MEMORIA STORICA Il Provocatore, Ovvero I Rischi Del Mestiere STORIA PER IMMAGINI La Ritrattistica Di Carlo Abate Sulle Pagine Di

Total Page:16

File Type:pdf, Size:1020Kb

MEMORIA STORICA Il Provocatore, Ovvero I Rischi Del Mestiere STORIA PER IMMAGINI La Ritrattistica Di Carlo Abate Sulle Pagine Di 44 MEMORIA STORICA COVER STORY INCONTRI Il provocatore, ovvero Dora Marsden Pryamukhino: i rischi del mestiere l’Egoista a casa dai Bakunin STORIA PER IMMAGINI INFORMAZIONI BIOGRAFIE EDITORIALI La ritrattistica di Carlo Alfons Pilarski tra Abate sulle pagine Volterra: storie antifascismo e di “Cronaca sovversiva” d’alabastro e d’anarchia anarcosindacalismo COSE NOSTRE 4 INFORMAZIONI EDITORIALI 22 Riflessioni sparse di un dopo-convegno Volterra, storie d’alabastro di Varden Riddanidi e d’anarchia di Pietro Masiello L’autobiografia di Rudolf Rocker finalmente tradotta in lingua italiana Le schede segnaletiche di David Bernardini di Lorenzo Pezzica Novità dell’Archivio Pinelli La resistenza antinazista degli anarcosindacalisti tedeschi di Varden Riddanidi MEMORIA STORICA 9 Il fuoco e la brace o i rischi del mestiere STORIA PER IMMAGINI 34 di Michele Abbiati e David Bernardini Santi e martiri anarchici: la ritrattistica Alfons Thomasz Pilarski (1902-1977) in “Cronaca sovversiva” (1903-1919) di David Bernardini di Andrew Hoyt BIOGRAFIE Antonia Fontanillas (1917-2014) INCONTRI 40 di Felip Équy A casa dai Bakunin Carlos Torres (1938-2014) di Franco Buncˇuga Virgilio Galassi (1919-2014) di Gaia Raimondi ANARCHIVI 46 Verona: nuova sede per la Biblioteca Domaschi Fonti online per la storia dell’anarchismo tedesco COVER STORY 49 Anarchica, attivista, egoista di Elisa Iscandri Redazione: il collettivo del Centro studi libertari/Archivio Giuseppe Pinelli Impaginazione: Valentina Beretta e Abi Ricerca iconografica: Roberto Gimmi, Gianfranco Aresi In copertina: Dora Marsden (1882-1960), vedi la sua biografia in Cover Story 44 Quarta di copertina: Scritta anarchica Noi stiamo facendo i salti mortali per tenere aperto e vitale l’Archivio Pinelli, ma voi aiutateci! Contribuite alla vita del centro studi/archivio versando la quota annua di iscrizione: 25,00 euro (con Bollettino semestrale in formato pdf) oppure 50,00 euro (con copia cartacea del Bollettino semestrale). Il nostro iban, intestato Centro studi libertari, è: IT 53 M 07601 01600 000014039200. Grazie! COSE NOSTRE Riflessioni sparse di un dopo-convegno di Varden Riddanidi In nome dell’obbedienza sono stati commessi molto più crimini di quanti ne siano stati commessi in nome della ribellione Charles Snow I relatori della prima sessione: da sinistra a destra Bruna Bianchi, Stefano Musso, Francesco Codello, Piero Brunello, Mimmo Franzinelli. Il pomeriggio di sabato 20 e la mattina di domenica 21 settembre 2014 si è tenuto il convegno di studi dal titolo Tu sei maledetta! Uomini e donne contro la guerra: Italia, 1914-1918, organizzato dal Centro studi libertari/Archivio Pinelli di Milano e dal Laboratorio libertario/Ateneo degli Imperfetti di 4 Il coro dell’Ateneo degli Imperfetti, diretto da Giuseppina Casarin, durante la sua incursione canora al convegno. Venezia-Maghera, parte di una serie di queste forme hanno stabilito filoni iniziative che ha incluso anche una rassegna culturali antimilitaristi ancora oggi cinematografica, una mostra fotografica, una chiamati in causa. Si tratta quindi cena conviviale e un concerto. di saper cogliere spunti libertari Un convegno sul primo conflitto mondiale non anche laddove non ci fu una visibile è certo una novità quest’anno: l’impostazione consapevolezza politica, di riscoprire per anniversari che sembra essersi dato negli tutti quei legami di solidarietà e ultimi anni il discorso storico non poteva quelle dinamiche che in varie forme certo lasciarsi sfuggire un centenario così si tradussero nella sottrazione se succulento come quello costituito dallo scoppio non nel rifiuto del comando. In altre della Grande Guerra. Tuttavia il convegno parole, uno sguardo libertario non di Venezia mi sembra differenziarsi dalle può non essere attento anche a ciò altre iniziative sul tema a causa della sua che si cela alla vista “come il seme peculiare impostazione, caratterizzata dal sotto la neve”, per dirla alla Colin tentativo di delineare e mettere alla prova Ward. uno “sguardo” libertario sul primo conflitto Il filo rosso che ha legato i diversi mondiale, conferendo così a tale evento un interventi del convegno, di cui senso differente da quello ufficiale. Piero verranno rese disponibili in un Brunello, nella sua introduzione alla prima futuro non troppo lontano le giornata del convegno, ha infatti sottolineato la registrazioni audio, è stato questo necessità e la volontà di valorizzare tutte quelle particolare punto di osservazione. forme di rifiuto e di opposizione alla guerra Mimmo Franzinelli si è concentrato sminuite dalla tradizione storiografica ufficiale sull’antimilitarismo del periodo e relegate nella sfera prepolitica. Al contrario, precedente al 1914 e sulla sua 5 A breve saranno caricate crisi, mentre Bruna Bianchi, nella sul sito del centro studi (nella lettura del suo contributo, ha visto COSE NOSTRE pagina dedicata al convegno di nella diserzione il tentativo di Venezia) le registrazioni audio riappropriarsi di spazi personali delle relazioni presentate al e di dignità dal parte dell’uomo convegno Tu sei maledetta. in divisa. Sono stati davvero Uomini e donne contro la guerra: interessanti gli interventi di Elena Italia, 1914-1918. Iorio sull’obiezione di coscienza nel Qui di seguito l’elenco corso del conflitto e di Ilaria La Fata degli interventi. sugli “scemi di guerra”, durante il quale la follia è stata interpretata Cent’anni dopo. Introduzione come segnale di un’indisponibilità Piero Brunello alla guerra gestita attraverso uno slittamento dalla sfera del non- La diserzione volere a quella del non-potere. Gli Bruna Bianchi interventi di Stefano Musso e di John Foot hanno completato il quadro, Luci e ombre dell’antimilitarismo concentrandosi rispettivamente dalla Settimana rossa sulla commistione di elementi che del giugno 1914 a Caporetto animavano le proteste popolari in Mimmo Franzinelli Italia durante il conflitto e sulla lotta tra le diverse memorie nel Proteste popolari dopoguerra. L’ultimo intervento delle Stefano Musso due giornate di Alessandro Portelli ha aperto una finestra sulla canzone Classificare e punire popolare legata a quell’evento da una Elena Iorio prospettiva “etnologica-musicale”. Mentre venti di guerra soffiano di “Scemi di guerra”: tra follia nuovo sull’Europa, quello sguardo e ribellione delineato nel corso del convegno Ilaria La Fata diviene quanto mai interessante sia per una lettura originale e attenta Le contro memorie del passato, sia per una progettualità John Foot libertaria nel nostro complesso presente. Eccoci bella mia domani parto. Le canzoni della guerra Alessandro Portelli 6 dell’attività politica e della sopravvivenza L’autobiografia quotidiana o stroncati dalla violenza di qualche di Rudolf Rocker autorità costituita. Rocker invece ha avuto la rara possibilità di invecchiare in una relativa finalmente tranquillità che gli ha permesso di dedicarsi alla stesura delle proprie memorie, come d’altronde tradotta aveva insistito anche l’amico Max Nettlau. Ed in lingua italiana eccola dunque la sua autobiografia: tre grossi volumi di circa cinquecento pagine l’uno, di David Bernardini pubblicati originariamente tra il 1947 e il 1952 con la traduzione spagnola di Diego Abad de Dal 2 dicembre 2014 è possibile scaricare Santillán. in formato pdf sul sito del Centro studi Lo straordinario interesse per queste libertari/Archivio G. Pinelli il primo dei tre memorie è determinato dal fatto che, al loro volumi di cui si compone la monumentale interno, Rocker non parla solamente di sé. autobiografia di Rudolf Rocker, tradotto in Sembra invece essere consapevole di quella italiano da Andrea Chersi con il titolo La “profondità” storica che sta alle spalle e gioventù di un ribelle (1873-1895). contraddistingue ciascuna esperienza vissuta nel corso della sua lunga vita. Ed ecco allora Quante storie si possono incrociare che quelle millecinquecento pagine circa si nell’arco di una vita? Tante, anzi, trasformano in un affollato palcoscenico che tantissime, se si riflette sul fatto che la si riempie progressivamente di tante storie, moltitudine di persone, esperienze e riemerse dalla bruma nella quale la storia dei luoghi conosciuti nel corso degli anni vincitori le aveva confinate. Si delineano così hanno ciascuno la loro storia alle volti e nomi, alcuni celebri, altri sconosciuti, spalle. ma tutti descritti con la stessa passione, con la L’impegno nel movimento anarchico stessa ricchezza di particolari. Eventi famosi ha comportato non raramente e grandi processi storici si incarnano in corpi, esistenze difficili, errabonde, in aneddoti tratti dalla vita quotidiana, a volte spinte da vicissitudini economiche, divertenti, a volte amari, a volte tristi. In quelle sottoposte all’attenzione di qualche righe si scopriranno per esempio la Magonza polizia nazionale e mosse dalla dell’infanzia di Rocker e quella del primo ricerca di un presente e di un dopoguerra, la Londra delle lotte dei lavoratori futuro libertario. Così, quando si di lingua yiddish e la Berlino degli anni Venti. prendono in considerazione queste Il 2 dicembre 1914 Rudolf Rocker viene biografie, si rimane sorpresi dalle arrestato a Londra dalla polizia e rinchiuso nel loro imprevedibili e sorprendenti campo di concentramento inglese Olympia traiettorie, come nel caso di Rudolf in quanto Alien Enemy, straniero di nazionalità Rocker (1873-1958). nemica. Cento anni dopo viene reso disponibile A volte i militanti più attivi non e liberamente scaricabile il primo volume hanno lasciato nulla di scritto su delle sue memorie. Rocker aveva sottolineato loro
Recommended publications
  • Orpheu Et Al. Modernism, Women, and the War
    Orpheu et al. Modernism, Women, and the War M. Irene Ramalho-Santos* Keywords Little magazines, Poetry, Modernism, The Great War, Society, Sexual mores. Abstract The article takes off from Orpheu, the little magazine at the origin of Portuguese modernism, to reflect, from a comparative perspective, on the development of modernist poetry in the context of the Great War and the social changes evolving during the first decades of the twentieth century on both sides of the Atlantic. Palavras-chave “Little magazines,” Poesia, Modernismo, A Grande Guerra, Sociedade, Costumes sexuais. Resumo O artigo parte de Orpheu, a revista que dá origem ao modernismo português, para reflectir, numa perspectiva comparada, soBre o desenvolvimento da poesia modernista no contexto da Grande Guerra e das mudanças sociais emergentes nas primeiras décadas do século XX dos dois lados do Atlântico. * Universidade de CoimBra; University of Wisconsin-Madison. Ramalho Santos Orpheu et al. It is frequently repeated in the relevant scholarship that Western literary and artistic modernism started in little magazines.1 The useful online Modernist Journals Project (Brown University / Tulsa University), dealing so far only with American and British magazines, uses as its epigraph the much quoted phrase: “modernism began in the magazines”, see SCHOLES and WULFMAN (2010) and BROOKER and THACKER (2009-2013). With two issues published in 1915 and a third one stopped that same year in the galley proofs for lack of funding, the Portuguese little magazine Orpheu inaugurated modernism in Portugal pretty much at the same time as all the other major little magazines in Europe and the United States. This is interesting, given the proverbial belatedness of Portuguese accomplishments, and no less interesting the fact that, like everywhere else, Orpheu was followed, in Portugal as well, By a number of other little magazines.
    [Show full text]
  • Communal Formations: Development of Gendered Identities
    COMMUNAL FORMATIONS: DEVELOPMENT OF GENDERED IDENTITIES IN EARLY TWENTIETH-CENTURY WOMEN’ S PERIODICALS A Dissertation by by EMILY ANNE JANDA MONTEIRO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Katherine Kelly Committee Members, Marian Eide Claudia Nelson Cynthia Bouton Head of Department, Nancy Warren May 2013 Major Subject: English Copyright 2013 Emily Anne Janda Monteiro ABSTRACT Women’s periodicals at the start of the twentieth-century were not just recorders but also producers of social and cultural change. They can be considered to both represent and construct gender codes, offering readers constantly evolving communal identities. This dissertation asserts that the periodical genre is a valuable resource in the investigation of communal identity formation and seeks to reclaim for historians of British modernist feminism a neglected publication format of the early twentieth century. I explore the discursive space of three unique women’s periodicals, Bean na hÉireann, the Freewoman, and Indian Ladies Magazine, and argue that these publications exemplify the importance of the early twentieth-century British woman’s magazine-format periodical as a primary vehicle for the communication of feminist opinions. In order to interrogate how the dynamic nature of each periodical is reflected and reinforced in each issue, I rely upon a tradition of critical discourse analysis that evaluates the meaning created within and between printed columns, news articles, serial fiction, poetry, and short sketches within each publication. These items are found to be both representative of a similar value of open and frank discourse on all matters of gender subordination at that time and yet unique to each community of readers, contributors and editors.
    [Show full text]
  • 'Free from All Uninvited Touch of Man”: Women's Campaigns Around Sexuality, 1880-1914
    0277-5395/82/06%29%17$3.00/0 C 1982Pergamon Press Ltd. ‘FREE FROM ALL UNINVITED TOUCH OF MAN”: WOMEN’S CAMPAIGNS AROUND SEXUALITY, 1880-1914 SHEILA JFFFREYS 25A Borneo Street, London SW15 IQQ, U.K. Biographical note Sheila Jeffreys’ research on feminism, sexuality and sex reform from 1880 to 1930 has been carried out as a postgraduate student in the Department of Applied Social Studies in the University of Bradford. She is a revolutionary feminist and has been active for several years in the Women’s Liberation Movement campaigns against male violence. She is presently a member of Women Against Violence Against Women. Synopsis--The history of sex in the last 100 years has generally been represented as a triumphant march from Victorian prudery into the light ofsexual freedom. From a feminist perspective the picture is different. During the last wave of feminism women, often represented as prudes and puritans by historians, waged a massive campaign to transform male sexual behaviour in the interests of women. They campaigned against the abuse of women in prostitution, the sexual abuse of children, and marital rape. This article describes the women’s activities in the social purity movement, and the increasingly militant stance taken by some pre-war feminists who refused to relate sexually to men, in the context of the developing feminist analysis of sexuality. The main purpose of the paper is to show that in order to understand the significance of this aspect of the women’s movement we must look at the area ofsexuality not merely as a sphere of personal fulfilment but as an arena of struggle in which male dominance and women’s subordination can be most powerfully reinforced and maintained or fundamentally challenged.
    [Show full text]
  • Editorial: Postanarchism
    Editorial: Postanarchism SAUL NEWMAN Postanarchism is emerging as an important new current in anarchist thought, and it is the source of growing interest and debate amongst anarchist activists and scholars alike, as well as in broader academic circles. Given the number of internet sites, discussion groups, and new books and journal publications appearing on postanarchism, it is time that the challenges it poses to classical anarchist thought and practice are taken more seriously. Postanarchism refers to a wide body of theory – encompassing political theory, philosophy, aesthetics, literature and film studies – which attempts to explore new directions in anarchist thought and politics. While it includes a number of different perspectives and trajectories, the central contention of postanarchism is that classical anarchist philosophy must take account of new theoretical directions and cultural phenomena, in particular, postmodernity and poststructuralism. While these theoretical categories have had a major impact on different areas of scholarship and thought, as well as politics, anarchism tends to have remained largely resistant to these developments and continues to work within an Enlightenment humanist epistemological framework1 which many see as being in need of updating. At the same time, anarchism – as a form of political theory and practice – is becoming increasingly important to radical struggles and global social movements today, to a large extent supplanting Marxism. Postanarchism seeks to revitalise anarchist theory in light of these new struggles and forms of resistance. However, rather than dismissing the tradition of classical anarchism, postanarchism, on the contrary, seeks to explore its potential and radicalise its possibilities. It remains entirely consistent, I would suggest, with the libertarian and egal- itarian horizon of anarchism; yet it seeks to broaden the terms of anti-authoritarian thought to include a critical analysis of language, discourse, culture and new modalities of power.
    [Show full text]
  • Writing the Vote Suffrage, Gender and Politics
    4 Sowon S Park and Kathryn Laing Writing the Vote Suffrage, Gender and Politics In the last two decades, revisionist historical accounts have illuminated crucial links between the pre-War suffrage movement and interwar feminism, whether by analysing post-1918 feminist organisations or scrutinising the suffrage roots of the women’s wings of the main political parties.1 Yet the continuous narrative of feminist activism is still seldom brought to bear on British women’s literary history, and women writers of the 1920s and 30s are rarely seen in relation to suffragists. A prevailing perception is that the works of other writers whose careers flourished during this period, such as Rose Macaulay, E. M. Delafield, Nancy Mitford, Rosamond Lehmann, Mary Agnes Hamilton, Elizabeth Bowen, Kate O’Brien, Naomi Mitchison, Ivy Compton-Burnett, Sylvia Townsend Warner and Virginia Woolf, to name a few, emerged as part of a new modernist, ‘intermodernist’ or ‘feminine middlebrow’ print culture of 1 See Cheryl Law, Suffrage and Power: The Women’s Movement 1918–1928 (London: I B Tauris, 1998), Laura E. Nym Mayhall, The Militant Suffrage Movement: Citizenship and Resistance in Britain, 1860–1930 (Oxford: Oxford University Press, 2003). the interwar period, rather than as a continuation of the suffrage legacy. Seen in this light, women’s literature of the interwar period is reduced to individual expressions of a highly personal set of preoccupations and isolated from the collective political agency that gave rise to a period of prolific literary innovation. What follows in this chapter is a retracing of the relations between pre-War and interwar women’s writing and a reconsideration of the connection between political activism and literary production.
    [Show full text]
  • Issues of Modernism: Editorial Authority in Little Magazines of the Avant Guerre
    Issues of Modernism: Editorial Authority in Little Magazines of the Avant Guerre Raymond Tyler Babbie A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Brian Reed, Chair Leroy Searle Jeanne Heuving Program Authorized to Offer Degree: English © Copyright 2017 Raymond Tyler Babbie University of Washington Abstract Issues of Modernism: Editorial Authority in Little Magazines of the Avant Guerre Raymond Tyler Babbie Chair of the Supervisory Committee: Dr. Brian Reed, Professor Department of English Issues of Modernism draws from the rich archive of little magazines of the avant guerre in order to examine the editorial intervention that shaped the emergence of modernism in their pages. Beatrice Hastings of The New Age deployed modernist techniques both in her fiction and in her editorial practices, blurring the line between text and context in order to intervene forcefully in the aesthetic and political debates of her age, crucially in the ongoing debates over women’s suffrage. The first chapter follows her emergence as an experimental modernist writer and editor, showing how she intervened in the public sphere via pseudonyms and anonymous writing. When Roger Fry’s exhibition, Manet and the Post-Impressionists, became the scandal of the London art world in late 1910, she used the debate over its value as an impetus to write experimental fiction that self-consciously drew from post-impressionist techniques. She continued to develop and use these techniques through the following years. The second examines her career in 1913, during which she continued to develop her modernist fiction in counterpoint to her political interventions and satires.
    [Show full text]
  • Lucy Hargrett Draper Center and Archives for the Study of the Rights
    Lucy Hargrett Draper Center and Archives for the Study of the Rights of Women in History and Law Hargrett Rare Book and Manuscript Library Special Collections Libraries University of Georgia Index 1. Legal Treatises. Ca. 1575-2007 (29). Age of Enlightenment. An Awareness of Social Justice for Women. Women in History and Law. 2. American First Wave. 1849-1949 (35). American Pamphlets timeline with Susan B. Anthony’s letters: 1853-1918. American Pamphlets: 1849-1970. 3. American Pamphlets (44) American pamphlets time-line with Susan B. Anthony’s letters: 1853-1918. 4. American Pamphlets. 1849-1970 (47). 5. U.K. First Wave: 1871-1908 (18). 6. U.K. Pamphlets. 1852-1921 (15). 7. Letter, autographs, notes, etc. U.S. & U.K. 1807-1985 (116). 8. Individual Collections: 1873-1980 (165). Myra Bradwell - Susan B. Anthony Correspondence. The Emily Duval Collection - British Suffragette. Ablerta Martie Hill Collection - American Suffragist. N.O.W. Collection - West Point ‘8’. Photographs. Lucy Hargrett Draper Personal Papers (not yet received) 9. Postcards, Woman’s Suffrage, U.S. (235). 10. Postcards, Women’s Suffrage, U.K. (92). 11. Women’s Suffrage Advocacy Campaigns (300). Leaflets. Broadsides. Extracts Fliers, handbills, handouts, circulars, etc. Off-Prints. 12. Suffrage Iconography (115). Posters. Drawings. Cartoons. Original Art. 13. Suffrage Artifacts: U.S. & U.K. (81). 14. Photographs, U.S. & U.K. Women of Achievement (83). 15. Artifacts, Political Pins, Badges, Ribbons, Lapel Pins (460). First Wave: 1840-1960. Second Wave: Feminist Movement - 1960-1990s. Third Wave: Liberation Movement - 1990-to present. 16. Ephemera, Printed material, etc (114). 17. U.S. & U.K.
    [Show full text]
  • Libertarian Feminism in Britain, 1860-1910 Stephen Davies
    LIBERTARIAN FEMINISM IN BRITAIN, 1860-1910 STEPHEN DAVIES CONTENTS Preface by Chris R. Tame and Johanna Faust Libertarian Feminism in Britain, 1860-1910 by Dr. Stephen Davies I The Origins II Organisational Origins III Some Publications IV The Suffrage Issue V The Female Employment Issue VI The Education Issue VII The Contagious Diseases Act VIII The Married Womens’ Property Act IX Other Involvements X The Ideological Character of Libertarian Feminism XI Critique of Society XII Historical Theory XIII Practical Proposals XIV The Historiography of Libertarian Feminism XV A Methodological Error XVI What Happened? XVII Conclusions A Selective Bibliography Some Comments on Stephen Davies’ Paper by Johanna Faust Libertarian Alliance Pamphlet No. 7 ISSN 0953-7783 ISBN 0 948317 98 1 A joint Libertarian Alliance/British Association of Libertarian Feminists publication. © 1987: Libertarian Alliance; British Association of Libertarian Feminists; Stephen Davies; Chris R. Tame; Johanna Faust. Stephen Davies is Lecturer in History at Manchester Polytechnic. He is a supporter of the British Association of Libertarian Feminists and also Treasurer of the Manchester Society. His Essays have appeared in a number of books and he has delivered papers to conferences of both the Libertarian Alliance and the Adam Smith Club. The views expressed in this publication are those of the authors and not necessarily those of the British Association of Libertarian Feminists or the Libertarian Alliance. Libertarian Alliance 25 Chapter Chambers, Esterbrooke Street, London SW1P 4NN www.libertarian.co.uk email: [email protected] Director: Dr Chris R. Tame Editorial Director: Brian Micklethwait Webmaster: Dr Sean Gabb BRITISH ASSOCIATION OF LIBERTARIAN FEMINISTS 1 PREFACE by Chris R.
    [Show full text]
  • The Uses of Humour by the Women's
    IRSH 52 (2007), pp. 259–274 DOI: 10.1017/S0020859007003239 # 2007 Internationaal Instituut voor Sociale Geschiedenis ‘‘Doing Something Silly’’: The Uses of Humour by the Women’s Social and Political Union, 1903–1914Ã Krista Cowman Summary: Investigations into uses of humour associated with the militant suffrage campaign of the Women’s Social and Political Union have been largely concerned with the satirizing of suffragettes. The uses that suffragettes themselves made of humour as a considered political tactic have been less considered. This paper explores three ways in which suffragettes turned humour to their advantage during their campaign: by deliberately adopting ‘‘silly’’ behaviours as a counterpoint to over-formal and male dominated Edwardian politics; by quick-witted retorts to hecklers who sought to disrupt suffragette meetings and finally as a means of venting private political dissent and alleviating some of the stresses of hectic political campaigning. The exploration of humour within the WSPU’s work reveals some of the links between humour and social protest in the early twentieth century, and considers the extent to which its use in public political behaviour might be gendered. In recent years, much has been made of the disjuncture between the flamboyant, militant campaign of the Women’s Social and Political Union (WSPU) and its more sedate, Victorian predecessors.1 Whereas an earlier generation of suffragists had relied quiet methods to achieve their demands, the WSPU represented something quite different. Founded in 1903, it drew a line under Victorian tactics. Its roots lay in a number of new political and cultural currents which emerged in the twentieth century.
    [Show full text]
  • Dora Marsden "The Stirner of Feminism" ?
    Library.Anarhija.Net Dora Marsden ”The Stirner of Feminism” ? Did Dora Marsden ”transcend” Stirner? Bernd A. Laska Bernd A. Laska Dora Marsden ”The Stirner of Feminism” ? Did Dora Marsden ”transcend” Stirner? 2001 http://www.lsr-projekt.de/poly/enmarsden.html lib.anarhija.net 2001 The New Freewoman, 1 vol., 15th Jun 1913 to Dec 1913 (Reprint 1967); The Egoist, 6 vols., Jan 1914 to Dec 1919 (Reprint 1967). On Dora Marsden: Sidney E. Parker: The New Freewoman. Dora Marsden & Ben- Contents jamin R. Tucker. In: Benjamin R. Tucker and the Champions of Lib- erty, ed. by Michael E. Coughlin, Charles H. Hamilton, Mark A. Sul- Abstract ............................ 3 livan. New York 1986. pp.149-157; Life summary ......................... 3 Sidney E. Parker: Archists, Anarchists and Egoists. In: The Egoist ”The Max Stirner of Feminism” ? .............. 6 (London), Nr.8 (1986), pp.1-6. From anarchism to archism ................. 8 Both articles also available at: ”The Egoist Archive” sowie ”The Bibliography: ......................... 10 Memory Hole” Les Garner: A Brave and Beautiful Spirit. Dora Marsden 1882- 1960. Aldershot, Hants., GB 1990. 214pp. Bruce Clarke: Dora Marsden and Early Modernism. Gender, In- dividualism, Science. Ann Arbor, MI, USA 1996. 273pp. 2 11 of his wishes. Some anarchists were indeed for the idea of the ego as Abstract a sovereign ruler, but only when it had first changed itself in a def- inite way, whereas Marsden, as an archist, meant the real, existing, Dora Marsden (1882-1960) was the editor of some avant-garde unchanged individuals and their egos, their spontaneous wishes literary journals (1911-1919; Ezra Pound, T.S.
    [Show full text]
  • 1 Introduction 1
    Notes 1 Introduction 1. The epigraph is taken from H.D.’s World War II-era poem “R. A. F.” (Collected 489). 2. Interestingly, this is true despite the fact that Darwin’s work does contain theo- logical statements. See Gillespie, as well as Chapter 3 of Richards’s Darwin and the Emergence of Evolutionary Theories of Mind and Behavior. 3. Galton had argued in 1909 that eugenics had “strong claims to become an orthodox religious tenet of the future” (qtd. in Childs 3). 4. For a more detailed recounting of the history of science of this period, see Morrisson’s introduction. 5. Vitalism is a theory that posits an immaterial or nonbiological life force within living beings. See Clarke, on vitalism at the turn of the century, especially 27–29. 6. The notion of ether, championed until his death by physicist Sir Oliver Lodge, was particularly difficult to discredit. Even after the Michelson-Morley experi- ment in 1897 appeared to have disproved it, Bertrand Russell, in fact, imagines that ether may in fact return to scientific legitimacy (Schleifer 17). Ether is discussed at more length in the next chapter. 7. Steinman remarks that Alexander is one of the most widely read of the scientific popularizers of the early twentieth century (67). 8. Widely popular, theosophy offers an excellent instance of an occult system that exploits the language of science. Faivre’s book on esotericism is consid- ered to be the most important historical work on theosophy. See Morrisson, Chapter 2, for a discussion of theosophy and alchemy in the modernist period.
    [Show full text]
  • L. INTRODUCTION
    Notes l. INTRODUCTION I. Emily Davies, Family Chronicle, quoted in Sheila R. Herstein, A Mid­ Victorian Feminist: Barbara Leigh Smith Bodichon (New Haven, CT: Yale University Press, 1985), p. 150. 2. Helen Blackburn, Women's Suffrage: a record of the women's suffrage movement in the British Isles (London: Williams and Norgate, 1902), p. 55. 3. Mary Wollstonecraft originally intended to write a second volume of the Vindication, treating the laws affecting women. Apparently referring to that projected volume, she says: 'I may excite laughter by dropping a hint which 1 mean to pursue some future time, for 1 really think that women ought to have representatives, instead of being arbitrarily governed with­ out having any direct share allowed them in the deliberations of govern­ ment.' She goes on to say that this is not really a point for present complaint, as women are no worse off than all the hard-working men who were then excluded from the suffrage; this discussion occurs in the midst of her attack on the degraded state of politics in the present age. A Vindication of the Rights of Woman (London: T. Fisher Unwin, 1891), p. 220. 4. William Thompson, Appeal of one half the human race, women, against the pretensions of the other ha(f, men, to retain them in political, and thence in civil and domestic, slavery (London: Longman, Hurst, Rees, Orme, Browne and Green, 1825). 5. See Barbara Caine, 'Feminism, Suffrage and the Nineteenth-Century English Women's Movement,' Women's Studies International Forum, Vol. 5, No.6 (1982), p. 538; see also Ray Strachey, The Cause: a Short History of the Women's Movement in Great Britain (London: G.
    [Show full text]