Beyond Land and Time
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Bengal Lights
ASIATIC, VOLUME 3, NUMBER 1, JUNE 2009 Clinton B. Seely, Barisal and Beyond: Essays on Bangla Literature . New Delhi: Chronicle Books, 2008. 322pp. ISBN 81-8028-036-5. The author of this book is the protagonist of a charming inter-cultural romance. He is one of fewer than a handful of living Westerners who fortuitously fell in love with Bengali literature and made a distinguished career of teaching it – at the University of Chicago in his case. A major in Botany from Stanford, he volunteered for the Peace Corps and spent a year and nine months (1963-65) training high school science teachers in Barisal, in present-day Bangladesh. In the process he picked up Bangla (or Bengali) and, through the desultory chitchat that Bengalis call adda , gathered some idea about the greatest writer in the language, Rabindranath Tagore. At the end of his stint he enrolled for a PhD at the Department of South Asian Languages and Civilisations, University of Chicago and discovered Bengal’s greatest modern poet, whose hometown was his familiar Barisal. His thesis, published as A Poet Apart: A Literary Biography of the Bengali Poet Jibanananda Das (1889-1954) , won him West Bengal’s most prestigious literary award. His other publications include three translated volumes, of which the one of Michael Madhusudan Datta’s epic, The Slaying of Meghnada: A Ramayana from Colonial Bengal , got him the A.K. Ramanujan Book Prize for Translation. The present volume is a mixed bag of essays and lectures covering a number of significant aspects of Bengali literature. Though the focus is predominantly on modern or post-Plassey literature, Seely’s grasp of the earlier traditions of Bengali writing is palpable in several essays. -
Translation As Transcreation: a Study of Selected Poems of Jibanananda Das
JAST © 2015 M.U.C.Women’s College, Burdwan ISSN 2395-4353 -a peer reviewed multidisciplinary research journal Vol.-01, Issue- 01 Translation as Transcreation: A Study of Selected Poems of Jibanananda Das Joyanta Dangar Department of English M.U.C. Women’s College, Burdwan West Bengal, India E-mail: [email protected] Abstract: Jibanananda Das, a poet of the post-Tagore era in Bengal, composed volumes of poetry, from which some representative poems such as “I have seen the face of Bengal,” “Banalata Sen,” and “One Day Eight Years Ago” have been selected for the present study. To capture the “harmonic cadences” arising from employment of different types of rhyme and figures of speech in Das’s poetry is a challenge for his translators. Besides, considerations of form and the art of conveying Das’s sense of history of India when the target audience is non- Indian are equally challenging. However, some gains in the form of transcreation may be considered compensations for inevitable losses incurred in course of translation. Key words: Mosaic rhyme, hyperbaton, “ambiguity,” target reader, linguistic equivalence, untranslatability, sense of history The act of translation is voluntary, that is the material has been chosen by the translator himself and the prime mover is to recreate it. —Meenakshi Mukherjee, “Transposition of Culture.” Cygnus 2: 2(1981) Jibanananda Das (1899-1954) was a modern Bengali poet writing in the twentieth century. Acknowledged as the leading poet of the post-Tagore era, Das wrote ceaselessly, but only seven volumes of his poetry were published during his lifetime. An introvert, he never came to the limelight: one of his contemporary poets, Buddhadeb Bose called him the “loneliest of poets.” Among major collections of his poetry are Beautiful Bengal (Rupasi Bangla; 1934, Pub. -
Understanding Jibanananda's Different Poetic Sensibility
Understanding Jibanananda’s Different Poetic Sensibility Jibanananda Das’s poetry has the power to transport one to the obscure region of one’s being and sensibility beyond the everyday bounds of sense and reason. He achieves it characteristically by endowing mystical attributes to mundane everyday objects of nature, especially the ordinary objects that we see in and around Bengal as Bengal was known then in its undivided entity. This rootedness of his imagination and sensibility is what makes Jibanananda Das a unique poet, different from almost all the modern poets of Bengal. Bengal has produced a great number of nature poets, the finest specimen of which could be no other than Tagore himself, the pictorial as well as spiritual quality of whose images has touched thousands of people across the world. But never before, perhaps, was there a poet in Bengal who like Jibanananda, time and again, made the so-called lowly and unattractive creatures and plants like idur (mouse), shalik (Indian maynah), pecha (owl), kaak (crow), churui (sparrow), hash (duck), ghash (grass), akanda (cr own flower, calotropis gigantea), dhundul (a kind of local vegetable) and so on so 'ordinary' yet significant. I intend to discuss three poems by Jibanananda Das and all three are my favourite ones, namely ‘Before Death’ from his collection Dhushar Pandulipi (Grey Manuscripts), ‘I Shall Return To This Bengal’ and ‘Banalata Sen’ from his collection Rupashi Bangla (Beautiful Bengal) to examine his poetic sensibility as a modern poet, to examine his relationship with nature, a relationship with a difference, and the transformation that Bengal had undergone in his poetry because of this special bond. -
Curriculum Vitae, C.B
The University of Chicago DEPARTMENT OF SOU TH ASIAN LANG UAGES AND CI VILI ZATIO NS Foster Hall 1130 East 59th Street Chicago • illinois 60637 [email protected] http://home.uchicago.edu/~cbs2/ May, 2012 Clinton B. Seely, Professor Emeritus DEGREES: A.B., Biology, Stanford University, 1963 A.M., South Asian Languages and Civilizations, The University of Chicago, 1968 Ph.D., South Asian Languages and Civilizations, The University of Chicago, 1976 DOCTORAL DISSERTATION TITLE: Doe in Heat: A Critical Biography of the Bengali Poet Jibanananda Das (1899-1954) with Relevant Literary History from the Mid-1920's to the Mid-1950's. PROFESSIONAL EXPERIENCE: Professor of Bengali, The University of Chicago, 2004- Associate Professor of Bengali, The University of Chicago, 1983-2004 Assistant Professor of Bengali, The University of Chicago, 1975-83 Assistant Professor of Bengali, University of Minnesota, 1977-78 Instructor in Bengali, The University of Chicago, 1971-75 Instructor in Bengali, University of Illinois, summer 1967 Assistant Language Coordinator, Peace Corps Training Program, The University of Chicago, 1966 Peace Corps Volunteer, East Pakistan, 1963-65 ACADEMIC AWARDS: National Defense Foreign Language Fellowship, The University of Chicago, 1965-68 Foreign Area Fellowship, England, India, East Pakistan, & the US, 1968-71 Fulbright-Hays Faculty Research Abroad Fellowship, Bangladesh, 1981-82 American Institute of Indian Studies, Senior Research Fellowship, India, 1982 U.S. Department of Education, 1983-85 Consortium for Language Teaching and Learning, 1988 Consortium for Language Teaching and Learning, 1989 "Ashoke Kumar Sarkar Memorial" Ananda Prize (Calcutta), 1993 Special Award, 2nd North America Bangla Literature & Culture Convention (Chicago), 1997 Dinesh Chandra Sen Research Society's "4th Annual Award for Excellence in Research in Bengali Literature" (Calcutta), 1999 Distinguished Service Award, Cultural Association of Bengal, presented at the North American Bengali Conference (Baltimore), 2004 A.K. -
Man's Quest for the Meaning of Life in Jibanananda
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 19 Issue 8 Version 1.0 Year 2019 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X ‘Neither Peace nor Love or Dream’: Man’s Quest for the Meaning of Life in Jibanananda By Biswarup Das Abstract- The primary quest of humanity is for happiness and the meaning of life. Most people throughout life remain unaware of the ‘individual self,’ the foundation of one’s identity, and tread on the known ways of the society to make life meaningful. Consequently, the ‘being’ of such a person fails to come to existence. Only a few are ever able to become conscious of this ‘self’ in moments of pure reflection enabled by a complete divorce from the social presence. The consciousness leads to a concurrent awareness of the meaninglessness of the world and the true concept of freedom. Freedom fetches agony with the realization of the sole responsibility of one’s choice. A person is then either on the way to construct the meaning of life and find happiness in a personalized way or get crushed at the burden of his anguish. The consciousness of the individual self, the awareness of personal freedom in a fundamentally meaningless world, and the consequence of this consciousness in both its aspects – all the facets of man’s existential problem have been portrayed in the lines of the great Bengali poet Jibanananda Das (1899 – 1954) with poignancy and vividness. We can, at the same time, parallel the situation presented in his poetry with his personal life. -
Embodying Utopia in 1935: Poetry and the Feminized Nation Anne Castaing
Embodying Utopia in 1935: Poetry and the Feminized Nation Anne Castaing To cite this version: Anne Castaing. Embodying Utopia in 1935: Poetry and the Feminized Nation. Open Library of Humanities, Open Library of Humanities, 2019, 5 (1), 10.16995/olh.385. hal-02002559 HAL Id: hal-02002559 https://hal.archives-ouvertes.fr/hal-02002559 Submitted on 31 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Utopian Art and Literature from Modern India How to Cite: Castaing, A 2019 Embodying Utopia in 1935: Poetry and the Feminized Nation. Open Library of Humanities, 5(1): 8, pp. 1–21. DOI: https://doi.org/10.16995/olh.385 Published: 30 January 2019 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2019 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. -
Contemporary Bangladeshi Poetry in Terms of Subject Matter, Theme, and Technique: a Reflection
Asian Journal of Humanity, Art and Literature, Volume 1, No 3 (2014) Contemporary Bangladeshi Poetry in terms of Subject matter, Theme, and Technique: A Reflection Tusar Talukder Lecturer, Department of English, Central Women’s University, Dhaka ABSTRACT Volume 1, Number 3/2014 Bangladeshi poetry underwent significant changes in cases of subject-matter, theme, and technique over the period of last 40 years. With the passage of time, it embraced as well DOI prefix: 10.15590/ajhal as adapted to those changes. De facto, after the year of 2000, how poetry has been fashioned in a new way is brought into focus through this research paper. More particularly, I have Licensed: studied the subject-matter, theme, and language of four contemporary Bangladeshi poets namely Mujtaba Ahmed Murshed, Obayed Akash, Binoy Barman and Rakibul Source of Support: Nil Conflict of Interest: None Declared Hasan. I have considered these less known but substantial poets’ poetry because while coming across their poems I have minutely noticed the changes and variety they have Email for correspondence: celebrated through their verses. Therefore, I have selected [email protected] four poetry collections of the aforementioned poets to expose multifarious aspects of the contemporary Bangladeshi poetry. Key Words: Nostalgia, symbolism, localness, optimism, pessimism INTRODUCTION Poetry invariably plays a substantial role in shaping the literary landscape of the nation. The history of Bangladeshi literature clearly involves the evolution of Bangladeshi poetry. The transformation particularly occurs due to socio-political changes. And this development process has been continuing for four decades in Bangladesh. During this time, Bangladeshi poetry went though a number of changes in the fields of theme, subject-matter as well as technique. -
Sudeep Sen: an Interview Ziaul Karim
Sudeep Sen: An Interview Ziaul Karim Sudeep Sen by Sara Bowman ‘Art in its purest form never reveals all,’ writes Sudeep Sen, as evident in the unfathomable depth and beauty of a ‘Bharatanatyam Dancer’. This inspired line from his poem serves as a fascinating commentary on his poetry. Sen essentially loves to express himself in a clear, crisp, logical fashion, while building his ideas line-by-line and stanza-by-stanza. The belief that ambiguity is at the core of poetic beauty is not true for Sudeep Sen. His poetic beauty works at a very different level. However he may conceive a poem, the final result is always a well-knit fabric. If you try unravelling the threads of the fabric itself, it will gently reveal subtle layers, which otherwise go unnoticed to an everyday eye. It is worth comparing his poems to a treasure-chest – one that appears simple, concrete, and well-constructed but, upon opening, starts to ‘slow-release’ its many secrets, splendours, and gifts. The voice in his poems is soft, gentle, though persuasive – one which murmurs and hums its mantra into our ear, a mantra that is, to quote the end of the same poem, ‘poetic, passionate, and ice-pure’. This poem, dedicated to India’s foremost ‘Bharatanatyam Dancer’ – Leela Samson – is quoted below in full: Spaces in the electric air divide themselves in circular rhythms, as the slender grace of your arms and bell-tied ankles describe a geometric topography, real, cosmic, one that once reverberated continually in a prescribed courtyard of an ancient temple in South India. -
Global Journal of Human Social Science
Online ISSN : 2249-460X Print ISSN : 0975-587X DOI : 10.17406/GJHSS WorldandArtificialIntelligence TensionbetweenIllusion&Reality NeitherPeacenorLoveorDream MythographyandParadoxography VOLUME19ISSUE8VERSION1.0 Global Journal of Human-Social Science: A Arts & Humanities - Psychology Global Journal of Human-Social Science: A Arts & Humanities - Psychology Volume 1 9 Issue 8 (Ver. 1.0) Open Association of Research Society Global Journals Inc. *OREDO-RXUQDORI+XPDQ (A Delaware USA Incorporation with “Good Standing”; Reg. Number: 0423089) Social Sciences. 2019. Sponsors:Open Association of Research Society Open Scientific Standards $OOULJKWVUHVHUYHG 7KLVLVDVSHFLDOLVVXHSXEOLVKHGLQYHUVLRQ Publisher’s Headquarters office RI³*OREDO-RXUQDORI+XPDQ6RFLDO 6FLHQFHV´%\*OREDO-RXUQDOV,QF Global Journals ® Headquarters $OODUWLFOHVDUHRSHQDFFHVVDUWLFOHVGLVWULEXWHG XQGHU³*OREDO-RXUQDORI+XPDQ6RFLDO 945th Concord Streets, 6FLHQFHV´ Framingham Massachusetts Pin: 01701, 5HDGLQJ/LFHQVHZKLFKSHUPLWVUHVWULFWHGXVH United States of America (QWLUHFRQWHQWVDUHFRS\ULJKWE\RI³*OREDO -RXUQDORI+XPDQ6RFLDO6FLHQFHV´XQOHVV USA Toll Free: +001-888-839-7392 RWKHUZLVHQRWHGRQVSHFLILFDUWLFOHV USA Toll Free Fax: +001-888-839-7392 1RSDUWRIWKLVSXEOLFDWLRQPD\EHUHSURGXFHG Offset Typesetting RUWUDQVPLWWHGLQDQ\IRUPRUE\DQ\PHDQV HOHFWURQLFRUPHFKDQLFDOLQFOXGLQJ SKRWRFRS\UHFRUGLQJRUDQ\LQIRUPDWLRQ Globa l Journals Incorporated VWRUDJHDQGUHWULHYDOV\VWHPZLWKRXWZULWWHQ 2nd, Lansdowne, Lansdowne Rd., Croydon-Surrey, SHUPLVVLRQ Pin: CR9 2ER, United Kingdom 7KHRSLQLRQVDQGVWDWHPHQWVPDGHLQWKLV ERRNDUHWKRVHRIWKHDXWKRUVFRQFHUQHG -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English Vol
AboutUs: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ ContactUs: http://www.the-criterion.com/contact/ EditorialBoard: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 11, Issue-II, April 2020 ISSN: 0976-8165 Jibanananda Das’s “Banalata Sen”: An Utter Mystery Farhana Yeasmin Assistant Professor, Department of English, Jashore University of Science and Technology Jashore-7408 Bangladesh. & Suvangkar Mondal Student, Department of English, Jashore University of Science and Technology, Jashore. Article History: Submitted-24/03/2020, Revised-28/04/2020, Accepted-30/04/2020, Published-10/05/2020. Abstract: Jibanananda Das in “Banalata Sen” (1934) sketches an image of a mysterious identity, Banalata Sen-the mystery yet to explore, and ubiquitously this mystery blooms from the bud and reaches its intensity. The poet, with inveterate hands, blends the natural elements and the occult beauty of Banalata Sen as well as seeks all the ancient historical elements and all the beauties of the world within her. The use of hyperbolic imageries in the poem makes her mystery more intensive. These imageries create confusion- may be Banalata Sen is the beloved of the poet or may be the aeon. Banalata Sen appears before the poet in dark weather, her hair is piquant dark and she gives solace to the tormenting soul of the poet sitting face to face when darkness arises and so, she appears as the dream beloved of the poet. -
The Cambridge Journal of Postcolonial Literary Inquiry Against
The Cambridge Journal of Postcolonial Literary Inquiry http://journals.cambridge.org/PLI Additional services for The Cambridge Journal of Postcolonial Literary Inquiry: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Against Negation: Suicide, Self-Consciousness, and Jibanananda Das’s Poem, “One Day Eight Years Ago” Manas Ray The Cambridge Journal of Postcolonial Literary Inquiry / Volume 2 / Issue 02 / September 2015, pp 151 - 170 DOI: 10.1017/pli.2015.9, Published online: 22 June 2015 Link to this article: http://journals.cambridge.org/abstract_S2052261415000094 How to cite this article: Manas Ray (2015). Against Negation: Suicide, Self-Consciousness, and Jibanananda Das’s Poem, “One Day Eight Years Ago”. The Cambridge Journal of Postcolonial Literary Inquiry, 2, pp 151-170 doi:10.1017/pli.2015.9 Request Permissions : Click here Downloaded from http://journals.cambridge.org/PLI, IP address: 14.99.140.198 on 26 Aug 2015 151 Cambridge Journal of Postcolonial Literary Inquiry, 2(2), pp 151–170 September 2015. © Cambridge University Press, 2015 doi:10.1017/pli.2015.9 Against Negation: Suicide, Self-Consciousness, and Jibanananda Das’s Poem, “One Day Eight Years Ago” Manas Ray1 Centre for Studies in Social Sciences, Calcutta Jibanananda Das (1899–1954) is widely revered as the preeminent poet of post- Tagore Bengali literature. His oeuvre is unremittingly autobiographical, narrating desultory journeys into a vulnerable yet stoic, companionless life. The poem that the paper analyses is one of his most well known. Two streaks of narrative run parallel in the poem: the protagonist’s act of suicide without any apparent reason and the ceaseless brutality of nature as a way of life. -
BENGALI SEMESTER SYLLABUS of M.A (BENGALI) Session-2015-17 Onwards
PATNA UNIVERSITY DEPARTMENT OF BENGALI SEMESTER SYLLABUS OF M.A (BENGALI) Session-2015-17 Onwards. There shall he sixteen papers; each of 100 marks Eight papers will he in part I and eight papers will be in part-II. Each part will be divided in two semesters. The distribution of marks will be as follows:- Written examination - 70 marks Time allowed - 3 hrs Syllabus for each paper has to be divided into five units. The question pattern will be as follows:- Part- A Ten qualities (No choice) – 10 x 2 =20 marks Two questions from each unit. Part-B Five questions 4 x 2 =20 One question from each unit, four to be answered. Part-C Five questions 4 x 10 = 40 One question from each unit, four to be answerd. Internal Assessment 30 marks Two tests 2X71/2 15 marks Seminar/Quiz 2 marks Assignment 5 marks Regularity and Behavior 5 marks Regularity and Behaviour – 5 marks 1 M.A. PART-I FIRST SEMESTER Paper- 10/- History of Bengali Literature (Beginning to 1800 A.D.) 1st Unit:- Prachin o Adi Madhyayug- Charyapad, Sri Krishna Kirtan etc. 2nd Unit:- Mangal Kavya Manasa Mangal, Chandi Mangal, Dharma Mangal, Shibayan, Annada mangal + other Mangal Kavyas. 3rd Unit:- Anubad Sahitya Ramayan, Mahabharat, Bhagawat etc. 4th Unit:- Vaishnav Sahitya Prak- Chaitanya, Chaitanya, Chaitanyottar Vaishanav Padavali O Jiboni Sahiya. 5th Unit:- Chaitanyottar Bangla Sahitya Arakanraj- Sabhar Sahitya, Nath Sahitya Mainonsingh Gutika Reference Books: 1. Bangal Sahityer Itihas (1-4 vols)- Sukumar Sen. 2. Bangla Sahityer Itibritta (1-7 vols)- Asit Kumar Bandyopadhya. 3. Bangla Sahityer Itikatha (1-2 vols)- Bhudev Choudhary.