German and Austrian Art of the 1920S and 1930S the Marvin and Janet Fishman Collection

Home , Christoph Voll, Karl Hubbuch, Ludwig Meidner, Otto Griebel

German and Austrian Art of the 1920s and 1930s The Marvin and Janet Fishman Collection

The concept Neue Sachlichkeit (New Objectivity) was introduced in Germany in the 1920s to account for new developments in art after German and Austrian Impressionism and Expressionism. Gustav Friedrich Hartlaub mounted an exhibition at the Mannheim Museum in 1925 under the title Neue Art of the1920s and1930s Sachlichkeit giving the concept an official introduction into modern art in the Weimar era of Post-World War I Germany. In contrast to impressionist or abstract art, this new art was grounded in tangible reality, often rely- ing on a vocabulary previously established in nineteenth-century realism. The artists Otto Dix, George Grosz, Karl Hubbuch, Felix Nussbaum, and Christian Schad among others–all represented in the Haggerty exhibition–did not flinch from showing the social ills of urban life. They cata- logued vividly war-inflicted disruptions of the social order including pover- Otto Dix (1891-1969), Sonntagsspaziergang (Sunday Outing), 1922 Will Grohmann (1887-1968), Frauen am Potsdamer Platz (Women at Postdamer ty, industrial vice, and seeds of ethnic discrimination. Portraits, bourgeois Oil and tempera on canvas, 29 1/2 x 23 5/8 in. Place), ca.1915, Oil on canvas, 23 1/2 x 19 3/4 in. café society, and prostitutes are also common themes. Neue Sachlichkeit artists lacked utopian ideals of the Expressionists. These artists did not hope to provoke revolutionary reform of social ailments. Rather, their task was to report veristically on the actuality of life including the ugly and the vulgar. Cynicism, irony, and wit judiciously temper their otherwise somber depictions. Politically the artists were across the board from left to bourgeois. Dix, representing the left, immediately came under fire from the Nazis. But some of the artists attracted less scrutiny and were able to remain in Germany during the war.

Neue Sachlichkeit artists were largely forgotten after the end of the war in 1945, and few had been collected in the museums. This changed after Marvin and Janet Fishman began collecting the art in the late 1970s. Their efforts in developing a substantial collection have helped to establish a place in the art world for a generation of neglected German and Austrian artists from the 1920s and 1930s. The Fishman Family Collection has trav- eled widely throughout the world. The exhibitions and their gifts to the Otto Dix (1891-1969), Dompteuse (Lion Tamer), 1922 George Grosz (1893-1959), Der Dank des Vaterlands (The Fatherland Thanks Haggerty and other museums have assured public access to this important Watercolor and pencil on paper, 25 3/8 x 18 3/4 in. You), 1921, Watercolor, pen and ink on paper, 19 3/4 x 14 3/4 in. Ludwig Meidner (1884-1966), Apokalyptische Landschaft, (Apocalyptic Landscape), 1913, Oil on canvas, 26 1/2 x 31 1/2 in. body of work.

Curtis L. Carter The Marvin and Janet Fishman Collection

Acknowledgments

The Haggerty Museum wishes to thank the Fishman family for making available their collection for the benefit of the public. The Goethe House of Wisconsin joins the Museum in sponsoring the exhibition with a contribution to partially fund the speaker and education programs that accompany the exhibition. The Honorable Ted Wedemeyer, president of the Goethe House is responsible for arranging the joint sponsorship. Haggerty Museum of Art Curtis L. Carter Marquette University Director Karl Hubbuch (1891-1979), In der Theaterloge (In the Theater Box), Ludwig Meidner (1884-1966), Mein Nachtgesicht (My Nocturnal Visage), 1913 ca.1928-29, Watercolor over pencil on paper, 31 1/2 x 16 7/8 in. Oil on canvas, 26 1/4 x 19 1/4 in.

Exhibition Checklist 28. Will Grohmann (1887-1968) 41. Grethe Jürgens (1899-1981) 54. Ludwig Meidner (1884-1966) 68. Georg Tappert (1880-1957) Frauen am Potsdamer Platz (Women at Postdamer Apfelsinnenkarren (Orange Cart), 1923 Landschaft mit Birke (Landscape with Birch Tree), 1919 Landstrasse, Abendstimmung (Country Street, Evening 1. Hans Baluschek (1870-1935) 15. Otto Dix (1891-1969) Place), ca.1915 Watercolor and pencil on paper Oil on canvas Time), 1936 Uberdachern (Over the Rooftops), 1934 Sonntagsspaziergang (Sunday Outing), 1922 Oil on canvas 10 1/2 x 9 3/8 in. 11 3/4 x 13 1/2 in. Watercolor over pencil on paper Watercolor on paper Oil and tempera on canvas 23 1/2 x 19 1/4 in. 9 3/4 x 13 3/16 in. 25 5/8 x 19 5/8 in. 29 1/2 x 23 5/8 in. 42. Grethe Jürgens (1899-1981) 55. Ludwig Meidner (1884-1966) 29. Rudolf Grossmann (1882-1941) Fabrikeingang (Factory Entrance), 1923 Mein Nachtgesicht (My Nocturnal Visage), 1913 69. Georg Tappert (1880-1957) 2. Albert Birkle (1900-1986) 16. Otto Dix (1891-1969) Portrait of Wolfgang Gurlitt and Frau Tilly Watercolor, gouache, and colored pencil on paper Oil on canvas Erwartung (Waiting), ca. 1927 Am Kronprinzenufer, Berlin (At the Kronprinzenufer, Bettlerin (Beggar Woman), 1924 Christensen-Agostan, Gallery Manager, ca.1930 8 1/8 x 7 in. 26 1/4 x 19 1/4 in. Pen and ink on parchment Berlin), 1924 Brush, tusche and ink on paper Pencil on paper 12 3/16 x 9 1/2 in. Tempera on paper mounted on board 24 1/2 x 17 15/16 in. 13 1/2 x 18 11/16 in. 43. Lea Langer Grundig (1906-1977) 56. Ludwig Meidner (1884-1966) 27 3/16 x 37 in. Kumpel/Arbeitlose (My Pal/Unemployed), 1932 Selbsporträt (Self Portrait as a Prophet), 1918 70. Bobette van Gelder (Dutch) 17. Otto Dix (1891-1969) 30. George Grosz (1893-1959) Charcoal on paper Ink on paper Treffrunkt Unterbrechung (Interrupted Rendezvous), 3. Armand Bouten (1893-1965) Dompteuse (Lion Tamer), 1922 Der Dank des Vaterlands (The Fatherland Thanks 24 x 18 3/4 in. 25 9/16 x 20 1/16 in. ca. 1925 Geburt (Birth), ca. 1920 Watercolor and pencil on paper You), 1921 Watercolor over charcoal on paper Ink, metallic ink and watercolor on paper 25 3/8 x 18 3/4 in. Watercolor, pen and ink on paper 44. Elfriede Lohse-Wächtler (1899-1940) 57. Ludwig Meidner (1884-1966) 17 7/8 x 23 13/16 in. 4 5/8 x 5 1/16 in. 19 3/4 x 14 3/4 in. Ausblick im Nachtlokal, (View of Nightclub), 1930 Menschenmenge in einer Bahnstation (Crowd Scene in 18. Otto Dix (1891-1969) Pastel on paper Train Station), 1915 71. Bruno Voigt (1912-1988) 4. Armand Bouten (1893-1965) Grabkreuze (Cemetery Crosses), ca.1915-18 31. George Grosz (1893-1959) 28 1/2 x 21 5/8 in. Ink on paper Der Totentanz Beginnt (The Death Dance Begins) Circus Sideshow, ca. 1925 Gouache Strassencafé (Sidewalk Café), ca.1923-24 18 1/8 x 21 1/4 in. Watercolor on paper Gouache on paper 11 1/4 x 11 1/4 in. Brush and ink on paper 45. Fritzi Löw (Austrian) 18 3/4 x 14 1/8 in. 5 3/8 x 8 1/4 in. 19 11/16 x 15 7/16 in. Nur für Herren (For Men Only), 1934 58. Hermann Niehaus (active 1920s) 19. Otto Dix (1891-1969) Pencil on paper Prolet (Proletarian), 1924 72. Bruno Voigt (1912-1988) 5. Armand Bouten (1893-1965) Geburt (Birth), 1918 32. George Grosz (1893-1959) 11 7/8 x 8 1/4 in. Watercolor, gouache, pen and ink on paper Die Revolution Siegt (The Revolution will Triumph), Variety, ca. 1925 Ink, ink wash and pencil on paper Begräbnis (Funeral), ca.1924-1926 20 x 15 7/8 in. 1933 Gouache on paper 15 11/16 x 15 7/16 in. Pen, brush and ink on paper 46. Fritzi Löw (Austrian) Watercolor, ink and charcoal on paper 5 3/8 x 8 in. 19 1/4 x 25 1/4 in. Im Kaffeehaus (In the Coffeehouse), 1934 59. Felix Nussbaum (1904-1944) 19 1/4 x 16 in. 20. Otto Dix (1891-1969) Pencil on paper Bahnstation in Alassio (Train Station at Alassio), 1933 6. Armand Bouten (1893-1965) Erotischer Puff (Erotic Brothel), 1922 33. George Grosz (1893-1959) 11 7/8 x 8 1/4 in. Gouache on paper 73. Bruno Voigt (1912-1988) Circus Strong Man, ca. 1925 Watercolor, pen, brush, ink and pencil on paper Die Familie (The Family), ca.1916 19 1/2 x 25 3/4 in. Schlotbaron (Factory Owner), 1932 Gouache on paper 19 1/8 x 15 1/2 in. Reed pen, brush and ink on paper 47. Fritzi Löw (Austrian) Pen and ink on paper 5 1/4 x 8 in. 11 3/16 x 8 11/16 in. Nachtliche Strassenszene mit Frau und Lanterne 60. Felix Nussbaum (1904-1944) 19 x 13 in. 21. Otto Dix (1891-1969) (Night Street Scene with Woman and Light), 1935 Antikenpark (Park of Antiquities), 1931 7. Armand Bouten (1893-1965) Blinder (Blind Man), ca.1923 34. Henriet Henk Pencil on paper Oil on canvas 74. Christoph Voll (1897-1939) Nude Seated in Interior, 1933 Lithographic crayon on paper The Billiard Club, 1933 11 7/8 x 9 7/8 in. 23 5/8 x 28 3/8 in. Akt am Ofen (Nude near Stove), ca. 1920 Watercolor on paper 24 1/4 x 20 1/8 in. Pencil on paper Watercolor, pen and ink on paper 11 3/4 x 9 in. 12 1/4 x 20 7/8 in. 48. Fritzi Löw (Austrian) 61. Max Radler (1904-1947) 13 13/16 x 19 11/16 in. 22. Pierre Freyer Geruchte fliegen durch eine Stadt (Rumors Fly Deutscher Notwinter (Extreme German Winter), 1931 8. Eduard Braun (1902-1973) Szene im Prostituiertenviertel (Red Light District), 1937 35. Richard Hohly (1902-1990) Through Town), 1934 Mixed media 75. Aloys Wach (1892-1940) Grossstadtbrücke (Big City Bridge), ca. 1930 Watercolor on paper Zwei Arbeitslose (Two Unemployed), 1929 Pencil on paper 22 x 17 in. Strassenszene (Street Scene), ca. 1914 Watercolor, ink and tusche on paper 20 5/8 x 13 3/8 in. Charcoal, pen and ink on paper 12 1/4 x 11 7/8 in. Brown chalk on brown paper 7 3/8 x 5 5/8 in. 16 3/4 x 20 7/8 in. 62. Josef Scharl (1896-1954) 17 1/8 x 12 7/16 in. 23. Ernst Fritsch (1892-1965) 49. Jeanne Mammen (1890-1976) Misshandelte Dirne (Battered Prostitute), 1931 9. Eduard Braun (1902-1973) Die Witwe (The Widow), 1928 36. Karl Hubbuch (1891-1979) An der Schiessbude (Shooting Gallery in Carnival), Oil on canvas 76. Kurt Weinhold (1892-1965) Theatergarderobe (Theater Checkroom), ca. 1930 Watercolor on paper In der Theaterloge (In the Theater Box), ca.1928-29 ca. 1925-30 34 1/2 x 22 1/8 in. Die neue Auslage (The New Window Display), Pen and ink on paper 23 3/4 x 19 3/8 in. Watercolor over pencil on paper Watercolor on paper ca. 1929-1930 10 7/8 x 9 7/8 in. 31 1/2 x 16 7/8 in. 17 1/2 x 14 3/8 in. 63. Egon Schiele (Austrian, 1890-1918) Pen and ink on paper 24. Rudolf Fuhrmann (1909-1977) The Anarchist—Self-Portrait, ca. 1910 18 1/8 x 23 1/4 in. 10. Eduard Braun (1902-1973) Selbstmord (Suicide), ca.1936 37. Karl Hubbuch (1891-1979) 50. Jeanne Mammen (1890-1976) Pencil and watercolor on paper Die Besessenen (The Possessed), ca.1930 Charcoal, pen and ink on paper Drei Koketten (Three Flirts), ca.1928 Zimmer Frei (Available Room), ca. 1931 10 x 8 3/4 in. 77. Magnus Zeller (1888-1972) Pen and ink on paper 19 7/8 x 12 3/4 in. Watercolor on paper Watercolor on paper Diebe (Thieves), 1919 9 3/8 x 11 15/16 in. 30 7/8 x 28 1/2 in. 18 3/4 x 13 1/2 in. 64. Karl Schwesig (1898-1955) Watercolor on paper 25. Rudolf Fuhrmann (1909-1977) Heraus zur Demonstration (Out to the 11 3/4 x 14 1/4 in. 11. Eduard Braun (1902-1973) Unter der Macht der Kirche (The Church Controls), 38. Eric Johansson (b.1913) 51. Frans Masereel (Belgian, 1889-1972) Demonstration), 1931 Vorstadtkneipe (Suburban Bar), 1929 1936 Die Helden (The Hero), 1920 Menschenmenge (Crowded City Scene), 1918 Watercolor, ink and tusche on paper 78. Magnus Zeller (1888-1972) Ink on paper Charcoal, pen and ink on paper Watercolor on paper Ink on paper 9 3/8 x 11 3/4 in. Auf der Flucht (In Flight), 1920 13 3/8 x 11 5/8 in. 19 1/2 x 12 7/8 in. 14 1/2 x 10 1/2 in. 14 1/8 x 10 1/4 in. Watercolor over pencil on paper 65. Max Schwimmer (1895-1960) 12 1/4 x 9 in. (irregular) 12. Eduard Braun (1902-1973) 26. Otto Gleichmann (1887-1963) 39. Eric Johansson (b.1913) 52. Ludwig Meidner (1884-1966) Gespräch (Conversation), 1920 Berlin Bahnhof Friedrichstrasse, 1930 Strassenszene (Street Scene), 1921 Bordellszene (Brothel Scene), ca.1920 Apokalyptische Landschaft, (Apocalyptic Landscape), Ink on paper 79. Magnus Zeller (1888-1972) Ink on paper Gouache, tusche, brush and ink on paper Watercolor on paper 1913 13 5/8 x 9 5/8 in. In der Irrenanstalt (In the Insane Asylum), 22 3/4 x 19 1/8 in. 9 1/8 x 12 1/4 in. 9 5/8 x 6 3/4 in. Oil on canvas ca. 1919-1920 26 1/2 x 31 1/2 in. 66. Jakob Steinhardt (1887-1968) Pencil on paper 13. Fritz Burkhardt 27. Otto Griebel (b.1895) 40. Eric Johansson (b.1913) Paar am Tisch (Couple at a Table), ca. 1920 8 1/4 x 8 in. Can-can Dancers, ca. 1925-28 Fabrikarbeiter auf dem Heimweg (Factory Workers Agitationsredner mit Roter Fähne (Protest Speaker with 53. Ludwig Meidner (1884-1966) Pencil and charcoal on paper Gouache Going Home), 1922 Red Flag), ca. 1920-25 Stammtischszene (Coffeehouse Scene), 1913 11 7/16 x 8 5/8 in. 80. Richard Ziegler (1891-1992) 20 5/8 x 23 3/4 in. Watercolor on paper Pastel on paper Pen and ink on paper Heftige Umarmung (Violent Embrace), ca.1928 10 3/8 x 7 1/4 in. 25 5/8 x 19 5/8 in. 23 5/8 x 15 3/4 in. 67. Georg Tappert (1880-1957) Pencil on paper 14. Charles Clement (Swiss, 1889-1972) Dame im Café—Eine Tasse Schokolade (Woman in a 9 x 7 5/8 in. Marseilles Harbor Street Scene, 1924 Café—A Cup of Hot Chocolate), ca. 1917 Watercolor on paper Oil on canvas 18 9/16 x 15 1/8 in. 32 1/2 x 29 7/8 in. 1. Hans Baluschek (1870-1935) Uberdachern (Over the Rooftops), 1934 16. Otto Dix (1891-1969) 30. George Grosz (1893-1959) Watercolor on paper Bettlerin (Beggar Woman), 1924 Der Dank des Vaterlands (The Fatherland Thanks You), 1921 25 5/8 x 19 5/8 in. Brush, tusche and ink on paper Watercolor, pen and ink on paper 24 1/2 x 17 15/16 in. 19 3/4 x 14 3/4 in. 2. Albert Birkle (1900-1986) Am Kronprinzenufer, Berlin (At the Kronprinzenufer, Berlin), 1924 17. Otto Dix (1891-1969) 31. George Grosz (1893-1959) Tempera on paper mounted on board Dompteuse (Lion Tamer), 1922 Strassencafé (Sidewalk Café), ca.1923-24 27 3/16 x 37 in. Watercolor and pencil on paper Brush and ink on paper 25 3/8 x 18 3/4 in. 19 11/16 x 15 7/16 in. 3. Armand Bouten (1893-1965) Geburt (Birth), ca. 1920 18. Otto Dix (1891-1969) 32. George Grosz (1893-1959) Ink, metallic ink and watercolor on paper Grabkreuze (Cemetery Crosses), ca.1915-18 Begräbnis (Funeral), ca.1924-1926 4 5/8 x 5 1/16 in. Gouache Pen, brush and ink on paper 11 1/4 x 11 1/4 in. 19 1/4 x 25 1/4 in. 4. Armand Bouten (1893-1965) Circus Sideshow, ca. 1925 19. Otto Dix (1891-1969) 33. George Grosz (1893-1959) Gouache on paper Geburt (Birth), 1918 Die Familie (The Family), ca.1916 5 3/8 x 8 1/4 in. Ink, ink wash and pencil on paper Reed pen, brush and ink on paper 15 11/16 x 15 7/16 in. 11 3/16 x 8 11/16 in. 5. Armand Bouten (1893-1965) Variety, ca. 1925 20. Otto Dix (1891-1969) 34. Henriet Henk Gouache on paper Erotischer Puff (Erotic Brothel), 1922 The Billiard Club, 1933 5 3/8 x 8 in. Watercolor, pen, brush, ink and pencil on paper Pencil on paper 19 1/8 x 15 1/2 in. 12 1/4 x 20 7/8 in. 6. Armand Bouten (1893-1965) Circus Strong Man, ca. 1925 21. Otto Dix (1891-1969) 35. Richard Hohly (1902-1990) Gouache on paper Blinder (Blind Man), ca.1923 Zwei Arbeitslose (Two Unemployed), 1929 5 1/4 x 8 in. Lithographic crayon on paper Charcoal, pen and ink on paper 24 1/4 x 20 1/8 in. 16 3/4 x 20 7/8 in. 7. Armand Bouten (1893-1965) Nude Seated in Interior, 1933 22. Pierre Freyer 36. Karl Hubbuch (1891-1979) Watercolor on paper Szene im Prostituiertenviertel (Red Light District), 1937 In der Theaterloge (In the Theater Box), ca.1928-29 11 3/4 x 9 in. Watercolor on paper Watercolor over pencil on paper 20 5/8 x 13 3/8 in. 31 1/2 x 16 7/8 in. 8. Eduard Braun (1902-1973) Grossstadtbrücke (Big City Bridge), ca. 1930 23. Ernst Fritsch (1892-1965) 37. Karl Hubbuch (1891-1979) Watercolor, ink and tusche on paper Die Witwe (The Widow), 1928 Drei Koketten (Three Flirts), ca.1928 7 3/8 x 5 5/8 in. Watercolor on paper Watercolor on paper 23 3/4 x 19 3/8 in. 30 7/8 x 28 1/2 in. 9. Eduard Braun (1902-1973) Theatergarderobe (Theater Checkroom), ca. 1930 24. Rudolf Fuhrmann (1909-1977) 38. Eric Johansson (b.1913) Pen and ink on paper Selbstmord (Suicide), ca.1936 Die Helden (The Hero), 1920 10 7/8 x 9 7/8 in. Charcoal, pen and ink on paper Watercolor on paper 19 7/8 x 12 3/4 in. 14 1/2 x 10 1/2 in. 10. Eduard Braun (1902-1973) Die Besessenen (The Possessed), ca.1930 25. Rudolf Fuhrmann (1909-1977) 39. Eric Johansson (b.1913) Pen and ink on paper Unter der Macht der Kirche (The Church Controls), 1936 Bordellszene (Brothel Scene), ca.1920 9 3/8 x 11 15/16 in. Charcoal, pen and ink on paper Watercolor on paper 19 1/2 x 12 7/8 in. 9 5/8 x 6 3/4 in. 11. Eduard Braun (1902-1973) Vorstadtkneipe (Suburban Bar), 1929 26. Otto Gleichmann (1887-1963) 40. Eric Johansson (b.1913) Ink on paper Strassenszene (Street Scene), 1921 Agitationsredner mit Roter Fähne (Protest Speaker with Red Flag), ca. 1920-25 13 3/8 x 11 5/8 in. Gouache, tusche, brush and ink on paper Pastel on paper 9 1/8 x 12 1/4 in. 25 5/8 x 19 5/8 in. 12. Eduard Braun (1902-1973) Berlin Bahnhof Friedrichstrasse, 1930 27. Otto Griebel (b.1895) Ink on paper Fabrikarbeiter auf dem Heimweg (Factory Workers Going Home), 1922 22 3/4 x 19 1/8 in. Watercolor on paper 10 3/8 x 7 1/4 in. 41. Grethe Jürgens (1899-1981) 13. Fritz Burkhardt Apfelsinnenkarren (Orange Cart), 1923 Can-can Dancers, ca. 1925-28 Watercolor and pencil on paper Gouache 10 1/2 x 9 3/8 in. 20 5/8 x 23 3/4 in. 28. Will Grohmann (1887-1968) 42. Grethe Jürgens (1899-1981) 14. Charles Clement (Swiss, 1889-1972) Frauen am Potsdamer Platz (Women at Postdamer Place), ca.1915 Fabrikeingang (Factory Entrance), 1923 Marseilles Harbor Street Scene, 1924 Oil on canvas Watercolor, gouache, and colored pencil on paper Watercolor on paper 23 1/2 x 19 1/4 in. 8 1/8 x 7 in. 18 9/16 x 15 1/8 in. 15. Otto Dix (1891-1969) 29. Rudolf Grossmann (1882-1941) 43. Lea Langer Grundig (1906-1977) Sonntagsspaziergang (Sunday Outing), 1922 Portrait of Wolfgang Gurlitt and Frau Tilly Christensen-Agostan, Gallery Manager, ca.1930 Kumpel/Arbeitlose (My Pal/Unemployed), 1932 Oil and tempera on canvas Pencil on paper Charcoal on paper 29 1/2 x 23 5/8 in. 13 1/2 x 18 11/16 in. 24 x 18 3/4 in. Ink on paper Die Revolution Siegt (The Revolution will Triumph), 1933 44. Elfriede Lohse-Wächtler (1899-1940) 18 1/8 x 21 1/4 in. Watercolor, ink and charcoal on paper Ausblick im Nachtlokal, (View of Nightclub), 1930 19 1/4 x 16 in. Pastel on paper 58. Hermann Niehaus (active 1920s) 28 1/2 x 21 5/8 in. Prolet (Proletarian), 1924 73. Bruno Voigt (1912-1988) Watercolor, gouache, pen and ink on paper Schlotbaron (Factory Owner), 1932 45. Fritzi Löw (Austrian) 20 x 15 7/8 in. Pen and ink on paper Nur für Herren (For Men Only), 1934 19 x 13 in. Pencil on paper 59. Felix Nussbaum (1904-1944) 11 7/8 x 8 1/4 in. Bahnstation in Alassio (Train Station at Alassio), 1933 74. Christoph Voll (1897-1939) Gouache on paper Akt am Ofen (Nude near Stove), ca. 1920 46. Fritzi Löw (Austrian) 19 1/2 x 25 3/4 in. Watercolor, pen and ink on paper Im Kaffeehaus (In the Coffeehouse), 1934 13 13/16 x 19 11/16 in. Pencil on paper 60. Felix Nussbaum (1904-1944) 11 7/8 x 8 1/4 in. Antikenpark (Park of Antiquities), 1931 75. Aloys Wach (1892-1940) Oil on canvas Strassenszene (Street Scene), ca. 1914 47. Fritzi Löw (Austrian) 23 5/8 x 28 3/8 in. Brown chalk on brown paper Nachtliche Strassenszene mit Frau und Lanterne 17 1/8 x 12 7/16 in. (Night Street Scene with Woman and Light), 1935 61. Max Radler (1904-1947) Pencil on paper Deutscher Notwinter (Extreme German Winter), 1931 76. Kurt Weinhold (1892-1965) 11 7/8 x 9 7/8 in. Mixed media Die neue Auslage (The New Window Display), 22 x 17 in. ca. 1929-1930 48. Fritzi Löw (Austrian) Pen and ink on paper Geruchte fliegen durch eine Stadt (Rumors Fly Through Town), 1934 62. Josef Scharl (1896-1954) 18 1/8 x 23 1/4 in. Pencil on paper Misshandelte Dirne (Battered Prostitute), 1931 12 1/4 x 11 7/8 in. Oil on canvas 77. Magnus Zeller (1888-1972) 34 1/2 x 22 1/8 in. Diebe (Thieves), 1919 49. Jeanne Mammen (1890-1976) Watercolor on paper An der Schiessbude (Shooting Gallery in Carnival), 63. Egon Schiele (Austrian, 1890-1918) 11 3/4 x 14 1/4 in. ca. 1925-30 The Anarchist—Self-Portrait, ca. 1910 Watercolor on paper Pencil and watercolor on paper 78. Magnus Zeller (1888-1972) 17 1/2 x 14 3/8 in. 10 x 8 3/4 in. Auf der Flucht (In Flight), 1920 Watercolor over pencil on paper 50. Jeanne Mammen (1890-1976) 64. Karl Schwesig (1898-1955) 12 1/4 x 9 in. (irregular) Zimmer Frei (Available Room), ca. 1931 Heraus zur Demonstration (Out to the Demonstration), 1931 Watercolor on paper Watercolor, ink and tusche on paper 79. Magnus Zeller (1888-1972) 18 3/4 x 13 1/2 in. 9 3/8 x 11 3/4 in. In der Irrenanstalt (In the Insane Asylum), ca. 1919-1920 51. Frans Masereel (Belgian, 1889-1972) 65. Max Schwimmer (1895-1960) Pencil on paper Menschenmenge (Crowded City Scene), 1918 Gespräch (Conversation), 1920 8 1/4 x 8 in. Ink on paper Ink on paper 14 1/8 x 10 1/4 in. 13 5/8 x 9 5/8 in. 80. Richard Ziegler (1891-1992) Heftige Umarmung (Violent Embrace), ca.1928 52. Ludwig Meidner (1884-1966) 66. Jakob Steinhardt (1887-1968) Pencil on paper Apokalyptische Landschaft, (Apocalyptic Landscape), 1913 Paar am Tisch (Couple at a Table), ca. 1920 9 x 7 5/8 in. Oil on canvas Pencil and charcoal on paper 26 1/2 x 31 1/2 in. 11 7/16 x 8 5/8 in.

53. Ludwig Meidner (1884-1966) 67. Georg Tappert (1880-1957) Stammtischszene (Coffeehouse Scene), 1913 Dame im Café—Eine Tasse Schokolade (Woman in a Café—A Cup of Hot Chocolate), ca. 1917 Pen and ink on paper Oil on canvas 23 5/8 x 15 3/4 in. 32 1/2 x 29 7/8 in. 68. Georg Tappert (1880-1957) Landstrasse, Abendstimmung (Country Street, Evening Time), 1936 Watercolor over pencil on paper 9 3/4 x 13 3/16 in. 54. Ludwig Meidner (1884-1966) Landschaft mit Birke (Landscape with Birch Tree), 1919 69. Georg Tappert (1880-1957) Oil on canvas Erwartung (Waiting), ca. 1927 11 3/4 x 13 1/2 in. Pen and ink on parchment 12 3/16 x 9 1/2 in. 55. Ludwig Meidner (1884-1966) Mein Nachtgesicht (My Nocturnal Visage), 1913 70. Bobette van Gelder (Dutch) Oil on canvas Treffrunkt Unterbrechung (Interrupted Rendezvous), ca. 1925 26 1/4 x 19 1/4 in. Watercolor over charcoal on paper 17 7/8 x 23 13/16 in. 56. Ludwig Meidner (1884-1966) Selbsporträt (Self Portrait as a Prophet), 1918 71. Bruno Voigt (1912-1988) Ink on paper Der Totentanz Beginnt (The Death Dance Begins) 25 9/16 x 20 1/16 in. Watercolor on paper 18 3/4 x 14 1/8 in. 57. Ludwig Meidner (1884-1966) Menschenmenge in einer Bahnstation (Crowd Scene in Train Station), 1915 72. Bruno Voigt (1912-1988)