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BENJAMIN PALOFF (1/15/2013) Department of Slavic Languages and Literatures 507 Bruce Street University of Michigan, Ann Arbor Ann Arbor, MI 48103 3040 MLB, 812 E. Washington (617) 953-2650 Ann Arbor, MI 48109 [email protected] EDUCATION Harvard University, Cambridge, Massachusetts Ph.D. in Slavic Languages and Literatures, June 2007. M.A. in Slavic Languages and Literatures, November 2002. Dissertation: Intermediacy: A Poetics of Unfreedom in Interwar Russian, Polish, and Czech Literatures, a comparative treatment of metaphysics in Eastern European Modernism, 1918-1945. University of Michigan, Ann Arbor, Michigan M.F.A. in Creative Writing/Poetry, April 2001. Thesis: Typeface, a manuscript of poems. Harvard University, Cambridge, Massachusetts B.A., magna cum laude with highest honors in field, Slavic Languages and Literatures, June 1999. Honors thesis: Divergent Narratives: Affinity and Difference in the Poetry of Zbigniew Herbert and Miroslav Holub, a comparative study. TEACHING Assistant Professor, Departments of Slavic Languages and Literatures and of Comparative Literature, University of Michigan, Ann Arbor (2007-Present). Courses in Polish and comparative Slavic literatures, critical theory, and translation. Doctoral Dissertation Committees in Slavic Languages and Literatures: Jessica Zychowicz (Present), Jodi Grieg (Present), Jamie Parsons (Present). Doctoral Dissertation Committees in Comparative Literature: Sylwia Ejmont (2008), Corine Tachtiris (2011), Spencer Hawkins (Present), Olga Greco (Present). Doctoral Dissertation Committees in other units: Ksenya Gurshtein (History of Art, 2011). MFA Thesis Committee in English/Creative Writing: Francine Harris (2011). Faculty Associate, Frankel Center for Jewish Studies (2009-Present); Center for Russian, East European, and Eurasian Studies (2007-Present). Service: Steering Committee, Copernicus Endowment for Polish Studies (2007-Present). -
I Burn Paris Free Download
I BURN PARIS FREE DOWNLOAD Bruno Jasienski,Cristian Opris,Soren Gauger,Marcin Piekoszewski | 309 pages | 15 Apr 2012 | Twisted Spoon Press | 9788086264370 | English | Prague, Czech Republic Bruno Jasieński And I Burn Paris: The Great Polish Futurist And Catastrophist I Burn Paris are its inheritors, I Burn Paris with your own proletariat. Apr 08, Aleksandra rated it it was amazing. Yes, I Burn Paris actually is optimistically utopian -- even if the price for the new society is very high: Paris proper isn't exactly burnt I Burn Paris the ground, but the vast majority of Parisians He grew up in an unsettled China, and became a political activist. Views Read Edit View history. Sentenced to 15 years in a labour camp, he was executed on 17 September in Butyrka prison in Moscow. The most important of these, I Burn Parisbrought him misery, celebrity and, ultimately, led to his downfall. Wikimedia Commons. She was right, we were destined not to love each other; but not for the reason she had envisioned. More Details Actual Price:. The novel was also a humorous reply to Paul Morand 's pamphlet I Burn Moscowpublished shortly before. Up until the plague claims its maker. Published April 15th by Twisted Spoon Press first published Powerful poetic prose. They were brought to the nearest pharmacy. Or think of I Burn Paris as like a s version of The Purge, but one that doesn't try to hide its ideology or sympathies. He has exhibited across Europe and his work has been included in group shows I Burn Paris presentations of contemporary avant- garde graphic artists. -
The Hungarian Historical Review Nationalism & Discourses
The Hungarian Historical Review New Series of Acta Historica Academiae Scientiarum Hungaricae Volume 5 No. 2 2016 Nationalism & Discourses of Objectivity: The Humanities in Central Europe in the Long Nineteenth Century Bálint Varga Special Editor of the Thematic Issue Contents Articles GÁBOR ALMÁSI Faking the National Spirit: Spurious Historical Documents in the Service of the Hungarian National Movement in the Early Nineteenth Century 225 MILOŠ ŘEZNÍK The Institutionalization of the Historical Science betwixt Identity Politics and the New Orientation of Academic Studies: Wácslaw Wladiwoj Tomek and the Introduction of History Seminars in Austria 250 ÁDÁM BOLLÓK Excavating Early Medieval Material Culture and Writing History in Late Nineteenth- and Early Twentieth-Century Hungarian Archaeology 277 FILIP TOMIĆ The Institutionalization of Expert Systems in the Kingdom of Croatia and Slavonia: The Founding of the University of Zagreb as the Keystone of Historiographic Professionalization, 1867–1918 305 MICHAEL ANTOLOVIĆ Modern Serbian Historiography between Nation-Building and Critical Scholarship: The Case of Ilarion Ruvarac (1832–1905) 332 ALEKSANDAR PAVLOVIĆ From Myth to Territory: AND Vuk Karadžić, Kosovo Epics and the Role SRĐAN ATANASOVSKI of Nineteenth-Century Intellectuals in Establishing National Narratives 357 http://www.hunghist.org HHHR_2016-2.indbHR_2016-2.indb 1 22016.07.29.016.07.29. 112:50:102:50:10 Contents Featured Review The Past as History: National Identity and Historical Consciousness in Modern Europe. By Stefan Berger, with Christoph Conrad. (Writing the Nation series) Reviewed by Gábor Gyáni 377 Book Reviews Zsigmond király Sienában [King Sigismund in Siena]. By Péter E. Kovács. Reviewed by Emőke Rita Szilágyi 384 Imprinting Identities: Illustrated Latin-Language Histories of St. -
Harvard Historical Studies • 173
HARVARD HISTORICAL STUDIES • 173 Published under the auspices of the Department of History from the income of the Paul Revere Frothingham Bequest Robert Louis Stroock Fund Henry Warren Torrey Fund Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM WILLIAM JAY RISCH The Ukrainian West Culture and the Fate of Empire in Soviet Lviv HARVARD UNIVERSITY PRESS Cambridge, Massachusetts London, En gland 2011 Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Copyright © 2011 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Library of Congress Cataloging- in- Publication Data Risch, William Jay. The Ukrainian West : culture and the fate of empire in Soviet Lviv / William Jay Risch. p. cm.—(Harvard historical studies ; 173) Includes bibliographical references and index. I S B N 9 7 8 - 0 - 6 7 4 - 0 5 0 0 1 - 3 ( a l k . p a p e r ) 1 . L ’ v i v ( U k r a i n e ) — H i s t o r y — 2 0 t h c e n t u r y . 2 . L ’ v i v ( U k r a i n e ) — P o l i t i c s a n d government— 20th century. 3. L’viv (Ukraine)— Social conditions— 20th century 4. Nationalism— Ukraine—L’viv—History—20th century. 5. Ethnicity— Ukraine—L’viv— History—20th century. -
Ukrainian Literature
UKRAINIAN LITERATURE A Journal of Translations Volume 2 2007 Ukrainian Literature A Journal of Translations Editor Maxim Tarnawsky Manuscript Editor Uliana Pasicznyk Editorial Board Taras Koznarsky, Askold Melnyczuk, Michael M. Naydan, Marko Pavlyshyn www.UkrainianLiterature.org Ukrainian Literature is published by the Shevchenko Scientific Society, Inc., 63 Fourth Avenue, New York, NY 10003, U.S.A. (tel.) 212–254–5130; (fax) 212–254–5239. Ukrainian Literature publishes translations into English of works of Ukrainian literature. The journal appears triennially both on the internet (www.UkrainianLiterature.org) and in a print edition. A mirror of the internet edition appears at www.shevchenko.org/Ukr_Lit. Ukrainian Literature welcomes submissions from translators. Translators who wish to submit translations for consideration should contact the editor by e-mail at [email protected]. Correspondence relating to subscriptions and the distribution of the printed journal should be addressed to the publisher (Shevchenko Scientific Society, Inc., 63 Fourth Avenue, New York, NY 10003, U.S.A.; tel.: 212–254–5130; fax: 212–254–5239). In matters relating to the content of the journal, its editorial policies, or to the internet version, please contact the editor by e- mail at [email protected]. ISSN 1552-5880 (online edition) ISSN 1552-5872 (print edition) Publication of this volume was made possible by a grant from the Ivan and Elizabeth Chlopecky Fund of the Shevchenko Scientific Society (USA). Copyright © Shevchenko Scientific Society, Inc. Contents Introduction: Maxim Tarnawsky 5 TARAS PROKHASKO The UnSimple Translated by Uilleam Blacker 7 VOLODYMYR DROZD “The Seasons” “Fame” “Everything All Over Again” Translated by Anatole Bilenko 59, 71, 79 VALERII SHEVCHUK Eye of the Abyss (Part 2) Translated by Olha Rudakevych 87 IVAN FRANKO Poem 20, 2nd Cycle from Ziv’iale lystia Translated by Ivan Teplyy 201 IVAN FRANKO “Khmelnytsky and the Soothsayer” Translated by Marta D. -
Copyright by Agnieszka Barbara Nance 2004
Copyright by Agnieszka Barbara Nance 2004 The Dissertation Committee for Agnieszka Barbara Nance Certifies that this is the approved version of the following dissertation: Nation without a State: Imagining Poland in the Nineteenth Century Committee: Katherine Arens, Supervisor Janet Swaffar Kirsten Belgum John Hoberman Craig Cravens Nation without a State: Imagining Poland in the Nineteenth Century by Agnieszka Barbara Nance, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2004 Nation without a State: Imagining Poland in the Nineteenth Century Publication No._____________ Agnieszka Barbara Nance, PhD. The University of Texas at Austin, 2004 Supervisor: Katherine Arens This dissertation tests Benedict Anderson’s thesis about the coherence of imagined communities by tracing how Galicia, as the heart of a Polish culture in the nineteenth century that would never be an independent nation state, emerged as an historical, cultural touchstone with present day significance for the people of Europe. After the three Partitions and Poland’s complete disappearance from political maps of Europe, substitute images of Poland were sought that could replace its lost kingdom with alternate forms of national identity grounded in culture and tradition rather than in politics. Not the hereditary dynasty, not Prussia or Russia, but Galicia emerged as the imagined and representative center of a Polish culture without a state. This dissertation juxtaposes political realities with canonical literary texts that provide images of a cultural community among ethnic Germans and Poles sharing the border of Europe. -
Bartolini Brogi 2007.Indd
BIBLIOTECA DI STUDI SLAVISTICI – 4 – COMITATO SCIENTIFICO Giovanna Brogi Bercoff (Direttore), Michaela Böhmig, Stefano Garzonio (Presidente AIS), Nicoletta Marcialis, Marcello Garzaniti (Direttore esecutivo), Krassimir Stantchev COMITATO DI REDAZIONE Alberto Alberti, Giovanna Brogi Bercoff, Marcello Garzaniti, Stefano Garzonio, Giovanna Moracci, Marcello Piacentini, Donatella Possamai, Giovanna Siedina Titoli pubblicati 1. Nicoletta Marcialis, Introduzione alla lingua paleoslava, 2005 2. Ettore Gherbezza, Dei delitti e delle pene nella traduzione di Michail M. Ščerbatov, 2007 3. Gabriele Mazzitelli, Slavica biblioteconomica, 2007 Kiev e Leopoli: il “testo” culturale a cura di Maria Grazia Bartolini Giovanna Brogi Bercoff Firenze University Press 2007 Kiev e Leopoli : il testo culturale / a cura di Maria Grazia Bartolini, Giovanna Brogi Bercoff. – Firenze : Firenze University Press, 2007. (Biblioteca di Studi slavistici ; 4) http://digital.casalini.it/9788884536662 ISBN 978-88-8453-666-2 (online) ISBN 978-88-8453-665-5 (print) 947 (ed. 20) La collana Biblioteca di Studi Slavistici è curata della redazione di Studi Slavistici, rivista di proprietà dell’Associazione Italiana degli Slavisti (<http://epress.unifi.it/riviste/ss>). © 2007 Firenze University Press Università degli Studi di Firenze Firenze University Press Borgo Albizi, 28 50122 Firenze, Italy http://epress.unifi.it/ Printed in Italy INDICE G. Brogi Bercoff Prefazione 7 G. Siedina Il retaggio di Orazio nella poesia neolatina delle poetiche kieviane: alcuni modi della sua ricezione 11 D. Tollet La connaissance du judaïsme en Pologne dans l’œuvre de Gaudencjusz Pikulski, La méchanceté des Juifs (Lwów 1760) 37 Ks. Konstantynenko La vita artistica a Leopoli nel Seicento: l’arte delle icone 47 M.G. Bartolini Kiev e la formazione culturale di Skovoroda 61 A. -
Babel' in Context a Study in Cultural Identity B O R D E R L I N E S : R U S S I a N А N D E a S T E U R O P E a N J E W I S H S T U D I E S
Babel' in Context A Study in Cultural Identity B o r d e r l i n e s : r u s s i a n а n d e a s t e u r o p e a n J e w i s h s t u d i e s Series Editor: Harriet Murav—University of Illinois, Urbana-Champaign Editorial board: Mikhail KrutiKov—University of Michigan alice NakhiMovsKy—Colgate University David Shneer—University of Colorado, Boulder anna ShterNsHis—University of Toronto Babel' in Context A Study in Cultural Identity Ef r a i m Sic hEr BOSTON / 2012 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2012 Academic Studies Press All rights reserved Effective July 29, 2016, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. ISBN 978-1-936235-95-7 Cloth ISBN 978-1-61811-145-6 Electronic Book design by Ivan Grave Published by Academic Studies Press in 2012 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com C o n t e n t s Note on References and Translations 8 Acknowledgments 9 Introduction 11 1 / Isaak Babelʹ: A Brief Life 29 2 / Reference and Interference 85 3 / Babelʹ, Bialik, and Others 108 4 / Midrash and History: A Key to the Babelesque Imagination 129 5 / A Russian Maupassant 151 6 / Babelʹ’s Civil War 170 7 / A Voyeur on a Collective Farm 208 Bibliography of Works by Babelʹ and Recommended Reading 228 Notes 252 Index 289 Illustrations Babelʹ with his father, Nikolaev 1904 32 Babelʹ with his schoolmates 33 Benia Krik (still from the film, Benia Krik, 1926) 37 S. -
Iuliia Kysla
Rethinking the Postwar Era: Soviet Ukrainian Writers Under Late Stalinism, 1945-1949 by Iuliia Kysla A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Department of History and Classics University of Alberta © Iuliia Kysla, 2018 Abstract This dissertation advances the study of late Stalinism, which has until recently been regarded as a bizarre appendage to Stalin’s rule, and aims to answer the question of whether late Stalinism was a rupture with or continuation of its prewar precursor. I analyze the reintegration of Ukrainian writers into the postwar Soviet polity and their adaptation to the new realities following the dramatic upheavals of war. Focusing on two parallel case studies, Lviv and Kyiv, this study explores how the Soviet regime worked with members of the intelligentsia in these two cities after 1945, at a time when both sides were engaged in “identification games.” This dissertation demonstrates that, despite the regime’s obsession with control, there was some room for independent action on the part of Ukrainian writers and other intellectuals. Authors exploited gaps in Soviet discourse to reclaim agency, which they used as a vehicle to promote their own cultural agendas. Unlike the 1930s, when all official writers had to internalize the tropes of Soviet culture, in the postwar years there was some flexibility in an author’s ability to accept or reject the Soviet system. Moreover, this dissertation suggests that Stalin’s postwar cultural policy—unlike the strategies of the 1930s, which relied predominantly on coercive tactics—was defined mainly by discipline by humiliation, which often involved bullying and threatening members of the creative intelligentsia. -
Developing the GIS-Based Maps of the Geomorphological and Phytogeographical Division of the Ukrainian Carpathians for Routine Use in Biogeography
Biogeographia – The Journal of Integrative Biogeography 36 (2021): a009 https://doi.org/10.21426/B636052326 Developing the GIS-based maps of the geomorphological and phytogeographical division of the Ukrainian Carpathians for routine use in biogeography ANDRIY NOVIKOV Department of Biosystematics and Evolution of the State Natural History Museum of the NAS of Ukraine, Teatralna str. 18, 79008 Lviv (Ukraine) email: [email protected] Keywords: biogeography, mesoregional division, shapefile, Ukrainian Carpathians. SUMMARY The paper introduces GIS-based maps of the geomorphological and phytogeographical division of the Ukrainian Carpathians (a part of Eastern Carpathian Mts.), which were developed for routine use in biogeography and based on the consolidation of the existing publications. The map of the geomorphological division includes 57 OGUs (operational geographic units), and the map of the phytogeographical division – 18 OGUs of the lowest rank. Geomorphological units are supported with available synonyms, which should help in work with different topic-related Ukrainian publications. Both maps follow strict hierarchical classification and are briefly discussed. INTRODUCTION Tsys (1962, 1968) published the first The Ukrainian Carpathians (UC) is part of the complete geomorphologic division of the UC. Eastern Carpathian mountain province Besides five mountainous regions, this division (Kondracki 1989), artificially delimited by the also included adjacent foothills and lowlands western border of Ukraine and covering about (Ciscarpathia and Transcarpathia) and 24,000 km2. In general, these are not high comprised 36 districts. Such regionalization of mountains – only seven peaks of the UC the UC was further developed by many slightly exceed 2000 m of elevation, and all Ukrainian scientists (Herenchuk 1968, these peaks, including the highest point of Marynych et al. -
Kasper Pfeifer POLISH FUTURISM and ITS PROJECT OF
Prace Polonistyczne, seria LXXV, 2020 ISSN 0079-4791; e-ISSN 2450-9353 https://doi.org/10.26485/PP/2020/75/4 Kasper Pfeifer POLISH FUTURISM AND ITS PROJECT OF EMANCIPATION1 KEY WORDS Futurism; utopian studies; aesthetic and politics; Polish literature; revolutions; Jacques Rancière; Bruno Jasieński Futurism in Poland emerged on the promise of “a great and radical recon- struction and reorganization of the Polish life”, as Bruno Jasieński declared in 1921. He wished to make the revolutionary change one of the conditions of futurization, which would free modern man from the lethargy caused by the dogmatism and backwardness of tradition (Jasieński 2014: 9).2 The futuristic turn to the future was supposed to break historical continuity and, in a firm, quasi-accelerationist act, allow Polish society to enter “the ideal tomorrow” (Graf 2018: 63). The problem is that despite the radical nature of the project, it ended up as an unfulfilled prophecy at best (Gazda 1974: 69). As Helena Zaworska claims, Futurism sprouted in countries where “the great twentieth-century trans- formations created [...] a beautiful myth of the future rather than the actuality”, which meant that “modern civilization in Poland at the time was by and large only a future prediction” (Zaworska 1963: 199–239). In other words, if the feti- shes of the futuristic aesthetic regime – metropolises, machines, and blessings of technology – belonged to any reality, it was not the actual, everyday reality of the country that lies on both sides of the Vistula river, in the times of the flourishing Kasper Pfeifer – mgr, Institute of Literary Studies, University of Silesia, plac Sejmu Śląskiego 1, 40-001 Katowice; e-mail: [email protected]; https://orcid.org/0000-0002-6600-3306. -
Towards a History of the Literary Cultures in East-Central Europe: Theoretical Reflections
Towards a History of the Literary Cultures in East-Central Europe: Theoretical Reflections Marcel Cornis-Pope John Neubauer American Council of Learned Societies ACLS OCCASIONAL PAPER, No. 52 ISSN 1041-536X Towards a History of the Literary Cultures in East-Central Europe: Theoretical Reflections Marcel Cornis-Pope John Neubauer American Council of Learned Societies ACLS OCCASIONAL PAPER, No. 52 Copyright © 2002 Marcel Cornis-Pope and John Neubauer Towards a History of the Literary Cultures in East-Central Europe: Theoretical Reflections Marcel Cornis-Pope Virginia Commonwealth University John Neubauer University ofAmsterdam Historical approaches to literature and culture have experienced a remarkable revival in the last decades, accompanied by severe critiques of past historiographies. The new approaches reject the positivist and orthodox Marxist traditions that regard literature as a mimetic reflection of an underlying "reality," "internalist" histories that isolate the discipline from the surrounding culture, Hegelian, organicist, and teleological generalizations of periods and cultures, reductive national perspectives, and, last but not least, histories dominated by "grand narratives." But if there is a reasonable consensus on the critique of the past, new histories have been slow in coming and controversial when published. Witness the series that the International Comparative Literature Association (ICLA) has been preparing on the history of literature in the European languages, and the French literary history that Denis Hollier and his collaborators have published-both of which we shall discuss later in this paper. The following essay delineates the contours of an ongoing project on the history of the literary cultures in East-Central Europe, which will be published by John Benjamins Press in three volumes.