Communal Formations: Development of Gendered Identities
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Orpheu Et Al. Modernism, Women, and the War
Orpheu et al. Modernism, Women, and the War M. Irene Ramalho-Santos* Keywords Little magazines, Poetry, Modernism, The Great War, Society, Sexual mores. Abstract The article takes off from Orpheu, the little magazine at the origin of Portuguese modernism, to reflect, from a comparative perspective, on the development of modernist poetry in the context of the Great War and the social changes evolving during the first decades of the twentieth century on both sides of the Atlantic. Palavras-chave “Little magazines,” Poesia, Modernismo, A Grande Guerra, Sociedade, Costumes sexuais. Resumo O artigo parte de Orpheu, a revista que dá origem ao modernismo português, para reflectir, numa perspectiva comparada, soBre o desenvolvimento da poesia modernista no contexto da Grande Guerra e das mudanças sociais emergentes nas primeiras décadas do século XX dos dois lados do Atlântico. * Universidade de CoimBra; University of Wisconsin-Madison. Ramalho Santos Orpheu et al. It is frequently repeated in the relevant scholarship that Western literary and artistic modernism started in little magazines.1 The useful online Modernist Journals Project (Brown University / Tulsa University), dealing so far only with American and British magazines, uses as its epigraph the much quoted phrase: “modernism began in the magazines”, see SCHOLES and WULFMAN (2010) and BROOKER and THACKER (2009-2013). With two issues published in 1915 and a third one stopped that same year in the galley proofs for lack of funding, the Portuguese little magazine Orpheu inaugurated modernism in Portugal pretty much at the same time as all the other major little magazines in Europe and the United States. This is interesting, given the proverbial belatedness of Portuguese accomplishments, and no less interesting the fact that, like everywhere else, Orpheu was followed, in Portugal as well, By a number of other little magazines. -
'Free from All Uninvited Touch of Man”: Women's Campaigns Around Sexuality, 1880-1914
0277-5395/82/06%29%17$3.00/0 C 1982Pergamon Press Ltd. ‘FREE FROM ALL UNINVITED TOUCH OF MAN”: WOMEN’S CAMPAIGNS AROUND SEXUALITY, 1880-1914 SHEILA JFFFREYS 25A Borneo Street, London SW15 IQQ, U.K. Biographical note Sheila Jeffreys’ research on feminism, sexuality and sex reform from 1880 to 1930 has been carried out as a postgraduate student in the Department of Applied Social Studies in the University of Bradford. She is a revolutionary feminist and has been active for several years in the Women’s Liberation Movement campaigns against male violence. She is presently a member of Women Against Violence Against Women. Synopsis--The history of sex in the last 100 years has generally been represented as a triumphant march from Victorian prudery into the light ofsexual freedom. From a feminist perspective the picture is different. During the last wave of feminism women, often represented as prudes and puritans by historians, waged a massive campaign to transform male sexual behaviour in the interests of women. They campaigned against the abuse of women in prostitution, the sexual abuse of children, and marital rape. This article describes the women’s activities in the social purity movement, and the increasingly militant stance taken by some pre-war feminists who refused to relate sexually to men, in the context of the developing feminist analysis of sexuality. The main purpose of the paper is to show that in order to understand the significance of this aspect of the women’s movement we must look at the area ofsexuality not merely as a sphere of personal fulfilment but as an arena of struggle in which male dominance and women’s subordination can be most powerfully reinforced and maintained or fundamentally challenged. -
Editorial: Postanarchism
Editorial: Postanarchism SAUL NEWMAN Postanarchism is emerging as an important new current in anarchist thought, and it is the source of growing interest and debate amongst anarchist activists and scholars alike, as well as in broader academic circles. Given the number of internet sites, discussion groups, and new books and journal publications appearing on postanarchism, it is time that the challenges it poses to classical anarchist thought and practice are taken more seriously. Postanarchism refers to a wide body of theory – encompassing political theory, philosophy, aesthetics, literature and film studies – which attempts to explore new directions in anarchist thought and politics. While it includes a number of different perspectives and trajectories, the central contention of postanarchism is that classical anarchist philosophy must take account of new theoretical directions and cultural phenomena, in particular, postmodernity and poststructuralism. While these theoretical categories have had a major impact on different areas of scholarship and thought, as well as politics, anarchism tends to have remained largely resistant to these developments and continues to work within an Enlightenment humanist epistemological framework1 which many see as being in need of updating. At the same time, anarchism – as a form of political theory and practice – is becoming increasingly important to radical struggles and global social movements today, to a large extent supplanting Marxism. Postanarchism seeks to revitalise anarchist theory in light of these new struggles and forms of resistance. However, rather than dismissing the tradition of classical anarchism, postanarchism, on the contrary, seeks to explore its potential and radicalise its possibilities. It remains entirely consistent, I would suggest, with the libertarian and egal- itarian horizon of anarchism; yet it seeks to broaden the terms of anti-authoritarian thought to include a critical analysis of language, discourse, culture and new modalities of power. -
Writing the Vote Suffrage, Gender and Politics
4 Sowon S Park and Kathryn Laing Writing the Vote Suffrage, Gender and Politics In the last two decades, revisionist historical accounts have illuminated crucial links between the pre-War suffrage movement and interwar feminism, whether by analysing post-1918 feminist organisations or scrutinising the suffrage roots of the women’s wings of the main political parties.1 Yet the continuous narrative of feminist activism is still seldom brought to bear on British women’s literary history, and women writers of the 1920s and 30s are rarely seen in relation to suffragists. A prevailing perception is that the works of other writers whose careers flourished during this period, such as Rose Macaulay, E. M. Delafield, Nancy Mitford, Rosamond Lehmann, Mary Agnes Hamilton, Elizabeth Bowen, Kate O’Brien, Naomi Mitchison, Ivy Compton-Burnett, Sylvia Townsend Warner and Virginia Woolf, to name a few, emerged as part of a new modernist, ‘intermodernist’ or ‘feminine middlebrow’ print culture of 1 See Cheryl Law, Suffrage and Power: The Women’s Movement 1918–1928 (London: I B Tauris, 1998), Laura E. Nym Mayhall, The Militant Suffrage Movement: Citizenship and Resistance in Britain, 1860–1930 (Oxford: Oxford University Press, 2003). the interwar period, rather than as a continuation of the suffrage legacy. Seen in this light, women’s literature of the interwar period is reduced to individual expressions of a highly personal set of preoccupations and isolated from the collective political agency that gave rise to a period of prolific literary innovation. What follows in this chapter is a retracing of the relations between pre-War and interwar women’s writing and a reconsideration of the connection between political activism and literary production. -
Issues of Modernism: Editorial Authority in Little Magazines of the Avant Guerre
Issues of Modernism: Editorial Authority in Little Magazines of the Avant Guerre Raymond Tyler Babbie A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Brian Reed, Chair Leroy Searle Jeanne Heuving Program Authorized to Offer Degree: English © Copyright 2017 Raymond Tyler Babbie University of Washington Abstract Issues of Modernism: Editorial Authority in Little Magazines of the Avant Guerre Raymond Tyler Babbie Chair of the Supervisory Committee: Dr. Brian Reed, Professor Department of English Issues of Modernism draws from the rich archive of little magazines of the avant guerre in order to examine the editorial intervention that shaped the emergence of modernism in their pages. Beatrice Hastings of The New Age deployed modernist techniques both in her fiction and in her editorial practices, blurring the line between text and context in order to intervene forcefully in the aesthetic and political debates of her age, crucially in the ongoing debates over women’s suffrage. The first chapter follows her emergence as an experimental modernist writer and editor, showing how she intervened in the public sphere via pseudonyms and anonymous writing. When Roger Fry’s exhibition, Manet and the Post-Impressionists, became the scandal of the London art world in late 1910, she used the debate over its value as an impetus to write experimental fiction that self-consciously drew from post-impressionist techniques. She continued to develop and use these techniques through the following years. The second examines her career in 1913, during which she continued to develop her modernist fiction in counterpoint to her political interventions and satires. -
Lucy Hargrett Draper Center and Archives for the Study of the Rights
Lucy Hargrett Draper Center and Archives for the Study of the Rights of Women in History and Law Hargrett Rare Book and Manuscript Library Special Collections Libraries University of Georgia Index 1. Legal Treatises. Ca. 1575-2007 (29). Age of Enlightenment. An Awareness of Social Justice for Women. Women in History and Law. 2. American First Wave. 1849-1949 (35). American Pamphlets timeline with Susan B. Anthony’s letters: 1853-1918. American Pamphlets: 1849-1970. 3. American Pamphlets (44) American pamphlets time-line with Susan B. Anthony’s letters: 1853-1918. 4. American Pamphlets. 1849-1970 (47). 5. U.K. First Wave: 1871-1908 (18). 6. U.K. Pamphlets. 1852-1921 (15). 7. Letter, autographs, notes, etc. U.S. & U.K. 1807-1985 (116). 8. Individual Collections: 1873-1980 (165). Myra Bradwell - Susan B. Anthony Correspondence. The Emily Duval Collection - British Suffragette. Ablerta Martie Hill Collection - American Suffragist. N.O.W. Collection - West Point ‘8’. Photographs. Lucy Hargrett Draper Personal Papers (not yet received) 9. Postcards, Woman’s Suffrage, U.S. (235). 10. Postcards, Women’s Suffrage, U.K. (92). 11. Women’s Suffrage Advocacy Campaigns (300). Leaflets. Broadsides. Extracts Fliers, handbills, handouts, circulars, etc. Off-Prints. 12. Suffrage Iconography (115). Posters. Drawings. Cartoons. Original Art. 13. Suffrage Artifacts: U.S. & U.K. (81). 14. Photographs, U.S. & U.K. Women of Achievement (83). 15. Artifacts, Political Pins, Badges, Ribbons, Lapel Pins (460). First Wave: 1840-1960. Second Wave: Feminist Movement - 1960-1990s. Third Wave: Liberation Movement - 1990-to present. 16. Ephemera, Printed material, etc (114). 17. U.S. & U.K. -
Libertarian Feminism in Britain, 1860-1910 Stephen Davies
LIBERTARIAN FEMINISM IN BRITAIN, 1860-1910 STEPHEN DAVIES CONTENTS Preface by Chris R. Tame and Johanna Faust Libertarian Feminism in Britain, 1860-1910 by Dr. Stephen Davies I The Origins II Organisational Origins III Some Publications IV The Suffrage Issue V The Female Employment Issue VI The Education Issue VII The Contagious Diseases Act VIII The Married Womens’ Property Act IX Other Involvements X The Ideological Character of Libertarian Feminism XI Critique of Society XII Historical Theory XIII Practical Proposals XIV The Historiography of Libertarian Feminism XV A Methodological Error XVI What Happened? XVII Conclusions A Selective Bibliography Some Comments on Stephen Davies’ Paper by Johanna Faust Libertarian Alliance Pamphlet No. 7 ISSN 0953-7783 ISBN 0 948317 98 1 A joint Libertarian Alliance/British Association of Libertarian Feminists publication. © 1987: Libertarian Alliance; British Association of Libertarian Feminists; Stephen Davies; Chris R. Tame; Johanna Faust. Stephen Davies is Lecturer in History at Manchester Polytechnic. He is a supporter of the British Association of Libertarian Feminists and also Treasurer of the Manchester Society. His Essays have appeared in a number of books and he has delivered papers to conferences of both the Libertarian Alliance and the Adam Smith Club. The views expressed in this publication are those of the authors and not necessarily those of the British Association of Libertarian Feminists or the Libertarian Alliance. Libertarian Alliance 25 Chapter Chambers, Esterbrooke Street, London SW1P 4NN www.libertarian.co.uk email: [email protected] Director: Dr Chris R. Tame Editorial Director: Brian Micklethwait Webmaster: Dr Sean Gabb BRITISH ASSOCIATION OF LIBERTARIAN FEMINISTS 1 PREFACE by Chris R. -
The Uses of Humour by the Women's
IRSH 52 (2007), pp. 259–274 DOI: 10.1017/S0020859007003239 # 2007 Internationaal Instituut voor Sociale Geschiedenis ‘‘Doing Something Silly’’: The Uses of Humour by the Women’s Social and Political Union, 1903–1914Ã Krista Cowman Summary: Investigations into uses of humour associated with the militant suffrage campaign of the Women’s Social and Political Union have been largely concerned with the satirizing of suffragettes. The uses that suffragettes themselves made of humour as a considered political tactic have been less considered. This paper explores three ways in which suffragettes turned humour to their advantage during their campaign: by deliberately adopting ‘‘silly’’ behaviours as a counterpoint to over-formal and male dominated Edwardian politics; by quick-witted retorts to hecklers who sought to disrupt suffragette meetings and finally as a means of venting private political dissent and alleviating some of the stresses of hectic political campaigning. The exploration of humour within the WSPU’s work reveals some of the links between humour and social protest in the early twentieth century, and considers the extent to which its use in public political behaviour might be gendered. In recent years, much has been made of the disjuncture between the flamboyant, militant campaign of the Women’s Social and Political Union (WSPU) and its more sedate, Victorian predecessors.1 Whereas an earlier generation of suffragists had relied quiet methods to achieve their demands, the WSPU represented something quite different. Founded in 1903, it drew a line under Victorian tactics. Its roots lay in a number of new political and cultural currents which emerged in the twentieth century. -
Dora Marsden "The Stirner of Feminism" ?
Library.Anarhija.Net Dora Marsden ”The Stirner of Feminism” ? Did Dora Marsden ”transcend” Stirner? Bernd A. Laska Bernd A. Laska Dora Marsden ”The Stirner of Feminism” ? Did Dora Marsden ”transcend” Stirner? 2001 http://www.lsr-projekt.de/poly/enmarsden.html lib.anarhija.net 2001 The New Freewoman, 1 vol., 15th Jun 1913 to Dec 1913 (Reprint 1967); The Egoist, 6 vols., Jan 1914 to Dec 1919 (Reprint 1967). On Dora Marsden: Sidney E. Parker: The New Freewoman. Dora Marsden & Ben- Contents jamin R. Tucker. In: Benjamin R. Tucker and the Champions of Lib- erty, ed. by Michael E. Coughlin, Charles H. Hamilton, Mark A. Sul- Abstract ............................ 3 livan. New York 1986. pp.149-157; Life summary ......................... 3 Sidney E. Parker: Archists, Anarchists and Egoists. In: The Egoist ”The Max Stirner of Feminism” ? .............. 6 (London), Nr.8 (1986), pp.1-6. From anarchism to archism ................. 8 Both articles also available at: ”The Egoist Archive” sowie ”The Bibliography: ......................... 10 Memory Hole” Les Garner: A Brave and Beautiful Spirit. Dora Marsden 1882- 1960. Aldershot, Hants., GB 1990. 214pp. Bruce Clarke: Dora Marsden and Early Modernism. Gender, In- dividualism, Science. Ann Arbor, MI, USA 1996. 273pp. 2 11 of his wishes. Some anarchists were indeed for the idea of the ego as Abstract a sovereign ruler, but only when it had first changed itself in a def- inite way, whereas Marsden, as an archist, meant the real, existing, Dora Marsden (1882-1960) was the editor of some avant-garde unchanged individuals and their egos, their spontaneous wishes literary journals (1911-1919; Ezra Pound, T.S. -
1 Introduction 1
Notes 1 Introduction 1. The epigraph is taken from H.D.’s World War II-era poem “R. A. F.” (Collected 489). 2. Interestingly, this is true despite the fact that Darwin’s work does contain theo- logical statements. See Gillespie, as well as Chapter 3 of Richards’s Darwin and the Emergence of Evolutionary Theories of Mind and Behavior. 3. Galton had argued in 1909 that eugenics had “strong claims to become an orthodox religious tenet of the future” (qtd. in Childs 3). 4. For a more detailed recounting of the history of science of this period, see Morrisson’s introduction. 5. Vitalism is a theory that posits an immaterial or nonbiological life force within living beings. See Clarke, on vitalism at the turn of the century, especially 27–29. 6. The notion of ether, championed until his death by physicist Sir Oliver Lodge, was particularly difficult to discredit. Even after the Michelson-Morley experi- ment in 1897 appeared to have disproved it, Bertrand Russell, in fact, imagines that ether may in fact return to scientific legitimacy (Schleifer 17). Ether is discussed at more length in the next chapter. 7. Steinman remarks that Alexander is one of the most widely read of the scientific popularizers of the early twentieth century (67). 8. Widely popular, theosophy offers an excellent instance of an occult system that exploits the language of science. Faivre’s book on esotericism is consid- ered to be the most important historical work on theosophy. See Morrisson, Chapter 2, for a discussion of theosophy and alchemy in the modernist period. -
L. INTRODUCTION
Notes l. INTRODUCTION I. Emily Davies, Family Chronicle, quoted in Sheila R. Herstein, A Mid Victorian Feminist: Barbara Leigh Smith Bodichon (New Haven, CT: Yale University Press, 1985), p. 150. 2. Helen Blackburn, Women's Suffrage: a record of the women's suffrage movement in the British Isles (London: Williams and Norgate, 1902), p. 55. 3. Mary Wollstonecraft originally intended to write a second volume of the Vindication, treating the laws affecting women. Apparently referring to that projected volume, she says: 'I may excite laughter by dropping a hint which 1 mean to pursue some future time, for 1 really think that women ought to have representatives, instead of being arbitrarily governed with out having any direct share allowed them in the deliberations of govern ment.' She goes on to say that this is not really a point for present complaint, as women are no worse off than all the hard-working men who were then excluded from the suffrage; this discussion occurs in the midst of her attack on the degraded state of politics in the present age. A Vindication of the Rights of Woman (London: T. Fisher Unwin, 1891), p. 220. 4. William Thompson, Appeal of one half the human race, women, against the pretensions of the other ha(f, men, to retain them in political, and thence in civil and domestic, slavery (London: Longman, Hurst, Rees, Orme, Browne and Green, 1825). 5. See Barbara Caine, 'Feminism, Suffrage and the Nineteenth-Century English Women's Movement,' Women's Studies International Forum, Vol. 5, No.6 (1982), p. 538; see also Ray Strachey, The Cause: a Short History of the Women's Movement in Great Britain (London: G. -
REVOLT, THEY SAID. 1 a Project by Andrea Geyer
REVOLT, THEY SAID. 1 a project by Andrea Geyer INSTALLATION MUSEUM OF MODERN ART NEW YORK Ida York Abelman (1908–2002) was a highly regarded Social OCTOBER 16th - NOVEMBER 27th 2015 Realist, known for the graphic work that she produced for the various Federal Art Projects in New York during the Depression. BIOGRAPHIES FOR DRAWING Her etchings and lithographs of the 1930s depict the difficult living conditions endured by many. Abelman also completed two murals for the Federal Art Projects: Lewiston Milestones in Lewiston, Illinois, and Booneville Beginnings in Booneville, Indiana, both extant. Her art training included the National Academy of Design, Grand Central Art School, College of the City of New York, and Hunter College, all in New York City. She was a member of the American Artists Congress and exhibited at the Museum of Modern Art, the Whitney Museum Louise Abbéma (1853–1927) was an artist known for her of American Art, and the Berkshire Museum, Massachusetts, portraits of notable figures of the Belle Époque, including among other venues. Her work is the collections of numerous Emperor Dom Pedro II of Brazil, architect Charles Garnier, and museums as well as the Library of Congress. actress Sarah Bernhardt. Bernhardt and Abbéma were lovers and exhibited artworks together at the 1893 World’s Columbian Gertrude Abercrombie (1909–1977) was an American Exposition in Chicago. Abbéma was a regular exhibitor at the painter. She spent much of her childhood traveling Europe with Paris Salon and regular contributor to the journals Gazette des her parents who toured with an opera company. The outbreak of Beaux-Arts and L’Art.