European Architecture 1750-1890
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Comparative Politics
Dr.Rishu Raj Assistant professor Department of Political Science M.M.College(P.U) [email protected] COMPARATIVE POLITICS Comparative study of The Constitution of Switzerland and France THE SWISS PARLIAMENT The Federal Assembly THE FEDERAL ASSEMBLY • The Federal Assembly is the legislative power of Switzerland. Its two chambers – the National Council and the Council of States –have the same powers but meet separately. Federal Assembly The National The Council Council of States The National Council • The National Council, or “lower chamber”, represents the people and comprises 200 members who are elected by popular vote for a four-year term. The number of representatives sent by each canton depends on the size of its population. As a rule of thumb, each canton may send one elected representative to the National Council for roughly every 40,000 inhabitants. • The Federal Constitution guarantees at least one seat per canton, even if the canton has fewer than 40,000 residents. The cantons of Appenzell-Ausserrhoden, AppenzellInnerrhoden, Obwalden, Nidwalden, Uri and Glarus send one National Council member each, whereas Zurich, the most heavily populated canton, currently has 35 seats. The Council of States • The Council of States, or “upper chamber”, represents the cantons and comprises 46 members, who are also elected directly by the people for a four-year term. Regardless of their population size, the cantons send two deputies, with the exception of the six half-cantons of AppenzellAusserrhoden, Appenzell-Innerrhoden, Obwalden, Nidwalden, Basel-Stadt and Basel-Land, which send one deputy each. • Council of States deputies represent their cantons but are not bound by any instructions from their cantonal government or parliament. -
Spring Break in Paris
Spring Break in Paris Friday, March 21st to Sunday, March 30th, 2014 What you’ll do . Friday, March 21st – You’ll depart from Huntsville or Nashville International Airport bound for Europe. Usually there is a stop in one of the major cities of the east coast in order to catch your trans-Atlantic flight to Paris. Saturday, March 22nd – After flying through the night, you’ll land at Charles de Gaulle International Airport. After collecting your luggage and passing through customs, you’ll transfer into the city, usually by train. On evening one, there’s a short time for resting and refreshing at the hotel before heading out into the city for dinner and some sightseeing. You will ascend the 58-story Tour Montparnasse for the best views of Paris as the sun goes down and the lights come on in the city. Sunday, March 23rd– You’ll visit the Royal Palace of Versailles, just outside of Paris. In addition to touring the palace itself, you’ll want to visit the gardens, since Sunday is the only day the world-famous fountains are turned on. You will also have the opportunity to visit the Grand and Petit Trianon, small palaces built by the king on the grounds of Versailles in order to escape the pressures of palace life. Also not to be missed is the village-like hameau of Marie Antoinette. Later, you’ll head back to Paris for dinner and a visit to the Sacré-Coeur Basilica in Montmartre, the bohemian quarter of Paris. In Montmartre, you’ll also visit the Place du Tertre, where an artist will paint your portrait for a price. -
Paris History Early History Julius Caesar Conquered Paris in 52 BC It
Paris History Early History Julius Caesar conquered Paris in 52 B.C. It was then a fishing village, called Lutetia Parisiorum (the Parisii were a Gallic tribe), on the Île de la Cité. Under the Romans the town spread to the left bank and acquired considerable importance under the later emperors. The vast catacombs under Montparnasse and the baths (now in the Cluny Mus.) remain from the Roman period. Legend says that St. Denis, first bishop of Paris, was martyred on Montmartre (hence the name) and that in the 5th cent. St. Geneviève, the patron saint of Paris, preserved the city from destruction by the Huns. On several occasions in its early history Paris was threatened by barbarian and Norman invasions, which at times drove the inhabitants back to the Île de la Cité. Clovis I and several other Merovingian kings made Paris their capital; under Charlemagne it became a center of learning. In 987, Hugh Capet, count of Paris, became king of France. The Capetians firmly established Paris as the French capital. The city grew as the power of the French kings increased. In the 11th cent. the city spread to the right bank. During the next two centuries—the reign of Philip Augustus (1180–1223) is especially notable for the growth of Paris—streets were paved and the city walls enlarged; the first Louvre (a fortress) and several churches, including Notre-Dame, were constructed or begun; and the schools on the left bank were organized into the Univ. of Paris. One of them, the Sorbonne, became a fountainhead of theological learning with Albertus Magnus and St. -
OPW Heritage Trade Catalogue 2021-2022 Dublin
heritage ireland Ireland’s National Heritage in the care of the 0ffice 2019 of public works Admission Charges Apply in 2022 Trade Catalogue 2021-2022 Dublin Ireland’s Ancient East Ireland’s Hidden Heartlands Wild Atlantic Way group trade information 1. groups and trade … explore more ¬ Specific language audio-visual films in some sites for pre-booked tours Bring your group to visit an historic place for a great day out. ¬ If you are a public group or in the travel trade and have ¬ Access to OPW Tour Operator Voucher Scheme (TOVS). customers for group travel, FIT or MICE our staff are Payment by monthly invoice. delighted to present memorable experiences at over 70 Email us at [email protected] historic attractions.* * Minimum numbers may vary at sites due to COVID–19 restrictions as at April 2021. ¬ Our guides excel in customer service and storytelling * Some sites may not be fully accessible or closed due to COVID–19 that enthrals and engrosses the visitor, while offering restrictions as at April 2021. a unique insight into the extraordinary legacy of Ireland’s iconic heritage. 3. plan your itinerary ¬ Join our mailing list for more information on heritageireland.ie ¬ For inspiration about passage tombs, historic castles, ¬ Contact each site directly for booking – details in Groups / Christian sites and historic houses and gardens throughout Trade Catalogue Ireland. * Due to COVID–19 restrictions some sites may not be open. ¬ From brunch to banquets – find out about catering facilities at sites, events and more … 2. group visit benefits ¬ Wild Atlantic Way ¬ Group Rate – up to 20% off normal adult admission rate. -
Download PDF Datastream
“Le Premier Cadre”: Theatre Architecture and Objects of Knowledge in Eighteenth- Century France by Pannill Camp B.A., University of Puget Sound, 1999 A.M., Brown University, 2001 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Theatre, Speech and Dance at Brown University Providence, Rhode Island May 2009 ii © Copyright 2009 by Pannill Camp iii This dissertation by Pannill Camp is accepted in its present form by the Department of Theatre, Speech, and Dance as satisfying the dissertation requirement for the degree of Doctor of Philosophy in Theatre and Performance Studies. _______________ ______________________ Date Spencer Golub, Advisor Recommended to the Graduate Council ________________ ______________________ Date Rebecca Schneider, Reader ________________ ______________________ Date Jeffrey Ravel, Reader Approved by the Graduate Council ________________ ______________________ Date Sheila Bonde, Dean of the Graduate School iv VITA Pannill Camp was born in Austin, Texas in 1977 and grew up in Aurora, Colorado, where he graduated from Overland High School in 1995. He studied English and Theatre at the University of Puget Sound, graduating with a B.A. degree in English Writing, Rhetoric, and Culture in 1999. Pannill began pursuing a master’s degree that year in theatre studies at Brown University, which he completed in 2001. During the course of his studies for this degree he directed The Wild Duck by Henrik Ibsen at Brown’s Production Workshop and Mac Wellman’s Dracula on the theatre department’s mainstage, for which productions he was awarded the Weston Award for Theatre Directing in 2001. After spending a year living and working in New York City and a year creating English language instruction materials for the Spanish Army in Madrid, Pannill returned to Providence in 2003 to begin work on his doctorate in theatre and performance studies in the Ph.D. -
Sanssouci Park H 3 Picture Gallery of Sanssouci
H 1 SANSSOUCI PALACE 12 TEMPLE OF FRIENDSHIP Pappelallee NOT ACCESSIBLE 2 NORMAN TOWER 13 NEW PALACE SANSSOUCI PARK H 3 PICTURE GALLERY OF SANSSOUCI 14 COLONNADE WITH THE TRIUMPHAL ARCH, Ruinenberg 4 NEPTUNE GROTTO NEW PALACE Amundsenstr. Schlossgarten Lindstedt NOT ACCESSIBLE 15 TEMPLE OF ANTIQUITY 5 OBELISK NOT ACCESSIBLE 6 CHURCH OF PEACE 16 BELVEDERE ON KLAUSBERG HILL NOT ACCESSIBLE 7 FIRST RONDEL 17 ORANGERY PALACE 8 GREAT FOUNTAIN 18 THE NEW CHAMBERS OF SANSSOUCI 9 CHINESE HOUSE 19 HISTORIC MILL H 10 ROMAN BATHS H Kaiser-Friedrich-Str. H Neuer Garten, Pfingstberg 11 CHARLOTTENHOF VILLA H Bor nst edte r St r. H An der Ora INFORMATION / LOUNGING LAWN TRAM STOP nge Paradiesgarten rie VISITOR CENTER (Universität Potsdam) tor. Mühle H r His BARRIER-FREE ACCESSIBILITY BUS STOP H Zu Voltaireweg ACCESSIBLE TOILET Besucherzentrum H Gregor-Mendel-Str. TICKET SALES ENTRANCE FOR PERSONS BICYCLE ROUTE H Heckentheater Maulbeerallee WITH RESTRICTED MOBILITY, Gruft ATM WITH ASSISTANCE PUSH BICYCLES Jubiläums- Winzerberg terrasse WI-FI ON THIS ROUTE (ENTRANCE AREA ONLY) NOT BARRIER-FREE Sizilianischer Garten ROUTE FOR PERSONS WITH H STORAGE LOCKERS TOILET RESTRICTED MOBILITY Östlicher Lustgarten alais RESTAURANT ACCESSIBLE TOILET SHUTTLE SERVICE ROUTE Hauptallee Hauptallee Hauptallee H SEASONAL AmP Neuen CAFÉ / SNACK BAR TRAIN STATION H SHUTTLE SERVICE STOP MUSEUM SHOP TAXI STAND SEASONAL Schopenh H WI-FI BUS PARKING LOT VIEWPOINT Marlygarten Ökonomieweg Ökonomieweg auer DEFIBRILLATOR CAR PARKING LOT S Grünes Gitter str. S Allee nach Sanssouci Besucherzentrum Parkgraben S Am Grünen Gitter H H Luisenplatz H DISTANCES 13 H SANSSOUCI PALACE VIA THE GREAT FOUNTAIN TO THE NEW PALACE : CA. -
British Neoclassicism COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B British Neoclassicism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice authenticity reductionism NEOCLASSICISM sublimity neoclassicism ROMANTIC CLASSICISM innovation/radicalism ARCHAEOLOGYARCHAEOLOGY ARCHAEOLOGICAL PUBLICATIONS Robert Wood, Ruins of Palmyra,1753 Robert Wood, Ruins of Balbec,1757 J D Leroy, Les Ruines des plus Beaux Monuments de la Grèce, 1758 James Stuart & Nicholas Revett, Antiquities of Athens, I, 1762 James Stuart & Nicholas Revett, Antiquities of Athens, II, 1790 Robert Adam, Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia, 1764 Richard Chandler, Ionian Antiquities, I, 1769 Richard Chandler, Ionian Antiquities, II, 1797 Temple of Apollo, Stourhead, by Henry Flitcroft, 1765 the ‘Temple of Venus’ at Baalbek, c AD 273 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 102; Robert Wood, The Ruins of Balbec, otherwise Heliopolis in Coelosyria (London 1757) THETHE SUBLIMESUBLIME 'The artist moved by the grandeur of giant statue of Ancient Ruins', by Henry Fuseli, 1778-9 Constantine, c 313 Toman, Neoclassicism, p 11 MUAS 12,600 Castel Sant' Angelo, Rome, -
The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826. -
Enlightenment Walking Tour 4
France and Paris were changed dramatically by the Enlightenment and ensuing French Revolution. Likewise, many of the monuments and buildings you’ll see on this walk were “reinvented” during the 18th century. The Panthéon, where this walk starts, began as a church sponsored by an absolute monarch and ended the century as a monument to the country’s most famous Enlightenment figures. The place de la Concorde, where the walk ends, saw one monarch celebrated with a statue and another executed on the same site. Saint-Sulpice and Saint- Thomas-d’Aquin were transformed from churches to secular “temples” and back to churches again. And the Palais du Luxembourg, Hôtel de Salm, and Palais Bourbon, homes at the beginning of the century to royalty and aristocrats, ended the century as homes to the country’s newly created democratic institutions. In addition to showcasing neoclassical buildings and monuments, the walk also provides an opportunity to wander through part of the Saint-Germain des Prés quarter, one of the city’s most lively and interesting neighborhoods. Start: Panthéon (Métro: Maubert Mutualité) Finish: Place de la Concorde (Métro: Concorde) Distance: 3 miles Time: 3 - 4 hours Best Days: Any day Copyright © Ann Branston 2011 HISTORY Religion and Philosophy Politics and Economics The political and economic situation in 18th-century France provided fertile As the 18th century began, France’s monarchy and the Catholic church ground for Enlightenment philosophers (know as “philosophes”) who (known later collectively as the “ancien régime”) were at the apex of their believed that natural “scientific” laws could be applied to social, economic power and glory. -
Dossier De Presse
Rebirth of a masterpiece Renaissance d’un chef-d’œuvre Une réalisation he Chancellerie d’Orléans... a chancellerie d’Orléans… Peu d’hô- or hôtels particuliers have tels particuliers parisiens ont fait collective T century jewel, dismantled stone by couler autant d’encre que ce joyau du XVIIIe siècle, déconstruit pierre par L Over the past century, the demoli- pierre en 1923 pour permettre l’agran- tion itself, followed by successive des mécènes américains regroupés failed attempts to reassemble it, has inspired criticism or simple nos- dissement de la Banque de France. au sein du World Monuments Fundd ont talgia, from lovers of Vieux Paris and !- apporté à ce projet leur concours géné- time, the Chancellerie d’Orléans, La démolition elle-même, puis l’échec stored in pieces in the warehouses reux : la Fondation Florence Gould, "- des projets de remontage successifs, ting its hour. la Fondation Samuel Kress, le Robert ont alimenté depuis un siècle la plume, W. Wilson Challenge to conserve our A personal initiative acerbe ou simplement nostalgique, !#"$%& Heritage et la Fondation Selz. Wailly, Bertrand de Vignaud, a lover des amoureux du Vieux Paris et de l’art of art and architecture, learned of the hôtel’s existence, and began working français. Entre-temps, la Chancellerie En juillet 2015, une convention signée on a strategy to get it rebuilt. With the support of the governors of the d’Orléans, conservée en pièces déta- "()% entre la Banque de France et le minis- Trichet and then Christian Noyer, he chées dans des entrepôts de la Banque began implementing his strategy, tère de la Culture a entériné le choix $*"$++/0 de France, attendait son heure. -
An Examination of the Artist's Depiction of the City and Its Gardens 1745-1756
Durham E-Theses Public and private space in Canaletto's London: An examination of the artist's depiction of the city and its gardens 1745-1756 Hudson, Ferne Olivia How to cite: Hudson, Ferne Olivia (2000) Public and private space in Canaletto's London: An examination of the artist's depiction of the city and its gardens 1745-1756, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4252/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Public and Private Space in Canaletto's London. An Examination of the Artist's Depiction of the City and its Gardens 1745-1756. The copyright of this thesis rests with the author. No quotation from it should be published in any form, including Electronic and the Internet, without the author's prior written consent. -
Masterworks Architecture at the Masterworks: Royal Academy of Arts Neil Bingham
Masterworks Architecture at the Masterworks: Royal Academy of Arts Neil Bingham Royal Academy of Arts 2 Contents President’s Foreword 000 Edward Middleton Barry ra (1869) 000 Sir Howard Robertson ra (1958) 000 Paul Koralek ra (1991) 000 Preface 000 George Edmund Street ra (1871) 000 Sir Basil Spence ra (1960) 000 Sir Colin St John Wilson ra (1991) 000 Acknowledgements 000 R. Norman Shaw ra (1877) 000 Donald McMorran ra (1962) 000 Sir James Stirling ra (1991) 000 John Loughborough Pearson ra (1880) 000 Marshall Sisson ra (1963) 000 Sir Michael Hopkins ra (1992) 000 Architecture at the Royal Academy of Arts 000 Alfred Waterhouse ra (1885) 000 Raymond Erith ra (1964) 000 Sir Richard MacCormac ra (1993) 000 Sir Thomas Graham Jackson Bt ra (1896) 000 William Holford ra, Baron Holford Sir Nicholas Grimshaw pra (1994) 000 The Architect Royal Academicians and George Aitchison ra (1898) 000 of Kemp Town (1968) 000 Michael Manser ra (1994) 000 Their Diploma Works 000 George Frederick Bodley ra (1902) 000 Sir Frederick Gibberd ra (1969) 000 Eva M. Jiricna ra (1997) 000 Sir William Chambers ra (1768, Foundation Sir Aston Webb ra (1903) 000 Sir Hugh Casson pra (1970) 000 Ian Ritchie ra (1998) 000 Member, artist’s presentation) 000 John Belcher ra (1909) 000 E. Maxwell Fry ra (1972) 000 Will Alsop ra (2000) 000 George Dance ra (1768, Foundation Member, Sir Richard Sheppard ra (1972) 000 Gordon Benson ra (2000) 000 no Diploma Work) 000 Sir Reginald Blomfield ra (1914) 000 H. T. Cadbury-Brown ra (1975) 000 Piers Gough ra (2001) 000 John Gwynn ra (1768, Foundation Member, Sir Ernest George ra (1917) 000 no Diploma Work) 000 Ernest Newton ra (1919) 000 Ernö Goldfinger ra (1975) 000 Sir Peter Cook ra (2003) 000 Thomas Sandby ra (1768, Foundation Member, Sir Edwin Lutyens pra (1920) 000 Sir Philip Powell ra (1977) 000 Zaha Hadid ra (2005) 000 bequest from great-grandson) 000 Sir Giles Gilbert Scott ra (1922) 000 Peter Chamberlin ra (1978) 000 Eric Parry ra (2006) 000 William Tyler ra (1768, Foundation Member, Sir John J.