry, foreign cars and occasionally the validation nor is any other previous Hole member. So it’s Love andand three security that come with success. He’s blunt and boastful, an unrepentant ringers on 11 new songs—10 of which Love wrotegangsta with who found internet fame while under house arrest. The interesting collaborators like Billy Corgan,thing: KeefLinda isPerry just and 17. new His youth is a detriment and a boon, and while he lacks guitarist Micko Larkin. (Perry gets full credit on one tune, “Letter to God.”) cleverness and flow he brings the raw honesty of an American teenager falling Much of the riveting intensity of the group’s 1990s heyday appears to havethrough left along the with cracks her former yet enjoyingDaniel Jackson the ride. The music is an afterthought, but bandmates, but there are fl ashes here of the snarling Too often, though, the slower songs trip her up. While once fury Love deployed to suchwhen devastating Keef breaks effect back from in theproducer day. they Young were showcases Chop’s anxiousfor harrowing fidgeting displays ofand naked gets emotion, a She spits out her vocals beatwith vengeful from, say, disdain Mike on “SkinnyWiLL MadeIt,Little Love he soundsshows more his inherentdispassionate musicality, these days.