Masterarbeit / Master's Thesis

Total Page:16

File Type:pdf, Size:1020Kb

Masterarbeit / Master's Thesis MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis Michael der Tapfere. Sein Bild in der ungarischsprachigen Historiografie des 17. Jahrhunderts verfasst von / submitted by Kata Tóth angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / A 066 803 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Geschichte degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. Dr. Oliver Jens Schmitt Danksagung Hiermit möchte ich mich bei meinem Betreuer, Herrn Prof. Oliver Jens Schmitt, für die ausgezeichnete und kompetente Betreuung und Unterstützung bedanken. Beginnend von der Themenwahl bis zum Abschluss dieser Masterarbeit erhielt ich immerzu wertvolle Ratschläge. Weiters bedanke ich mich bei meiner Familie, welche mein Studium ermöglicht und mich während meiner gesamten Ausbildung auf jegliche Art und Weise unterstützt hat. Auch möchte ich meinem Freund Egon meinen Dank aussprechen, welcher mir nicht nur beim Korrekturlesen geholfen hat, sondern mir Kraft und Rückhalt gegeben hat. 2 Inhaltsverzeichnis 1 Einleitung ..................................................................................................................................... 6 1.1 Vorwort ................................................................................................................................... 6 1.2 Fragestellung .......................................................................................................................... 7 1.3 Forschungsstand ..................................................................................................................... 8 1.4 Quellen ................................................................................................................................. 10 1.5 Theorien und Methoden ........................................................................................................ 12 2 Michael der Tapfere – sein Leben und Wirken .......................................................................... 15 3 Ungarische Geschichtsschreibung im 17. Jahrhundert .............................................................. 20 4 Vorstellung der Autoren und ihrer Werke .................................................................................. 22 4.1 Gergely Gersei Pethő ............................................................................................................ 22 4.2 István Illésházy ..................................................................................................................... 23 4.3 Máté Szepsi Laczkó .............................................................................................................. 24 4.4 Ferenc Hidvégi Mikó ............................................................................................................ 26 4.5 Lestár Rátóti Gyulaffi ........................................................................................................... 27 4.6 Tamás Borsos ........................................................................................................................ 29 4.7 Ferenc Nagy Szabó ............................................................................................................... 30 5 Das Bild Michaels ...................................................................................................................... 32 5.1 Analyse des Bildes Michaels in einzelnen Etappen seiner Herrschaft ................................. 32 5.1.1 Der Vertrag mit dem Heiligen Römischen Reich und die Unterordnung unter das Fürstentum Siebenbürgen ......................................................................................................... 32 5.1.2 Feldzug unterhalb der Donau 1595 ................................................................................. 34 5.1.3 Der walachische Feldzug 1595 ....................................................................................... 35 5.1.4 Feldzüge und diplomatische Ereignisse zwischen 1595 und 1599 ................................. 37 5.1.5 Michaels Ankunft in Siebenbürgen und die Schlacht bei Schellenberg .......................... 39 5.1.6 Das Begräbnis von Andreas Báthory .............................................................................. 42 5.1.7 Michaels Herrschaft in Siebenbürgen ............................................................................. 44 5.1.7.1 Innenpolitik ................................................................................................................ 44 5.1.7.2 Außenpolitik .............................................................................................................. 47 5.1.8 Der Weg zum Sturz Michaels .......................................................................................... 48 3 5.1.9 Die Schlacht bei Mirăslău und Michaels Sturz ............................................................... 51 5.1.10 Die Schlacht bei Guruslău ............................................................................................. 55 5.1.11 Der Tod Michaels .......................................................................................................... 57 5.1.12 Die Erwähnung Michaels bezüglich der Ereignisse nach seinem Tode ........................ 59 5.2 Analyse des Bildes Michaels je nach Autoren ...................................................................... 61 5.2.1 Pethő ................................................................................................................................ 61 5.2.2 Illésházy .......................................................................................................................... 62 5.2.3 Szepsi Laczkó.................................................................................................................. 63 5.2.4 Mikó ................................................................................................................................ 64 5.2.5 Gyulaffi ........................................................................................................................... 66 5.2.6 Borsos .............................................................................................................................. 67 5.2.7 Nagy Szabó ..................................................................................................................... 68 6 Die Bilder anderer politischer Persönlichkeiten sowie ethnischer, gesellschaftlicher und politisch-militärischer Gruppen im Verhältnis zum Bild Michaels .............................................. 71 6.1 Die Bilder anderer politischer Persönlichkeiten ................................................................... 71 6.1.1 Sigismund Báthory .......................................................................................................... 71 6.1.2 Andreas Báthory .............................................................................................................. 73 6.1.3 Giorgio Basta .................................................................................................................. 74 6.1.4 Rudolf II. ......................................................................................................................... 77 6.1.5 Siebenbürgische Akteure nach Michael: Székely, Bocskay, Gabriel Báthory, Bethlen .. 78 6.2 Walachen............................................................................................................................... 80 6.3 Die Bilder der Völker Siebenbürgens ................................................................................... 81 6.3.1 Natio Hungarica .............................................................................................................. 81 6.3.2 Natio Siculica .................................................................................................................. 83 6.3.3 Natio Saxonica ................................................................................................................ 85 6.3.4 Rumänen in Siebenbürgen .............................................................................................. 86 6.4 Die Bilder der Nachbarvölker .............................................................................................. 87 6.4.1 Die Kaiserlichen .............................................................................................................. 87 6.4.1.1 „Deutsche“ ................................................................................................................. 87 6.4.1.2 Italiener ...................................................................................................................... 88 6.4.1.3 Wallonen .................................................................................................................... 89 4 6.4.2 Osmanen .......................................................................................................................... 89 6.4.3 Moldauer ......................................................................................................................... 91 6.4.4 Polen ................................................................................................................................ 92 6.4.5 Serben .............................................................................................................................
Recommended publications
  • The Battle of Christians and Ottomans in the Southwest of Bačka from the Battle of Mohács to the Peace of Zsitvatorok
    doi: 10.19090/i.2017.28.86-104 UDC: 94(497):355.48(497.127 Mohács) ISTRAŽIVANJA ORIGINAL SCIENTIFIC PAPER JOURNAL OF HISTORICAL RESEARCHES Received: 13 May 2017 28 (2017) Accepted: 27 August 2017 ATTILA PFEIFFER University of Novi Sad, Faculty of Philosophy, Department of History [email protected] THE BATTLE OF CHRISTIANS AND OTTOMANS IN THE SOUTHWEST OF BAČKA FROM THE BATTLE OF MOHÁCS TO THE PEACE OF ZSITVATOROK Abstract: After the battle of Mohács in 1526 the medieval kingdom of Hungary was torn into three parts. The middle part from Buda to Belgrade was under the rule of the Ottoman Empire. These territories suffered much in the 16th century because of the wars between the Habsburgs and the Ottoman Turks. Therefore, we do not have many historical resources from this period. The territory of South Bačka was a war zone many times from 1526 to 1606, where the Habsburgs, Hungarians and Ottoman Turks fought many battles. The aim of this study is to represent these struggles between Christians and Muslim Turks, focusing on the territories of the early modern Counties of Bač and Bodrog. Moreover, we are going to analyse the consequences of these wars for the population and economy of the mentioned counties. Keywords: early modern period, Ottoman Hungary, Counties of Bač and Bodrog, fortress of Bač, Turkish wars, military history. fter the defeat of the Hungarian army on the field of Mohács (29 August 1526), Hungary went through perhaps the worst period in its history. Simultaneously it A had to fight against the conquerors and in the meantime, the issue of the heir to the throne was raised because of the death of king Lajos II (1516-1526) in the battle of Mohács.
    [Show full text]
  • “These Were Hard Times for Skanderbeg, but He Had an Ally, the Hungarian Hunyadi” Episodes in Albanian–Hungarian Historical Contacts
    ACTA BALCANO-HUNGARICA 1. 1 “These were hard times for Skanderbeg, but he had an ally, the Hungarian Hunyadi” Episodes in Albanian–Hungarian Historical Contacts It is of inestimable significance for Albanian studies in Hungary that the Hungarian Academy of Sciences has had the opportunity to produce and publish Edited by the present book which constitutes a Krisztián Csaplár-Degovics major contribution towards enabling this book to serve as a kind of third volume of Illyrisch-Albanische Forschungen (1916). Although there has been no organized Albanian research in Hungary, the chapters in this book clearly demonstrate that researchers well versed in the various historical periods have engaged in a joint investigation of the Albanian–Hungarian past. The studies reveal new research findings, many of which will cause a sensation in the world of Albanian studies. The book is a distillation of con tem- porary Hungarian work on Albanian Episodes in Albanian–Hungarian Historical Contacts studies and also a salute by the Hungarian Academy of Sciences and the Hungarian ISBN 978-963-416-184-4 Ministry of Foreign Affairs and Trade to the joint Albanian–Hungarian and Austro–Hungarian past. 9 789634 161844 albán1.indd 1 7/30/2019 2:05:25 PM “These were hard times for Skanderbeg, but he had an ally, the Hungarian Hunyadi” Episodes in Albanian–Hungarian Historical Contacts Acta Balcano-Hungarica 1. ※ Series managing editors: Pál Fodor and Antal Molnár Series editor: Krisztián Csaplár-Degovics Hungarian Academy of Sciences Research Centre for the Humanities
    [Show full text]
  • Holy Roman Empire
    WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 1 V1V2 WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 CONTENT Historical Background Bohemian-Palatine War (1618–1623) Danish intervention (1625–1629) Swedish intervention (1630–1635) French intervention (1635 –1648) Peace of Westphalia SPECIAL RULES DEPLOYMENT Belligerents Commanders ARMY LISTS Baden Bohemia Brandenburg-Prussia Brunswick-Lüneburg Catholic League Croatia Denmark-Norway (1625-9) Denmark-Norway (1643-45) Electorate of the Palatinate (Kurpfalz) England France Hessen-Kassel Holy Roman Empire Hungarian Anti-Habsburg Rebels Hungary & Transylvania Ottoman Empire Polish-Lithuanian (1618-31) Later Polish (1632 -48) Protestant Mercenary (1618-26) Saxony Scotland Spain Sweden (1618 -29) Sweden (1630 -48) United Provinces Zaporozhian Cossacks BATTLES ORDERS OF BATTLE MISCELLANEOUS Community Manufacturers Thanks Books Many thanks to Siegfried Bajohr and the Kurpfalz Feldherren for the pictures of painted figures. You can see them and much more here: http://www.kurpfalz-feldherren.de/ Also thanks to the members of the Grimsby Wargames club for the pictures of painted figures. Homepage with a nice gallery this : http://grimsbywargamessociety.webs.com/ 2 V1V2 WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 3 V1V2 WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 The rulers of the nations neighboring the Holy Roman Empire HISTORICAL BACKGROUND also contributed to the outbreak of the Thirty Years' War: Spain was interested in the German states because it held the territories of the Spanish Netherlands on the western border of the Empire and states within Italy which were connected by land through the Spanish Road. The Dutch revolted against the Spanish domination during the 1560s, leading to a protracted war of independence that led to a truce only in 1609.
    [Show full text]
  • Rites of Passage and Oral Storytelling in Romanian Epic and the New Testament
    Oral Tradition, 17/2 (2002): 236-258 Rites of Passage and Oral Storytelling in Romanian Epic and the New Testament Margaret H. Beissinger The exploration of traditional narratives that circulated in the pre- modern age through the comparative study of contemporary genres has a rich precedent in the groundbreaking work of Milman Parry and Albert Lord. Starting in the 1930s, Parry and Lord sought to gain insight into the compositional style of the Homeric epics by observing and analyzing Yugoslav oral epic poets and their poetry. Their findings and conclusions were seminal. In 1960, Lord posited that traditional singers compose long sung poetry in isometric verses in performance through their reliance on groups of words that are regularly used-—as parts of lines, entire lines, and groups of lines—to represent ideas in the poetry.1 This became known as the theory of oral-formulaic composition and has had profound implications in the study of epic and other traditional genres from ancient to modern times.2 Oral epic is no longer performed in today’s former Yugoslavia. But there are still traces of traditional narrative poetry elsewhere in the Balkans, namely in southern Romania, where I have done much fieldwork among epic singers and at epic performances. Though greatly inspired by the work of Parry and Lord, my goals in this article, of course, are far humbler. I examine narrative patterns in a Romanian epic song cycle in order to offer possible models for the further study of oral storytelling in the New Testament. My exploration centers on epics of initiation and the nature of the initiatory hero.
    [Show full text]
  • Der Bergkranz
    (eBook - Digi20-Retro) Petar II Petrovic Njegoš Der Bergkranz Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. 00053882 / V PETAR IL PETROVIC NJEGOS Der Bergkranz »• Einleitung, Übersetzung und Kommentar von ■» Л Л A. Schmaus 196} VERLAG OTTO SAGNER, MÜNCHEN PROSVETA VERLAG. BELGRAD © 1963 by Verlag O tto Sagner/München Abteilung der Fa. Kubon & Sagner, München Herstellung: Buch- und Offsetdruckerei Karl Schmidle, Ebersberg Printed in Germany EINLEITUNG ■ Щ Petar II. Petrovié Njegoš 1813— 1851 I Leben и n d p о 1 i t i s с h e s Wirken Njegoš stammte aus dem montenegrinischen Dorfe Njeguži unterhalb des Lovcen, aus der Familie Petrovié, in der sich seit dem Ende des 17. Jahr- hunderts die Bischofswürde forterbte. 1813 geboren, war der junge Rade — dies war sein Taufname — zunächst nicht zum Bischofsamte aus- ersehen, sondern wurde erst 1826 von seinem Onkel, Petar I., zum Nach- folger bestimmt. Damit fand die sorglose Kindheit ein jähes Ende. Im Kloster von Cetinje und anschließend in Topla bei Hercegnovi erhielt er die für sein künftiges Amt notwendige Ausbildung; wegen der Kürze der Zeit und des Fehlens sonstiger Voraussetzungen konnte sie weder sehr umfassend noch sehr gründlich sein. Vielfältige Anregungen wurden jedoch dem künftigen Dichter durch den serbischen Freiheitskämpfer und damals schon berühmten Poeten Sima Milutinovié vermittelt, der 1827 sein Amt als Sekretär des Bischofs und Lehrer des jungen Rade antrat.
    [Show full text]
  • Negotiation of the Haiduc in Ceaușescu's Romania
    Honor among Thieves: Negotiation of the Haiduc in Ceaușescu’s Romania (1968-1982) THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Justin Thomas Ciucevich, B.A. Graduate Program in Slavic and East European Studies The Ohio State University 2017 Thesis Committee: Theodora Dragostinova, Advisor David Hoffmann Adela Lechintan-Siefer Copyrighted by Justin Thomas Ciucevich 2017 Abstract In Nicolae Ceaușescu’s Romania, the haiduc enjoyed an elevated status in the national pantheon alongside the greatest rulers and revolutionaries of the past – celebrated through film, songs, literature, and architecture. Romania’s producers of culture (particularly privileged intellectuals working within the highly-centralized state) used the haiduc figure as an embodiment of the ideals espoused by the regime – a protector of national identity; a guarantor of social justice and economic equality; defender against foreign oppression; an embodiment of paternity, masculinity, fraternity, and morality; and a champion of righteous revolutionary principles. However, the haiduc also served a practical purpose for the regime. The narratives of the two most renowned haiduc figures – Baba Novac (1530-1601) and Iancu Jianu (1787-1842) – were used, especially, to vilify ethnic minorities and the large peasant population in Romania. This thesis focuses on how these two figures were used most malleably in order to maximize public displays of national chauvinism via flamboyant glorifications and representations. ii Vita 2004............................................................... Hoover High School, Hoover, AL 2011................................................................Jefferson State Community College 2014................................................................University of Alabama at Birmingham 2016................................................................Foreign Language and Area Studies Fellowship, Romanian, The Ohio State University Publications Ciucevich, Justin.
    [Show full text]
  • Opera and Nineteenth-Century Nation-Building : the (Re)Sounding Voice of Nationalism
    UvA-DARE (Digital Academic Repository) Opera and nineteenth-century nation-building : the (re)sounding voice of nationalism Lajosi, K.K. Publication date 2008 Link to publication Citation for published version (APA): Lajosi, K. K. (2008). Opera and nineteenth-century nation-building : the (re)sounding voice of nationalism. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 Chapter Eight Mihai Viteazul as Nation-Builder in the Romanian National Imagination “Turning to ethnic minorities, many of whom are vertical and demotic in character and have communal mythomoteurs, we find that the sacred and religious factors assume even a greater importance than in dynastic ethnic states.” (Anthony D. Smith)330 “Myth does not deny things, on the contrary, its function is to talk about them; simply, it purifies them, it makes them innocent, it gives them a natural and eternal justification, it gives them a clarity which is not that of an explanation but that of a statement of fact.” (Roland Barthes)331 I.
    [Show full text]
  • T H E a T R E a R T S R E V I
    32 THEATRE ARTS REVIEW Scena, ISSN 0351-3963 Theatre Arts Review No. 32 NOVI SAD, 2019 January–December CONTENTS Miloš Latinović and Željko Jovanović THE CREATIVITY OF DRAMATISATIONS . > 7 Translated by > Stefan Alidini Nebojša Bradić THE DEVIL’S YARD ....................... > 12 Translated by > Stefan Alidini Spasoje Ž. Milovanović 1915 - TRAGEDY OF A PEOPLE . .> 32 Translated by > Stefan Alidini Dimitrije Kokanov AND EVERY TIME EXACTLY LIKE THE FIRST ......................... > 68 Translated by > Stefan Alidini THEATRE ARTS REVIEW 7 > Željko Jovanović and Miloš Latinović THE daptation of prose works for theatre is a frequent CREATIVITY OF occurrence in theatre stage productions, but poetry A can also be dramatised. Aside from adapting nov- els (for example, of Slobodan Selenić, Milorad Pavić, Al- eksandar Tišma, etc.) or Greek tragedies, poems, myths, DRAMATISATIONS there are adaptations of epic folk poetry specific to Ser- bia and the Balkans. Simović’s Hasanaginica or Banović Strahinja adapted by Borislav Mihailović-Mihiz based on the motifs of these two poems, are performed with great frequency. A great example of adapting poetry for stage Translated by > Stefan Alidini is Jernej Lorenci’s Kingdom of Heaven. He and his team staged poems from the pre-Kosovo and Kosovo cycles at BITEF and the National theatre. These are only some of the numerous examples where great works of literature – regardless of whether they were written as plays, for they can also be a part of the adaptation process – novels or folk poetry, were trans- formed into a new version and a first-rate dramatic text. One of many things to note is that working based on existing literature (mainly prose) falls into a separate category of dramatic works that are considered “origi- nal” creations.
    [Show full text]
  • Anuarul Institutului De Istorie Naţională
    UNIVERSITATEA „REGELE FERDINAND I." CLUJ-SIBIU ANUARUL INSTITUTULUI DE ISTORIE NAŢIONALĂ PUBLICAT DE ALEX. LAPEDATU ş. IOANLUPAŞ Profesori de Istoria Românilor la Universitate Membri al Academiei Române VIII 1939—1942 TIPOGRAFIA „CARTEA ROMÂNEASCĂ DIN CLUJ", SIBIU 19 4 2 Acest, al VIH-lea, volum din „Anuarul Institutului de Isto­ rie Naţională" de pe lângă Universitatea Regele Ferdinand I din Cluj, cuprinzând o seamă dintre studiile şi lucrările pregă­ tite de membri Institutului în cursul anilor 1939—1940, ar fi trebuit să apară cu mult mai de vreme. întârzierea apariţiei este însă justiiicată prin neiastele consecinţe ale cunoscutului dictat din ziua de 30 August 1940. „Institutul de Istorie Naţională" a iost nevoit să-şi întreru­ pă atunci activitatea inaugurată la Cluj înainte cu două decenii, să-şi părăsească adăpostul pe care izbutise a şi-l crea în condi- ţiuni optime într'un imobil al său (Str. N. lor ga 11) — propriu să-i asigure nu numai încăperile necesare pentru birouri, pentru bibliotecă şi pentru întrunirea membrilor în şedinţe destinate comunicărilor de specialitate, ci şi un apreciabil venit anual din chirii, dându-i astfel putinţa să-şi acopere în cea mai mare parte din mijloace proprii cheltuielile de tipar ale publicaţiunilor sale ştiinţifice, fără subvenţiuni speciale din bugetul Statului. Calea pribegiei spre noul local din Sibiu a pricinuit deci „Institutului de Istorie Naţională" — în afară de pierderea unui număr de cărţi şi de manuscrise, rămase probabil în vechiul lo­ cal din Cluj sau risipite în edificiul unei şcoli primare din Turda, — o situaţiune din cele mai precare, lipsindu-l de principalul izvor de venituri şi împiedecăndu-l în desfăşurarea normală a unei activităţi care sar fi cerut continuată fără zăbavă.
    [Show full text]
  • Bram Stoker's Vampire Trap
    BRAM STOKER’S VAMPIRE TRAP VLAD THE IMPALER AND HIS NAMELEss DOUBLE BY HANS CORNEEL DE ROOS, MA MUNICH EMAIL: [email protected] HOMEPAGE: WWW.HANSDEROOS.COM PUBLISHED BY LINKÖPING UNIVERSITY ELECTRONIC PREss S-581 83 LINKÖPING, SWEDEN IN THE SERIES: LINKÖPING ELECTRONIC ARTICLES IN COMPUTER AND INFORMATION SCIENCE SERIES EDITOR: PROF. ERIK SANDEWALL AbsTRACT Since Bacil Kirtley in 1958 proposed that Bram Stoker’s Count Dracula, the best known literary character ever, shared his historical past with the Wallachian Voivode Vlad III Dracula, an intense debate about this connection has developed and other candidates have been suggested, like the Hungarian General János Hunyadi – a proposal resurfacing in the most recent annotated Dracula edition by Leslie Klinger (2008). By close-reading Stoker’s sources, his research notes and the novel, I will demonstrate that Stoker’s novel initially links his Count to the person of Vlad III indeed, not Hunyadi, although the novelist neither knew the ruler’s first name, nor his father’s name, nor his epithet “the Impaler”, nor the cruelties attributed to him. Still – or maybe for this very reason – Stoker did not wish to uphold this traceable identity: In Chapter 25, shortly before the decisive chase, he removes this link again, by way of silent substitution, cloaked by Professor van Helsing’s clownish distractions. Like the Vampire Lord Ruthven, disappearing through the “vampire trap” constructed by James R. Planché for his play The Brides of the Isles in the English Opera House, later renamed to Lyceum Theatre and run by Stoker, the historical Voivode Vlad III Dracula is suddenly removed from the stage: In the final chapters, the Vampire Hunters pursue a nameless double.
    [Show full text]
  • Between Ephemeralty and Fiction. Addenda to the History of the Bans of Caransebes and Lugoj
    BETWEEN EPHEMERALTY AND FICTION. ADDENDA TO THE HISTORY OF THE BANS OF CARANSEBES AND LUGOJ Dragoș Lucian Ţigău* Keywords: ban, captain, historiography, princes of Báthori Cuvinte cheie: ban, căpitan, istoriografie, principii Báthori The Banat of Caransebes and Lugoj is an emblematic institution in the region placed among the Carpathians, the Danube, and the Mures and the Tisza rivers. Far for being a long lasting one, its existence might be situated at the medieval and modern ages crossing, as a time delimited and marked by important confessional, institutional, military, and political transformations.1 The Banat of Caransebes and Lugoj was always inside of the area of Christian civilization and Islamic world contact, a region of more languages and religions interlacing, but also a permanently exposed to military insecurity and political instability border area. The interest in finding out the history of the banat(e) as the representative and supreme dignity was an early one2, but it was Pesty Frigyes the only one to realize the most substantial investigations after 1875.3 The data that Pesty Frigyes published are still reference sources for the modern and contemporary historical writing.4 The Romanian historiography has later and only tangentially focused on the banat institution although it belongs to * Şcoala Superioară Comercială Nicolae Kretzulescu [Superior Commercial School Nicolae Kretzulescu] Bucharest, bd. Hristo Botev, no. 17, e-mail: [email protected]. 1 The banate of Caransebes and Lugoj was certified between 1536, February and 1658, September, the date it was conquered by the Ottomans. 2 Samuel Timon, Imago Novae Hungariae, vol. I (Cassovia/ Košice, 1734), 38–41 (Caput V.
    [Show full text]
  • The Middle Ages in Romania Began with the Withdrawal of the Mongols
    The Middle Ages in Romania began with the withdrawal of the Mongols, the last of the migrating populations to invade the territory of modern Romania, after their attack of 1241– 1242. It came to an end with the reign of Michael the Brave (1593–1601) who managed, for a short time in 1600, to rule Wallachia, Moldavia and Transylvania, the three principalities whose territories were to be united some three centuries later to form Romania. Over most of this period, Banat, Crişana, Maramureş and Transylvania – now regions in Romania to the west of the Carpathian Mountains – were part of the Kingdom of Hungary. They were divided into several types of administrative units, such as "counties" and "seats". The heads of the Transylvanian counties or "counts" were subordinated to a special royal official called voivode, but the province was seldom treated as a single unit, since the Székely and Saxon seats were administered separately. In the kingdom, Romanian peasants, being Orthodox, were exempt from the tithe, an ecclesiastical tax payable by all Roman Catholic commoners. However, Romanian noblemen slowly lost the ability to participate in political life, as the 14th-century monarchs pursued a zealous pro- Catholic policy. Their position became even worse after 1437 when the so-called "Union of Three Nations", an alliance of the Hungarian noblemen, the Székelys, and the Saxons, was formed in order to crush the Bobâlna peasant uprising. Wallachia, the first independent medieval state between the Carpathians and the lower Danube was created when Basarab I (c. 1310–1352) terminated the suzerainty of the king of Hungary with his victory in the battle of Posada in 1330.
    [Show full text]