The Confederate Blockade Runner Denbigh J
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The Confederate Blockade Runner Denbigh MEMBERSHIP J
The INA Quarterly , ,, , ,; J , ,,, , , ............, ,<" , .:; , , ,, , , ," , , ,, A, Volume 26 No. 2 Summer 1999 3 The Confederate Blockade Runner Denbigh MEMBERSHIP J. Brzrf~lArtlcrld 111, Andy Hall, Tom Oertling, and Institute of Nautical Archaeology Christine A. Powell P.O. Drawer HG College Station, TX 77841-5137 13 St. Michael and the Port Royal Weights C. Wayne Smith Learn firsthand of the latest discov- eries in nautical archaeology. Mem- 16 In the Field be rs receive the INA Quarterly and other benefits (see INA Quarterly =.I, 27. 18 Review: The Alnbamn and the Kearsarge: Researcher (students only) .....$5 The Sailor's Cinil War Seafarer. ................. $40-99 by William Marvel Surveyor .............. $10&249 Mark A. Feulner Diver ................... $250449 Restorer ................ $50&999 Curator ...........$1,000-$2,499 19 In Memoriam: Excavator ........... $2,500-4,949 Charles Olin Mc Whirter Archaeologist: ......$5,00&9,999 Navigator .......... $10,000-24,999 Anchor ..........$25,000 and over Checks in U.S.currency should be made On the cover: A paintlng shows the Confederate blockade runner payable to INA. Thr portionof any dr~ Dcnbigh, which sank in Galvestan Bay six weeks after Robert E. nation in excess of $lC.00 is a tax-de- Lee's Army of Northern Virginia surrendered in 1865. Courtesy ductible, char-tabl contribution. Charles Peery. 0August 1999 by the Institute of Nautical Archamlogy. All rights resenred. INA welcomes requests !o reprint LNA Quarterly articles and iliustrations. hrb:des for publication should be submitted in hard copy and on a 3.25 diskette (Macintosh, m,ur Windows format acceptable) ~l~ngwith .dl artwork. Please address all requests and submissions to the Ed~tor,INA Quarterly, P.0. -
Shipwrecks on the Upper Wicomico River, Salisbury Maryland Shipwrecks
The Search for the Lion of Baltimore: An American Privateer from the War of 1812 By David Shaw his is the story of the search for an American T privateer sunk by the British in the Chesapeake Bay in 1814. The time was the War of 1812. United States naval ships were blockaded in port by the British. Most of the naval battles of the war were fought on inland lakes such as Lake George and Lake Champlain in New York State. In large part because of the blockade, the new United States government looked to private enterprise to help out – private enterprise in the form of privateering. Privateers were nautical mercenaries, non-military, ship-borne raiders sanctioned to attack enemy vessels, whether naval or merchant, in the name of the Federal government. Privateering was, of course, not unique to An American schooner escaping from H.M.S. Pylades America or to the War of 1812. As early as the 13th during the War of 1812. From a watercolorin the century, ship commanders were issued formal Macpherson Collection. authorization from their governments, known as Letters of Marque and Reprisal, which allowed and in some destroyed 15 Royal Navy ships and no commercial cases encouraged them to prey on enemy ships. vessels. During the same period, American privateers Privateers were an effective way for a government to seized three naval vessels and an estimated 2,500 British mobilize a naval force without expending much money. merchant vessels. The success of the privateers forced Or, as in the case of the United States in the War of the British to convoy merchant ships, which further 1812, these nautical irregulars supported a navy that was engaged Royal Navy vessels already busy blockading blockaded and ineffective. -
SEAFARING WOMEN: an Investigation of Material Culture for Potential Archaeological Diagnostics of Women on Nineteenth-Century Sailing Ships
SEAFARING WOMEN: An Investigation of Material Culture for Potential Archaeological Diagnostics of Women on Nineteenth-Century Sailing Ships by R. Laurel Seaborn April, 2014 Director of Thesis/Dissertation: Dr. Lynn Harris Major Department: Department of History, Program in Maritime Studies ABSTRACT During the 19th century, women went to sea on sailing ships. Wives and family accompanied captains on their voyages from New England. They wrote journals and letters that detailed their life on board, adventures in foreign ports, and feelings of separation from family left behind. Although the women kept separate from the sailors as class and social status dictated, they contributed as nannies, nurses and navigators when required. Examination of the historical documents, ship cabin plans, and photos of those interiors, as well as looking at surviving ships, such as the whaleship Charles W. Morgan, provided evidence of the objects women brought and used on board. The investigation from a gendered perspective of the extant material culture, and shipwreck site reports laid the groundwork for finding potential archaeological diagnostics of women living on board. SEAFARING WOMEN: An Investigation of Material Culture for Potential Archaeological Diagnostics of Women on Nineteenth-Century Sailing Ships A Thesis/Dissertation Presented To the Faculty of the Department of Department Name Here East Carolina University In Partial Fulfillment of the Requirements for the Degree Master of Arts by R. Laurel Seaborn April, 2014 © R. Laurel Seaborn, 2014 SEAFARING WOMEN: An Investigation of Material Culture for Potential Archaeological Diagnostics of Women on Nineteenth-Century Sailing Ships by R. Laurel Seaborn APPROVED BY: DIRECTOR OF THESIS:_________________________________________________________ Dr. -
Vol. 21 Spring 2019 Issue 1
Challenger News Vol. 21 Spring 2019 Issue 1 1 - Cover : The Grafham Grand Prix 2 - Editor’s Page by Richard Johnson 3 - Club Newslines 4 - Executive Matters 5 - Burghfield 6 - The Story of the New Rig 7 - The New Sail 8 - The New Mast and Boom 9 - The Bosun Talks Maintenance 10- Notices of Race 11- Challenger National Rankings 12- Back : 2019 Regatta Programme 2019 could be a life-changing year for the and help it to maintain its shape and longevity. Challenger because, like it or not, we are going Materials have also been revolutionised by the to have a new rig. As you will read on Pages 6-8, development of “film” materials such as Mylar, that current manufacturers have stopped production will hold their shape without sag and are lighter and - worse - nobody is taking over from them. than the traditional white Dacron. This is both a threat and an opportunity because All of this needs to be considered and it’s not the current rig was designed before 1980, when easy to find suitable suppliers that will serve us for the first Challenger was delivered, At the time, the the long term. We had very short notice of both the mast and boom looked very modern and did the job sailmaker and mast maker stopping production, well. The same goes for the sail which, unusually both at almost the same time, so it takes a while for the time, was fully battened and had a sloping to formulate a new policy, do the research, narrow foot to miss the sailor’s head but it also gives us it down to a core of suitable contenders and then more control than boats with horizontal booms and talk to them about the needs of our Members. -
Open Passage Ethno-Archaeology of Skin Boats and Indigeneous
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Centre for Maritime Archaeology OPEN PASSAGE: ETHNO-ARCHAEOLOGY OF SKIN BOATS AND INDIGENEOUS MARITIME MOBILITY OF NORTH-AMERICAN ARCTIC by Evguenia V. Anichtchenko Thesis for the degree of Doctor of Philosophy December 2016 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Archaeology Thesis for the degree of Doctor of Philosophy OPEN PASSAGE: ETHNO-ARCHAEOLOGY OF SKIN BOATS AND INDIGENEOUS MARITIME MOBILITY OF NORTH-AMERICAN ARCTIC Evguenia V. Anichtchenko This thesis is an examination of prehistoric maritime mobility in the Arctic regions of North America through the ethno-archaeological analysis of skin boats. Covering over 100,000 km of coastline, the skin boat traditions of the Arctic and Subarctic zones are arguably among the most expansive watercraft technologies in the world, dating back at least 10,000 years. -
Alberto Frigerio Ph.D. Thesis
IMT Institute for Advanced Studies, Lucca Lucca, Italy The Underwater Cultural Heritage: a Comparative Analysis of International Perspectives, Laws and Methods of Management PhD Program in MDCH XXV Cycle By Alberto Frigerio 2013 The dissertation of Alberto Frigerio is approved. Programme Coordinator: Maria Luisa Catoni, IMT Lucca Supervisor: Lorenzo Casini, La Sapienza, Roma Tutor: Lorenzo Casini, La Sapienza, Roma The dissertation of Alberto Frigerio has been reviewed by: [Name, Surname, Affiliation] [Name, Surname, Affiliation] IMT Institute for Advanced Studies, Lucca 2013 Dedicated to my family: You’re the best crew a captain could wish for! Table of Contents LIST OF FIGURES AND TABLES p. X ACKNOWLEDGMENTS p. XII VITA AND PUBLICATIONS p. XIII ABSTRACT p. XIV INTRODUCTION p. 1 CHAPTER 1: THE THEORETICAL FRAMEWORK OF THE UNDERWATER CULTURAL HERITAGE MANAGEMENT p. 16 1. The difficulties to elaborate a shared definition of underwater cultural heritage p. 16 2. The identification and assessment of the values associated with the underwater cultural heritage: a complex challenge, but of great importance p. 23 3. Managing the risk: the principal threats affecting the underwater cultural heritage p. 30 4. The interplaying interests related to the management of the underwater cultural heritage p. 36 4.1 Evaluating the compatibility of the interests at stake: trade-off or constructive interaction? p. 43 4.2 Planning the underwater cultural heritage management: a hierarchical pyramid of interests with a bottom up impact p. 51 5. Stakeholders identification and analysis: the problem to fulfill different expectations p. 54 6. A comprehensive theoretical model aimed to guide decision makers in the management of the underwater cultural heritage p. -
Archaeological Damage from Offshore Dredging: Recommendations for Pre-Operational Surveys and Mitigation During Dredging to Avoid Adverse Impacts
OCS STUDY MMS 2004-005 ARCHAEOLOGICAL DAMAGE FROM OFFSHORE DREDGING: RECOMMENDATIONS FOR PRE-OPERATIONAL SURVEYS AND MITIGATION DURING DREDGING TO AVOID ADVERSE IMPACTS PREPARED FOR: U.S. DEPARTMENT OF THE INTERIOR MINERALS MANAGEMENT SERVICE Under Contract Number No. 01-02-CT-85139 February 2004 OCS Report MMS 2004-005 ARCHAEOLOGICAL DAMAGE FROM OFFSHORE DREDGING: RECOMMENDATIONS FOR PRE-OPERATIONAL SURVEYS AND MITIGATION DURING DREDGING TO AVOID ADVERSE IMPACTS Prepared for: Leasing Division, Sand and Gravel Unit Minerals Management Service U.S. Department of Interior Herndon, Virginia Prepared by: Research Planning, Inc. Columbia, South Carolina Tidewater Atlantic Research, Inc. Washington, North Carolina W.F. Baird & Associates Ltd. Madison, Wisconsin February 2004 DISCLAIMER This report has been reviewed by the Minerals Management Service and approved for publication. Approval does not signify that the contents necessarily reflect the views and policies of the Service, nor does mention of trade names or commercial products constitute endorsement or recommendation for use. Cover Art: Painting by Fitz Hugh Lane (M-19323). Published in Johnson, P. F., 1983. Steam and the Sea. Peabody Museum of Salem, Salem, Massachusetts, p.63. i TABLE OF CONTENTS 1.0 INTRODUCTION................................................................................................................1 2.0 METHODS OF STUDY......................................................................................................2 2.1 Worldwide Review of Current Dredging -
University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. Wliile the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Blockade Runners2
CONFEDERATE HISTORICAL ASSOCIATION OF BELGIUM Adapted in English by Gerald Hawkins ERRATUM In the first part of this article, an unfortunate mistake appeared on page 19 regarding the average number of violations of the blockade. In the French version of this article, I cited F. Owsley’s statistics on the probabilities that the blockade runners had of being captured from 1861 to 1865. In the English version, I modified the sentence relating the successful violations of the blockade, but I forgot to change the statistics that should have been inverted. Many thanks to the hawk eye of Mr. Kevin J. Foster, Chief Historian of the National Park Service, Washington D.C., who detected this error. In early 1863, Bulloch had suggested to the Secretary of the Navy Mallory that the Government build its own fleet of fast light draft blockade runners to escape the “killing prices on private steamers”. In his letter of November 25, 1863, to the same, he recalls his former suggestion and adds: “If the Navy Department would take blockade runner business into its own hands, it might soon have a fleet of formidable swift steamers at work, so constructed as to have their engines and boilers well protected (...) The beams and decks of the steamers could be made of sufficient strength to bear heavy deck loads without exciting suspicion (...) When two or three of the vessels happened to be in harbour at the same time, a few hours would suffice to mount a couple of heavy guns on each, and at night or at early dawn, a successful raid might be upon the unsuspecting blockaders (...) After a raid or cruise, the vessels could be divested of every appliance of war, and (...) could bring out cargoes of cotton to pay the expenses of the cruise, or 52 to increase the funds of the Government abroad”. -
Tony" Pizzo Collection, 1824-1994
Guide to the Anthony P. "Tony" Pizzo collection, 1824-1994 Descriptive Summary Title : Anthony P. "Tony" Pizzo collection Creator: Pizzo, Anthony P. (1917 - 1944) Dates : 1824-1994 ID Number : P21 Size: 287.00 boxes Language(s): English Spanish;Castilian Italian Repository: Special & Digital Collections University of South Florida Tampa Library 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Email Special & Digital Collections Administrative Summary Provenance: Pizzo, Anthony P., 1917 - 1944 Acquisition Donation Information: Accruals: The collection was received in installments between 1982 and 1999. Access Conditions: Some materials are fragile. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's Website at http://www.copyright.gov/ for more information. Processing Partially processed. Arrangement is 92% complete. Approximately eleven boxes of miscellaneous, History: non-photographic materials are unprocessed. Preferred Citation: Tony Pizzo Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, FL Biographical Note Scope Note Publications, photographs, postcards, cigar labels, maps, realia, manuscripts, diaries, printed ephemera, artifacts, and other materials documenting the history of Tampa, Florida and its vicinity, with particular emphasis on the area's Cuban, Spanish, and Italian immigrant communities of Ybor City and West Tampa. Arrangement Note: Alphabetically by subject (within series). Arrangement -
Sea History Index Issues 1-164
SEA HISTORY INDEX ISSUES 1-164 Page numbers in italics refer to illustrations Numbers 9/11 terrorist attacks, 99:2, 99:12–13, 99:34, 102:6, 103:5 “The 38th Voyagers: Sailing a 19th-Century Whaler in the 21st Century,” 148:34–35 40+ Fishing Boat Association, 100:42 “100 Years of Shipping through the Isthmus of Panama,” 148:12–16 “100th Anniversary to Be Observed Aboard Delta Queen,” 53:36 “103 and Still Steaming!” 20:15 “1934: A New Deal for Artists,” 128:22–25 “1987 Mystic International,” 46:26–28 “1992—Year of the Ship,” 60:9 A A. B. Johnson (four-masted schooner), 12:14 A. D. Huff (Canadian freighter), 26:3 A. F. Coats, 38:47 A. J. Fuller (American Downeaster), 71:12, 72:22, 81:42, 82:6, 155:21 A. J. McAllister (tugboat), 25:28 A. J. Meerwald (fishing/oyster schooner), 70:39, 70:39, 76:36, 77:41, 92:12, 92:13, 92:14 A. S. Parker (schooner), 77:28–29, 77:29–30 A. Sewall & Co., 145:4 A. T. Gifford (schooner), 123:19–20 “…A Very Pleasant Place to Build a Towne On,” 37:47 Aalund, Suzy (artist), 21:38 Aase, Sigurd, 157:23 Abandoned Shipwreck Act of 1987, 39:7, 41:4, 42:4, 46:44, 51:6–7, 52:8–9, 56:34–35, 68:14, 68:16, 69:4, 82:38, 153:18 Abbass, D. K. (Kathy), 55:4, 63:8, 91:5 Abbott, Amy, 49:30 Abbott, Lemuel Francis (artist), 110:0 ABCD cruisers, 103:10 Abel, Christina “Sailors’ Snug Harbor,” 125:22–25 Abel Tasman (ex-Bonaire) (former barquentine), 3:4, 3:5, 3:5, 11:7, 12:28, 45:34, 83:53 Abele, Mannert, 117:41 Aberdeen, SS (steamship), 158:30, 158:30, 158:32 Aberdeen Maritime Museum, 33:32 Abnaki (tugboat), 37:4 Abner Coburn, 123:30 “Aboard -
Peter Hulme Graham Greene and Cuba: Our Man in Havana
PETER HULME GRAHAM GREENE AND CUBA: OUR MAN IN HAVANA? Graham Greene’s novel Our Man in Havana was published on October 6, 1958. Seven days later Greene arrived in Havana with Carol Reed to arrange for the filming of the script of the novel, on which they had both been work- ing. Meanwhile, after his defeat of the summer offensive mounted by the Cuban dictator, Fulgencio Batista, in the mountains of eastern Cuba, just south of Bayamo, Fidel Castro had recently taken the military initiative: the day after Greene and Reed’s arrival on the island, Che Guevara reached Las Villas, moving westwards towards Havana. Six weeks later, on January 1, 1959, after Batista had fled the island, Castro and his Cuban Revolution took power. In April 1959 Greene and Reed were back in Havana with a film crew to film Our Man in Havana. The film was released in January 1960. A note at the beginning of the film says that it is “set before the recent revolution.” In terms of timing, Our Man in Havana could therefore hardly be more closely associated with the triumph of the Cuban Revolution. But is that association merely accidental, or does it involve any deeper implications? On the fifti- eth anniversary of novel, film, and Revolution, that seems a question worth investigating, not with a view to turning Our Man in Havana into a serious political novel, but rather to exploring the complexities of the genre of com- edy thriller and to bringing back into view some of the local contexts which might be less visible now than they were when the novel was published and the film released.