National Register of Historic Places Multiple Property Documentation
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Lambertville Design Guidelines
Lambertville Design Guidelines September 2, 2009 Draft Lambertville Design Guidelines City of Lambertville Hunterdon County, NJ September 2, 2009 Lambertville City Council Prepared by Mosaic Planning and Design, LLC Hon. David M. DelVecchio, Mayor Linda Weber, PP, AICP Steven M. Stegman, Council President Beth Asaro Ronald Pittore With Assistance From Clarke Caton Hintz Wardell Sanders Geoffrey Vaughn, ASLA Lambertville Planning Board Brent Krasner, PP, AICP Timothy Korzun, Chairman This plan was funded by a generous grant from the Paul Kuhl, Vice-Chairman Office of Smart Growth in the Department of Com- Acknowledgements Hon. David M. Delvecchio, Mayor munity Affairs. Hon. Ronald Pittore, Councilman Paul A. Cronce Beth Ann Gardiner Jackie Middleton John Miller Emily Goldman Derek Roseman, alternate David Morgan, alternate Crystal Lawton, Board Secretary William Shurts, Board Attorney Robert Clerico, PE, Board Engineer Linda B. Weber, AICP/PP, Board Planner Lambertville Historic Commission John Henchek, Chairman James Amon Richard Freedman Stewart Palilonis Sara Scully Lou Toboz 1. Introduction .......................................................................................1 5.3 Street Corridor Design ......................................................17 5.3.1 Sidewalks & Curbs ...................................................................17 2. Overview of Lambertville .............................................................3 5.3.2 Street Crossings ........................................................................17 -
British Neoclassicism COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B British Neoclassicism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice authenticity reductionism NEOCLASSICISM sublimity neoclassicism ROMANTIC CLASSICISM innovation/radicalism ARCHAEOLOGYARCHAEOLOGY ARCHAEOLOGICAL PUBLICATIONS Robert Wood, Ruins of Palmyra,1753 Robert Wood, Ruins of Balbec,1757 J D Leroy, Les Ruines des plus Beaux Monuments de la Grèce, 1758 James Stuart & Nicholas Revett, Antiquities of Athens, I, 1762 James Stuart & Nicholas Revett, Antiquities of Athens, II, 1790 Robert Adam, Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia, 1764 Richard Chandler, Ionian Antiquities, I, 1769 Richard Chandler, Ionian Antiquities, II, 1797 Temple of Apollo, Stourhead, by Henry Flitcroft, 1765 the ‘Temple of Venus’ at Baalbek, c AD 273 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 102; Robert Wood, The Ruins of Balbec, otherwise Heliopolis in Coelosyria (London 1757) THETHE SUBLIMESUBLIME 'The artist moved by the grandeur of giant statue of Ancient Ruins', by Henry Fuseli, 1778-9 Constantine, c 313 Toman, Neoclassicism, p 11 MUAS 12,600 Castel Sant' Angelo, Rome, -
The Vernacular Houses of Harlan County, Kentucky
-ABSTRACT WHAT is the vernacular ? Are some houses vernacular while others are not? Traditional definitions suggest that only those buildings that are indigenous, static and handmade can be considered vernacular. This thesis uses Harlan County, Kentucky as a case study to argue that vernacular architecture includes not only those houses that are handmade, timeless and traditional but also those houses that are industrial and mass-produced. Throughout the 19 th century Harlan County was an isolated, mountainous region where settlers built one and two-room houses from logs, a readily available material. At the turn of the century a massive coal boom began, flooding the county with people and company-built coal camp houses which were built in large quantities as cheaply as possible with milled lumber and hired help. Given traditional conceptions of the vernacular, it would have been appropriate to assume the vernacular tradition of house building ended as camp houses, those houses that were not built directly by the residents with manufactured materials, began to replace the traditional log houses. However, the research presented in this thesis concludes that many elements of form, construction and usage that were first manifest in the handmade log cabins continued to be expressed in the county’s mass-produced camp houses. These camp houses not only manifest an evolution of local building traditions but also established qualities of outside influence which in turn were embraced by the local culture. Harlan County’s houses make the case for a more inclusive conception of vernacular architecture. TABLE OF CONTENTS PREFACE 3 INTRODUCTION 6 I. -
Adamcollection Welcome
AdamCollection Welcome We are a specialist boutique British manufacturer of solid brass door and window products, including the original iconic Princess and Constable Collections, along with custom accessories for electrical applications and bathrooms. With a unique range of Collections dating back to architectural periods in the early 16th Century we offer a uniquely extensive range of Period, Heritage and Contemporary Door Furniture made from the purest Brass all hand worked, polished and finished on site... in England. We work with professional and private clients worldwide to create elegant door and window furniture products for royal palaces, super yachts, stately homes and high specification private residences. Here and on our website you can learn more about us, the work we do and how we can help you add those finishing touches of elegancee Our Timeline of Architectural Styles Welcome to our Collections architectural timeline! We are in a privileged position to be able to showcase to you our range of period, heritage, classic and contemporary Collections including the original iconic Princess and Constable Collections. All of our Collections make reference to a particular historical architectural style, helping you choose the right finishing touches to your home. Within our Collections you will find a number of product types so that you can add that luxury touch, not only to your doors! Louis XIV Louis XV Louis XVI Adam Constable Executive Style: Baroque & Rococo Style: Neoclassical Style: Victorian Style: Modern 1590-1725 1750-1880 1835-1901 1918-2000 Style: Ancient Greek Style: Georgian Style: Regency Style: Art Nouveau Style: Contemporary 1200BC-100AD 1720-1840 1810-1835 1890-1910 1980-now Coming Soon Meandros Burlington Governor Princess Liberty Bamboo 2 Adam Collection Style: Neoclassical A Brief History Robert Adam, born in Early Georgian Scotland in 1728, was a Scottish neoclassical architect, interior designer and furniture designer. -
Robert Adam's Engagement with Medieval Architecture
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository A ‘Classical Goth’: Robert Adam’s engagement with medieval architecture PETER N. LINDFIELD Robert Adam’s Grand Tour in 1754–8 had a profound impact upon his understanding of the forms and ornament of Classical architecture. This became manifest after his return to Britain in his country house designs, as, for example, in the south façade of Kedleston Hall, Derbyshire (from c 1760).1 Beyond this elevation’s dynamic advancement and recession of planes, the architecture paraphrases two notable monuments of ancient Rome: the Arch of Constantine and the Pantheon. Kedleston’s interior, including its celebrated Saloon, was equally responsive to antique forms, and the tour’s impact upon Adam in the shaping of his eponymous neoclassical style is explored elsewhere in this volume. The vast majority of Adam’s country house architecture – from the remodelling of existing homes like Osterley Park, Middlesex (1763–80), through to the creation of new structures such as Witham Park, Somerset (1762–70) – was neoclassical.2 Indeed, of his realised work, only three of his 89 known country estate commissions were overtly Gothic, and all were south of the border: the interior of the Church of St Mary Magdalene, Croome d’Abitot, at Croome Court, Worcestershire (1763); the Round Room at Strawberry Hill, Twickenham (1766–7); and his work for the Duke of Northumberland at Alnwick – namely the interiors for Alnwick Castle (c 1770–80) and its associated Gothic eye-catcher, Brizlee Tower, Hulne Park (1777–83). -
Cultural Resource Survey
SURVEY RESULTS PHYSICAL DESCRIPTION OF SURVEY AREA LOCATION AND SETTING The Manhattan Historic Resources Survey examined 562 properties that make up Wards 1 and 2 in the original residential and commercial areas of Manhattan, Kansas. The survey area is generally bounded by Juliette Avenue to the west, Pottawatomie Avenue to the south, 3rd Street to the east, and Bluemont Avenue to the north (Figure 2). These 562 properties contained a total of 766 resources, which include 512 primary resources and 254 secondary buildings/structures.1 Of the 562 properties, 59 were surface parking lots or vacant lots and one property contained a mobile home park.2 Late-nineteenth to mid-twentieth century development characterizes the survey area. Commercial structures dominate the properties facing onto Poyntz Avenue, Fort Riley Boulevard, and Humboldt, 3rd, and 4th Streets. Commercial warehouse and light- industrial structures dominate the properties located south of Fort Riley Boulevard and adjacent to the railroad tracks. The remainder (and vast majority) of the survey area is residential, with scattered institutional buildings. Some mixed usage generally occurs closer to the commercial concentrations. All lots are on a grid system. Lot size varies depending on traditional platting for residential, institutional, or commercial use. The residential streets feature deep lots with outbuildings such as garages located on the back lot line. Paved, tree-lined streets, stone curbs, and brick sidewalks characterize these streetscapes and are important cultural resources in their own right and are integral to the cultural landscape. The original retail area’s arrangement (Poyntz Avenue) illustrates a traditional, perpendicular alignment to the river landing and railroad tracks, which once ran north-south along the west bank of the Big Blue and Kansas Rivers, with Poyntz Avenue extending west from the original railroad alignment. -
4.0 ARCHITECTURAL SUMMARY and RECOMMENDATIONS
Intensive Level Historic Resources Survey Town of Clarence 4.0 ARCHITECTURAL SUMMARY and RECOMMENDATIONS CBCA PN 05-012A May 2009 Intensive Level Historic Resources Survey Town of Clarence 4.0 ARCHITECTURAL SUMMARY and RECOMMENDATIONS This section provides a brief academic description and generalized viewing context for architectural styles and forms found to be represented in the Town of Clarence. 4.1 Residential Architectural Styles and Forms: 4.1.1 Colonial Houses (1600-1820) 1 The early colonists of America brought with them the prevailing architectural styles and building practices of their native lands. In the early 1700s, the English colonists of the successful eastern seaboard colonies imported from their mother country the Renaissance-inspired Georgian style, which was quickly adopted and adapted. Nearly a century later, this then-dominant style was replaced by the related Adam style. Both styles are marked by a simple box-like plan, strict symmetry and distinct, even ornamentation emphasizing the entrances and fenestration. Figure 20. – Rice Sinclair House, Main Street Local Historic Designated Landmark Remaining, original examples of Colonial homes are relatively rare. Much more common are later “revivals.” It is often difficult to distinguish these “revivals” from the originals. Two points may be help in this determination: the location, as each Colonial style was built in a rather limited area of the country; and a significant element of hand-crafting evident in the construction and detailing of the dwelling, as Colonials were built before the era of industrialization. Based on dates, location, and local history, the Town of Clarence may have a small handful of remaining Colonial houses of later Adam influenced styling, albeit with later period adaptation and modification; further investigation will yield conclusive determination. -
List of Plaque Language for Landmarks
LIST OF PLAQUE LANGUAGE FOR LANDMARKS SQUIRES-TOURTELLOT HOUSE L-75-1 FIRST CONGREGATION CHURCH 1906 IN 1870, THE CONGREGATIONALISTS BUILT BOULDER'S FIRST CHURCH NEAR THIS SITE. THE PRESENT CHURCH WAS DESIGNED IN ENGLISH GOTHIC STYLE BY THOMAS MACLAREN. L-75-2 ARMORY BUILDING 1898 JOHN BRIERLEY BUILT THE ARMORY FOR COMPANY H OF THE FIRST COLORADO INFANTRY. THEY SERVED IN THE SPANISH AMERICAN WAR IN 1898 AND THE CRIPPLE CREEK RIOTS IN 1903. THE DESIGN IS IN RICHARDSONIAN ROMANESQUE STYLE. L-75-3 BOETTCHER-VALENTINE BUILDING 1878 BUILT BY CHARLES BOETTCHER, PIONEER INDUSTRIALIST AND FINANCIER, THIS BUILDING HOUSED A HARDWARE STORE RUN BY THE VALENTINES FOR 63 YEARS. L-75-4 GRILL MANSION 1905 LOCATED AT THE ENTRANCE TO MAPLETON HILL, THIS 30-ROOM MANSION WAS BUILT BY LUMBER EXECUTIVE ERNEST GRILL. THE DESIGN BY A.E. SAUNDERS REFLECTS A STRONG PALLADIAN INFLUENCE. L-75-6 HIGHLAND SCHOOL L-76-8 05.15 (2013) CARNEGIE LIBRARY 1906 ANDREW CARNEGIE DONATED $15,000 TO BOULDER TO CONSTRUCT THE FIRST LIBRARY. ARCHITECT THOMAS MACLAREN DESIGNED THE LIBRARY IN THE NEO-CLASSICAL REVIVAL STYLE REFLECTING THE CITY'S DESIGNATION AS THE "ATHENS OF THE WEST". L-76-9 MORRISON-MCKENZIE HOUSE 1877 E.H. DIMICK DESIGNED THIS HOUSE IN THE QUEEN ANNE STYLE FOR HARDWARE MERCHANT JOHN MORRISON. FOR OVER 60 YEARS, TWO GENERATIONS OF THE MCKENZIE FAMILY, ACTIVE IN CIVIC AFFAIRS, LIVED HERE. L-76-10 CHAUTAUQUA AUDITORIUM L-76-11 TEMPLE-BOWRON HOUSE 1882 AT THE TIME OF ITS CONSTRUCTION, THIS HOUSE WAS SAID TO BE ONE OF THE MOST ELEGANT IN THE CITY. -
Courseno: ARCHA4348 001 2012 3 Meeting Location: AVERY HALL 113 Meeting Time: R 11:00A-01:00P
CourseNo: ARCHA4348_001_2012_3 Meeting Location: AVERY HALL 113 Meeting Time: R 11:00A-01:00P AHI Syllabus This syllabus is available for download as a pdf under 'Files & Resources'. A4348 Architecture History 1660-1860 Instructor: Mary McLeod ([email protected]) Teaching Assistant: Collin Anderson ([email protected]) Class Meetings: Thursday 11-1 (1:30 or 2 if films or outside lectures) Location: Wood Auditorium, Avery Hall Sections: To be announced. Office Hours: Friday 1:30-3:30, 306 Buell Hall Phone: 212-854-8262 The objective of the two semester sequence Architecture History I, II is to provide students with a basic critical understanding of major developments in European (and to a lesser extent, American) architectural history during what is sometimes considered the modern period, from the late seventeenth-century to the post-World War II era. The course emphasizes moments of significant change in architecture, whether they be theoretical, economic, technological, or institutional in nature. Each lecture usually focuses on a theme, such as positive versus arbitrary beauty, enlightenment urban planning, historicism, structural rationalism, social utopianism, etc. Topics sometimes involve changes generated by developments internal to architecture itself, other times by events external to the discipline, at least as it was conceived at that moment in time. The readings and lectures stress the link between theory and practice, and more generally, the relationship between architecture and the broader cultural, social, and political context. Lecture Schedule 1. Theories of Beauty: Claude Perrault and Christopher Wren (9/6) 2. Rococo: Le Gout Moderne (9/13) 3. Origins: The Greco-Gothic Ideal (9/20) 4. -
Understanding & Preserving Historic Resources
CHAPTER 3 Understanding and Preserving Historic Resources I. Introduction therefore, has to be placed on preserving what exists - repairing porches Madison's Historic Preservation Ordinance is designed to protect the rather than replacing them, keeping original siding whenever possible, overall character and appearance of the town. This applies to individual retaining an old outbuilding when a new one might seem the easier historic properties as well as to more general features, such as open spaces, solution. The Commission is concerned with promoting this understanding sidewalks, retaining walls, outbuildings, and the many other details that - not rigidly enforcing, such an approach, but stressing that it is always add up to create the community's general image. Individual historic better to keep something authentic and original than to replace it with a buildings, however, whether large houses and institutional buildings or facsimile, at least within reasonable bounds. small cottages and outbuildings, form the major elements in the town, and The Historic Preservation Commission is also charged with ensuring the more than anything else help to define the overall historic character of vitality and continued life of the historic district. Some historic towns and Madison. Special care and understanding of these buildings, therefore, is a cities have adopted policies that prohibit change. They attempt to freeze a prime ingredient in the preservation of the town and a major concern of town or neighborhood at a particular moment in time. Madison's Historic the Historic District Commission in its review of changes within the Preservation Ordinance recognizes that the town is a growing and changing district. -
History and Architecture Overview Presentation Overview
HISTORIC D.C. NEIGHBORHOODS History and Architecture Overview Presentation Overview D.C.’s Historic Most Common Deeper Dive Neighborhoods Architectural Styles 2 D.C. Historic Districts There are nearly 70 historic districts in Washington, DC! Generally, we separate these into three main categories: • Government and Institutional Historic Districts • Park and Parkway Historic Districts • Neighborhood Historic Districts 3 DC Historic Districts Neighborhood Historic • Kingman Park Districts include: • LeDroit Park • Anacostia • Logan Circle • Blagden Alley/Naylor Court • Massachusetts Avenue • Bloomingdale • Meridian Hill • Capitol Hill • Mount Pleasant • Cleveland Park • Mount Vernon Square • Downtown • Mount Vernon Triangle • Dupont Circle • Shaw • Emerald Street • Sheridan Kalorama • Foggy Bottom • Sixteenth Street • Fourteenth Street • Strivers' Section • Foxhall Village • Takoma Park • Georgetown • U Street • Grant Circle • Union Market • Grant Road • Washington Heights • Kalorama Triangle • Woodley Park 4 D.C.’s Oldest Building? • “The Lindens,” 1754 • Originally built in Danvers, Massachusetts and rebuilt in D.C. in 1935- 1937 The Lindens (Architectural Digest) 5 The Federal City • The District of Columbia was created in 1791, while the federal government arrived in 1800. • Most of the area was still rural when the District was created. Map of the 18th-Century Land Grants in Washington (Washington History) 6 The Federal City • Originally divided between Washington County and Washington City. • Two previously settled areas were Georgetown and Alexandria. • Between 1800 and 1860, clustered settlements formed in some areas like Capitol Hill, Foggy Bottom, and Southwest. Map of the original District of Columbia. Colored portions are Washington City (Library of Congress) 7 Federal Italianate Second Empire Common Architectural Styles Queen Anne 8 Historic D.C. -
Architectural Interiors I Prepared Especially for Home Study
r 720 (07) 157 v. 6 Federal Housing Acbnmistration Library)^ ^ J. pC~. -=rv J J. m J J n%A MMfaHNK,** ■ ' • ^•SiSfcK.iS iiii&j*t&Mis 53«*« International Correspondence Schools, Scranton, Pa. ! | Architectural Interiors I Prepared Especially for Home Study By DAVID T. JONES, B. Arch. Director, School of Architecture and Building Construction International Correspondence Schools Member, American Institute of Architects 641 l-l Edition 2 International Correspondence Schools, Scranton, Pennsylvania International Correspondence Schools, Canadian, Ltd., Montreal, Canada i j 1 ;i ! i Architectural Interiors ■ vY- ! '‘I And m Lite ihai most atlairs thu» require suriou* handling arc distasteful, For this reason, 1 have By always believed that the successiul man has the hardest battle with nimtelf rather than with the other fellow DAVID T. JONES, B. Arch. To bring ones ielf to a frame of mind and to the proper energy to accomplish tnings that require plain Director, School of Architecture hard work continuously is the one big battle tbtu and Building Construction I everyone has. When this battle is woo for all time, International Correspondence Schools then everything is eas).” —Thomas A Buckner Member, American Institute of Architects l i- f 33 Serial 6411-1 ! I : i ;■! © 1962, 1958 by INTERNATIONAL TEXTBOOK COMPANY Printed in United States of America :1 :i •! : !r International Correspondence Schools j Scranton, Pennsylvania / ICS International Correspondence Schools Canadian, Ltd, Montreal, Canada L 710^ (p i? inv-£ fFTiat T/iis Text Covers • . 1. Development of Interior Design Pages 1 to 6 The relation between architecture and interior design and decora- ration is explained.