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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Ultimate X-Men: Ultimate Collection Book 3 Free
FREE ULTIMATE X-MEN: ULTIMATE COLLECTION BOOK 3 PDF Mark Millar,Adam Kubert,David Finch,Chris Bachalo,Ben Lai,Ray Lai | 304 pages | 09 Sep 2009 | Marvel Comics | 9780785141877 | English | New York, United States Ultimate X-Men - Wikipedia The series is a modernized re-imagining of Marvel's long-running X-Men comic book franchise Ultimate X-Men: Ultimate Collection Book 3 part of its Ultimate Marvel universe following the adventures of the Ultimate X-Men as they fight the evil terrorist group known to the world as the Brotherhood and anti-mutant organizations. After the devastating events of Ultimatum event. The series… More. Book 1. Ultimate X-Men, Vol. The place is a world very much like ours. The time… More. Want to Read. Shelving menu. Shelve Ultimate X-Men, Vol. Want to Read Currently Reading Read. Rate it:. Book 2. Now pawn of the mysterious weapon X program, the m… More. Book 3. Charles Xavier has a dream that one day mutants an… More. Book 4. The world tour is over. It ended abruptly and trag… More. Book 5. The Ultimates vs. Book 6. Magneto, the X-Men's deadliest villain, returns. T… More. Book 7. It's the movie you will never Ultimate X- Men: Ultimate Collection Book 3 in theatres as t… More. Book 8. Karma, Havok, Polaris, and Dazzler become a part o… More. Book 9. The X-Men team have become more that just a team -… More. Book The Cajun thief is back! But what is he going to s… More. It's the ultimate reality show as mutants convicte… More. -
The Multiversity by Grant Morrison
The Multiversity by Grant Morrison Ebook available on iOS, Android, PC & Mac. Unlimited books*. Accessible on all your screens. Ebook The Multiversity available for review only, if you need complete ebook "The Multiversity" please fill out registration form to access in our databases Download here >>> *Please Note: We cannot guarantee that every book is in the library. You can choose FREE Trial service and download "The Multiversity" ebook for free. Ebook Details: Review: Grant Morrison has been hit or miss with me, and after finishing The Multiversity I think Ive finally cracked his code. To me, Grant Morrison is at his best when not working directly on one character (i.e. his Batman run) but one grand epic scale that doesnt necessarily fall into character continuity. The Multiversity is everything Ive heard people... Original title: The Multiversity Paperback: 448 pages Publisher: DC Comics (November 22, 2016) Language: English ISBN-10: 1401265251 ISBN-13: 978-1401265250 Product Dimensions:6.6 x 0.7 x 10.2 inches File Format: pdf File Size: 18385 kB Ebook File Tags: grant morrison pdf,final crisis pdf,pax americana pdf,society of super-heroes pdf,seven soldiers pdf,jim lee pdf,alan moore pdf,justice league pdf,deluxe edition pdf,ultra comics pdf,crisis on infinite pdf,single issues pdf,fourth wall pdf,freedom fighters pdf,red son pdf,across the multiverse pdf,single issue pdf,alternate realities pdf,captain marvel pdf,make sense Description: GRANT MORRISONS #1 NEW YORK TIMES BESTSELLERThe biggest adventure in DCs history is here! Join visionary writer Grant Morrison, todays most talented artists, and a cast of unforgettable heroes from 52 alternative Earths of the DC Multiverse! Prepare to meet the Vampire League of Earth-43, the Justice Riders of Earth-18, Superdemon, Doc Fate, the.. -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
Buddhism and Grant Morrison: on the Nature of Self and Other in the Invisibles
BUDDHISM AND GRANT MORRISON: ON THE NATURE OF SELF AND OTHER IN THE INVISIBLES Vik Verplanken Stamnummer: 01210285 Promotor: Dr. Maaheen Ahmed Masterproef voorgelegd voor het behalen van de graad master in de richting Vergelijkende Moderne Letterkunde Academiejaar: 2016 – 2017 2 Contents Introduction ........................................................................................................................................ 3 Theoretical Framework ...................................................................................................................... 7 Buddhism ........................................................................................................................................ 7 Self and Other in The Invisibles ...................................................................................................... 10 Riddles, Conundrums and Comments about the Self ................................................................... 10 Multiple Selves ............................................................................................................................. 18 Time and Karma ........................................................................................................................... 21 The Epistemological Implications ................................................................................................ 28 Performativity ............................................................................................................................... 36 Tantric -
My Back Pages | the Comics Journal
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ Column -- "My Back Pages" By: Craig Fischer Fischer, C. (2013). “My Back Pages." The Comics Journal, February 4, 2013. Version of record available at: http:// www.tcj.com/my-back-pages/ My Back Pages | The Comics Journal Blog Features Columns Reviews Listings TCJ Archive ← Seep, You Seepers Of The Seeping Gore Cactus Face → Zap: An Unpublished Spain Rodriguez Interview In celebration of the release of the Comics Journal Library book of Zap Monsters Eat Critics interviews, we present this unpublished interview with the late Spain Rodriguez. It does not appear in the Zap Interviews book. Continue reading → My Back Pages BY CRAIG FISCHER FEB 4, 2013 Don Draper: “In Greek, ‘nostalgia’ literally means ‘the pain from an old wound.’ It’s a twinge in your heart far more powerful than memory alone.” 1. In 1992, I was dawdling my way through a Ph.D. program in English at the University of Illinois. I had trouble focusing on my work that year, because back in my hometown of Buffalo, New York, my mother was dying of cancer. She was first diagnosed with breast cancer in 1985, while I was still living at home but poised to start graduate school at Illinois in the fall. When my parents told me about the cancer, I said that I wouldn’t go to graduate school, that I would stay and care for my mom, but they said “No.” They were insistent that I begin my adult life and career, and they also realized that my offer to remain in Buffalo was based as much on my fear of an unknown direction for my life as it was in some sort of noble self-sacrifice. -
The Weird History of Usamerican Fascism: a Guide (1979-2019) Phd in Critical and Cultural Theory 2019 M.C
The Weird History of USAmerican Fascism: A Guide (1979-2019) PhD in Critical and Cultural Theory 2019 M.C. McGrady Summary The future, as ever, can be read in comic books. Foretold by the Dark Age of Comics, the doom that now comes to Earth arrives in the form of self-realizing eschatologies, horrors born out of the rutting between unfettered capitalism and its favorite child, technological hubris. When the Big Two comic book publishers began hiring British and Irish authors en masse over the course of the 1980s, these writers brought with them a critical eye sharpened by the political and economic cruelty of the decade. The victims of the Iron Lady came to the New World and set their sights on the empire of the Teflon President, using superhero stories to explore the ideological weapons deployed in the service of global capitalism. The Weird History of USAmerican Fascism tracks the interrelated networks of popular culture and fascism in the United States to demonstrate the degree to which contemporary USAmerican politics embodies the future that the fictional dystopias of the past warned us about. Although the trans-Atlantic political developments of 2016 and their aftermath have sparked a widespread interest in a resurgent Anglophone fascism and its street-level movements – seen most obviously in the loose collection of white supremacists known as the ‘alt- right’ – this interest has been hamstrung by the historical aversion to a serious study of popular and ‘nerd’ culture during the twentieth century. By paying attention to the conceptual and interpersonal networks that emerged from the comic books and videogames of the 1980s, The Weird History of USAmerican Fascism fills a critical lacuna in cultural theory while correcting recent oversights in the academic analysis of contemporary fascism, providing an essential guide to the past, present, and future of the bizarre world of USAmerican politics. -
Post-Anarchism in Grant Morrison's the Invisibles
4. “A Thought Thinking Itself:” Post-anarchism in Grant Morrison’s The Invisibles Lewis Call* Grant Morrison’s The Invisibles (1994-2000) tells the tale of a diverse band of anarchist freedom fighters. Morrison’s narrative follows the adventures of a cell within a centuries-old revolutionary organization called the Invisible College. The leader of this cell is King Mob, a bald, pierced fetishist, who resembles Morrison more than a little. Three of King Mob’s fellow “Invisibles” present as women: the cross-dressing Brazilian shaman Lord Fanny, a slightly insane time-travelling redhead called Ragged Robin, and an African-American former cop who calls herself Boy. The cell’s newest recruit is Jack Frost, a foul-mouthed working-class punk from Liverpool. Together these Invisible revolutionaries fight against an interdimensional authoritarian conspiracy called the “Outer Church.” This Outer Church works towards a world in which political, economic and religious institutions unite to create a system of total authority. Meanwhile, the Invisible College works towards the opposite end: a left- libertarian world based upon individual freedom, inclusive diversity, and universal access to the means of happiness (including sex, drugs, and magic). The Invisibles can thus be read as an inspirational story of anti-authoritarian rebellion: a strange, beautiful, anarchist fairy tale. Yet, The Invisibles is much more than that. Morrison’s comic is also a post-anarchist cultural artifact. Post-anarchism is a radical form of anarchist theory that first emerged in the 1980s. It draws on twentieth century post-structuralism and post- modernism to extend anarchism’s critical power beyond its traditional targets, capitalism and the state. -
Jla: Volume 4 Pdf, Epub, Ebook
JLA: VOLUME 4 PDF, EPUB, EBOOK Andy Kubert,J. H. Williams,Grant Morrison | 384 pages | 18 Feb 2014 | DC Comics | 9781401243852 | English | United States JLA: Volume 4 PDF Book Refresh and try again. Published by DC Comics. October 93, [25] November 92, [26] January 89, [27] March 86, [28] May 86, [29] June 86, [30] July 85, [31] August 84, [5th highest among all publishers] [32] September 83, [3rd highest among all publishers] [33] November 80, [5th highest among all publishers] [34] December 84, [6th highest among all publishers] [35] January 78, [4th highest among all publishers] [36] February 75, [6th highest among all publishers] [37] March 77, [4th highest among all publishers] [38] April 73, [6th highest among all publishers] [39] May 76, [4th highest among all publishers] [40] June 76, [5th highest among all publishers] [41] July 75, [5th highest among all publishers] [42]. Uh-oh, it looks like your Internet Explorer is out of date. Highly recommended for anyone that likes the JLA characters or just good comics. The New Gods decision to send in Orion and Barda changes the landscape of the league. Feb 11, Hannah Givens rated it really liked it Shelves: graphic-novel , superhero. Nov 28, Martin rated it liked it Shelves: used-to-own , reviewed. Aug 10, Juan Jose added it. Gardner Fox. Open Preview See a Problem? When relaunched by writer Grant Morrison , the team again focused on the most recognizable, powerful, and long-lasting heroes in DC's library. There are two major story lines in the book, both which are surrounded by smaller one shot issues. -
The Gentlemen 2019
TOFF GUYS Written by Guy Ritchie Marn Davies & Ivan Atkinson Draft: 28.9.18 © Toff Guy Films 2018 1 INT. POSH PETE’S HOUSE, DINING ROOM. EVENING. 1 POSH PETE (40s) shuffles through to the kitchen in darkness, switches the light on, gets the bin bag out the bin, ties it up, and puts it outside the back door. He steps into the Dining Room and almost jumps out his skin: the light from the kitchen reveals the silhouette of FLETCHER * (50s) a Private Investigator, sitting at the Dining table with a bottle of Scotch and two glasses poured. FLETCHER Evening Posh Pete. Pete’s fear turns to anger, but he keeps his voice down. POSH PETE I should stab you with that rolling pin. How dare you break into my home Fletcher, this is my sanctuary. FLETCHER I was rather hoping you’d share a drink with me. POSH PETE I’d rather have a drink with my ex wife. FLETCHER I’ve got a meeting tomorrow at your favorite newspaper. As the best Private Investigator in this smokey little town, they’re ready to put a hundred and fifty grand in my pocket to give ‘em some filth. Good for me that, but bad for you. Pete sits down. POSH PETE What’s that smell? FLETCHER Big Dave, Editor extraordinaire, has got it in for your boss and his liquorish assortment of tasty mates. He’s out to ruin him and all those that cosy up to him. Front cover: ‘BOSCH’! There will be blood and feathers everywhere. -
LEAP FROGS Demonstration JUMP on the 4Th of JULY See Pages 20-21
Fall 2020 | Volume 51 | Number 7 LEAP FROGS Demonstration JUMP on the 4th of JULY See pages 20-21 UDT-SEAL ASSOCIATION THIRD QUARTER 2020 VOL. 51, NO. 7 PUBLISHER UDT-SEAL Association, Inc. SPECIAL FEATURE: Mato: "Getting the Job Done" Pages 22-25 UDT-SEAL ASSOCIATION OFFICERS President: Drew Sande Vice President: Bobby Richardson Executive Director: Dave Morrison UDT-SEAL ASSOCIATION Secretary-Treasurer: Erin Tadlock Scholarship Recipients MLAP VSO: Jeff Kokosinski Pages 6-8 MLAP Coordinator: Kim Powell BLAST STAFF BOAT GUYS Communications Director: Gary Kirchner Pages 33-37 Cynthia Morrison Executive Director’s Update ....................................... 2 BLAST DESIGN & LAYOUT Spotlight ...................................................... 3 Professional Printing Center, Chesapeake, VA www.professionalprinting.com West Coast Spotlight ............................................. 3 Free Resources for Veteran Families ................................. 5 UDT-SEAL Association Scholarship Recipients ........................ 6 UDT-SEAL STORE DIRECTOR Cynthia Morrison Father of Modern Battlefield Medicine: Dr. Butler ...................... 10 757-363-7490 Help is Out There for TBI and bTBI ................................. 15 Bob Newman: Story of MyTransition ............................... 16 UDT-SEAL ASSOCIATION Launching New Submersible ..................................... 20 1619 D Street, Building 5326 Virginia Beach, VA 23459 The Leap Frogs Perform ......................................... 22 phone: 757-363-7490 SWCC's Hell Week