Texas Beaches Face Tragedy Meadow Lane
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Parziale Diss FINAL Aug 7 13
Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation Item Type text; Electronic Dissertation Authors Parziale, Amy Elizabeth Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 13:06:35 Link to Item http://hdl.handle.net/10150/301676 REPRESENTATIONS OF TRAUMA IN CONTEMPORARY AMERICAN LITERATURE AND FILM: MOVING FROM ERASURE TO CREATIVE TRANSFORMATION by Amy Elizabeth Parziale _____________________ Copyright © Amy Elizabeth Parziale 2013 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2013 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Amy Parziale entitled Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ___________________________________________________________Date: 4/5/2013 Susan White ___________________________________________________________Date: 4/5/2013 Sandra Soto ___________________________________________________________Date: 4/5/2013 Charles Scruggs Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Andy Arleo Université De Nantes (CRINI)
LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success. -
Ÿþw R I T I N G F E a T U R E S T O R I
Writing Feature Stories -pages 1/12/03 2:20 PM Page i WRITING FEATURE STORIES Writing Feature Stories -pages 1/12/03 2:20 PM Page ii Writing Feature Stories -pages 1/12/03 2:20 PM Page iii WRITING FEATURE STORIES How to research and write newspaper and magazine articles Matthew Ricketson Writing Feature Stories -pages 1/12/03 2:20 PM Page iv Every effort has been made by the author and publisher to contact copyright holders of materials quoted extensively. Unacknowledged copyright holders should contact the publisher with any queries. First published in 2004 Copyright © Matthew Ricketson 2004 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage or retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given remuneration notice to Copyright Agency Limited (CAL) under the Act. Allen & Unwin 83 Alexander Street Crows Nest NSW 2065 Australia Phone: (61 2) 8425 0100 Fax: (61 2) 9906 2218 Email: [email protected] Web: www.allenandunwin.com National Library of Australia Cataloguing-in-publication entry: Ricketson, Matthew, 1958– Writing feature stories: how to research and write newspaper and magazine articles. Includes index. ISBN 1 86508 732 7. 1. Authorship 2. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ P --------- / CP060727 / CP060727 20th Anniversary Notes: The original art, done by Gary Grimshaw for ArtRock Gallery, in San Francisco Benefit: First American Tour 1969 Artist: Gary Grimshaw Promoter: Artrock Items: Original poster / CP060727 / CP060727 (11 x 17) Performers: : Led Zeppelin ------------------------------ GBR-G/G 1966 T-1 --------- 1966 / GBR G/G CP010035 / CS05131 Free Ticket for Grande Ballroom Notes: Grande Free Pass The "Good for One Free Trip at the Grande" pass has more than passing meaning. It was the key to distributing the Grande postcards on the street and in schools. Volunteers, mostly high-school-aged kids, would get a stack of cards to pass out, plus a free pass to the Grande for themselves. Russ Gibb, who ran the Grande Ballroom, says that this was the ticket, so to speak, to bring in the crowds. While posters in Detroit did not have the effect that posters in San Francisco had, and handbills were only somewhat better, the cards turned out to actually work best. These cards are quite rare. Artist: Gary Grimshaw Venue: Grande Ballroom Promoter: Russ Gibb Presents Items: Ticket GBR-G/G Edition 1 / CP010035 / CS05131 Performers: 1966: Grande Ballroom ------------------------------ GBR-G/G P-01 (H-01) 1966-10-07 P-1 -- ------- 1966-10-07 / GBR G/G P-01 (H-01) CP007394 / CP02638 MC5, Chosen Few at Grande Ballroom - Detroit, MI Notes: Not the very rarest (they are at lest 12, perhaps as 15-16 known copies), but this is the first poster in the series, and considered more or less essential. -
University of Minnesota
THE UNIVERSITY OF MINNESOTA Announces Its ;Uafclt eommellcemellt 1961 NORTHROP MEMORIAL AUDITORIUM THURSDAY EVENING, MARCH 16 AT EIGHT-THIRTY O'CLOCK Univcrsitp uf Minncsuta THE BOARD OF REGENTS Dr. O. Meredith Wilson, President Mr. Laurence R. Lunden, Secretary Mr. Clinton T. Johnson, Treasurer Mr. Sterling B. Garrison, Assistant Sccretary The Honorable Ray J. Quinlivan, St. Cloud First Vice President and Chairman The Honorable Charles W. Mayo, M.D., Rochester Second Vice President The Honorable James F. Bell, Minneapolis The Honorable Edward B. Cosgrove, Le Sueur The Honorable Daniel C. Gainey, Owatonna The Honorable Richard 1. Griggs, Duluth The Honorable Robert E. Hess, White Bear Lake The Honorable Marjorie J. Howard (Mrs. C. Edward), Excelsior The Honorable A. I. Johnson, Benson The Honorable Lester A. Malkerson, Minneapolis The Honorable A. J. Olson, Renville The Honorable Herman F. Skyberg, Fisher As a courtesy to those attending functions, and out of respect for the character of the building, be it resolved by the Board of Regents that there be printed in the programs of all functions held in Cyrus Northrop Memorial Auditorium a request that smoking be confined to the outer lobby on the main floor, to the gallery lobbies, and to the lounge rooms, and that members of the audience be not allowed to use cameras in the Auditorium. r/tis Js VOUf UnivcfsilU CHARTERED in February, 1851, by the Legislative Assembly of the Territory of Minnesota, the University of Minnesota this year celebrated its one hundred and tenth birthday. As from its very beginning, the University is dedicated to the task of training the youth of today, the citizens of tomorrow. -
1976-04-13 V10 119.Pdf
Bleier appears before enthusiastic crowd, reflects on career by Cathy Nolan came to N.D. in 1964, Ara had just Staff Reporter come in, too, and brought football back to Notre Dame. Speaking before an enthusiastic "Before every game, I used to crowd at Washington Hall last say a prayer at the Grotto," Bleier Rocky Bleier, Senior Class said. "I asked for two things: , stressed the importance of either let me be All-American, or a ~--~n~~~:·setting attainable goals" and team captain." Bleier was chosen 'putting things in the right priori team captain. He contributed his ty ... responsibilities as captain as "hav Bleier, presently a fullback for ing helped hirn to look at his life'· the Pittsburgh Steelers, reflected and "put him in the right direc- on his four years at Notre Dame, tion.'' his football career, and his tour of --· ... unrversrty of notre dome st mary's college duty in Vietnam. Bleier said it was Vol. X, No. 119 Tuesday, a "privilege to come back as a Senior Class Fellow, but I didn't know if he really deserved the Tryouts may be reheld recognition.'' Commenting on coeducation at Notre Dame, Bleier said, "Notre Dame hasn't really changed for me. The only difference I noticed is New cheerleaders disputeU that now when I speak, I must say hello ladies and gentlemen, instead by Jim Commyn of just hello. gentlemen." Staff Reporter Bleier recalled an earlier visit he made to Notre Dame in 1969. "I The Notre Dame cheerleaders was on leave from the service, so I arc currently under tire because of decided to come back for the the proccchircs used in selecting NO-USC game. -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
A History of Beaver County, Utah Centennial County History Series
A HISTORY OF 'Beaver County Martha Sonntag Bradley UTAH CENTENNIAL COUNTY HISTORY SERIES A HISTORY OF 'Beaver County Martha Sonntag Bradley The settlement of Beaver County began in February 1856 when fifteen families from Parowan moved by wagon thirty miles north to Beaver Valley. The county was created by the Utah legislature on 31 January 1856, a week before the Parowan group set out to make their new home. However, centuries before, prehistoric peoples lived in the area, obtaining obsidian for arrow and spear points from the Mineral Mountains. Later, the area became home to Paiute Indians. Franciscan Friars Dominguez and Escalante passed through the area in October 1776. The Mormon settlement of Beaver devel oped at the foot of the Tushar Mountains. In 1859 the community of Minersville was es tablished, and residents farmed, raised live stock, and mined the lead deposits there. In the last quarter of the nineteenth century the Mineral Mountains and other locations in the county saw extensive mining develop ment, particularly in the towns of Frisco and Newhouse. Mining activities were given a boost with the completion of the Utah South ern Railroad to Milford in 1880. The birth place of both famous western outlaw Butch Cassidy and inventor of television Philo T. Farnsworth, Beaver County is rich in history, historic buildings, and mineral treasures. ISBN: 0-913738-17-4 A HISTORY OF 'Beaver County A HISTORY OF Beaver County Martha Sonntag Bradley 1999 Utah State Historical Society Beaver County Commission Copyright © 1999 by Beaver County Commission All rights reserved ISBN 0-913738-17-4 Library of Congress Catalog Card Number 98-61325 Map by Automated Geographic Reference Center—State of Utah Printed in the United States of America Utah State Historical Society 300 Rio Grande Salt Lake City, Utah 84101-1182 Contents ACKNOWLEDGMENTS vii GENERAL INTRODUCTION ix CHAPTER 1 Beaver County: The Places That Shape Us . -
Israeli, I Am Personally Strongly Aware of the Need of a Victim People to Mourn and Protest the Tragedy One S Own People Has Suffered
1 SEVENTH BIENNIAL MEETING THE INTERNATIONAL ASSOCIATION OF GENOCIDE SCHOLARS Hosted by the Institute for the Research of Crimes Against Humanity And International Law of the University of Sarajevo, Bosnia and Herzegovina INTERNATIONAL ASSOCIATION OF GENOCIDE SCHOLARS (IAGS) Dear Colleagues Joining in the IAGS Biennial International Conference in Sarajevo, Bosnia and Herzegovina, July 2007: I am happy to extend to each and every one of you from the far corners of our planet a warm welcome to this very promising IAGS International Conference! Our conference is dedicated to the memory of the late Professor Eric Markusen whom we mourn. Like Eric, we commit ourselves to the study of how genocide has been perpetrated by many peoples, including some peoples who were previously or later victims. Genocide is a constant threat to the unity of the human race. We must learn to overcome it. Like Eric, we commit ourselves not only to study genocide, but to prevent it. We are especially moved by our opportunity to join the Bosnian people in their memorial and pain at the genocide that they so recently suffered, even as we join deeply with all peoples around the world who have suffered genocides. A sizable group of us come to this conference following an intensive seminar at Auschwitz-Birkenau where we met with planners of a new international center for genocide prevention. As a Jew and Israeli, I am personally strongly aware of the need of a victim people to mourn and protest the tragedy one s own people has suffered. One also must always beware of the accompanying tendency to become insensitive to the similar suffering of others. -
Camp Winnarainbow Provides a Here's Grace's Full Description: Counselor at the Camp
Teaching, Entertaining, Educating and Empowering Children through the Arts Camp nurtures and develops a com- munity that reflects the world in which children will grow up. While campers benefit from a wide variety of fun and stimulating activities – trapeze, drama, nature hikes, hip-hop dance, and po- etry just to name a few -- they also gain an appreciation for differences as they live among children who come from all kinds of backgrounds. It is the Camp’s conviction that they can then become the catalysts for social change and have a positive effect on the future. “This place brings out your talent, it makes better people," says one young camp counselor. "It's neat seeing kids taking home these talents and skills. If you can stand up in front of 100 peo- ple and perform, you can do a whole . Continued from page One “In that next month, I stopped expecting the lot better dealing one on one." The Grace and Joy Scholarship Program worst and instead, for the first time in my life, The "Life Show" I felt free to be a child. Besides learning to Twenty-five percent of the camp’s five ses- ÌWe work to create a living envi- sions with 700 children, ages 7-14 years old, swim, stilt walk and juggle, I also picked up ronment of love, safety and har- come through this scholarship program. They life skills without even realizing it . how to mony. are economically disadvantaged children - channel my feelings of frustration and anger Ì kids from homeless shelters, foster care and into more positive avenues . -
For Immediate Release
FOR IMMEDIATE RELEASE presents A TESTAMENT TO THE SHEER JOY OF LIVING A LIFE OF SERVICE TO HUMANKIND AND OUR PLANET THE WAVY GRAVY MOVIE: SAINT MISBEHAVIN' RELEASES NOVEMBER 15 ON DIGITAL AND DVD An unforgettable trip through the extraordinary life of a poet, clown, activist and FUNdraiser “’Saint Misbehavin’’ is an unabashed love letter to the world that defies the cynicism of our age.” – The New York Times September 19, 2011 – “Some people tell me I’m a saint, I tell them I’m Saint Misbehavin’.” Poet, activist, entertainer, clown. These are a few ways to describe Wavy Gravy, an activist and prominent figure during the Woodstock era who continues to spread a message that we can make a difference in the world and have fun doing it! THE WAVY GRAVY MOVIE paints a moving and surprising portrait of his lifelong passion for peace, justice and understanding. The film features extensive verité footage and interviews with Wavy telling his own stories: from communal life with The Hog Farm, to his circus and performing arts camp, Camp Winnarainbow, to the epic cross-continent bus trip through Europe and South Asia that led to the founding of the Seva Foundation. Award-winning director Michelle Esrick weaves together this compelling film with rare footage from key events: Greenwich Village beat poets and folk music, Woodstock, non- violent protests, and many seminal moments of the ‘60s and ‘70s, and Wavy’s present day life. The Gaslight Café The year was 1958. The Vietnam War had just begun. Born as Hugh Romney, Wavy commanded the stage as a poet, comedian “tongue dancer,” and MC at The Gaslight Café in New York City’s Greenwich Village. -
Newcomers & Community Guide
Springfield Franconia ❖ Kingstowne ❖ Newington Classified, Page 16 Classified, ❖ Lee District’s ‘Deputy’ Supervisor Sports, Page 8 ❖ News, Page 3 Herrity Calendar, Page 10 On Skates News, Page 6 Susie of ‘Susie’s Cookies’ hands out samples of her homemade treats at the Kingstowne Farmers Market. online at www.connectionnewspapers.com NewcomersNewcomers && CommunityCommunity GuideGuide Requested in home 8-7-09 home in Requested Time sensitive material. sensitive Time People,People, PagePage 1414 Postmaster: Attention PERMIT #322 PERMIT Easton, MD Easton, PAID U.S. Postage U.S. PRSRT STD PRSRT Photo by Gina J. Uricoli/The Connection Photo www.ConnectionNewspapers.comAugust 6-12, 2009 Volume XXIII, Number 31 Springfield Connection ❖ August 6-12, 2009 ❖ 1 Welcome Viewpoints What do you like about the Springfield area? Your Community Connection play ads and classified advertising. Go to We’re looking to hear www.ConnectionNewspapers.com, and click on “Print Editions” in the red bar. more from our readers. As local, weekly newspapers, the Connection’s mission is to bring the news you need about your his issue of the Connection includes our community, to give you the information you need to annual Newcomers and Community enjoy the best things in and near your community, TGuide. to advocate for community good, to provide a forum Through narrative, listings, viewpoints and for dialogue on local concerns, and to celebrate and photographs, we endeavor to capture what it means record milestones and events in community and to live here, highlights of places to visit and things people’s lives. to do, a snapshot of local history, help finding com- At the Connection, we invite newcomers to the area “The library and the pool area.