Naageshwari Devi "The Snake Goddess"
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Iconography of the Recently Discovered Naga Sculptures from Pamba River Basin, Pathanamthitta District, South Kerala
Iconography of the Recently Discovered Naga Sculptures from Pamba River Basin, Pathanamthitta District, South Kerala Ambily C.S.1, Ajit Kumar2 and Vinod Pancharath3 1. Excavation Branch II, Archaeological survey of India, Purana Qila, New Delhi – 110001, India (Email: [email protected]) 2. Department of Archaeology, University of Kerala, Kariavattom Campus, Thiruvananthapuram - 695581, Kerala, India (Email: [email protected]) 3. Industrial Design Centre, Indian Institute of Technology, Powai, Mumbai, Maharashtra, India (Email: [email protected]) Received: 25 September 2015; Accepted: 18 October 2015; Revised: 09 November 2015 Heritage: Journal of Multidisciplinary Studies in Archaeology 3 (2015): 618-634 Abstract: Recent exploration by the first author brought to light interesting Naga sculptures from the middle ranges of Pamba River basin. All the sculptures are made out of granite and can be classified into Nagarajas and Nagayakshis except one which is a female naga devotee. This paper tries to briefly discuss the iconography, chronology and significance of the sculptures. Keywords: Exploration, Pamba River Basin, Kerala, Nagarajas, Nagayakshis, Iconography, Chronology Introduction Pamba is one of the important and third longest rivers in Kerala. It is apparently the river Baris/Bans mentioned in records of Pliny (Menon 1967-62). It originates from Pulachimalai hill in Peermade plateau at an altitude of 1650 MSL and has a length of 176km. It flows through Idukki, Pathanamthitta and Alappuzha districts and finally empties into the Vembanadu Lake. During medieval period Pamba basin harbored prosperous settlement like Kaviyur, Thiruvanmandoor, Perunnayil and Thiruvalla. Naga and yakshi images have earlier been reported from Niranam-Tiruvalla area (Mathew 2006). The present discoveries add to the list of known images. -
The Guru: by Various Authors
Divya Darshan Contributors; Publisher Pt Narayan Bhatt Guru Purnima: Hindu Heritage Society ABN 60486249887 Smt Lalita Singh Sanskriti Divas Medley Avenue Liverpool NSW 2170 Issue Pt Jagdish Maharaj Na tu mam shakyase drashtumanenaiv svachakshusha I Divyam dadami te chakshu pashay me yogameshwaram Your external eyes will not be able to comprehend my Divine form. I grant you the Divine Eye to enable you to This issue includes; behold Me in my Divine Yoga. Gita Chapter 11. Guru Mahima Guru Purnima or Sanskriti Diwas Krishnam Vande Jagad Gurum The Guru: by various Authors Message of the Guru Teaching of Raman Maharshi Guru and Disciple Hindu Sects Non Hindu Sects The Greatness of the Guru Prayer of Guru Next Issue Sri Krishna – The Guru of All Gurus VASUDEV SUTAM DEVAM KANSA CHANUR MARDAMAN DEVKI PARAMAANANDAM KRISHANAM VANDE JAGADGURUM I do vandana (glorification) of Lord Krishna, the resplendent son of Vasudev, who killed the great tormentors like Kamsa and Chanoora, who is a source of greatest joy to Devaki, and who is indeed a Jagad Guru (world teacher). 1 | P a g e Guru Mahima Sab Dharti Kagaz Karu, Lekhan Ban Raye Sath Samundra Ki Mas Karu Guru Gun Likha Na Jaye ~ Kabir This beautiful doha (couplet) is by the great saint Kabir. The meaning of this doha is “Even if the whole earth is transformed into paper with all the big trees made into pens and if the entire water in the seven oceans are transformed into writing ink, even then the glories of the Guru cannot be written. So much is the greatness of the Guru.” Guru means a teacher, master, mentor etc. -
Arun Kolatkar's Sarpa Satra
Research Journal of English Language and Literature (RJELAL) Vol.1.Issue.3.;2013 A Peer Reviewed International Journal - http://www.rjelal.com ISSN 2321 – 3108 RESEARCH ARTICLE REVISITING THE MAHABHARATA: ARUN KOLATKAR’S SARPA SATRA BALKRISHNA MAGADE, M.A., M. Phil. Assistant Professor, Department of English, Kisan Veer Mahavidyalaya, Wai, Maharashtra, India ABSTRACT The present paper is an attempt to examine Arun Kolatkar’s revisit to the epic The Mahabharata in his poem Sarpa Satra (2004). Kolatkar’s poem demythifies two myths: the ‘Khandava Forest’ in which the incineration of Khandava Forest was carried out by Krishna and Arjuna with their divine weapons and also the ‘Snake Sacrifice’ where king Janamejaya decides to avenge the assassination of his father Parikshita by the snake Takshaka by performing the Snake Sacrifice, which would drive all the snakes in the world and kill them in the sacrificial fire called Sarpa Satra. The poet questions the moral authority of the ruler whose irrational action becomes ‘cause for concern indeed for the future of the country in question’. Such a ruler who brings the betterment of the country in danger is fit either for punishment or banishment. The poet further exposes the rampant corruption, mindless violence in the form of commercial riots and a swarm of disruptive BALKRISHNA MAGADE activities that go non-stop in all parts of India. The burning of the Khandava Forest Article Info: by Lord Krishna and Arjuna leads to a severe ecological loss: ‘---nothing was left, Article Received:06/08/2013 not a trace of that great sanctuary---’ (p. 43). -
SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George Pati
SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating. -
@Ibet,@Binu^ Un! Lupun
@be @olbeddeg of jUnlis, @ibet,@binu^ un! luPun by Lawrcnce Durdin-hobertron Cesata Publications, Eire Copyrighted Material. All Rights Reserved. The cover design. by Anna Durdin-Robertson. is a mandala oi a Chinese rlraqon goddess. Lawrence Durdln Rot,erlson. li_6 r2.00 Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan by Lawrence Durdin-Robertron, M.A. (Dublin) with illustrations by Arna Durdin-Robertson Cesara Publications Huntington Castle, Clonegal, Enniscorthy. Eire. Printed by The Nationalist, Carlow. Eire. Anno Deae Cesara. Hiberniae Dominae. MMMMCCCXXIV Copyrighted Material. All Rights Reserved. Thir serle. of books is written in bonour of The lrish Great Mother, Cessrs aod The Four Guardian Goddesses of lreland, Dsna, Banba' Fodhla and Eire. It is dedicated to my wife, Pantela. Copyrighted Material. All Rights Reserved. CONTENTS I. The Goddesses of India'...'...'........"..'..........'....'..... I II. The Goddesses of Tlbet ............. ................."..,',,., 222 lll. Thc Goddesses of China ...............'..'..'........'...'..' 270 lV. The Goddesscs of Japan .........'.............'....'....'.. " 36 I List of abbreviations ....'........'...."..'...467 Bibfiogr.phy and Acknowledgments....'........'....'...,,,,.,'.,, 469 Index ................ .,...,.........,........,,. 473 Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. SECTION ONE The Goddesses of India and Tibet NAMES: THE AMMAS, THE MOTHERS. ETYMoLoGY: [The etymology of the Sanskrit names is based mainly on Macdonell's Sanskrit Dictionary. The accents denot- ing the letters a, i and 0 are used in the Egrmology sections; elsewhere they are used only when they are necessary for identification.] Indian, amma, mother: cf. Skr. amba, mother: Phrygian Amma, N. -
Hindu America
HINDU AMERICA Revealing the story of the romance of the Surya Vanshi Hindus and depicting the imprints of Hindu Culture on tho two Americas Flower in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand. Little flower— but if I could understand What you arc. root and all. and all in all, I should know what God and man is — /'rimtjihui' •lis far m the deeps of history The Voice that speaVeth clear. — KiHtf *Wf. The IIV./-SM#/. CHAMAN LAL NEW BOOK CO HORNBY ROAD, BOMBAY COPY RIGHT 1940 By The Same Author— SECRETS OF JAPAN (Three Editions in English and Six translations). VANISHING EMPIRE BEHIND THE GUNS The Daughters of India Those Goddesses of Piety and Sweetness Whose Selflessness and Devotion Have Preserved Hindu Culture Through the Ages. "O Thou, thy race's joy and pride, Heroic mother, noblest guide. ( Fond prophetess of coming good, roused my timid mood.’’ How thou hast |! THANKS My cordial chaoks are due to the authors and the publisher* mentioned in the (eat for (he reproduction of important authorities from their books and loumils. My indchtcdih-ss to those scholars and archaeologists—American, European and Indian—whose works I have consulted and drawn freely from, ts immense. Bur for the results of list investigations made by them in their respective spheres, it would have been quite impossible for me to collect materials for this book. I feel it my duty to rhank the Republican Governments of Ireland and Mexico, as also two other Governments of Europe and Asia, who enabled me to travel without a passport, which was ruthlessly taken away from me in England and still rests in the archives of the British Foreign Office, as a punishment for publication of my book the "Vanishing Empire!" I am specially thankful to the President of the Republic of Mexico (than whom there is no greater democrat today)* and his Foreign Minister, Sgr. -
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 6, Issue 6 December 2012
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 6, Issue 6 December 2012 Hari OM The month of November started with Sankata Hara Chaturthi, prayers to Lord Ganesha.Two days before Deepavali marks the festival of Dhanteras. This falls on the thirteenth day of fortnight. The word ‘Dhan’ means wealth and ‘Tera’ means thirteen and hence ‘Dhanteras’. Swamiji performed puja to Goddess Lakshmi, the goddess of wealth to provide prosperity and well being on this day. On the same day, Dhanvantari pooja was performed for the god of Health. Dhanvantari, incarnation of Lord Vishnu according to Hindu mythology rose with Amrita (nectar) in his hands when Sagar manthan (Samudra) was being churned by devas and asuras using Mandara Mountain and serpent Vasuki. Dhanvantari puja is performed to remove one’s illness and enhance one’s well being. Kedareshwara vratam was performed on Nov13. Puja to Lord Shiva is performed for 21 days till Amavasya. Mahalakshmi & Kubera Pooja Alankar Performing this vratam pleases Lord Kedareswara and blesses one with their desires. Deepavali was celebrated on Atman is full of peace- by nature, i, the atman, am the same day. Pooja to Goddess Mahalakshmi and Kubera were performed. When Lord Rama killed Ravana, the at peace. No misery or fear or stress or tension can disturb my tranquility. I am serene and abductor of Sita mata and returned to his kingdom, the entire Ayodhya celebrated lighting diyas outside their homes. This imperturbable by any external force whatsoever. it marks the festival Deepavali or Diwali. Hindus all over the is just that, I the atman do not know that I have world celebrate the festival wearing new clothes, lighting such an infinite peacefulness and also the way to diyas around home, bursting crackers, making and realize that peacefulness within myself. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Shri Sai Sat Charitra By
Shri Sai Sat Charitra By Govind Raghunath Dabholkar alias ‘Hemadpant Chapter I ......................................................................................................................................................... 3 Chapter II ........................................................................................................................................................ 6 Chapter III ......................................................................................................................................................11 Chapter IV......................................................................................................................................................15 Chapter V.......................................................................................................................................................20 Chapter VI......................................................................................................................................................26 Chapter VII.....................................................................................................................................................32 Chapter VIII....................................................................................................................................................38 Chapter IX......................................................................................................................................................42 Chapter X.......................................................................................................................................................47 -
Janamejaya I Janamejaya I
JANAMEJAYA I 346 JANAMEJAYA I King mistaking the sage's silence for haughtiness threw Yajna gala. Janamejaya received the young Sage with in anger a dead snake round his neck and went away. all respect and promised to grant his desire what- But, within seven days of the incident Pariksit was ever that be. Astlka's demand was that the Sarpa Satra bitten to death by Taksaka, king of the Nagas accord- should be stopped. Though Janamejaya was not for ing to the curse pronounced on him by Gavijata, stopping the yajna, he was reminded of his promise to son of sage Samika. grant any desire of Astlka and the latter insisted on the Janamejaya was only an infant at the time of his stopping of the Satra. Janamejaya stopped it. Astlka father's death. So the obsequies of the late king were blessed that the serpents which had died at the Satra his ministers. After that at an attain salvation. performed by auspicious would (Adi Parva, Chapters 52-58 ; time Janamejaya was crowned King. Within a short Devi Bhagavata, 2nd Skandha) . time he mastered statecraft. Dhanurvidya was taught 6) Listens to the Bhdrata story. While the Sarpa Satra by Krpacarya. Very soon he earned reputation as an was being conducted Vyasa came over there and related efficient administrator. He got married in due course. the whole story of the Mahabharata at the request of (Devi Bhagavata, 2nd Skandha) . Janamejaya. (Adi Parva, Chapter 60) . 4) His hatred towards snakes. In the course of a talk 7) Saramd's curse. Janamejaya along with his brother one day with Janamejaya Uttanka the sage detailed to once performed a yajna of long duration at Kuruksetra. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Catholic Shrines in Chennai, India: the Politics of Renewal and Apostolic Legacy
CATHOLIC SHRINES IN CHENNAI, INDIA: THE POLITICS OF RENEWAL AND APOSTOLIC LEGACY BY THOMAS CHARLES NAGY A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Religious Studies Victoria University of Wellington (2014) Abstract This thesis investigates the phenomenon of Catholic renewal in India by focussing on various Roman Catholic churches and shrines located in Chennai, a large city in South India where activities concerning saintal revival and shrinal development have taken place in the recent past. The thesis tracks the changing local significance of St. Thomas the Apostle, who according to local legend, was martyred and buried in Chennai. In particular, it details the efforts of the Church hierarchy in Chennai to bring about a revival of devotion to St. Thomas. In doing this, it covers a wide range of issues pertinent to the study of contemporary Indian Christianity, such as Indian Catholic identity, Indian Christian indigeneity and Hindu nationalism, as well as the marketing of St. Thomas and Catholicism within South India. The thesis argues that the Roman Catholic renewal and ―revival‖ of St. Thomas in Chennai is largely a Church-driven hierarchal movement that was specifically initiated for the purpose of Catholic evangelization and missionization in India. Furthermore, it is clear that the local Church‘s strategy of shrinal development and marketing encompasses Catholic parishes and shrines throughout Chennai‘s metropolitan area, and thus, is not just limited to those sites associated with St. Thomas‘s Apostolic legacy. i Acknowledgements This thesis is dedicated to the memory of my father Richard M.