Between the Cracks of History: Essays on Teaching and Illustrating Folklore

Total Page:16

File Type:pdf, Size:1020Kb

Between the Cracks of History: Essays on Teaching and Illustrating Folklore DOCUMENT RESUME ED 428 986 SO 029 AUTHOR Abernethy, Francis Edward, Ed.; Satterwhite, Caroly" Fiedler, Ed. TITLE Between the Cracks of History: Essays on Teaching and Illustrating Folklore. Publications of the Texas Folklo- Society: 55. INSTITUTION Texas Folklore Society, Nacogdoches. ISBN ISBN-1-57441-036-9 PUB DATE 1997-00-00 NOTE 290p.; "Illustrations by Cynthia Fisher." AVAILABLE FROM University of North Texas Press, P.O. Box 311336, Denton, TX 76203-1336; Tel: 940-565-2142 ($27). PUB TYPE Collected Works General (020)-- Guides Classroom Teacher (052) EDRS PRICE MF01/PC12 Plus Postage. DESCRIPTORS Cultural Education; *Definitions; *Folk Culture; Heritage Education; Higher Education; Internet; Local History; Oral History; Oral Tradition; State History IDENTIFIERS Folklorists; *Folktales; *Texas ABSTRACT This book is composed of 21 essays that define and illustrate the folklore of Texas. Following the introduction, the six essays concerned with defining are: "Classroom Definitions of Folklore"(F. E. Abernethy); "Defining Folklol'e for My Etudents" (Joyce Roach); "Folklore and Cinema" (Jim Harris); "Toward a Definition of Folk Culture" (Joe S. Graham); "Folklore Fieldwork on the Internet: Some Ethical and Practical Considerations" (Jan Roush); and "Beginning Within: Teaching Folklore the Easy Way" (Rhett Rushing) .The 15 essays ccncerned with illustrating the definitions are: "The Honored Dead: The Ritual of Police Burial" (Phyllis Bridges); "Meaner than Hell!" (Kenneth W. Davis); "Gang Graffiti" (Ken Untiedt); "Gideon Lincecum, 'Killie Krankie,' and Fiddling in Early Texas" (Chris Goertzen); "The Bluebird Mare from Sterling City" (Patrick Dearen); "The Night the Stars Fell" (Robert J. Duncan); "Rail Tales: Some Are True" (Charlie Oden); "Dance Halls of East Texas: From Oral History" (Dennis Read, Bobby Nieman); "The Oil Field Camp" (James Winfrey); "Noises in the Attic: Adventures of Some Texas Ghosts" (Allan Turner, Richard Stewart); "Repo Man" (John Lightfoot); "Tex-Mex Dialect or Gidget Goes to Acuna" (Rebecca Cornell); "Punching Sticks, Flannel Wrapped Bricks, and Pink Powder Purgatives: Spring Rituals" (Ernestine Sewell Linck); "When Harley Sadler's Tent Show Came to Town" (J.G. Pinkerton); and "Eating over the Sink andOthe- Marital Strategies" (James Ward Lee). (13T) ********************************************************************* Reproductions supplied by EDRS are the best that can be from the original document. ***************************************************************4 Between the LRACKS OF HISTORY Essayson Teachingand Illustrating Folklore Publications of the TexasFolklore Society LV U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement PERMISSION TO REPRODUCE AND EDUCATIONAL RESOURCES INFORMATION DISSEMINATE THIS MATERIAL HAS CENTER (ERIC) BEEN GRANTED BY EV This document has been reproduced as received from the person or organization originating it. F. E. Abernetk." 0 Minor changes have been made to improve reproduction quality. Points of view or opinions stated in this TO THE EDUCATIONAL RESOURCES document do not necessarily represent INFORMATION CENTER (ERIC) official OERI position or policy. EST CiPY AVM LE Between the CRACKSOFHISTORY Essayson Teachingand Illustrating Folklore Publications of theTexas Folklore SocietyLV Francis EdwardAbernethy, Editor Carolyn FiedlerSatterwhite, AssistantEditor Illustrations by CynthiaFisher University of North TexasPress Denton, Texas 3 © 1997 Texas Folklore.Society All rights reserved. Printed in the United States of America First Edition 1997 5 4 3 2 1 Requests for permission to reproduce materials from this book should be directed to Permissions University of North Texas Press PO Box 311336 Denton, TX 76203-1336 The paper used in this book meets the minimum requirements of the American National Standard for Permanence of Paper for Printed Library Materials, z39.48.1984. Binding materials have been chosen for durability. Library of Congress Cataloging-in-Publication Data Between the cracks of history : essays on teaching and illustrating folklore / edited by Francis Edward Abernethy. p.cm. (Publications of the Texas Folklore Society ; 55) Includes bibliographical references and index. ISBN 1-57441-036-9 (alk. paper) 1. FolkloreTexas. 2. Folklore. 3. FolkloreStudy and teaching. I. Abernethy, Francis Edward. II. Series. GR110.T5B47 1997 398'.09764dc21 97-17598 CIP Cover and interior design by Accent Design and Communications Contents Between the Cracks ofHistory vii Essays on TeachingFolklore Classroom Definitions ofFolklore F. E. Abernethy 3 Defining Folklore forMy Students Joyce Roach 10 Folklore and Cinema Jim Harris 16 Toward a Definition ofFolk Culture Joe S. Graham 27 Folklore Fieldworkon the Internet: Some Ethical and PracticalConsiderations Jan Roush 42 Beginning Within: TeachingFolklore the Easy Way Rhett Rushing 54 Essays IllustratingFolklore The Honored Dead:The Ritual of PoliceBurial Phyllis Bridges 79 Meaner Than Hell! Kenneth W. Davis 94 Gang Graffiti Ken Untiedt 102 Gideon Lincecum, "Killie Krankie," and Fiddling in EarlyTexas Chris Goertzen 111 The Bluebird Mare from Sterling City Patrick Dearen 134 The Night the Stars Fell Robert J. Duncan 149 Rail Tales: Some are True Charlie Oden 164 Dance Halls of East Texas: From Oral History Dennis Read and Bobby Nieman 182 The Oil Field Camp James Winfrey 193 Noises in the Attic: Adventures of Some Texas Ghosts Allan Turner and Richard Stewart 205 Repo Man John Lightfoot 215 Tex-Mex Dialect or Gidget Goes to Acuna Rebecca Cornell 226 Punching Sticks, Flannel Wrapped Bricks, and Pink Powder Purgatives: Spring Rituals Ernestine Sewell Linck 235 When Harley Sadler's Tent Show Came to Town J. G. Pinkerton 246 Eating Over the Sink and Other Marital Strategies James Ward Lee 261 Contributors 271 Index 279 Between the Cracks ofHistory I wonder if folklorists followhistorians like gleanersorcot- ton strippers in west Texasandcollect the leavings fromaca- demic historians, all the talesand songs and traditions that the historians allow to fall betweenthe cracks? Or that historians sweep under the rug? Or drop? Or chooseto ignore? Historians research, document,and file the facts ofa hap- pening. They are supposed toget the details right, butsome- times in following the letter ofthe investigation, they lose the spiritwhich falls between thecracks of history where itis pounced on by the ever-lurkingfolklorist, who scarfs itup like a hog on a mushmelon. Maybe its not just historianswho let pouncable things fall between the cracks. Maybe folkloristsfollow doctors around for their droppin's and leavin's,and find out that urine relievesbull nettle burn and that tobaccoeases the pain of a yellow-jacket sting and that chickensoup is as good for the flu as anything doctors prescribe. And maybefolklorists follow wildlife biologists and conclude that if they hearan owl hoot in the daytime, that owl is watchinga buck walking. I hold firmly to that latterbelief, by the way, and when theowl hoots I can see vividlyin my mind's eye a big, old mossy-horned buck easing hisway through a pine thicket. On the other hand On the other hand, maybehistorians followed folklorists at some dimly remembered past time tosee what fell between the 7 Preface cracks as the folk passed along myths, legends, and folktales. Tell me, what history did not begin with the leavin's of folklore, the oral traditions that went back to the myths of the creation of the world and Eden, the legends of the great kings and warriors of Camelot, and the folktales that grew out of all these hand-me- downs and became the Iliad? What science did not begin as folklore? Modern scientific me- teorology was preceded by Zeuses and Thors and Jehovahs who rumbled their presence with bolts of lightning and volcanic erup- tions and with floods that drowned the world. The folk were us- ing levers, screws, and inclined planes as part of their inherited artifacts before physics became an acknowledged science. A stu- dent could easily learn his valence tables when chemistry was in one of its folkloric stages, when all matter was made of various combinations of earth, air, fire, and water. In geology, that sci- ence and the whole universe was simpler when folks thought that the earth was flat and was twice as long as it was wide and that it was surrounded by the great river Ocean and that it was created in 4004 B.C. and that it was created for man who was unique and it sole inheritor. And the manipulation of holy num- bers by the Mayans and Aztecs to understand the peregrina- tions of the sun and the moon and the seasons made mathematics a religious exercise long before it was an academic discipline. Singing and dancing, making music on drums and with flutes, painting on walls and sculpting gods and gargoyles: all these things began with the folk before the academic fine arts were ever envisioned. So, folklore might be that which falls between the cracks of history (or biology or sociology, ad infinitum) but students and teachers must not forget that long before these leavin's fell through the cracks from the anointed hands of academia, folk- lore was the beginning, the Alpha, and most probably will be the Omega. viii Between the Cracks of History All of which is a garrulous prelude toan introduction for this volume's contents. Between the Cracks of Historyis partially peda- gogical. The introductory essays, whichwere spawned at the Fort Worth meeting in 1995,are concerned with defining, ex- plaining, and teaching folklore. Some ofus have been immersed in folklore
Recommended publications
  • CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
    CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection
    [Show full text]
  • Current Issue of Saber
    1st Cavalry Division Association Non-Profit Organization 302 N. Main St. US. Postage PAID Copperas Cove, Texas 76522-1703 West, TX 76691 Change Service Requested Permit No. 39 SABER Published By and For the Veterans of the Famous 1st Cavalry Division VOLUME 70 NUMBER 4 Website: www.1CDA.org JULY / AUGUST 2021 It is summer and HORSE DETACHMENT by CPT Siddiq Hasan, Commander THE PRESIDENT’S CORNER vacation time for many of us. Cathy and are in The Horse Cavalry Detachment rode the “charge with sabers high” for this Allen Norris summer’s Change of Command and retirement ceremonies! Thankfully, this (704) 641-6203 the final planning stage [email protected] for our trip to Maine. year’s extended spring showers brought the Horse Detachment tall green pastures We were going to go for the horses to graze when not training. last year; however, the Maine authorities required either a negative test for Covid Things at the Horse Detachment are getting back into a regular swing of things or 14 days quarantine upon arrival. Tests were not readily available last summer as communities around the state begin to open and request the HCD to support and being stuck in a hotel 14 days for a 10-day vacation seemed excessive, so we various events. In June we supported the Buckholts Cotton Festival, the Buffalo cancelled. Thankfully we were able to get our deposits back. Soldier Marker Dedication, and 1CD Army Birthday Cake Cutting to name a few. Not only was our vacation cancelled but so were our Reunion and Veterans Day The Horse Detachment bid a fond farewell and good luck to 1SG Murillo and ceremonies.
    [Show full text]
  • Library Information Center
    ORIENTATION Ms. Patricia Searles Born in St. Petersburg, FL St. Pete. Junior College, A.A. University of Florida, B.A. University of Southern Mississippi, MLIS Started teaching in 1978. Two cats: Luke and Leia Two sisters and one brother. Three nephews: Franklin, Joseph, and Johnathan Loves Star Wars, Pirates of the Caribbean, Harry Potter, Twilight, NCIS, Shakespeare, and reading. ORIENTATION ACTIVITY Put your name, period, and Complete your Orientation date on your paper. Activity. Number your paper from 1- Number your paper from 1- 23. 23. Write your answers only. Write your answers only. Check out your score, find After you have finished your the right answer, and turn it activity, go to the library, in for a participation grade. check out a book, and start reading Opens BEFORE school at 9:15 w/pass. Closes AFTER school at 4:15. During class with a pass. During class visits. Check in / out a book. Do research or classwork. Read books or magazines. Use the computer for assignments. Do educational activities. Enter quietly: Level 0 Use your “whisper” voice in the library proper. Level: 1 How many books can I check out? 2 books How long is the check-out time? 3 weeks Can I renew a book if I need more time? Yes, just come by the library and let us know. May be read in the library only. First… Next… Show your Hall Pass, Library Pass, or Planner to Ms. Searles or a Library Assistant….. Show your Hall Pass or Planner to the librarian or assistant. Carefully drop the book(s) in the BOOK RETURN slot located on the Circulation Desk!!! Go to any computer.
    [Show full text]
  • Twilight Zones in Cyberspace: Crimes, Risk, Surveillance and User-Driven Dynamics
    Twilight Zones in Cyberspace: Crimes, Risk, Surveillance and User-Driven Dynamics Prof. Dr. Jo Groebel Dr. Verena Metze-Mangold Jowon van der Peet Dr. David Ward ACKNOWLEDGEMENTS The authors would like to express their gratitude and thanks to Carlos Arnaldo (UNESCO, Paris), Uwe Kranz (O.C. Intell. & Spec. Knowledge, Europol, The Hague), Jens Walterman (Bertelsmann Stiftung), Marcel Machill (Bertelsmann Stiftung), Omar Leihitu, Marjolein Elshove and Sofia Johansson for their assistance. ISBN 3–89892–013–5 Herausgeber: Stabsabteilung der Friedrich-Ebert-Stiftung Redaktion: Klaus Reiff Copyright 2001 by Friedrich-Ebert-Stiftung und Europäisches Medieninstitut Friedrich-Ebert-Stiftung, Godesberger Allee 149, D-53175 Bonn Umschlag: Pellens Kommunikationsdesign GmbH, Bonn Layout: PAPYRUS – Schreib- und Büroservice, Bonn Druck: satz + druck GmbH, Düsseldorf Printed in Germany 2001 Vorwort Angriffe auf die modernen Informationstechnologien sind weltweit zu einem wirtschaft- und sicherheitspolitischen Problem geworden. Die Internet-Kriminalität entwickelt sich mehr und mehr zu einer potenziellen Bedrohung der öffentlichen Sicherheit wie auch der Informationsgesellschaft insgesamt. Gesellschaft und Politik sind angesichts dieser Entwicklung und dem hohen Abhängigkeitsgrad zentraler Lebensabläufe von digitalen Technologien zutiefst beunruhigt. Der Präsident des Bundesnachrichtendienstes berichtete jüngst über Erkenntnisse, wo- nach fundamentalistische Gruppierungen, Anarchisten und Nachrichtendienste ein zu- nehmendes Interesse an Informationstechniken
    [Show full text]
  • Transportation and Economic Impact of Texas Short Line Railroads
    1. Report No. 2. Government Accession No. 3. Recipient's Catalog No. FHWA/TX-0-6887 4. Title and Subtitle 5. Report Date Sept 2016 TRANSPORTATION AND ECONOMIC IMPACT OF TEXAS 6. Performing Organization Code SHORT LINE RAILROADS 7. Author(s) 8. Performing Organization Report No. Fengxiang Qiao, Lu Gao, Daisy Saldarriaga, Boya You, Qing Li, Report 0-6887 Lingguang Song, Ahmed Senouci, Omkar Dhatrak, and Lei Yu 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) Texas Southern University University of Houston 11. Contract or Grant No. 3100 Cleburne Avenue 4800 Calhoun Road Project 0-6887 Houston, Texas 77004 Houston, TX 77204-4003 12. Sponsoring Agency Name and Address 13. Type of Report and Period Covered Texas Department of Transportation Technical Report Research and Technology Sept 1, 2015 – Sept 30, 2016 Implementation Office P. O. Box 5080 14. Sponsoring Agency Code Austin, Texas 78763-5080 15. Supplementary Notes Project performed in cooperation with the Texas Department of Transportation and the Federal Highway Administration. 16. Abstract This report documents the analysis of the transportation and economic impacts of Texas short line railroads. Survey invitations were sent to 43 Texas short line railroads and 20 responses were received. The research team completed onsite interviews with 5 railroads and 3 community leaders. The software IMPLAN was used to estimate the economic impact of short line railroads at both county-level and state-level. Transportation impact analysis was conducted to estimate the cost by rail and the cost by diverted truck. Shipping cost, safety cost, maintenance cost, highway congestion cost, and emission cost were calculated in this analysis.
    [Show full text]
  • Catalogue CACIB Web.Pdf
    Организатор выставки: Федерация охотничьего собаководства (РФОС) Москва, Головинское шоссе 1, +7 916 1443315, [email protected] Организационный комитет: Е. Домогацкая (председатель), М. Мартынова, Е. Гришина Генеральный спонсор выставки: FARMINA PET FOODS www.farmina.com СУДЬИ / JUDGES: Сисси АДРАМИТЛИ / Sissy ADRAMITLI (Греция) Кнут Зигурд ВИЛЬБЕРГ / Knut Sigurd WILBERG (Норвегия-Великобритания) Артем ГАЛКИН / Artyom GALKIN (Россия) Станислав ГОРОДИЛОВ / Stanislav GORODILOV (Россия) Юлия ГУСЕВА / Julia GUSEVA (Россия) Хельге КВИВЕСЕН / Helge KVIVESEN (Норвегия) Жан Клод КЛЯЙН / Jean Claude KLEIN (Франция) Дина КОРНА / Dina KORNA (Эстония) Евгений КУПЛЯУСКАС / Eugene KUPLYAUSKAS (Россия) Джузеппе МАСИЯ / Guiseppe MASIA (Италия) Мауро МОСТУРА / Mauro MOSTURA (Италия) Микаэль Аллеруп НИЛЬСЕН / Michael Allerup NIELSEN (Дания) Франческо Ди Паола НУЦЦО / Francesco Di Paola NUZZO (Италия) Евгений ПУДЕЕВ / Eugene PUDEEV (Россия) Петер ФРИДРИХ / Peter FRIEDRICH (Германия) Реваз ХОМАСУРИДЗЕ / Revaz KHOMASURIDZE (Россия) Мария ЧЕККАРЕЛЛИ / Maria CECCARELLI (Италия) Дамьяна ШВЕГЕЛЬ ЖНИДАРШИЧ / Damjana ŠVEGELJ ŽNIDARŠIČ (Словения) Владимир ШИЯН / Vladimir SHYIAN (Украина) Дитер ШНАЙДЕР / Dieter SCHNEIDER (Германия) Йохен ЭБЕРХАРДТ / Jochen EBERHARDT (Германия) Яна ЯНЕК / Jana JANEK (Словакия) Таль ЯФФЕ / Tal YAFFE (Израиль) Место проведения выставки / Show ground: Москва, КВЦ «Сокольники», пав. 4, 3 и 11 / Moscow, ECC “Sokolniki”, halls 4, 3, 11 Москва / Moscow, 25.01.2020 РЕГЛАМЕНТ ПРОВЕДЕНИЯ ВЫСТАВКИ ПАМЯТИ Л.П.САБАНЕЕВА 1. ОБЩИЕ ПОЛОЖЕНИЯ 1.1. Регламент составлен на основе действующего Положения о сертификатных выставках Российской кинологической федерации (РКФ). 1.2. Выставка проводится в соответствии с календарным планом РКФ / FCI на 2020 год. 1.3. Дата и место проведения выставки: 25 января 2020 г., Москва, КВЦ «Сокольники», павильоны 4, 3, 11. 1.4. Организатор – Федерация охотничьего собаководства (РФОС). Председатель оргкомитета – президент РФОС Е.Г.Домогацкая.
    [Show full text]
  • Dr. L. Dawn Larsen
    Dr. L. Dawn Larsen Education 1999 Ph.D. Speech Communication with an Emphasis in Theatre and Performance Studies, Southern Illinois University at Carbondale. Areas of specialization: Theatre history and criticism, and Performance Studies Dissertation: Corn Under Canvas: Reconstructing Toby Shows in Tennessee, Southern Illinois University Carbondale, July 1999. 1991 M.A., Communication Arts, Austin Peay State University, Clarksville, TN Areas of specialization: Theatre history and performance, and Television Production Thesis: A Continuing History of Toby Shows With An Acknowledgment Of The Past And Plans For The Future, University Microfilms, May 1991. 1983 B.A., Speech and Theatre, University of Missouri – Columbia Area of Specialization: Performance 1981 A.A., Speech and Theatre, Cottey College, Nevada, MO Academic Experience Professor, Theatre, 2020-present Francis Marion University Assoc Professor, 2007-2020 Florence, SC Volunteer State College Assoc. Professor, Theatre and Comm. 2003-2007 Chair, Visual and Performing Arts Dept. 2003-2005 Asst. Professor, Theatre and Comm. 2000-2003 Director of Forensics 2000-2002 Gallatin, TN Middle Tennessee State Assistant Professor, Theatre and Speech University Murfreesboro, TN 1999-2000 Austin Peay State University Artistic Director Center Stage 1999-2000 Instructor - Speech, Communication, Mass Comm & Theatre 1993-1995 Director of Forensics, 1993 Clarksville, TN Southern Illinois University 1997 Theatre Youth Tour Director 1996-97 Graduate Teaching Assistant – Theatre 1996 Publicity Asst. Carbondale,
    [Show full text]
  • Haitian Creole – English Dictionary
    + + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo + + + + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo dp Dunwoody Press Kensington, Maryland, U.S.A. + + + + Haitian Creole – English Dictionary Copyright ©1993 by Jean Targète and Raphael G. Urciolo All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without the prior written permission of the Authors. All inquiries should be directed to: Dunwoody Press, P.O. Box 400, Kensington, MD, 20895 U.S.A. ISBN: 0-931745-75-6 Library of Congress Catalog Number: 93-71725 Compiled, edited, printed and bound in the United States of America Second Printing + + Introduction A variety of glossaries of Haitian Creole have been published either as appendices to descriptions of Haitian Creole or as booklets. As far as full- fledged Haitian Creole-English dictionaries are concerned, only one has been published and it is now more than ten years old. It is the compilers’ hope that this new dictionary will go a long way toward filling the vacuum existing in modern Creole lexicography. Innovations The following new features have been incorporated in this Haitian Creole- English dictionary. 1. The definite article that usually accompanies a noun is indicated. We urge the user to take note of the definite article singular ( a, la, an or lan ) which is shown for each noun. Lan has one variant: nan.
    [Show full text]
  • Recollecting History Beyond Borders
    Recollecting History beyond Borders Recollecting History beyond Borders: Captives, Acrobats, Dancers and the Moroccan-American Narrative of Encounters By Lhoussain Simour Recollecting History beyond Borders: Captives, Acrobats, Dancers and the Moroccan-American Narrative of Encounters, by Lhoussain Simour This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Lhoussain Simour All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6684-9, ISBN (13): 978-1-4438-6684-2 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Foreword .................................................................................................... xi Susan Nance Acknowledgments ................................................................................... xvii Introduction ................................................................................................. 1 Chapter One ............................................................................................... 11 Reflections on Moroccan American Discursive and Cultural Encounters Writing Otherness:
    [Show full text]
  • Texas Highway Events
    TM TEXASHIGHWAYS EVENTS C A L E N D A R SUMMER 2018 JUNE • JULY • AUGUST FESTIVALS, CONCERTS, EXHIBITS, PARADES, AND ALL SNAPSHOT THINGS FUN Becker Vineyards’ Grape Stomp IN TEXAS! See more inside... EVENTS SUMMER 2018 or you might think Wichita Falls mile bicycle ride in the nation—and Ride or Die would celebrate its namesake with one of the largest in the world; last some fun on the water. Instead, the year the event welcomed some 11,000 he name says it all. The Hot- Wichita Falls Bicycle Club proposed a registrants for the weekend. This year, ter ’N Hell Hundred grew bicycle ride—100 miles in 100-degree Aug. 23-26, attendees can enjoy live out of efforts to find a special heat to celebrate 100 years, coining the outdoor concerts, a consumer show, a way for Wichita Falls to cel- name and a race that would attract spaghetti dinner, and more in addition Tebrate its 1982 centennial. In the intrepid cyclists to North Texas for to competing against the road, the hottest month of the year, most Texas decades to come. This annual August wind, and a heat that’s hotter than cities might plan an indoor festival— race is still the largest single-day 100- (you guessed it) hell. hh100.org ON THE COVER GRAPE EXPECTATIONS Make wine the old-fashioned way in Stonewall at the Becker Vineyards Annual Grape Stomp on Aug. 25-26 and Sept. 1-2. To toast the end of harvest season, half barrels will be filled with grapes so oenophiles can try their hand—well, foot—at crushing grapes.
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22.
    [Show full text]
  • Grant Morrison
    GRANT MORRISON When Grant Morrison took the stage at the Disinfo.Con event, even though it was only 4:30 in the afternoon when the lights went down, it could've been midnight inside the Hammerstein Ballroom. Grant's drunken but enthralling speech began with a scream, a slosh of his beer as he climbed the podium and an admission that he'd just taken drugs and would be flying high by the half hour mark —"So watch for it!" It was pure punk rock theatrics filled with sublime moments —such as Morrison explaining how to work magick spells to all assembled! — and it was certainly one of the event's highlights. The guy was on fire and he looked spectacularly cool up there in his black leather jacket, Donna Karan suit and his shiny, bald pate, just like a white "Shaft." From what I gather, many of the audience didn't know who Morrison was when they arrived, but after that bravura performance, they sure as hell knew who he was when they walked out!' God, where do you start when you're trying to describe a character like Grant Morrison? The most obvious place to start is that Morrison is Scottish. Make that thickly Scottish; born and bred in Glasgow with an accent so strong you'd think he was French! He's also in a select group of contemporary writers who'd be on a Mount Rushmore of comics if such a thing were to exist, alongside Neil Gaiman, Frank Miller and Alan Moore, writers comics fans still read rather than just store in plastic bags.
    [Show full text]