British Neoclassicism COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
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Lambertville Design Guidelines
Lambertville Design Guidelines September 2, 2009 Draft Lambertville Design Guidelines City of Lambertville Hunterdon County, NJ September 2, 2009 Lambertville City Council Prepared by Mosaic Planning and Design, LLC Hon. David M. DelVecchio, Mayor Linda Weber, PP, AICP Steven M. Stegman, Council President Beth Asaro Ronald Pittore With Assistance From Clarke Caton Hintz Wardell Sanders Geoffrey Vaughn, ASLA Lambertville Planning Board Brent Krasner, PP, AICP Timothy Korzun, Chairman This plan was funded by a generous grant from the Paul Kuhl, Vice-Chairman Office of Smart Growth in the Department of Com- Acknowledgements Hon. David M. Delvecchio, Mayor munity Affairs. Hon. Ronald Pittore, Councilman Paul A. Cronce Beth Ann Gardiner Jackie Middleton John Miller Emily Goldman Derek Roseman, alternate David Morgan, alternate Crystal Lawton, Board Secretary William Shurts, Board Attorney Robert Clerico, PE, Board Engineer Linda B. Weber, AICP/PP, Board Planner Lambertville Historic Commission John Henchek, Chairman James Amon Richard Freedman Stewart Palilonis Sara Scully Lou Toboz 1. Introduction .......................................................................................1 5.3 Street Corridor Design ......................................................17 5.3.1 Sidewalks & Curbs ...................................................................17 2. Overview of Lambertville .............................................................3 5.3.2 Street Crossings ........................................................................17 -
GUNNERSBURY PARK Options Appraisal
GUNNERSBURY PARK Options Appraisal Report By Jura Consultants and LDN Architects June 2009 LDN Architects 16 Dublin Street Edinburgh EH1 3RE 0131 556 8631 JURA CONSULTANTS www.ldn.co.uk 7 Straiton View Straiton Business Park Loanhead Midlothian Edinburgh Montagu Evans LLP EH20 9QZ Clarges House 6-12 Clarges Street TEL. 0131 440 6750 London, W1J 8HB FAX. 0131 440 6751 [email protected] 020 7493 4002 www.jura-consultants.co.uk www.montagu-evans.co.uk CONTENTS Section Page Executive Summary i. 1. Introduction 1. 2. Background 5. 3. Strategic Context 17. 4. Development of Options and Scenarios 31. 5. Appraisal of Development Scenarios 43. 6. Options Development 73. 7. Enabling Development 87. 8. Preferred Option 99. 9. Conclusions and Recommendations 103. Appendix A Stakeholder Consultations Appendix B Training Opportunities Appendix C Gunnersbury Park Covenant Appendix D Other Stakeholder Organisations Appendix E Market Appraisal Appendix F Conservation Management Plan The Future of Gunnersbury Park Consultation to be conducted in the Summer of 2009 refers to Options 1, 2, 3 and 4. These options relate to the options presented in this report as follows: Report Section 6 Description Consultation Option A Minimum Intervention Option 1 Option B Mixed Use Development Option 2 Option C Restoration and Upgrading Option 4 Option D Destination Development Option 3 Executive Summary EXECUTIVE SUMMARY Introduction A study team led by Jura Consultants with LDN Architects and Montagu Evans was commissioned by Ealing and Hounslow Borough Councils to carry out an options appraisal for Gunnersbury Park. Gunnersbury Park is situated within the London Borough of Hounslow and is unique in being jointly owned by Ealing and Hounslow. -
OTTOMAN GREECE and TURKEY Travels with William Page and Lady Ruthven OTTOMAN GREECE and TURKEY Travels with William Page and Lady Ruthven
karen taylor fine art OTTOMAN GREECE AND TURKEY Travels with William Page and Lady Ruthven OTTOMAN GREECE AND TURKEY Travels with William Page and Lady Ruthven Front cover: William Page, Temple of Olympian Zeus, Athens. Catalogue no. 6 Back cover: William Page, Temple of Cybele, Sardis. The drawings are available for viewing by appointment Catalogue no. 12 Inside front cover: William Page, The harbour baths, Ephesus. Catalogue no. 14 Inside back cover: William Page, Thrasyllos monument from the west. Catalogue no. 7 © KAREN TAYLOR FINE ART 2017 karen taylor fine art +44 (0)20 8743 9207 +44 (0)7881 581275 [email protected] www.karentaylorfineart.com KAREN TAYLOR FINE ART I am delighted to present this recently rediscovered group of drawings by William Page, with whose work I first became familiar in the 1980s when I built up the Sotheby’s Greek and Turkish topographical sales. Little is known about Page’s life, but the freshness of his approach impressed me, as did his evident pleasure in drawing ruins. His relationship with his patron and probable pupil, Mary Hamilton Campbell, Lady Ruthven, an amateur archaeologist who appears to have taken him to Greece, was previously unknown, as was Page’s involvement with her brother William Campbell, with whom he travelled to Turkey. There is more work to be done on Page, but in the meantime I hope this catalogue will add a little to our understanding of the Enlightenment fascination with classical Greece. My own longstanding interest in the Ottoman period remains undimmed, and it has been a pleasure to revisit it. -
Fact Sheet London, Apartment 709
FACT SHEET LONDON, APARTMENT 709 1 OVERVIEW LOCATION 709 St John’s is located in the centre of London’s City of Westminster, an area widely recognized as the heart beat of this historic capital. Located within easy walking distance of eclectic sights that include: The Houses of Parliament, the Tate Gallery, the River Thames and Buckingham Palace; this property provides an ideal base to explore the wonders of old London Town. ADDRESS: 79 Marsham Street London, SW1P 4SB United Kingdom Master Bedroom – One king-sized bed Bedroom 2 – One queen-sized bed Living and dining room Kitchen Guest washroom Estimated floor area 116 sqm All plans are not drawn to scale TRANSPORTATION Heathrow International Airport is the nearest to our London Residence. The journey is approximately 45 minutes to the apartment, depending on traffic. Public Transport – The most convenient way to move around London is to utilize the public transport system, ie. buses and underground trains (called “The Tube”). Purchasable from any Tube station, an Oyster is a plastic smartcard which can hold pay as you go credit, Bus, and Tram season tickets. It can be used to travel on bus, Tube, tram, DLR, London Overground and most National Rail services in London. The closest Tube stations from St John’s Apartment: - Pimlico Station (Victoria Line, about 10 minutes walk) - St James Park Station (District & Circle lines, 10 minutes walk) - Westminister Station (District & Circle lines, 15 minutes walk) 2 FACTS AT A GLANCE ACCOMODATION The apartment features modern comforts and amenities which include: Two bedrooms and a reception room Two en-suite bathroom with bath tub, shower, W.C. -
OPW Heritage Trade Catalogue 2021-2022 Dublin
heritage ireland Ireland’s National Heritage in the care of the 0ffice 2019 of public works Admission Charges Apply in 2022 Trade Catalogue 2021-2022 Dublin Ireland’s Ancient East Ireland’s Hidden Heartlands Wild Atlantic Way group trade information 1. groups and trade … explore more ¬ Specific language audio-visual films in some sites for pre-booked tours Bring your group to visit an historic place for a great day out. ¬ If you are a public group or in the travel trade and have ¬ Access to OPW Tour Operator Voucher Scheme (TOVS). customers for group travel, FIT or MICE our staff are Payment by monthly invoice. delighted to present memorable experiences at over 70 Email us at [email protected] historic attractions.* * Minimum numbers may vary at sites due to COVID–19 restrictions as at April 2021. ¬ Our guides excel in customer service and storytelling * Some sites may not be fully accessible or closed due to COVID–19 that enthrals and engrosses the visitor, while offering restrictions as at April 2021. a unique insight into the extraordinary legacy of Ireland’s iconic heritage. 3. plan your itinerary ¬ Join our mailing list for more information on heritageireland.ie ¬ For inspiration about passage tombs, historic castles, ¬ Contact each site directly for booking – details in Groups / Christian sites and historic houses and gardens throughout Trade Catalogue Ireland. * Due to COVID–19 restrictions some sites may not be open. ¬ From brunch to banquets – find out about catering facilities at sites, events and more … 2. group visit benefits ¬ Wild Atlantic Way ¬ Group Rate – up to 20% off normal adult admission rate. -
Classes and Clubs Spring/Summer 2018
Ageactivity 60+ Classes and Clubs Spring/Summer 2018 Funders & Partners Welcome to Ageactivity! We are a club for people over 60, based at the award winning Castlehaven Community Association in Camden. We run a huge variety of activities and events for members to enjoy, increase their connections with others and get involved in our community. At Ageactivity there’s something for everyone: we would love for you to join us! Become a member Membership gives you access to our classes and clubs and a discount on all of our trips, as well as access to a range of special events and members-only com- munications. Even better, it costs just £20.00 per year! You can join whenever— your membership will last for a year from when you sign up. Find us The Haven 23 Castlehaven Road, NW1 8RU Phone: 020 7692 2238 Email: [email protected] [email protected] www.castlehaven.org.uk facebook.com/ castlehavencommunityassociation Nearest Stations: Camden Town, Camden Road, Chalk Farm, Kentish Town West Meet our Team Rosa Noel Hannah Barrett-Duckett Ageactivity 60+ Ageactivity 60+ Project Manager Project Coordinator Meet our Steering Group The Ageactivity Steering Group is a friendly team of Ageactivity members who meet every two months to shape our programme of activities and events, discuss policies and review members’ issues and requirements. Please contact us if you would like to get in touch with any of them. We are always on the look out for new Steering Group members too - so please let also let us know if you’d like to get in- volved! Helen -
Marble Hill Revived
MARBLE HILL REVIVED Business Plan February 2017 7 Straiton View Straiton Business Park Loanhead, Midlothian EH20 9QZ T. 0131 440 6750 F. 0131 440 6751 E. [email protected] www.jura-consultants.co.uk CONTENTS Section Page Executive Summary 1.0 About the Organisation 1. 2.0 Development of the Project 7. 3.0 Strategic Context 17. 4.0 Project Details 25. 5.0 Market Analysis 37. 6.0 Forecast Visitor Numbers 53. 7.0 Financial Appraisal 60. 8.0 Management and Staffing 84. 9.0 Risk Analysis 88. 10.0 Monitoring and Evaluation 94. 11.0 Organisational Impact 98. Appendix A Project Structure A.1 Appendix B Comparator Analysis A.3 Appendix C Competitor Analysis A.13 Marble Hill Revived Business Plan E.0 EXECUTIVE SUMMARY E1.1 Introduction The Marble Hill Revised Project is an ambitious attempt to re-energise an under-funded local park which is well used by a significant proportion of very local residents, but which currently does very little to capitalise on its extremely rich heritage, and the untapped potential that this provides. The project is ambitious for a number of reasons – but in terms of this Business Plan, most importantly because it will provide a complete step change in the level of commercial activity onsite. Turnover will increase onsite fourfold to around £1m p.a. as a direct result of the project , and expenditure will increase by around a third. This Business Plan provides a detailed assessment of the forecast operational performance of Marble Hill House and Park under the project. -
Nostell Priory: History of a House, 1730-85 Volume 1 of 2 Frances
Nostell Priory: History of a House, 1730-85 Volume 1 of 2 Frances Sands Ph.D University of York Department of History of Art March 2012 Abstract Nostell Priory is one of the most important eighteenth-century buildings in northern England, with a neo-Palladian exterior, and French and Neo-Classical interior. Moreover, it is one of the most riclily documented houses in the National Trust portfolio, with a considerable hunily archive of correspondence and a large collection of architectural drawings. This thesis provides a design and construction history of Nostell, and focuses on the extant graphic and archival sources. Such material provides a rare opportunity to write a monograph of a house, providing a fuller account than lias hitherto been possible by exploring why and how it was built and decorated, along with a comprehensive architectural drawings catalogue. Nostell appears in general architectural texts by John Cornforth, Eileen Harris and others. These authors, however, analyse Nostell witliin larger studies, and this thesis aims to provide a necessary corrective, giving equal weight to questions of load context and patronage; architecture and design; interior decoration and furniture. Issues of social, politiad and connoisseurial ambition were the driving forces teliind the various phases of construction, which resulted in tensions between the public and private uses of the house, as expressed through the architectural ordering of space, and changes in room usage and decorative schemes. The number of creative and executant contributions at N ostell it is impossible to attribute the design of the house to a single author, resulting in a complex and fundamentally collaborative construction history. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
NOTES and DOCUMENTS William Tenns Other Statue
NOTES AND DOCUMENTS William Tenns Other Statue N OCTOBER 2, 1967, Sir Francis Dashwood, Bt. of West Wycombe Park, Buckinghamshire, England, wrote the o following letter to "The Curator/' Philadelphia Museum: There is a statue of William Penn on top of your City Hall. I believe it originally came from the roof of Sawmill House, a building erected in about 1770 in the Park here. The building was probably the work of Nicholas Revett, who was employed by Sir Francis Dashwood, Lord le Despencer. The statue was removed by Repton1 in about 1801, when it went to Stoke Park near Slough. From there, I believe it went to Phila- delphia in 1806. I wonder if you could confirm that this information is correct? In due course this letter was referred to the writer and Sir Francis was informed that Penn's statue on City Hall is the work of Alex- ander Milne Calder, that it measures thirty-seven feet in height and weighs 53,348 pounds, and was raised in sections to its present position in November, 1894, and thus could have nothing to do with Sawmill House at West Wycombe Park. After casting about to locate another statue of William Penn, the one on the grounds of the Pennsylvania Hospital came to mind and this proved to be the statue from Sawmill House. While much infor- mation concerning this statue has been published, certain corrections and additions to its history are in order. John Fanning Watson in his ^Annals of Philadelphia recorded that "The statue of Penn in the Pennsylvania Hospital must be regarded as a very accurate representation. -
Wider. Bigger. Greater
WIDER. BIGGER. GREATER. Neo-Palladian Country Houses as Representations of Power Struggle, Globalization and “Britishness” in the United Kingdom of the 1750s Stefanie Leitner s1782088 - [email protected] Supervisor: Dr. J.G. Roding Second reader: Dr. E. den Hartog MA Arts and Culture 2016/2017 Specialization: Architecture TABLE OF CONTENT 1. Introduction ................................................................................................. 1 1.1. Theoretical Framework ......................................................................... 2 1.2. Literature Review ................................................................................. 4 2. Node I – Architecture .................................................................................. 8 2.1. General developments compared to the 1720s .................................... 8 2.2. Introduction of the Case Studies .......................................................... 9 2.2.1. Holkham Hall (1734-1764) ........................................................... 11 2.2.2. Hagley Hall (1754-1760)............................................................... 20 2.2.3. Kedleston Hall (1759) ................................................................... 28 3. Node II – Globalization ............................................................................. 38 3.1. Colonization and the British Empire ................................................. 38 3.2. Connection with continental Europe .................................................. 39 3.3. -
Robert Adam 2017 Laureate
Robert Adam 2017 Laureate Contents Press Release ……………………………………………………………… 2 Images …………………………………………………………………….. 4 Driehaus Prize ……………………………………………………………. 13 Ceremony Choregic Monument Past Laureates Henry Hope Reed Award …………………………………………………. 14 Medal Past Recipients Jury ……………………………………………………………………….. 15 Press Release Robert Adam named 15th Richard H. Driehaus Prize Laureate James S. Ackerman posthumously presented the Henry Hope Reed Award Robert Adam, an architect known for his scholarship as well as his practice, has been named the recipient of the 2017 Richard H. Driehaus Prize at the University of Notre Dame. Adam, the 15th Driehaus Prize laureate, will be awarded the $200,000 prize and a bronze miniature of the Choregic Monument of Lysikrates during a ceremony on March 25 (Saturday) in Chicago. In conjunction with the Driehaus Prize, the $50,000 Henry Hope Reed Award, given annually to an individual working outside the practice of architecture who has supported the cultivation of the traditional city, its architecture and art, will be presented posthumously to architectural historian James S. Ackerman. Additionally, on the occasion of the 15th anniversary of the Driehaus Prize, the jury has elected to honor the Congress for the New Urbanism (CNU) with a special award for contributions to the public realm. “Throughout his career, Robert Adam has engaged the critical issues of our time, challenging contemporary attitudes toward architecture and urban design. He has written extensively on the tensions between globalism and regionalism as we shape our built environment,” said Michael Lykoudis, Driehaus Prize jury chair and Francis and Kathleen Rooney Dean of Notre Dame’s School of Architecture. “Sustainability is at the foundation of his work, achieved through urbanism and architecture that is respectful of local climate, culture and building customs.” Adam received his architectural education at Westminster University and was a Rome Scholar in 1972–73.