Curriculum Vitae: Melba Joyce Boyd
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Extensions of Remarks E387 EXTENSIONS of REMARKS
March 19, 2001 CONGRESSIONAL RECORD — Extensions of Remarks E387 EXTENSIONS OF REMARKS IN HONOR OF WOODIE KING, JR.’S, nation, with his work appearing in Atlanta, De- press upon all young volunteers that their con- NEW FEDERAL THEATRE ON ITS troit, St. Louis, Brooklyn, and Bermuda. tributions are critically important and highly 30TH ANNIVERSARY For 30 years, Woodie King Jr.’s New Fed- valued. Over the past six years, the program eral Theatre has provided enormously talented has become the nation’s largest youth effort HON. CAROLYN B. MALONEY imaginative, and creative minorities with the based on community service, with an esti- chance to present their work in an established mated 100,000 youngsters participating since OF NEW YORK and professional theatrical venue. Without the its inception. IN THE HOUSE OF REPRESENTATIVES opportunity to perform at Woodie King’s New We are extremely proud that Ms. Wise has Monday, March 19, 2001 Federal Theatre, encouraged by Woodie King been singled out from such a large group of Mrs. MALONEY of New York. Mr. Speaker, himself, many of today’s most successful and dedicated volunteers. I applaud Ms. Wise for I rise today to pay tribute to Woodie King, promising theater professionals would have her initiative in seeking to make her commu- Jr.’s, New Federal Theatre, which will be hon- perhaps never achieved their current suc- nity a better place to live, and for the positive ored at a celebration of its 30th anniversary on cesses. impact she has had on the lives of others. March 25, 2001. For 30 years, Woodie King, Mr. -
Finding Aid to the Historymakers ® Video Oral History with Naomi Long Madgett
Finding Aid to The HistoryMakers ® Video Oral History with Naomi Long Madgett Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Madgett, Naomi Cornelia Long. Title: The HistoryMakers® Video Oral History Interview with Naomi Long Madgett, Dates: June 27, 2007 and March 5, 2007 Bulk Dates: 2007 Physical 12 Betacame SP videocasettes (5:29:45). Description: Abstract: Poet and english professor Naomi Long Madgett (1923 - ) was first published at age twelve. Madgett was the recipient of many honors including 1993's American Book Award and the George Kent Award in 1995. Madgett was interviewed by The HistoryMakers® on June 27, 2007 and March 5, 2007, in Detriot, Michigan and Detroit, Michigan. This collection is comprised of the original video footage of the interview. Identification: A2007_072 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Poet and English professor emeritus Naomi Cornelia Long Madgett was born on July 5, 1923 in Norfolk, Virginia to the Reverend Clarence Marcellus Long and the former Maude Selena Hilton. Growing up in East Orange, New Jersey, she attended Ashland Grammar School and Bordentown School. At age twelve, Madgett’s poem, My Choice, was published on the youth page of the Orange Daily Courier. In 1937, the family moved to St. Louis, Missouri where her schoolmates included Margaret Bush Wilson, E. Sims Campbell and lifelong friend, baritone Robert McFerrin, Sr. Madgett, at age fifteen, established a friendship with Langston Hughes. Just days after graduating with honors from Charles Sumner High School in 1941, Madgett’s first book of poetry, Songs to a Phantom Nightingale was published. -
Kenneth A. Merique Genealogical and Historical Collection BOOK NO
Kenneth A. Merique Genealogical and Historical Collection SUBJECT OR SUB-HEADING OF SOURCE OF BOOK NO. DATE TITLE OF DOCUMENT DOCUMENT DOCUMENT BG no date Merique Family Documents Prayer Cards, Poem by Christopher Merique Ken Merique Family BG 10-Jan-1981 Polish Genealogical Society sets Jan 17 program Genealogical Reflections Lark Lemanski Merique Polish Daily News BG 15-Jan-1981 Merique speaks on genealogy Jan 17 2pm Explorers Room Detroit Public Library Grosse Pointe News BG 12-Feb-1981 How One Man Traced His Ancestry Kenneth Merique's mission for 23 years NE Detroiter HW Herald BG 16-Apr-1982 One the Macomb Scene Polish Queen Miss Polish Festival 1982 contest Macomb Daily BG no date Publications on Parental Responsibilities of Raising Children Responsibilities of a Sunday School E.T.T.A. BG 1976 1981 General Outline of the New Testament Rulers of Palestine during Jesus Life, Times Acts Moody Bible Inst. Chicago BG 15-29 May 1982 In Memory of Assumption Grotto Church 150th Anniversary Pilgrimage to Italy Joannes Paulus PP II BG Spring 1985 Edmund Szoka Memorial Card unknown BG no date Copy of Genesis 3.21 - 4.6 Adam Eve Cain Abel Holy Bible BG no date Copy of Genesis 4.7- 4.25 First Civilization Holy Bible BG no date Copy of Genesis 4.26 - 5.30 Family of Seth Holy Bible BG no date Copy of Genesis 5.31 - 6.14 Flood Cainites Sethites antediluvian civilization Holy Bible BG no date Copy of Genesis 9.8 - 10.2 Noah, Shem, Ham, Japheth, Ham father of Canaan Holy Bible BG no date Copy of Genesis 10.3 - 11.3 Sons of Gomer, Sons of Javan, Sons -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
Identity, Protest, and Outreach in the Arts
476 julius e. thompsonA Companion to African American History Edited by Alton Hornsby, Jr Copyright © 2005 by Blackwell Publishing Ltd Chapter Twenty-eight Identity, Protest, and Outreach in the Arts JULIUS E. THOMPSON The Early Twentieth Century, 1900–19 The early decades of the twentieth century witnessed a significant growth in the development of African American literary activities, in the form of increased artistic production of novels, plays, poetry, and short stories, in addition to scholarly efforts in the humanities and social sciences. Scholars such as McHenry also note the important role of black literary societies in promoting black citizenship rights, and encouraging skills development and education among black citizens (McHenry 2002: 19). These positive developments, including the growth of the black press during this era, must be viewed against the harsh realities of the Age of Segregation and its proscriptions on the economic, social, and political life of black Americans. During these years, white southern terror resulted in the deaths of hundreds of American citizens, mostly blacks, in the Deep South and the border states of that region (see Tolnay and Beck, A Festival of Violence, 1995: 30, 37). Thus, as African Americans fought to advance their contributions to literature, music, the fine arts and scholarly endeavors, they had to wage a constant struggle to protect the black community from violence, discrimination, economic oppression, and psychological warfare. In reality, black literary activities, although complex in nature, were also created to offer a group protest against the inhuman conditions facing African Americans. There were 21 significant voices among black men and women thinkers, writers, scholars, and leaders of this period. -
Furiousflower2014 Program.Pdf
Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa. -
CLARK ATLANTA UNIVERSITY AWH Department
DRAFT – DO NOT DISTRIBUTE CLARK ATLANTA UNIVERSITY AWH Department Course Syllabus AWS 600—Seminar in Africana Women’s Studies: Sonia Sanchez Instructor: Dr. Stephanie Y. Evans Office Hours Wednesdays, 3:00pm-4:00 pm or by appointment Office Location McPheeters-Dennis Hall, Room 200w Office Telephone 404-880-6352 Email [email protected] Resource Page: www.ProfessorEvans.net Course# and Credit Level Course Title Semester Time Section Hours (U/G) CAWS 01 Seminar in Africana Women’s Studies 3 Spring 2015 Thursday G 600 CMW 314 4:30-7:00 pm Brief Description This course is designed to introduce students to the discipline of Africana Women’s Studies by providing an overview of the social, political, intellectual and theoretical approaches utilized in such an academic undertaking. Special focus will be given to AWS via close reading of Professor Sonia Sanchez’s body of work. Sonia Sanchez on Womanism “I wrote poems that were obviously womanist before we even started talking about it.” (p. 73) “I think that one of the things that we, that black women, have to understand is that they’ve been involved in womanist issues all their lives.” (p. 103) “So, what I’m saying is at some point our sensibilities, our sensitivity, our herstory made us approach the whole idea of what it was to be a black woman in a different fashion, in a different sense. And that is why I think Alice talks about being a womanist, as opposed to a feminist.” (p. 104) “I think you—if you say out loud, I am a womanist or I want to go into women’s studies and/or I want to go to a university to learn something and I’m a history major or a political science major, the very fact that you are a black woman coming into those departments will change some of the stuff that goes on in there, by the very fact that you are there.” (p. -
And Practices at Historically Black Colleges and Universities
A^ü. i REPRESENTATIVE DIRECTORS, BLACK THEATRE PRODUCTIONS, AND PRACTICES AT HISTORICALLY BLACK COLLEGES AND UNIVERSITIES 1968-1978 Alex C. Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY March 1980 Approved by Doctoral Committee: Graduate College„Representative il ABSTRACT This investigation described the status of Black Theatre productions and practices at four year historically Black Colleges and Universities with degree programs in Speech and Drama, Speech and Theatre, or Communi cations. The objectives of this study were: (1) to profile the directors and their production philosophies and practices; (2) to chronicle and categorize Black plays produced during 1968-1978; (3) to characterize the practices in theatre management and (4) to describe trends, and chart some implications from the data collected. Primary data for this study was obtained from mailed questionnaires and thirty-two audio recorded interviews with theatre practitioners at the 43rd National Association of Dramatic and Speech Arts (NADSA) Convention in Chicago, Illinois, on April 4-7, 1979. Thirty-six questionnaires were mailed and thirty (83%) were returned; twenty-four (66%) were usable for this investigation. Results of the study revealed that the directors were academically trained, experienced, of varying ages, Black, male dominated, and dedicated The absence of women as theatre directors suggested areas for study to clarify the reasons for this situation. Respondents believed that productions should be primarily enter taining which suggested their having traditional responses to the function of art that has been assailed by the proponents of the Black Arts Movement who call for art as a political influence. -
Print Version (Pdf)
Special Collections and University Archives : University Libraries Broadside Press Collection 1965-1984 (Bulk: 1965-1975) 1 box, 110 vols. (3.5 linear ft.) Call no.: MS 571 Collection overview A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement. The Broadside Press Collection includes approximately 200 titles published by Randall's press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children's books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards. See similar SCUA collections: African American Antiracism Arts and literature Literature and language Poetry Printed materials Prose writing Social justice Background Dudley Randall was working as a librarian in Detroit in 1963 when he learned of the brutal bombing of the 16th Street Baptist Church in Birmingham, Alabama. Randall's poetic response was "The Ballad of Birmingham," a work that became widely known after it was set to music by the folk singer Jerry Moore. -
Detroit's 1967 Rebellion Two Thousand Seventeen
TWO THOUSAND SEVENTEEN AFRICAN AMERICAN BOOKLIST DETROIT’S 1967 REBELLION THE FIFTY-YEAR AFTERMATH 2017 AFRICAN AMERICAN BOOKLIST The Detroit Public Library has published ADULT LITERATURE its African American Booklist for 49 years. SELECTION COMMITTEE This bibliography provides a selected list of books by and/or about African Americans. Stacy Brooks Co-Chair The works of fiction and nonfiction for Christine Peele Co-Chair Vickie Baker adults, children and young adults were Taneca Chapman-Mills reviewed and recommended by librarians of Kalana Cooper the Detroit Public Library. The African American Booklist began as JUVENILE-TEENS a way to commemorate Black History SELECTION COMMITTEE Month and since that time has continued to feature the accomplishments of African Lurine Carter- Chairperson Americans in the literary world. Our Tonya DuPree- Contributor booklist has become an annual tradition in Tracy Massey- Contributor Amisha Harijan- Contributor the community and continues to be a highly anticipated publication for book lovers all across the nation. AFRICAN AMERICAN BOOKLIST PRODUCTION Khamisi Benford A.J. Funchess Romondo Locke Alma Simmons Original Cover Photo Caption (Courtesy of Burton Historical Collection): 2 | 2017 AFRICAN AMERICAN BOOKLIST | AFRICAN AMERICAN BOOKLIST PRODUCTION Khamisi Benford A.J. Funchess Romondo Locke Alma Simmons TABLE OF CONTENTS BLACK NATIONAL ANTHEM 4 FROM OUR EXECUTIVE DIRECTOR 5 DETROIT’S 1967 REBELLION: THE FIFTY-YEAR AFTERMATH 6 MUST READ RECOMMENDATIONS 18 FICTION 22 NON-FICTION 28 BIOGRAPHY/MEMOIRS 30 BUSINESS/FINANCE 31 COOKING 31 HEALTH & SCIENCE 32 HISTORY 33 INSPIRATIONAL/RELIGION 34 SOCIAL JUSTICE 35 RELATIONSHIPS 37 SPORTS & RECREATION 38 FORTHCOMING TITLES 39 PICTURE BOOKS 40 JUVENILE FICTION 40 JUVENILE NON-FICTION 42 JUVENILE BIOGRAPHY 42 TEEN FICTION 43 TEEN NON-FICTION 43 DETROIT 1967 44 WWW.DETROITPUBLICLIBRARY.ORG | 3 AFRICAN AMERICAN BOOKLIST PRODUCTION Khamisi Benford A.J. -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story.