2000 Vw Beetle Radio Code the Name Eos Was Derived from Eos , the Greek Goddess of the Dawn
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V&A Acquires the Glastonbury Festival Archive
V&A acquires the Glastonbury Festival Archive The V&A is delighted to announce a collaboration with Glastonbury Festival to create an archive reflecting more than 40 years of diverse and creative performance. Glastonbury Festival is the longest-running popular music and performing arts festival in the world. Set up in 1970 by Michael Eavis on Worthy Farm in Pilton, Somerset – the Eavis’s family farm for four generations - the Festival is now attended by around 175,000 people annually. It has a long and unique history of hosting music, dance, comedy, theatre, circus, cabaret and other arts and collaborating with artists, set designers and craftspeople. Many distinguished names have performed at the summer festival over the last four decades including Beyoncé, Bjork, Blondie, Marc Bolan, Coldplay, The Cure, Jay-Z, Paul McCartney, Van Morrison, New Order, Oasis, Radiohead, The Rolling Stones, Toots and the Maytals, Velvet Underground and Amy Winehouse. This eclectic archive includes a range of material, from programmes and posters from every festival since 1970, designs for the Festival identity, interviews, unseen film and photographs, correspondence, t-shirts, tickets and other memorabilia. Personal accounts and documents trace the origins of the Festival and festival maps reveal how it has grown and developed within the landscape. Press cuttings document the relationship of the Festival with the local community and stories that captured the nation. The working processes of the Festival will be captured in the archive with original backstage passes, photographs and performers’ set-lists. The archive also includes photographs that reveal the evolution of the legendary Pyramid stage since its creation in 1971 to a permanent stage – also briefly used as a cattle shed in 1981. -
2020-Indiana-Festival-Guide.Pdf
2020 ® A proud sponsor of the Indiana Festival Guide since 1972 You think about your to-do list. AUTO • HOME • LIFE BUSINESS • ANNUITIES • FARM We’ll help you think about your what-if list. INFarmBureau.com 2020 June 13-14 September 10-13 West Boggs Civil War Reenactment White River Valley Antique Show 16117 US-231, Loogootee Daviess Fairgrounds August 6-8 September 11-12 Odon Old Settlers Festival Chandelier Barn Market Odon Park, Odon 5060 E 350 N, Montgomery September 5 September 19-20 Amish Quilt Auction 20th Century Chevy Car Festival Simon J Graber Building, Cannelburg East Side Park, Washington September 10-13 September 26 Daviess County Turkey Trot Wine & Brew Fest Ruritan Park, Montgomery Main Street, Washington AUTHENTIC AMISH QUILTS FABULOUS FOOD ANTIQUES GUIDED TOURS 812.254.5262 • [email protected] Find more festival and event information at IndianaFestivals.org and see page 103 for County & Regional Map. 1 Welcome! Dear Indiana Travelers and Festival Fans, Here in Indiana, festival season never stops. From car shows to music festivals to Suzanne Crouch county fairs, there is something for everyone in the Hoosier state. Lt. Governor The 2020 Indiana Festival Guide® is the best source for choosing from one of the state’s hundreds of festivals. So pick your favorites, mark your calendars and enjoy all that Indiana has to offer. On behalf of Indiana Tourism and the Indiana State Festivals Association, we would like to thank you for choosing Indiana as your festival destination all year long. Safe travels! Brenda Alexander President, ISFA Frankton Heritage Days Brenda Alexander Mission Statement: The Indiana State Festivals Association® (ISFA) is a non-profit organization created to “Empower Indiana Festivals, Events and Organizations through education, networking and leadership.” ISFA is devoted to promoting and enhancing festivals and events throughout the state. -
Texas Beaches Face Tragedy Meadow Lane
PAGE SIXTEEN - EVENING HERALD, Tues., August 7, 1979 Area Students Metric Is the Way Piflraguay Aims to Annul Woodstock Generation: Violent Lightning StormStorr Pair of Arms Feature Finish Course Where Are They Now? Claims Traffic Signals Boston Red Sox Win ■AT. iiF But Costs Too Much Rights of War Criminal To Aid Nurses Page$ 6, 7 Page 10 - Page 11 WALTHAM, Mass. (UPI) - While I can’t believe they couldn’t learn in Page 2 MANCHESTER - Six area high Ny the debate continues over whether less than a month." school students recently completed America would lose or benefit by And so Webster dismissed the peo Manchester Memorial Hospital's converting Inches to centimeters; ple problem in metric conversion. High School Nurse Aide program and miles to kilometers; and quarts to And in testimony before the U.S. are now employed as aides on the liters, the president of a small Metric Board in June, he discounted iiaitrhpHtpr hospital's various patient care units. problems with capital equipment as The four-week voluntary course Massachussetts firm which manufac tures machine tools has already well. Clearing Today, was taught by the hospital's In- decided metric is the answer. “Our production machinery is Service Education Department and But the costs of metric conversion almost all numerically controlled or Sunny Tomorrow required nearly 105 hours of intensive have caused him to hold back, at equipped with digital readouts, which training in the basic skills for care of least for the time being. are easily converted to metrics,” he Detalle on page 2 the ill. -
The Last of the Hippies
The Last of the Hippies An Hysterical Romance Penny Rimbaud First published in 1982 as part of the Crass record album Christ: The Album, Penny Rimbaud’s The Last of the Hippies is a fiery anarchist polemic centered on the story of his friend, Phil Russell (aka Wally Hope), who was murdered by the State while incarcerated in a men- tal institution. Wally Hope was a visionary and a freethinker, whose life had a pro- found influence on many in the culture of the UK underground and be- yond. He was an important figure in what may loosely be described as the organization of the Windsor Free Festival from 1972 to 1974, as well providing the impetus for the embryonic Stonehenge Free Festival. Wally was arrested and incarcerated in a mental institution after hav- ing been found in possession of a small amount of LSD. He was later released, and subsequently died. The official verdict was that Russell committed suicide, although Rimbaud uncovered strong evidence that SUBJECT CATEGORY Music-Punk/Subculture-UK he was murdered. Rimbaud’s anger over unanswered questions sur- rounding his friend’s death inspired him in 1977 to form the anarchist PRICE punk band Crass. $12.00 In the space of seven short years, from 1977 to their breakup in 1984, ISBN 978-1-62963-103-5 Crass almost single-handedly breathed life back into the then moribund peace and anarchist movements. The Last of the Hippies fast became PAGE COUNT the seminal text of what was then known as anarcho-punk and which 128 later contributed to the anti-globalization movement. -
Goldman Sachs Philanthropy Fund | October 2012 SEPTEMBER 2011
Philanthropy Fund Families and Philanthropy An Overview for Donors Goldman Sachs Philanthropy Fund | October 2012 SEPTEMBER 2011 Table of Contents Introduction ............................................................................................................................................ 1 Why should you engage your family in philanthropy? ..................................................................... 2 Who is in your “family?” ....................................................................................................................... 3 What values are core to your family philanthropy? .......................................................................... 4 How do you want to involve your family members in philanthropy? .............................................. 5 Which decision rules should you use in your family philanthropy? ................................................ 6 When should you start talking with your family about philanthropy? ............................................. 7 How can you engage your spouse/life partner in philanthropy?..................................................... 8 How can you engage your preschool- and elementary-age children in philanthropy? ................ 9 How can you engage your middle school- and high school-age children in philanthropy? ...... 10 How can you engage young adults in philanthropy? ..................................................................... 11 Conclusion .......................................................................................................................................... -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Organization of a Large Scale Music Event: Planning and Production
Organization of a large scale music event: planning and production Tatiana Caciur Thesis MUBBA 2012 Abstract 17.1.2012 MUBBA Author or authors Group or year of Tatiana Caciur entry 2008 Title of report Number of Organization of a large scale music event: planning and pages and production. appendices 54 + 4 Teacher/s or supervisor/s Heta-Liisa Malkavaara Live entertainment is currently one of the few vital components of the music industry as it struggles to survive in the XXI century and conform to the drastic changes on the music market. Music events occur in great amount on a daily basis and it is important to plan and produce them in the right manner in order to stay relevant and secure one‟s place on the market. This report introduces various crucial matters that require attention during event organization process, such as marketing and strategic planning, communication and promotion, risk management, event programming and capacity management, to name a few. The 5-phase project management model is applied as the base on which this thesis is built. The research is conducted by comparing the theoretical and practical approach used in the music event business. The practical approach is based on examinations and interviews with the world market leader in live entertainment – Live Nation. An additional analysis of practices used in other large and successful music events in Europe and USA is also conducted. As this thesis shows, the practical approach is often easier and less rigorous than the theory. Some of the steps in this process may be simply omitted due to being considered of little relevance by the management team, many other are outsourced to professional agencies depending on requirements (security, catering). -
French Quarter Festivals, Incorporated: a Report on Volunteer Coordination and Educational Programming
University of New Orleans ScholarWorks@UNO Arts Administration Master's Reports Arts Administration Program 12-2012 French Quarter Festivals, Incorporated: A Report on Volunteer Coordination and Educational Programming Kylee Kidder University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/aa_rpts Part of the Arts Management Commons Recommended Citation Kidder, Kylee, "French Quarter Festivals, Incorporated: A Report on Volunteer Coordination and Educational Programming" (2012). Arts Administration Master's Reports. 141. https://scholarworks.uno.edu/aa_rpts/141 This Master's Report is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Master's Report in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Master's Report has been accepted for inclusion in Arts Administration Master's Reports by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. French Quarter Festivals, Incorporated; A Report on Volunteer Coordination and Educational Programming Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirement for the degree of Masters of Arts in Arts Administration Fall, 2012 By Kylee Kidder B.A. Theatre Arts, University of Arizona, 2005 ABSTRACT This internship report reviews the non-profit entity French Quarter Festivals, Inc. -
Andy Arleo Université De Nantes (CRINI)
LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success. -
201107 July IMDA
July 1 Irish Music & 2011 Dance Association Iúil 29th Year, Issue No. 7 The mission of the Irish Music and Dance Association is to support, coordinate, encourage and promote high quality activities and programs in Irish music, dance, and other cultural traditions within the community and to insure the continuation of those traditions. Sounds of the Old Sod Inside this issue: From his heart to CD, O’Brien records the traditional Irish songs of his youth Tune of the Month 2 By Bill Stieger (Reprinted with permission from The Villager) Gaelic Corner 3 Name the Tea Room 4 Paddy O’Brien is one busy man. The Irish-born accordionist from Highland Park performed in May all across California and Oregon with his trio Chulrua. In March he toured greater Minnesota July Calendar 6-7 with Chulrua and his singer-wife Erin Hart. However, his main focus over the past few years has Cu Ceoil 8 been “The Sailor’s Cravat,” a new CD that he will release with a concert and party at 7:30 p.m. Saturday, June 25, at Celtic Junction, 836 N. Prior Ave. An Leabhragán 9 “The Sailor’s Cravat” comes on the heels of volume II of “The Paddy O’Brien Tune Collection,” a Herculean labor at which O’Brien has been working since 1995. Volumes I and II of “The Paddy The Ceili Calendar 10 O’Brien Tune Collection” include 1,000 songs that O’Brien has recorded from memory—or about IMDA Picnic 12 one quarter of the traditional Irish songs that he says he knows by heart. -
Philanthropy Networks: Creating Value, Voice and Collective Impact 01 Foreword Who Said Net-Working Means Not-Working? Why This Publication and Why Now?
WINGS: Table of contents Worldwide Initiatives for Summary 01 Grantmaker Foreword 02 Introduction 04 Support 01 Creating and Conveying Value Summary 09 Value as a journey, not a destination 10 WINGS is a network of 150 Actively engaging stakeholders 10 philanthropy associations, networks, Creating value 12 academic institutions, support Designing responsive member services: Technology to engage 12 organizations, and funders in 50 Shaping the field through knowledge and practice 14 countries around the world whose Driving data solutions for membersand the sector 16 purpose is to strengthen, promote Conveying value 19 and provide leadership on the Communicating a value proposition 20 development of philanthropy and Assessing value of programs and services: The 4Cs 21 social investment. Amplifying Voice Thank you to dissemination partners 02 the United Philanthropy Forum and DAFNE- Donor and Foundations Summary 24 Network in Europe. Advocacy 25 The six-step approach 26 Common challenges 28 Thought leadership 28 What is a thought leader? 29 Priorities, framing and resources 30 03 Mobilizing Collective Impact Summary 33 Taking in the view 34 Landscaping and mapping 35 Cultivating connectivity in networks 36 Functions and practical approaches 37 Publication Author: Fostering collective impact 38 Filiz Bikmen, Constellations for Change Basic, moderate and complex approaches 39 Supervision: Benjamin Bellegy Coordination: Sarah Brown-Campello Conclusion 42 Editing: Resource Guide 44 Andrew Milner, Alliance Magazine WINGS Members Map: Networks & Associations 48 Design: Annex 50 Xouse Studio References 55 Summary One-minute version organizations serve their members or the sector? In reality, this is a false dichotomy, since serving their member or clients ultimately Value. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ P --------- / CP060727 / CP060727 20th Anniversary Notes: The original art, done by Gary Grimshaw for ArtRock Gallery, in San Francisco Benefit: First American Tour 1969 Artist: Gary Grimshaw Promoter: Artrock Items: Original poster / CP060727 / CP060727 (11 x 17) Performers: : Led Zeppelin ------------------------------ GBR-G/G 1966 T-1 --------- 1966 / GBR G/G CP010035 / CS05131 Free Ticket for Grande Ballroom Notes: Grande Free Pass The "Good for One Free Trip at the Grande" pass has more than passing meaning. It was the key to distributing the Grande postcards on the street and in schools. Volunteers, mostly high-school-aged kids, would get a stack of cards to pass out, plus a free pass to the Grande for themselves. Russ Gibb, who ran the Grande Ballroom, says that this was the ticket, so to speak, to bring in the crowds. While posters in Detroit did not have the effect that posters in San Francisco had, and handbills were only somewhat better, the cards turned out to actually work best. These cards are quite rare. Artist: Gary Grimshaw Venue: Grande Ballroom Promoter: Russ Gibb Presents Items: Ticket GBR-G/G Edition 1 / CP010035 / CS05131 Performers: 1966: Grande Ballroom ------------------------------ GBR-G/G P-01 (H-01) 1966-10-07 P-1 -- ------- 1966-10-07 / GBR G/G P-01 (H-01) CP007394 / CP02638 MC5, Chosen Few at Grande Ballroom - Detroit, MI Notes: Not the very rarest (they are at lest 12, perhaps as 15-16 known copies), but this is the first poster in the series, and considered more or less essential.