VVF Project Summary-EN-9-2019

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M. A. et B. A., Michala Frank Barnová, [email protected] enthusiastic art historian and art researcher Vlasta Vostřebalová Fischerová (1898-1963) Project Summary Her painting and drawing work was produced during less than 25 years, but it is among the most distinct Czech art expressions of the 1920s and 1930s. Her work was also particularly influenced by contemporaneous German artists — e.g. George Grosz, Otto Dix, Karl Hubbuch and others of New Objectivity movement and French art. During her life, Vlasta had only two individual public exhibition. Before the Second World War she has interrupted her career and after she never resumed her work again. Following Vlasta’s death, her legacy was commemorated (in cooperation with her son) by numerous exhibitions in Czechoslovakia and some in Germany and France as well. Her son’s death in 1991 made her paintings unavailable to the public for the next twenty-five years. Graduation from Faculty of Arts of Masaryk University in Brno in 2009. Michala’s MA thesis collected all existing drawings and paintings by Vlasta Vost#ebalová Fischerová and evaluated them for the very first time on a larger scale, as an individual monographic book of the artist has never been published before. Vlasta Vostřebalová Fischerová: Between Social Art and Magical Realism The three month long exhibition was held in the second biggest gallery in the Czech Republic — The Moravian Gallery in Brno. michala frank barnová — VVF 09 / 2019 page !1/!2 The exhibition presented around 200 drawings and 50 oil paintings. Drawings and paintings from a private collection were presented to the public for the first time in twenty-five years. A three month long repeat exhibition was held in respected City Gallery in Prague in 2014. In total, Vlasta’s exhibitions were visited by 5,033 people. More then 40 newspapers and journals published articles about these unique exhibitions. In the beginning, there was only a true passion to find answers as to who was one of the forgotten female artists. A lot of careful work led to my MA thesis and to exhibitions in two respected galleries and culminated in the first monograph about this phenomenal artist. michala frank barnová — VVF 09 / 2019 page !2/!2.

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Karl Hubbuch (Karlsruhe 1891 – 1979 Karlsruhe)
Nummer 397 Kunstwerk des Monats April 2018 Karl Hubbuch (Karlsruhe 1891 – 1979 Karlsruhe) Erinnerungen an den 04. Januar 1925, 1925, Lithographie 30,8 x 23,1 cm (Darstellung) 32,5 x 24,9 cm (Blatt), Inv. Nr. L 638 „Der Welt den Spiegel vorhalten“, mit diesem Zitat aus durch einen collageartigen Aufbau mit mehreren Erzähl- Shakespeares Hamlet umschrieb Karl Hubbuch die Intenti- ebenen gelungen. on seiner Kunst (Brief an Franz Roh vom 12. Februar 1953). Der Blick aus dem Fenster, angedeutet durch den Vorhang in der oberen linken Ecke, fällt auf eine Hochzeitsge- Wie bei vielen Arbeiten der 1920er Jahre hat Hubbuch sellschaft. Die Leserichtung führt den Blick weiter über auf dem Blatt mit den „Erinnerungen an den 04. Januar ein Gebäude zu dem Brautpaar in einem Auto. Durch 1925“ einen autobiographischen Inhalt in einen größeren zwei große Blüten, die vermutlich auf einer Fensterbank gesellschaftlichen Rahmen eingebettet. Dies ist ihm stehen, sind vier kleinteiligere Szenen isoliert. Die Berliner Theaterbühnen hatten den jungen Hubbuch Aufruf zur Wahl der Demokratie dar. Damit spielte er zu einer solchen Komposition mit verschiedenen Bild- auf die politische Lage an, in der Hitler längst kein kleines strukturen und Maßstäben inspiriert. Während seiner Licht mehr war. Durch eine Unterredung am Tresen und Studienzeit an der Lehranstalt des Kunstgewerbemuseums der Beschilderung „Arbeits-Amt“ verdeutlichte er ein hatte er bis Kriegsausbruch viele Inszenierungen gesehen. weiteres gesellschaftliches Problem. Zudem schien Der Wechsel von der Großherzoglichen Badischen Aka- Hubbuch durch die Darstellung einer Frau mit grafischen demie in Karlsruhe nach Berlin wurde Hubbuch 1912 Blättern auf die eigene Lage des Künstlerdaseins zu durch die finanzielle Unterstützung seines bis dahin verweisen.
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NEUE SACHLICHKEIT: “New Objectivity” in Weimar Germany
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The Cultivation of Class Identity in Max Beckmann's
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New Objectivity: Modern German Art in the Weimar Republic, 1919–1933
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New Objectivity: Modern German Art in the Weimar Republic, 1919–1933
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Karl HUBBUCH Frühe Arbeiten Auf Papier
KArl hubbuCh Frühe Arbeiten AuF PAPier GAlerie MiChAel hASenCleVer KArl hubbuCh Frühe Arbeiten auf Papier 2015 GAlerie MiChAel hASenCleVer KG baaderstrasse 56c D-80469 München telefon + 49. 89. 99 75 00 71 Fax + 49. 89. 99 75 00 69 www.hasencleverart.com [email protected] ZU KARL HUBBUCH Karl Hubbuch wird 1891 in Karlsruhe geboren und gehört damit – wie auch Georg Scholz, Rudolf Schlichter oder George Grosz – der Generation von Künstlern an, die vor Ausbruch des Ersten Weltkriegs ihr Studium beginnen, während des Krieges einschneidende Erfahrung machen und schließlich die Jahre der Weimarer Republik von 1918 bis 1933 maßgeblich mit ihren Werken prägen und beeinflussen sollen. Hubbuch gilt heute als einer der wichtigsten Zeichner der 1920er Jahre. Bekanntheit erlangt er durch seine Teilnahme an der epochalen Mannheimer Ausstellung von Gustav Hartlaub Neue Sachlichkeit (1925), die auch der Stilepoche ihren Namen gab, sowie durch seine Professur an der Badischen Landeskunstschule in Karlsruhe, wo er eine ganze Generation von Malern und Zeichnern prägt. Als wichtiger Vertreter dieser Stilrichtung schafft er in einer kühlen Malweise und sachlichen Themenauffassung ein beachtliches Œuvre, das sich über Malerei, Zeichnung, Druckgrafik bis hin zu Fotografie erstreckt. Thematisch beschäftigt er sich mit drei Bereichen: dem Gegensatz von Stadt und Land, dem Verhältnis zu einer Frau bzw. das Bild der Frau sowie das Selbstbildnis und das Rollenselbstbildnis. Seine Heimatstadt Karlsruhe wie auch die ländliche Idylle seines Elternhaues zeigen sich als Themen besonders in den frühen Jahren seines Schaffens. Daneben wird zunächst Berlin und dann ab Ende der 1920er Jahre auch Frankreich Ziel zahlreicher Reisen und damit Thema vieler Arbeiten.
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Wilhelm Arntz Papers, 1898-1986
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