BENGALI SEMESTER SYLLABUS of M.A (BENGALI) Session-2015-17 Onwards
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Shri Sai Sat Charitra By
Shri Sai Sat Charitra By Govind Raghunath Dabholkar alias ‘Hemadpant Chapter I ......................................................................................................................................................... 3 Chapter II ........................................................................................................................................................ 6 Chapter III ......................................................................................................................................................11 Chapter IV......................................................................................................................................................15 Chapter V.......................................................................................................................................................20 Chapter VI......................................................................................................................................................26 Chapter VII.....................................................................................................................................................32 Chapter VIII....................................................................................................................................................38 Chapter IX......................................................................................................................................................42 Chapter X.......................................................................................................................................................47 -
Snakes, Dragons and Cultures
Nagapanchami 081/070816 nag PanChmi: snakes, dragons and Cultures Jawhar Sircar Ananda Bazar Patrika, 7th August 2016 (English Version) The month of Shravan brings joy to poets and also to farmers, but it also brings numerous snakes out of their flooded homes, triggering both fear and worship. This explains why many Indians celebrate Naga Panchami on Shravan Shukla Panchami, on the 7th of August this year. The snake is more than just an awe-inspiring creature: it actually marks different stages in the gradual evolution of the Indian mind, over centuries and millennia. We could begin from Janamejaya who personified the Western-Aryan hatred for the serpent, but we will reach a stage when the same animal found veneration, as Naga-raja or Manasa. The two, incidentally, are quite different, as one is a male snake and the other is surely a female deity. One can forgive this mistake, because it is not very safe to get too close to examine a snake's gender, even while worshipping. The serpent bears evidence of many conflicts, like the one between the wheat-eating Indo-Europeans of the West and the rice-loving civilisations of the East. After all, rice cultivation was hardly possible without water and this necessitated a better adjustment with eco-systems where snakes lived in plenty, but were not usually aggressive or venomous, unless attacked. In its legends are traces of the perennial struggle between ‘formal’ and ‘folk’ cultures. Manasa in Bengal was primarily folk, but later formalized as Padmavati, who was born from Shiva’s semen that fell on a lotus plant. -
Bengal Lights
ASIATIC, VOLUME 3, NUMBER 1, JUNE 2009 Clinton B. Seely, Barisal and Beyond: Essays on Bangla Literature . New Delhi: Chronicle Books, 2008. 322pp. ISBN 81-8028-036-5. The author of this book is the protagonist of a charming inter-cultural romance. He is one of fewer than a handful of living Westerners who fortuitously fell in love with Bengali literature and made a distinguished career of teaching it – at the University of Chicago in his case. A major in Botany from Stanford, he volunteered for the Peace Corps and spent a year and nine months (1963-65) training high school science teachers in Barisal, in present-day Bangladesh. In the process he picked up Bangla (or Bengali) and, through the desultory chitchat that Bengalis call adda , gathered some idea about the greatest writer in the language, Rabindranath Tagore. At the end of his stint he enrolled for a PhD at the Department of South Asian Languages and Civilisations, University of Chicago and discovered Bengal’s greatest modern poet, whose hometown was his familiar Barisal. His thesis, published as A Poet Apart: A Literary Biography of the Bengali Poet Jibanananda Das (1889-1954) , won him West Bengal’s most prestigious literary award. His other publications include three translated volumes, of which the one of Michael Madhusudan Datta’s epic, The Slaying of Meghnada: A Ramayana from Colonial Bengal , got him the A.K. Ramanujan Book Prize for Translation. The present volume is a mixed bag of essays and lectures covering a number of significant aspects of Bengali literature. Though the focus is predominantly on modern or post-Plassey literature, Seely’s grasp of the earlier traditions of Bengali writing is palpable in several essays. -
Translation As Transcreation: a Study of Selected Poems of Jibanananda Das
JAST © 2015 M.U.C.Women’s College, Burdwan ISSN 2395-4353 -a peer reviewed multidisciplinary research journal Vol.-01, Issue- 01 Translation as Transcreation: A Study of Selected Poems of Jibanananda Das Joyanta Dangar Department of English M.U.C. Women’s College, Burdwan West Bengal, India E-mail: [email protected] Abstract: Jibanananda Das, a poet of the post-Tagore era in Bengal, composed volumes of poetry, from which some representative poems such as “I have seen the face of Bengal,” “Banalata Sen,” and “One Day Eight Years Ago” have been selected for the present study. To capture the “harmonic cadences” arising from employment of different types of rhyme and figures of speech in Das’s poetry is a challenge for his translators. Besides, considerations of form and the art of conveying Das’s sense of history of India when the target audience is non- Indian are equally challenging. However, some gains in the form of transcreation may be considered compensations for inevitable losses incurred in course of translation. Key words: Mosaic rhyme, hyperbaton, “ambiguity,” target reader, linguistic equivalence, untranslatability, sense of history The act of translation is voluntary, that is the material has been chosen by the translator himself and the prime mover is to recreate it. —Meenakshi Mukherjee, “Transposition of Culture.” Cygnus 2: 2(1981) Jibanananda Das (1899-1954) was a modern Bengali poet writing in the twentieth century. Acknowledged as the leading poet of the post-Tagore era, Das wrote ceaselessly, but only seven volumes of his poetry were published during his lifetime. An introvert, he never came to the limelight: one of his contemporary poets, Buddhadeb Bose called him the “loneliest of poets.” Among major collections of his poetry are Beautiful Bengal (Rupasi Bangla; 1934, Pub. -
Arsha Vidya Newsletter Rs
Arsha Vidya Newsletter Rs. 15/- AVG Silver Jubilee Day Vol. 17 December 2016 Issue 12 GuruTirthaPuja 2 Arsha Vidya Newsletter - December 2016 1 Arsha Vidya Pitham Dr.V.Prathikanti,G.S.Raman Swami Dayananda Ashram Trustees: Dr.L.Mohan rao, Dr Bhagabat sahu, Sri Gangadhareswar Trust Ramesh Bhaurao Girde Rakesh Sharma,V.B.Somasundaram Purani Jhadi, Rishikesh Avinash Narayanprasad Pande and Bhagubhai Tailor. Pin 249 201, Uttarakhanda Madhav Chintaman Kinkhede Ph.0135-2431769 Ramesh alias Nana Pandurang Arsha Vidya Gurukulam Gawande Fax: 0135 2430769 Rajendra Wamanrao Korde Institute of Vedanta and Sanskrit Website: www.dayananda.org Swamini Brahmaprakasananda Sruti Seva Trust Email: [email protected] Anaikatti P.O., Coimbatore 641108 Arsha Vidya Gurukulam Tel. 0422-2657001 Board of Trustees: Institute of Vedanta and Sanskrit Fax 91-0422-2657002 P.O. Box No.1059 Web Site http://www.arshavidya.in Founder : Saylorsburg, PA, 18353, USA Email: [email protected] Brahmaleena Pujya Sri Tel: 570-992-2339 Swami Dayananda Fax: 570-992-7150 Board of Trustees: Saraswati 570-992-9617 Web Site : http://www.arshavidhya.org Founder: Chairman & BooksDept:http://books.arshavidya.org Brahmaleena Pujya Sri Managing Trustee: Swami Dayananda Saraswati Swami Suddhananda Board of Trustees: Saraswati Paramount Trustee: Founder : Vice Chairman: Brahmaleena Pujya Sri Swami Sadatmananda Saraswati Swami Tattvavidananda Swami Dayananda Swami Shankarananda Saraswati Saraswati Saraswati Trustee & Acharya: President: Chairman: Swami Santatmananda Swami Viditatmananda Saraswati R. Santharam Saraswati Vice Presidents: Trustees: Swami Tattvavidananda Saraswati Trustees: Swami Jnanananda Swami Pratyagbodhanada C. Soundar Raj Saraswati Saraswati P.R.Ramasubrahmaneya Rajhah Sri M.G. Srinivasan Ravi Sam Sri Rajinikanth Secretary: S. Pathi Sri M. -
Issn 2249-4529
ISSN 2249-4529 www.pintersociety.com GENERAL SECTION VOL: 9, No.: 1, SPRING 2019 UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 118 | The Divine Marginalized: The Case of Goddess Manasa in Ketkadas Khemananda’s Manasa Mangal1 The Divine Marginalized: The Case of Goddess Manasa in Ketkadas Khemananda’s Manasa Mangal1 Azhar Uddin Sahaji Abstract: There are many folds and forms of marginalization that dominated human society and literature across the world. Man is marginalized based on his religion, society, race, economic sufficiency, gender and son on. Needless to say that the marginalized and those who marginalize have a power politics in play. But what if a goddess is marginalized by man? What if a goddess is shamed and abused for being blind in one eye and man is trying to dominate her because of (female) sex although she is divine? The case of snake goddess Manasa is very important in Ketkadas Khemananda, the sixteenth century Bengali poet to understand the paradigms of marginalization from an alternative perspective. -
State District Branch Address Centre Ifsc Contact1 Contact2 Contact3 Micr Code
STATE DISTRICT BRANCH ADDRESS CENTRE IFSC CONTACT1 CONTACT2 CONTACT3 MICR_CODE ANDAMAN NO 26. MG ROAD AND ABERDEEN BAZAR , NICOBAR PORT BLAIR -744101 704412829 704412829 ISLAND ANDAMAN PORT BLAIR ,A & N ISLANDS PORT BLAIR IBKL0001498 8 7044128298 8 744259002 UPPER GROUND FLOOR, #6-5-83/1, ANIL ANIL NEW BUS STAND KUMAR KUMAR ANDHRA ROAD, BHUKTAPUR, 897889900 ANIL KUMAR 897889900 PRADESH ADILABAD ADILABAD ADILABAD 504001 ADILABAD IBKL0001090 1 8978899001 1 1ST FLOOR, 14- 309,SREERAM ENCLAVE,RAILWAY FEDDER ROADANANTAPURA ANDHRA NANTAPURANDHRA ANANTAPU 08554- PRADESH ANANTAPUR ANANTAPUR PRADESH R IBKL0000208 270244 D.NO.16-376,MARKET STREET,OPPOSITE CHURCH,DHARMAVA RAM- 091 ANDHRA 515671,ANANTAPUR DHARMAVA 949497979 PRADESH ANANTAPUR DHARMAVARAM DISTRICT RAM IBKL0001795 7 515259202 SRINIVASA SRINIVASA IDBI BANK LTD, 10- RAO RAO 43, BESIDE SURESH MYLAPALL SRINIVASA MYLAPALL MEDICALS, RAILWAY I - RAO I - ANDHRA STATION ROAD, +91967670 MYLAPALLI - +91967670 PRADESH ANANTAPUR GUNTAKAL GUNTAKAL - 515801 GUNTAKAL IBKL0001091 6655 +919676706655 6655 18-1-138, M.F.ROAD, AJACENT TO ING VYSYA BANK, HINDUPUR , ANANTAPUR DIST - 994973715 ANDHRA PIN:515 201 9/98497191 PRADESH ANANTAPUR HINDUPUR ANDHRA PRADESH HINDUPUR IBKL0001162 17 515259102 AGRICULTURE MARKET COMMITTEE, ANANTAPUR ROAD, TADIPATRI, 085582264 ANANTAPUR DIST 40 ANDHRA PIN : 515411 /903226789 PRADESH ANANTAPUR TADIPATRI ANDHRA PRADESH TADPATRI IBKL0001163 2 515259402 BUKARAYASUNDARA M MANDAL,NEAR HP GAS FILLING 91 ANDHRA STATION,ANANTHAP ANANTAPU 929710487 PRADESH ANANTAPUR VADIYAMPETA UR -
Understanding Jibanananda's Different Poetic Sensibility
Understanding Jibanananda’s Different Poetic Sensibility Jibanananda Das’s poetry has the power to transport one to the obscure region of one’s being and sensibility beyond the everyday bounds of sense and reason. He achieves it characteristically by endowing mystical attributes to mundane everyday objects of nature, especially the ordinary objects that we see in and around Bengal as Bengal was known then in its undivided entity. This rootedness of his imagination and sensibility is what makes Jibanananda Das a unique poet, different from almost all the modern poets of Bengal. Bengal has produced a great number of nature poets, the finest specimen of which could be no other than Tagore himself, the pictorial as well as spiritual quality of whose images has touched thousands of people across the world. But never before, perhaps, was there a poet in Bengal who like Jibanananda, time and again, made the so-called lowly and unattractive creatures and plants like idur (mouse), shalik (Indian maynah), pecha (owl), kaak (crow), churui (sparrow), hash (duck), ghash (grass), akanda (cr own flower, calotropis gigantea), dhundul (a kind of local vegetable) and so on so 'ordinary' yet significant. I intend to discuss three poems by Jibanananda Das and all three are my favourite ones, namely ‘Before Death’ from his collection Dhushar Pandulipi (Grey Manuscripts), ‘I Shall Return To This Bengal’ and ‘Banalata Sen’ from his collection Rupashi Bangla (Beautiful Bengal) to examine his poetic sensibility as a modern poet, to examine his relationship with nature, a relationship with a difference, and the transformation that Bengal had undergone in his poetry because of this special bond. -
Khaptad Region in Mythology
Khaptad Region in Mythology - Shiva Kaj Shrestha Introduction: Himalayan territory as far west as Kashmir, It is very clearfromthe study of various Pauranic Singkiyang, Laddakh and Hindu Kush. The centre of and historical literature, that Khaptad of "Khecharadi Naga Loka was Mt. Kailash and Manasarovar Parvat" area was the cultural and religious centre of protected by Lord Shiva. The description of Naga lower part of "Manas Khanda". The upper part Loka denotes the upper catchment area of River included Mt. Kailash and Manasarovar (present day Sutlej. The third was "Yakshya Loka" covering Nari or Aali district along withGuge areas of South- Kumaun, Garhwal in the west and Doti, and Jumla Western Tibet). area in the east. Mr. Doval has based his study largely on Bhagwat Purana. It may be of great interest to the VallavaDoval, in his research article (Saptahik religious minded tcurists and research scholars to Hindusthan, 27 Jan. 1991) has tried to establish that know the fact that Khaptad-Malika area was the "Tribisripa" (Tibet) was inhabited by "Nordic" Aryans centre of Yakshya Loka where Lord Kubera had his and ruled by various "IndrasW-the king emperors of capital "Kanchan Puri" which probably was not very the Deva-Ganas. It is noteworthy that Dr. B. S. Guha far from "Alaka Puri" of Lord Indras. the famous historian- anthropologist of India and many other scholars are of the opinion that the Here, we arc concentrating more on Mansas ancient language of Vedas are highly influenced by Khanda of Skanda Purana, as this (Yet unpublished) "Nordic Aryan" language. (Please see "Prachin document is more informative. -
Curriculum Vitae, C.B
The University of Chicago DEPARTMENT OF SOU TH ASIAN LANG UAGES AND CI VILI ZATIO NS Foster Hall 1130 East 59th Street Chicago • illinois 60637 [email protected] http://home.uchicago.edu/~cbs2/ May, 2012 Clinton B. Seely, Professor Emeritus DEGREES: A.B., Biology, Stanford University, 1963 A.M., South Asian Languages and Civilizations, The University of Chicago, 1968 Ph.D., South Asian Languages and Civilizations, The University of Chicago, 1976 DOCTORAL DISSERTATION TITLE: Doe in Heat: A Critical Biography of the Bengali Poet Jibanananda Das (1899-1954) with Relevant Literary History from the Mid-1920's to the Mid-1950's. PROFESSIONAL EXPERIENCE: Professor of Bengali, The University of Chicago, 2004- Associate Professor of Bengali, The University of Chicago, 1983-2004 Assistant Professor of Bengali, The University of Chicago, 1975-83 Assistant Professor of Bengali, University of Minnesota, 1977-78 Instructor in Bengali, The University of Chicago, 1971-75 Instructor in Bengali, University of Illinois, summer 1967 Assistant Language Coordinator, Peace Corps Training Program, The University of Chicago, 1966 Peace Corps Volunteer, East Pakistan, 1963-65 ACADEMIC AWARDS: National Defense Foreign Language Fellowship, The University of Chicago, 1965-68 Foreign Area Fellowship, England, India, East Pakistan, & the US, 1968-71 Fulbright-Hays Faculty Research Abroad Fellowship, Bangladesh, 1981-82 American Institute of Indian Studies, Senior Research Fellowship, India, 1982 U.S. Department of Education, 1983-85 Consortium for Language Teaching and Learning, 1988 Consortium for Language Teaching and Learning, 1989 "Ashoke Kumar Sarkar Memorial" Ananda Prize (Calcutta), 1993 Special Award, 2nd North America Bangla Literature & Culture Convention (Chicago), 1997 Dinesh Chandra Sen Research Society's "4th Annual Award for Excellence in Research in Bengali Literature" (Calcutta), 1999 Distinguished Service Award, Cultural Association of Bengal, presented at the North American Bengali Conference (Baltimore), 2004 A.K. -
Shri Guru Charitra
SRI GURUCHARITRA 1 Contents Introduction 1 ...............................................................................................................................................3 Introduction 2 ................................................................................................................................................4 Chapter 1a - Namdharak is blessed with the Vision of Sri Guru Nath.........................................................5 Chapter 1 - Namdharak sees Shri Guru in Dream.........................................................................................7 Chapter 2 - Siddha Muni Guides Namdharak ...............................................................................................7 Chapter 3 - Durwas Curses King Ambarish................................................................................................10 Chapter 4 - Birth of Shri Dattatraya ............................................................................................................11 Chapter 5 - Birth of Shripad Shri Vallabha.................................................................................................12 Chapter 6 - Ravana and Gokarna Mahabaleshwar ......................................................................................13 Chapter 7 - Soumini and Madayanti at Gokarna.........................................................................................15 Chapter 8 - Shripad Shrivallabha Blesses a Brahmani and Her Son...........................................................17 -
Krishna's Life-Story in Bengali Scrolls: Exploring the Invitation to Unroll
72 73 4 Krishna’s Life-Story in Bengali Scrolls: Exploring The Invitation to Unroll PIKA GHOSH HAVERFORD COLLEGE 74 Pika Ghosh Krishna’s Life-Story in Bengali Scrolls: Exploring The Invitation to Unroll 75 Fig. 4.1. Narrative hand-scrolls (pata) have been assembled scroll to another, and one session to the next. The coordination of verbal and bodily components Krishnalila (Play of Krishna) Scroll, and painted by the painter-minstrel (patua) with the framed scenes of images can generate distinctive interpretations. A singer may recognise Medinipur District communities of Bengal to tell stories for at least two particular visual properties in a sequence of images or consonances between verse and picture, while (nineteenth- 1 century). Opaque hundred years. Such itinerant bards have traditionally unfurling the scenes for an audience; bolder or more skilled practitioners may choose to explore watercolor on paper. Stella employed the picture sequences to sing well-known these through particular inflections of voice or gesture of hand. Such relationships can turn on Kramrisch stories from the lives of deities (fig. 4.1) and saints, the repetition or variation of colour and compositional choices, which may be underscored by the Collection, Philadelphia the epics, and more recently to address contemporary guiding finger, emphasised or subverted by the words sung. Some patua are charismatic entertainers Museum of Art, social issues and political events.2 with powerful singing voices who fill performance venues and mesmerise audiences, offering Philadelphia, Accession no: 1994- These scrolls have a distinctive vertical format of interpretive nuance through skillful manipulation of the lyrics, intonation, rhythm, and tempo.