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Renaissance Receptions of Ovid's Tristia Dissertation
RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological. -
Scribes and Scholars (3Rd Ed. 1991)
SCRIBES AND SCHOLARS A Guide to the Transmission of Greek and Latin Literature BY L. D. REYNOLDS Fellow and Tutor of Brasenose College, Oxford AND N. G. WILSON Fellow and Tutor of Lincoln College, Oxford THIRD EDITION CLARENDON PRESS • OXFORD Oxford University Press, Walton Street, Oxford 0x2 6DP Oxford New York Athens Auckland Bangkok Bombay Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto and associated companies in Berlin Ibadan Oxford is a trade mark of Oxford University Press Published in the United States by Oxford University Press Inc., New York © Oxford University Press 1968, 1974, 1991 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press. Within the UK, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms and in other countries should be sent to the Rights Department, Oxford University Press, at the address above This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Scribes and scholars: a guide to the transmission of Greek and Latin literature/by L. -
Latin Literature
Latin Literature By J. W. Mackail Latin Literature I. THE REPUBLIC. I. ORIGINS OF LATIN LITERATURE: EARLY EPIC AND TRAGEDY. To the Romans themselves, as they looked back two hundred years later, the beginnings of a real literature seemed definitely fixed in the generation which passed between the first and second Punic Wars. The peace of B.C. 241 closed an epoch throughout which the Roman Republic had been fighting for an assured place in the group of powers which controlled the Mediterranean world. This was now gained; and the pressure of Carthage once removed, Rome was left free to follow the natural expansion of her colonies and her commerce. Wealth and peace are comparative terms; it was in such wealth and peace as the cessation of the long and exhausting war with Carthage brought, that a leisured class began to form itself at Rome, which not only could take a certain interest in Greek literature, but felt in an indistinct way that it was their duty, as representing one of the great civilised powers, to have a substantial national culture of their own. That this new Latin literature must be based on that of Greece, went without saying; it was almost equally inevitable that its earliest forms should be in the shape of translations from that body of Greek poetry, epic and dramatic, which had for long established itself through all the Greek- speaking world as a common basis of culture. Latin literature, though artificial in a fuller sense than that of some other nations, did not escape the general law of all literatures, that they must begin by verse before they can go on to prose. -
Teaching Through Images: Imagery in Greek and Roman Didactic Poetry” July 1-3, 2016
“Teaching through Images: Imagery in Greek and Roman Didactic Poetry” July 1-3, 2016 Seminar für Klassische Philologie Am Marstallhof 2-4 Hörsaal 513 Universität Heidelberg 69117 Heidelberg Organisers: Jenny Strauss Clay (Virginia), Athanassios Vergados (Heidelberg) If you are interested in attending, please contact Athanassios Vergados ([email protected]). July 1, 2016 9:15-9:30 Opening Remarks 9:30-10:15 Jenny Strauss Clay (Virginia): Binding Bonds: Anti-cosmic Elements in Hesiod’s Theogony. 10:15-11:00 Ilaria Andolfi (La Sapienza-Rome): Designing a Cosmic Architecture: Craftsmanship in Empedocles’ Poetry. 11:00-11:15 Coffee 11:15-12:00 Olga Chernyakhovskaya (Bamberg): Why humans don't cast off old skin like snakes: Images of knowledge and immortality in Nicander’s Theriaca. 12:00-12:45 Arnold Bärtschi (Bochum): Thinking in Pictures: The Orbis Descriptio of Dionysius Periegetes and the Construction of Imaginary Landscapes. 12:45-14:30 Lunch 14:30-15:15 Christophe Cusset (Lyon): Image and Vision: Visible and Invisible in the Phaenomena of Aratus. 15:15- 16:00 Patrick Glauthier (University of Pennsylvania): Analogy, Explanation, and Digression: The Milky Way in Aratus and Manilius. 16:00-16:15 Coffee 16:15- 17:00 Christopher Welser (Colby College): Astral Imagery in Georgics 4.457-459. 17:15-18:00 Christian Haß (Heidelberg): Narrate, Describe—and Vivify. Ekphrasis and Enargeia in Vergil’s Georgics. July 2, 2016 9:30-10:15 Zoe Stamatopoulou (Washington University St. Louis): Monsters and the Unnatural Body in Didactic Poetry. 10:15-11:00 Joseph Farrell (University of Pennsylvania): Insinuating claritas in Lucretius. -
CHG Library Book List
CHG Library Book List (Belgium), M. r. d. a. e. d. h. (1967). Galerie de l'Asie antérieure et de l'Iran anciens [des] Musées royaux d'art et d'histoire, Bruxelles, Musées royaux d'art et dʹhistoire, Parc du Cinquantenaire, 1967. Galerie de l'Asie antérieure et de l'Iran anciens [des] Musées royaux d'art et d'histoire by Musées royaux d'art et d'histoire (Belgium) (1967) (Director), T. P. F. H. (1968). The Metropolitan Museum of Art Bulletin: Volume XXVI, Number 5. New York: Metropolitan Museum of Art (January, 1968). The Metropolitan Museum of Art Bulletin: Volume XXVI, Number 5 by Thomas P.F. Hoving (1968) (Director), T. P. F. H. (1973). The Metropolitan Museum of Art Bulletin: Volume XXXI, Number 3. New York: Metropolitan Museum of Art (Ed.), A. B. S. (2002). Persephone. U.S.A/ Cambridge, President and Fellows of Harvard College Puritan Press, Inc. (Ed.), A. D. (2005). From Byzantium to Modern Greece: Hellenic Art in Adversity, 1453-1830. /Benaki Museum. Athens, Alexander S. Onassis Public Benefit Foundation. (Ed.), B. B. R. (2000). Christian VIII: The National Museum: Antiquities, Coins, Medals. Copenhagen, The National Museum of Denmark. (Ed.), J. I. (1999). Interviews with Ali Pacha of Joanina; in the autumn of 1812; with some particulars of Epirus, and the Albanians of the present day (Peter Oluf Brondsted). Athens, The Danish Institute at Athens. (Ed.), K. D. (1988). Antalya Museum. İstanbul, T.C. Kültür ve Turizm Bakanlığı Döner Sermaye İşletmeleri Merkez Müdürlüğü/ Ankara. (ed.), M. N. B. (Ocak- Nisan 2010). "Arkeoloji ve sanat. (Journal of Archaeology and Art): Ölümünün 100.Yıldönümünde Osman Hamdi Bey ve Kazıları." Arkeoloji Ve Sanat 133. -
Grattius: Hunting an Augustan Poet Ed
Grattius: Hunting an Augustan Poet ed. by Steven J. Green (review) Dunstan Lowe Classical World, Volume 113, Number 1, Fall 2019, pp. 112-113 (Review) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/clw.2019.0065 For additional information about this article https://muse.jhu.edu/article/740920 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] 112 Classical World “gaiaskopic” views represented in ancient literature that provide a cosmic van- tage point in contemplating who we are. The essay concludes with the reactions of lunar astronauts who actually enjoyed this view. This is an astonishing collection of beautifully written essays which are worth reading individually and especially altogether, as the overarching narrative speaks not only about Greek and Roman literature, but more importantly about the anxiety of identity in the context of longing for home, or a home, wherever and whatever that might be. JAMES J. CLAUSS University of Washington Steven J. Green (ed.). Grattius: Hunting an Augustan Poet. Oxford: Oxford University Press, 2018. Pp. x, 286. $80.00. ISBN 978-0-19-878901-7. Grattius the teacher of hunting has always been an outlier to the canon of Au- gustan poetry, even more than Manilius the teacher of astrology, whose much more substantial poem found a champion in A. E. Housman. The Cynegetica we have is a truncated first volume of what could have been four or five (136), and suffers from comparison with surviving didactic works by Grattius’ most renowned Augustan contemporaries, Vergil and Ovid. The text languished with- out a printed English translation until 1654, and not until a quarter of a mil- lennium later came a second, in 1934 (235); this book contains the third. -
EK Schreiber
E.K. Schreiber Rare Books List of 16th- 18th-Century Books And a Remarkable Early 15th-Century MS Document 285 Central Park West . New York, NY 10024 Telephone: (212) 873-3180; (212) 873-3181 Email: [email protected] Web: www.ekslibris.com ***Visitors by Appointment Only*** E.K. Schreiber. New York, NY 10024. (212) 873-3180 [email protected] ______________________________________________________________________________________ 1. AESCHYLUS. [Greek] Αἰσχύλου τραγωδιάι Ζ ... σχολία εἰς τὰς αὐτὰς τραγωδίας. Aeschyli Tragoediae VII. (Ed. P. Vettori & H. Estienne). [Geneva]: Henri Estienne, 1557. $5,600 4to (leaf size: 244 x 170 mm), [4] leaves, 397 (numbered 395: with 2 unnumbered pages [fol. n2] between pp. 138 and 139) pp., [1] blank leaf. Greek type; Estienne device [Schreiber 15] on title. 18th-century white calf, double gilt fillet round sides, brown morocco label on spine titled in gilt; all edges gilt; copy ruled in red throughout; on the front paste-down is the engraved armorial bookplate of Robert Shafto, Esq., of Benwell; on the rear paste-down is the engraved armorial bookplate of William Adair, Esq.; old, unobtrusive ownership signature on title; binding somewhat soiled; overall a fine, wide-margined copy. First complete edition of the tragedies of the first dramatist of Western civilization. This edition is important for including the editio princeps of Agamemnon, the greatest Aeschylean tragedy, and one of the greatest masterpieces of Western dramatic literature. The three previous editions (the Aldine of 1518, and Robortello's and Turnèbe's editions of 1552) had all been based on a manuscript tradition exhibiting a lacuna of more than two-thirds of Agamemnon. -
Loeb Classical Library
LOEB CLASSICAL LIBRARY 2017–2018 Founded by JAMES LOEB 1911 Edited by JEFFREY HENDERSON NEW TITLES FRAGMENTARY GALEN REPUBLICAN LATIN Hygiene Ennius EDITED AND TRANSLATED BY EDITED AND TRANSLATED BY IAN JOHNSTON • SANDER M. GOLDBERG Galen of Pergamum (129–?199/216), physician GESINE MANUWALD to the court of the emperor Marcus Aurelius, Quintus Ennius (239–169 BC), widely was a philosopher, scientist, medical historian, regarded as the father of Roman literature, theoretician, and practitioner who wrote on an was instrumental in creating a new Roman astonishing range of subjects and whose literary identity and inspired major impact on later eras rivaled that of Aristotle. developments in Roman religion, His treatise Hygiene, also known social organization, and popular as “On the Preservation of Health” culture. This two-volume edition (De sanitate tuenda), was written of Ennius, which inaugurates during one of Galen’s most prolific the Loeb series Fragmentary periods (170–180) and ranks among Republican Latin, replaces that his most important and influential of Warmington in Remains of Old works, providing a comprehensive Latin, Volume I and offers fresh account of the practice of texts, translations, and annotation preventive medicine that still that are fully current with modern has relevance today. scholarship. L535 Vol. I: Books 1–4 2018 515 pp. L294 Vol. I: Ennius, Testimonia. L536 Vol. II: Books 5–6. Thrasybulus. Epic Fragments 2018 475 pp. On Exercise with a Small Ball L537 Vol. II: Ennius, Dramatic 2018 401 pp. Fragments. Minor Works 2018 450 pp. APULEIUS LIVY Apologia. Florida. De Deo Socratis History of Rome EDITED AND TRANSLATED BY EDITED AND TRANSLATED BY CHRISTOPHER P. -
Ancient Fishing and Fish Processing in the Black Sea Region
BLACK SEA STUDIES 2 The Danish National Research Foundation’s Centre for Black Sea Studies ANCIENT FISHING AND FISH PROCESSING IN THE BLACK SEA REGION Edited by Tønnes Bekker-Nielsen AARHUS UNIVERSITY PRESS ANCIENT FISHING AND FISH PROCESSING IN THE BLACK SEA REGION Proceedings of an interdisciplinary workshop on marine resources and trade in fish products in the Black Sea region in antiquity, University of Southern Denmark, Esbjerg, April 4-5, 2003. Copyright: Aarhus University Press, 2005 Cover design by Jakob Munk Højte and Lotte Bruun Rasmussen Mosaic with scene of fishermen at sea from a tomb in the catacomb of Hermes in Hadrumetum (Sousse Museum, inv.no. 10.455). Late second century AD. 320 x 280 cm. Photo: Gilles Mermet. Printed in Gylling by Narayana Press ISBN 87 7934 096 2 AARHUS UNIVERSITY PRESS Langelandsgade 177 DK-8200 Aarhus N 73 Lime Walk Headington, Oxford OX2 7AD Box 511 Oakville, CT 06779 www.unipress.au.dk The publication of this volume has been made possible by a generous grant from the Danish National Research Foundation Danish National Research Foundation’s Centre for Black Sea Studies Building 328 University of Aarhus DK-8000 Aarhus C www.pontos.dk Contents Illustrations and Tables 7 Introduction 13 Tønnes Bekker-Nielsen Fish as a Source of Food in Antiquity 21 John Wilkins Sources for Production and Trade of Greek and Roman Processed Fish 31 Robert I. Curtis The Archaeological Evidence for Fish Processing in the Western Mediterranean 47 Athena Trakadas The Technology and Productivity of Ancient Sea Fishing 83 Tønnes Bekker-Nielsen The Reliability of Fishing Statistics as a Source for Catches and Fish Stocks in Antiquity 97 Anne Lif Lund Jacobsen Fishery in the Life of the Nomadic Population of the Northern Black Sea Area in the Early Iron Age 105 Nadežda A. -
Download File
Science and Poetry in Imperial Rome: Manilius, Lucan, and the Aetna Patrick Glauthier Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Patrick Glauthier All rights reserved ABSTRACT Science and Poetry in Imperial Rome: Manilius, Lucan, and the Aetna Patrick Glauthier This dissertation examines the relationship between scientific inquiry and hexameter poetry at Rome in the first century CE. It focuses on three poetic texts: Manilius’ Astronomica, Lucan’s Civil War, and the anonymous Aetna. It argues that despite generic and thematic differences, these works participate in a common dialogue and therefore can benefit from being read side by side. In particular, the dissertation demonstrates that all three authors reflect on the ability of poetry to communicate scientific knowledge, and that they simultaneously question or undermine the practical value of that knowledge. As a result, it allows us to see that scientific inquiry itself constitutes a dynamic and multifaceted area of creative literary activity in Early Imperial Rome. Table of Contents Acknowledgements iii 1. Introduction 1 1.1 Structure and Contents 4 1.2 The Argument and its Context 8 2. Manilius and the Mathematics of the mundus 22 2.1 Mathematics and the Greco-Roman Literary Tradition 26 2.2 Complexity, Order, and Mathematical Knowledge 43 2.3 Addition, Enumeration, and the Supremacy of Mathematical Astrology 67 3. Science and Poetry in the Aetna 87 3.1 The Rejection of the Literary Tradition 89 3.2 Scientific Inquiry and the Marvelous Mountain 100 3.3 Reinventing the Aetna Topos 116 4. -
The Dog in Roman Peasant Life
University of Pennsylvania ScholarlyCommons Anthropology Senior Theses Department of Anthropology Spring 2013 The Dog in Roman Peasant Life Kyle deSandes-Moyer University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/anthro_seniortheses Part of the Anthropology Commons Recommended Citation deSandes-Moyer, Kyle, "The Dog in Roman Peasant Life" (2013). Anthropology Senior Theses. Paper 148. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_seniortheses/148 For more information, please contact [email protected]. The Dog in Roman Peasant Life Abstract Dogs have been a part of civilization for thousands of years and have maintained one of the closest animal relationships with humans that exist today. The following research seeks to understand this connection during antiquity. This study answers the question of what roles the dog filled during antiquity and uses a case study focused on Roman peasant life. In order to answer the question of what role dogs had in antiquity, this study makes use of several different types of material, including a zooarchaeological assemblage from a Roman site in Tuscany, Italy. This original material comes from work on the Roman Peasant Project (University of Pennsylvania, Università di Grosseto, Cambridge University) which is the first project aimed at understanding the experience of the peasantry in the Roman period. One of these sites produced the dog remains which were studied through zooarchaeological analysis to better understand the relationship that existed between the peasant occupants and the dogs. In order to fully understand the context these dogs existed in, research was conducted regarding other archaeological evidence of dogs in antiquity. -
“Roman”: Creating Identity in an Expanding World by Claudia I. Arno
How Romans Became “Roman”: Creating Identity in an Expanding World by Claudia I. Arno A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Greek and Roman History) in The University of Michigan 2012 Doctoral Committee: Professor David S. Potter, Co-Chair Professor Nicola Terrenato, Co-Chair Professor Bruce W. Frier Professor Raymond H. Van Dam © Claudia I. Arno 2012 To my family and friends, whose support is invaluable. ii Acknowledgements I owe a great many individuals and institutions thanks for their support and assistance during the years I have been researching and writing this dissertation. I would first like to thank the University of Michigan Interdepartment Program in Greek and Roman History, which promotes the interdisciplinary study of Classics and History, and with which I am very proud to be associated. I am also grateful to the University of Michigan History and Classics Departments, whose cooperation makes IPGRH possible. I would especially like to thank my graduate colleagues in IPGRH, Classics, and History, who have made my graduate experience so enjoyable and rewarding. The staffs at the Univeristy of Michigan and UCLA libraries, as well as the UCLA History Department, and in particular Professor David Phillips, were critical in helping me obtain access to research materials while I was living in Michigan, Los Angeles, and Boston. I would also like to express my deep admiration for Dr. Susan Lipshutz, who I unfortunately never had the opportunity to meet, but whose devotion to the success of women in academia inspired the creation of an award fund from which I received valuable support.