Loeb Classical Library
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alexander the Great and Hephaestion
2019-3337-AJHIS-HIS 1 Alexander the Great and Hephaestion: 2 Censorship and Bisexual Erasure in Post-Macedonian 3 Society 4 5 6 Same-sex relations were common in ancient Greece and having both male and female 7 physical relationships was a cultural norm. However, Alexander the Great is almost 8 always portrayed in modern depictions as heterosexual, and the disappearance of his 9 life-partner Hephaestion is all but complete in ancient literature. Five full primary 10 source biographies of Alexander have survived from antiquity, making it possible to 11 observe the way scholars, popular writers and filmmakers from the Victorian era 12 forward have interpreted this evidence. This research borrows an approach from 13 gender studies, using the phenomenon of bisexual erasure to contribute a new 14 understanding for missing information regarding the relationship between Alexander 15 and his life-partner Hephaestion. In Greek and Macedonian society, pederasty was the 16 norm, and boys and men did not have relations with others of the same age because 17 there was almost always a financial and power difference. Hephaestion was taller and 18 more handsome than Alexander, so it might have appeared that he held the power in 19 their relationship. The hypothesis put forward here suggests that writers have erased 20 the sexual partnership between Alexander and Hephaestion because their relationship 21 did not fit the norm of acceptable pederasty as practiced in Greek and Macedonian 22 culture or was no longer socially acceptable in the Roman contexts of the ancient 23 historians. Ancient biographers may have conducted censorship to conceal any 24 implication of femininity or submissiveness in this relationship. -
Beauty on Display Plato and the Concept of the Kalon
BEAUTY ON DISPLAY PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Jonathan Fine All rights reserved ABSTRACT BEAUTY ON DISPLAY: PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE A central concept for Plato is the kalon – often translated as the beautiful, fine, admirable, or noble. This dissertation shows that only by prioritizing dimensions of beauty in the concept can we understand the nature, use, and insights of the kalon in Plato. The concept of the kalon organizes aspirations to appear and be admired as beautiful for one’s virtue. We may consider beauty superficial and concern for it vain – but what if it were also indispensable to living well? By analyzing how Plato uses the concept of the kalon to contest cultural practices of shame and honour regulated by ideals of beauty, we come to see not only the tensions within the concept but also how attractions to beauty steer, but can subvert, our attempts to live well. TABLE OF CONTENTS Acknowledgements ii 1 Coordinating the Kalon: A Critical Introduction 1 1 The Kalon and the Dominant Approach 2 2 A Conceptual Problem 10 3 Overview 24 2 Beauty, Shame, and the Appearance of Virtue 29 1 Our Ancient Contemporaries 29 2 The Cultural Imagination 34 3 Spirit and the Social Dimension of the Kalon 55 4 Before the Eyes of Others 82 3 Glory, Grief, and the Problem of Achilles 100 1 A Tragic Worldview 103 2 The Heroic Ideal 110 3 Disgracing Achilles 125 4 Putting Poikilia in its Place 135 1 Some Ambivalences 135 2 The Aesthetics of Poikilia 138 3 The Taste of Democracy 148 4 Lovers of Sights and Sounds 173 5 The Possibility of Wonder 182 5 The Guise of the Beautiful 188 1 A Psychological Distinction 190 2 From Disinterested Admiration to Agency 202 3 The Opacity of Love 212 4 Looking Good? 218 Bibliography 234 i ACKNOWLEDGEMENTS “To do philosophy is to explore one’s own temperament,” Iris Murdoch suggested at the outset of “Of ‘God’ and ‘Good’”. -
The Roles of Solon in Plato's Dialogues
The Roles of Solon in Plato’s Dialogues Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Samuel Ortencio Flores, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Bruce Heiden, Advisor Anthony Kaldellis Richard Fletcher Greg Anderson Copyrighy by Samuel Ortencio Flores 2013 Abstract This dissertation is a study of Plato’s use and adaptation of an earlier model and tradition of wisdom based on the thought and legacy of the sixth-century archon, legislator, and poet Solon. Solon is cited and/or quoted thirty-four times in Plato’s dialogues, and alluded to many more times. My study shows that these references and allusions have deeper meaning when contextualized within the reception of Solon in the classical period. For Plato, Solon is a rhetorically powerful figure in advancing the relatively new practice of philosophy in Athens. While Solon himself did not adequately establish justice in the city, his legacy provided a model upon which Platonic philosophy could improve. Chapter One surveys the passing references to Solon in the dialogues as an introduction to my chapters on the dialogues in which Solon is a very prominent figure, Timaeus- Critias, Republic, and Laws. Chapter Two examines Critias’ use of his ancestor Solon to establish his own philosophic credentials. Chapter Three suggests that Socrates re- appropriates the aims and themes of Solon’s political poetry for Socratic philosophy. Chapter Four suggests that Solon provides a legislative model which Plato reconstructs in the Laws for the philosopher to supplant the role of legislator in Greek thought. -
Goneis in Athenian Law (And Perception)
GONEIS IN ATHENIAN LAW (AND PERCEPTION) David Whitehead Queen’s University Belfast [email protected] Abstract: This paper aims to establish what the laws of classical Athens meant when they used the term goneis. A longstanding and widespread orthodoxy holds that, despite the simple and largely unproblematic “dictionary” definition of the noun goneus/goneis as parent/parents, Athenian law extended it beyond an individual’s father and mother, so as to include – if they were still alive – protection and respect for his or her grandparents, and even great-grandparents. While this is not a notion of self-evident absurdity, I challenge it on two associated counts, one broad and one narrow. On a general, contextual level, genre-by genre survey and analysis of the evidence for what goneus means (and implies) in everyday life and usage shows, in respect of the word itself, an irresistible thrust in favour of the literal ‘parent’ sense. Why then think otherwise? Because of confusion, in modern minds, engendered by Plato and by Isaeus. In Plato’s case, his legislation for Magnesia contemplates (I argue) legal protection for grandparents but does not, by that mere fact, extend the denotation of goneis to them. And crucially for a proper understanding of the law(s) of Athens itself, two much-cited passages in the lawcourt speeches of Isaeus, 1.39 and 8.32, turn out to be the sole foundation for the modern misunderstanding about the legal scope of goneis. They should be recognised for what they are: passages where law is secondary and rhetorical persuasion paramount. -
Middle Comedy: Not Only Mythology and Food
Acta Ant. Hung. 56, 2016, 421–433 DOI: 10.1556/068.2016.56.4.2 VIRGINIA MASTELLARI MIDDLE COMEDY: NOT ONLY MYTHOLOGY AND FOOD View metadata, citation and similar papersTHE at core.ac.ukPOLITICAL AND CONTEMPORARY DIMENSION brought to you by CORE provided by Repository of the Academy's Library Summary: The disappearance of the political and contemporary dimension in the production after Aris- tophanes is a false belief that has been shared for a long time, together with the assumption that Middle Comedy – the transitional period between archaia and nea – was only about mythological burlesque and food. The misleading idea has surely risen because of the main source of the comic fragments: Athenaeus, The Learned Banqueters. However, the contemporary and political aspect emerges again in the 4th c. BC in the creations of a small group of dramatists, among whom Timocles, Mnesimachus and Heniochus stand out (significantly, most of them are concentrated in the time of the Macedonian expansion). Firstly Timocles, in whose fragments the personal mockery, the onomasti komodein, is still present and sharp, often against contemporary political leaders (cf. frr. 17, 19, 27 K.–A.). Then, Mnesimachus (Φίλιππος, frr. 7–10 K.–A.) and Heniochus (fr. 5 K.–A.), who show an anti- and a pro-Macedonian attitude, respec- tively. The present paper analyses the use of the political and contemporary element in Middle Comedy and the main differences between the poets named and Aristophanes, trying to sketch the evolution of the genre, the points of contact and the new tendencies. Key words: Middle Comedy, Politics, Onomasti komodein For many years, what is known as the “food fallacy”1 has been widespread among scholars of Comedy. -
NAEVIUS After Livius Andronicus, Naevius1 Was the Second
CHAPTER THREE NAEVIUS Dispositio. The Clash of Myth and History Double Identity: Campanian and Roman After Livius Andronicus, Naevius1 was the second Latin epic poet. He was of "Campanian" origin (Gellius 1. 20. 14), which, according to Latin usage, means that he was from Capua,2 a city allegedly founded by Romulus, and his thoughts and feelings were those of a Roman, not without a large admixture of Campanian pride. Capua in his day was almost as important economically as Rome and Carthage and its citizens were fully aware of this (though it was not until the Second Punic War that it abandoned Rome). Naevius himself tells us (Varro apud Gell. 17. 21. 45) that he actively participated in the First Punic War. The experience of that great historical conflict led to the birth of the Bellum Poenicum, the first Roman national epic. Similarly, Ennius would write his Annales after the Second Punic War and Virgil his Aeneid after the Civil Wars. In 235 B.C., only five years after the first performance of a Latin play by Livius Andronicus, Naevius staged a drama of his own. Soon he became the greatest comic playwright, unsurpassed until Plautus. He did not restrain his sharp tongue even when speaking of the noblest families. Although he did not mention anyone by name, he unequivocally alluded to a rather unheroic moment in the life of the young Scipio (Com. 108-110 R), and his quarrel with the Metelli (ps. Ascon., Ad Cic. Verr. 1. 29), formerly dismissed as fiction,3 is accepted today as having some basis in fact. -
Virgil in English Verse Eclogues and Eneid I. Vi
V I R G I L I N E N G L I S H V E R S E — E CL OGUE S an d E NE ID I . VI . B Y TH E W RIGHT HON . SIR CHA RLES BO EN ’ ONE OF H E R MAJ EST Y S LORDS J U ST ICES OF APPEAL ON CE FELLOW AND N O W VI S I T OR OF BALLI O L C OLLE GE H O D. L O TH E NI VERS I Y O O ORD C . U X N . F T F F HON . D . O THE U N IVERS I Y O E D I NB RGH LL . F T F U SE CON D E DITION LONDON J O HN M Y A L B E M A RL E T E ET U RRA , S R 1 889 a A l l. r i g h t s w w r v ml wi o q fi g ? PRIN TED BY ‘ - SPO ISWOODE AN D CO . N EW S REE S U RE TT , T T Q A LON DON E P R E F A C . A TRANSLATOR of Virgil into E n glish verse finds the road along w hich he has undertaken to travel strewn with the bleachin g bones of unfortunate pilgrims who have pre c ede d him Th a o f e . e adventures an d the f te the great r number have been briefly set forth in an essay published by the late Profes sor Conington in the Quar terly Review of J uly 1 86 1 , and reprinted in the first volume of his m iscellaneous w s . -
Burial Customs and the Pollution of Death in Ancient Rome BURIAL CUSTOMS and the POLLUTION of DEATH in ANCIENT ROME: PROCEDURES and PARADOXES
Burial customs and the pollution of death in ancient Rome BURIAL CUSTOMS AND THE POLLUTION OF DEATH IN ANCIENT ROME: PROCEDURES AND PARADOXES ABSTRACT The Roman attitude towards the dead in the period spanning the end of the Republic and the high point of the Empire was determined mainly by religious views on the (im)mortality of the soul and the concept of the “pollution of death”. Contamina- tion through contact with the dead was thought to affect interpersonal relationships, interfere with official duties and prevent contact with the gods. However, considera- tions of hygiene relating to possible physical contamination also played a role. In this study the traditions relating to the correct preparation of the body and the sub- sequent funerary procedures leading up to inhumation or incineration are reviewed and the influence of social status is considered. Obvious paradoxes in the Roman at- titude towards the dead are discussed, e.g. the contrast between the respect for the recently departed on the one hand, and the condoning of brutal executions and public blood sports on the other. These paradoxes can largely be explained as reflecting the very practical policies of legislators and priests for whom considerations of hygiene were a higher priority than cultural/religious views. 1. INTRODUCTION The Roman approach to disposing of the dead in the Republican era and the early Empire (the period from approximately 250 BC to AD 250) was determined in part by diverse cultural/religious beliefs in respect of the continued existence of the soul after death and the con- cept of the “pollution of death”. -
Scribes and Scholars (3Rd Ed. 1991)
SCRIBES AND SCHOLARS A Guide to the Transmission of Greek and Latin Literature BY L. D. REYNOLDS Fellow and Tutor of Brasenose College, Oxford AND N. G. WILSON Fellow and Tutor of Lincoln College, Oxford THIRD EDITION CLARENDON PRESS • OXFORD Oxford University Press, Walton Street, Oxford 0x2 6DP Oxford New York Athens Auckland Bangkok Bombay Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto and associated companies in Berlin Ibadan Oxford is a trade mark of Oxford University Press Published in the United States by Oxford University Press Inc., New York © Oxford University Press 1968, 1974, 1991 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press. Within the UK, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms and in other countries should be sent to the Rights Department, Oxford University Press, at the address above This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Scribes and scholars: a guide to the transmission of Greek and Latin literature/by L. -
Near-Miss Incest in Plautus' Comedies
“I went in a lover and came out a brother?” Near-Miss Incest in Plautus’ Comedies Although near-miss incest and quasi-incestuous woman-sharing occur in eight of Plautus’ plays, few scholars treat these themes (Archibald, Franko, Keyes, Slater). Plautus is rarely rec- ognized as engaging serious issues because of his bawdy humor, rapid-fire dialogue, and slap- stick but he does explore—with humor—social hypocrisies, slave torture (McCarthy, Parker, Stewart), and other discomfiting subjects, including potential social breakdown via near-miss incest. Consummated incest in antiquity was considered the purview of barbarians or tyrants (McCabe, 25), and was a common charge against political enemies (e.g. Cimon, Alcibiades, Clo- dius Pulcher). In Greek tragedy, incest causes lasting catastrophe (Archibald, 56). Greece fa- vored endogamy, and homopatric siblings could marry (Cohen, 225-27; Dziatzko; Harrison; Keyes; Stärk), but Romans practiced exogamy (Shaw & Saller), prohibiting half-sibling marriage (Slater, 198). Roman revulsion against incestuous relationships allows Plautus to exploit the threat of incest as a means of increasing dramatic tension and exploring the degeneration of the societies he depicts. Menander provides a prototype. In Perikeiromene, Moschion lusts after a hetaera he does not know is his sister, and in Georgos, an old man seeks to marry a girl who is probably his daughter. In both plays, the recognition of the girl’s paternity prevents incest and allows her to marry the young man with whom she has already had sexual relations. In Plautus’ Curculio a soldier pursues a meretrix who is actually his sister; in Epidicus a girl is purchased as a concu- bine by her half-brother; in Poenulus a foreign father (Blume) searches for his daughters— meretrices—by hiring prostitutes and having sex with them (Franko) while enquiring if they are his daughters; and in Rudens where an old man lusts after a girl who will turn out to be his daughter. -
Latin Literature
Latin Literature By J. W. Mackail Latin Literature I. THE REPUBLIC. I. ORIGINS OF LATIN LITERATURE: EARLY EPIC AND TRAGEDY. To the Romans themselves, as they looked back two hundred years later, the beginnings of a real literature seemed definitely fixed in the generation which passed between the first and second Punic Wars. The peace of B.C. 241 closed an epoch throughout which the Roman Republic had been fighting for an assured place in the group of powers which controlled the Mediterranean world. This was now gained; and the pressure of Carthage once removed, Rome was left free to follow the natural expansion of her colonies and her commerce. Wealth and peace are comparative terms; it was in such wealth and peace as the cessation of the long and exhausting war with Carthage brought, that a leisured class began to form itself at Rome, which not only could take a certain interest in Greek literature, but felt in an indistinct way that it was their duty, as representing one of the great civilised powers, to have a substantial national culture of their own. That this new Latin literature must be based on that of Greece, went without saying; it was almost equally inevitable that its earliest forms should be in the shape of translations from that body of Greek poetry, epic and dramatic, which had for long established itself through all the Greek- speaking world as a common basis of culture. Latin literature, though artificial in a fuller sense than that of some other nations, did not escape the general law of all literatures, that they must begin by verse before they can go on to prose. -
Plutarch's Moralia, Vol. 10 (Loeb Classical Library No. 321) (Greek and English Edition)
(Read download) Plutarch's Moralia, Vol. 10 (Loeb Classical Library No. 321) (Greek and English Edition) Plutarch's Moralia, Vol. 10 (Loeb Classical Library No. 321) (Greek and English Edition) By Plutarch *Download PDF | ePub | DOC | audiobook | ebooks | #1889028 in Books | 1936-01-01 | 1936-01-31 | Original language: English | PDF # 1 | 6.68 x .98 x 4.61l, .73 | File type: PDF | 491 pages | File size: 24.Mb By Plutarch : Plutarch's Moralia, Vol. 10 (Loeb Classical Library No. 321) (Greek and English Edition) e bog de fortrngte optegnelser attentatet p moses 1 af ove von spaeth du kan frit downloade e bogen quot;de fortrngte optegnelserquot; attentatet p moses 1 af les attitudes et comportements sexuels dans la rome antique sont visibles dans lart romain la littrature les inscriptions et dans une moindre mesure dans les Plutarch's Moralia, Vol. 10 (Loeb Classical Library No. 321) (Greek and English Edition): 0 of 0 review helpful Five Stars By Customer It s Plutach need I say more Plutarch Plutarchus ca 45 ndash 120 CE was born at Chaeronea in Boeotia in central Greece studied philosophy at Athens and after coming to Rome as a teacher in philosophy was given consular rank by the emperor Trajan and a procuratorship in Greece by Hadrian He was married and the father of one daughter and four sons He appears as a man of kindly character and independent thought studious and learned Plutarch wrote on many subjects Most About the Author About the Introducer VICTOR DAVIS HANSON has written extensively on both ancient Greek and military history