Giulia Cenci,Tomaso De Luca, Renato Leotta
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. -
Minicifre2009inglese:Layout 1 27-10-2009 18:07 Pagina 1 Minicifre2009inglese:Layout 1 27-10-2009 18:07 Pagina 2
MINICIFRE2009inglese:Layout 1 27-10-2009 18:07 Pagina 1 MINICIFRE2009inglese:Layout 1 27-10-2009 18:07 Pagina 2 SUMMARY Presentation 3 Museums, monuments , archaeological sites 4 Archives 6 Libraries 7 Cultural Heritage 8 Landscape and environment 10 UNESCO World Heritage 11 Contemporary art 12 Exhibitions 13 Conservation research and advanced training 14 Cultural tourism 15 Performing arts 16 Cinema 17 Training of artists 18 Recording industry 19 Copyright and royalties 20 Radio and television 21 Publishing 22 Cultural partecipation 24 Internet 25 The best of Made in Italy 26 Resources for culture 27 Cultural employment 29 Sources 31 2 MINICIFRE2009inglese:Layout 1 29-10-2009 17:41 Pagina 3 PRESENTATION This booklet presents synthetic data concerning production, protection and promotion of culture in Italy. The figures refer to 2008 (unless otherwise specified) and have been provided by the National Statistical System, the General Directions and Central Institutes of the Ministry for Cultural Heritage and Activities (MiBAC) as well as other reliable and sound sources. Despite all efforts to ensure a systematic and balanced presentation of the data, some imbalances persist due to differences in survey methods and the lack of permanent informative exchanges between institutions. However, we hope that, although very concise, this publication will provide basic first-hand information to observers and researchers and allow the public at large to assess Italy’s extensive cultural heritage as well as other social and economic aspects that accompany -
National and International Modernism in Italian Sculpture from 1935-1959
National and International Modernism in Italian Sculpture from 1935-1959 by Antje K. Gamble A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History of Art) in the University of Michigan 2015 Doctoral Committee: Professor Alexander D. Potts, Chair Associate Professor Giorgio Bertellini Professor Matthew N. Biro Sharon Hecker Associate Professor Claire A. Zimmerman Associate Professor Rebecca Zurier Copyright: Antje K. Gamble, 2015 © Acknowledgements As with any large project, this dissertation could not have been completed without the support and guidance of a large number of individuals and institutions. I am glad that I have the opportunity to acknowledge them here. There were a large number of funding sources that allowed me to study, travel, and conduct primary research that I want to thank: without them, I would not have been able to do the rich archival study that has, I think, made this dissertation an important contribution to the field. For travel funding to Italy, I thank the Horace R. Rackham Graduate School at the University of Michigan for its support with the Rackham International International Research Award and the Rackham Rackham Humanities Research Fellowship. For writing support and U.S.-based research funding, I thank the Department of History of Art at the University of Michigan, the Rackham Graduate School, the Andrew W. Mellon Foundation and the University of Michigan Museum of Art. For conference travel support, I thank the Horace R. Rackham Graduate School, the Department of History of Art, and the American Association of Italian Studies. While in Italy, I was fortunate enough to work with a great number of amazing scholars, archivists, librarians and museum staff who aided in my research efforts. -
Bruna Esposito Altri Venti – Ostro
Bruna Esposito Altri Venti – Ostro opening: Thursday 22 October 2020, from 12:00 to 21:00 closes: 31 March 2021 opening times: Tuesday to Saturday, from 16:00 to 20:00 STUDIO STEFANIA MISCETTI via delle Mantellate 14 - 00165 Rome tel / fax: +39 0668805880 [email protected] www.studiostefaniamiscetti.com STUDIO STEFANIA MISCETTI is proud to present Altri Venti – Ostro by Bruna Esposito. Three years after Allegro non troppo Esposito returns with an installation that is part of a new project yet rooted in her practice’s longstanding engagement with environmental sustainability, which she has explored since the 1980s. Ostro is the first of several variations on a theme designed to evoke the warm winds of the Mediterranean, such as the libeccio, sirocco and gregale. The installation consists of a gazebo made of natural materials such as bamboo and rope: the welcoming space is warmed by the breeze created by the blades of a solar-powered fan, and also features several ship propellers (a recurring motif in Esposito's work). Also on display are a number of souvenir hand fans, as well as several examples of low-tech domestic appliances that offer readily available solutions for anyone interested in pursuing a more conscious use of environmentally sustainable energy. The work is borne out of a synergy of various areas of research, bringing to life the artist's vision – and increasingly explicit conviction – that what are commonly termed consumer 'goods', such as air conditioning units, must be called into question. The work is presented as a device aiming to reinvigorate the space, imbuing it with new, possible relationships, reflections and meanings. -
ITALIAN MODERN ART | ISSUE 3: ISSN 2640-8511 Introduction
ITALIAN MODERN ART | ISSUE 3: ISSN 2640-8511 Introduction ITALIAN MODERN ART - ISSUE 3 | INTRODUCTION italianmodernart.org/journal/articles/introduction-3 Raffaele Bedarida | Silvia Bignami | Davide Colombo Methodologies of Exchange: MoMA’s “Twentieth-Century Italian Art” (1949), Issue 3, January 2020 https://www.italianmodernart.org/journal/issues/methodologies-of- exchange-momas-twentieth-century-italian-art-1949/ ABSTRACT A brief overview of the third issue of Italian Modern Art dedicated to the MoMA 1949 exhibition Twentieth-Century Italian Art, including a literature review, methodological framework, and acknowledgments. If the study of artistic exchange across national boundaries has grown exponentially over the past decade as art historians have interrogated historical patterns, cultural dynamics, and the historical consequences of globalization, within such study the exchange between Italy and the United States in the twentieth-century has emerged as an exemplary case.1 A major reason for this is the history of significant migration from the former to the latter, contributing to the establishment of transatlantic networks and avenues for cultural exchange. Waves of migration due to economic necessity in the late nineteenth and early twentieth centuries gave way to the smaller in size but culturally impactful arrival in the U.S. of exiled Jews and political dissidents who left Fascist Italy during Benito Mussolini’s regime. In reverse, the presence in Italy of Americans – often participants in the Grand Tour or, in the 1950s, the so-called “Roman Holiday” phenomenon – helped to making Italian art, past and present, an important component in the formation of American artists and intellectuals.2 This history of exchange between Italy and the U.S. -
Basicfigures
CONTEXT MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI SEGRETARIATO GENERALE ACTIVITIES SERVIZIO I – COORDINAMENTO E STUDI AND CULTURAL PARTECIPATION TRENDS IN ITALY: A WIDE-ANGLE SNAPSHOT OF BASIC DATA CULTURE AND STATISTICS ILLUSTRATING THE ACTIVITIES IN ITALY OF THE MINISTRY AND OTHER PUBLIC AND PRIVATE ENTITIES basic FIGURES WORKING TO PROTECT ITALY’S HERITAGE AND PROMOTE CULTURE MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI SEGRETARIATO GENERALE • UFFICIO STUDI Via del Collegio Romano, 27 – 00186 Roma Tel. 06/67232479 – 67232399 Sito web: www.ufficiostudi.beniculturali.it E-mail: [email protected] SECRETARY GENERAL Roberto Cecchi DIRECTOR STUDIES DEPT . Gianni Bonazzi SCIENTIFIC PROJECT Walter Santagata Gianni Bonazzi COORDINATOR Adelaide Maresca Compagna EDITORIAL STAFF Elisa Bucci Emilio Cabasino Silvana Carmen Di Marco Raffaella Onesti Anna Palmieri Marida Pasquazi GRAPHICS Silvana Carmen Di Marco EXTERNAL COLLABORATORS Enrico Eraldo Bertacchini Martha Mary Friel © All rights reserved Ministero per i beni e le attività culturali No part of this publication may be stored in a retrieval system or reproduced in any form or by any means, including photocopying, without the necessary permission. Printed March 2011 SPA – ROMA ISBN 978-88-492-2067-4 SUMMARY PRESENTATION Presentation 3 Museums, monuments, archaeological sites 4 Archives 6 This booklet presents synthetic data Libraries 7 concerning the production, protection and Cultural Heritage 8 promotion of culture in Italy. Landscape and environment 10 UNESCO World Heritage 11 The figures refer to 2009 (unless otherwise specified) and have been provided by the Contemporary art 12 National Statistical System, the General Exhibitions 13 Directorates and Central Institutes of the Conservation research and advanced training 14 Ministry for Cultural Heritage and Activities (MiBAC) as well as other reliable and sound Cultural tourism 15 sources. -
14 Posti Curatore Archeologo 0001
14 POSTI CURATORE ARCHEOLOGO 0001. Salvo quanto disposto in caso di revoca (art. 100 TUEL), il segretario dell'ente: A) Cessa automaticamente dall'incarico con la cessazione del mandato del sindaco e del presidente della provincia, continuando ad esercitare le funzioni sino alla nomina del nuovo segretario. B) Cessa automaticamente dall'incarico con la scadenza del mandato conferitogli. C) Cessa automaticamente dall'incarico con la cessazione del mandato del sindaco e del presidente della provincia; da qual momento gli è precluso il compimento di qualsiasi funzione. D) Cessa automaticamente trascorsi tre anni dal conferimento dell'incarico. 0002. A norma del disposto di cui all'art. 234 del Tuel il collegio dei revisori è composto: A) Da tre membri. B) Da quattro membri. C) Da cinque membri. D) Da due membri. 0003. Indicare quale affermazione afferente "le autorizzazione" è corretta. A) Nell'autorizzazione la P.A. mantiene solo un potere di vigilanza sullo svolgimento dell'attività a seguito del quale può adottare solo provvedimenti sanzionatori. B) L'autorizzazione ha natura costitutiva, in quanto attribuisce al privato un diritto di cui prima non era titolare. C) Nell'autorizzazione vi è un potere di ingerenza della P.A. nello svolgimento del servizio che si esprime nel potere di direzione, sostituzione e revoca. D) Nel rapporto autorizzatorio l'amministrazione attribuisce al terzo il potere di svolgere una determinata attività in via esclusiva, assegnandogli una posizione di monopolio od oligopolio. 0004. Il contratto di nomina di un direttore generale (art. 108 TUEL) può avere durata decennale? A) No, la durata dell'incarico non può eccedere quella del mandato del Sindaco o del Presidente della provincia. -
Culture in Italy 2012
2595-2 Maresca - Minicifre 2012 Inglese Cover_Layout 1 20/03/13 10.58 Pagina 1 CONTEXT MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI SEGRETARIATO GENERALE • UFFICIO STUDI ACTIVITIES AND CULTURAL PARTECIPATION TRENDS IN ITALY: A WIDE-ANGLE SNAPSHOT OF BASIC DATA CULTURE AND STATISTICS ILLUSTRATING THE ACTIVITIES IN ITALY OF THE MINISTRY AND OTHER PUBLIC AND PRIVATE ENTITIES basic FIGURES WORKING TO PROTECT ITALY’S HERITAGE AND PROMOTE CULTURE 2595-2 Maresca - Minicifre 2012 Inglese Cover_Layout 1 20/03/13 10.58 Pagina 2 MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI SEGRETARIATO GENERALE • UFFICIO STUDI Via del Collegio Romano, 27 – 00186 Roma Tel. 06/67232479 – 67232399 Sito web: www.ufficiostudi.beniculturali.it E-mail: [email protected] SECRETARY GENERAL Antonia Pasqua Recchia DIRECTOR STUDIES OFFICE Gianni Bonazzi SCIENTIFIC PROJECT Walter Santagata Gianni Bonazzi COORDINATOR Adelaide Maresca Compagna EDITORS Emilio Cabasino Silvana Carmen Di Marco Raffaella Onesti Anna Palmieri Marida Pasquazi TABLES AND GRAPHICS Silvana Carmen Di Marco MAPS Stefania Properzi Our most sincere thanks go to the directors and officials of the General Directorates and Central Institutes of the Ministry and all referents of the public and private entities, quoted in the Sources, for data, clarifications and advice supplied © All rights reserved Ministero per i beni e le attività culturali No part of this publication may be stored in a retrieval system or reproduced in any form or by any means, including photocopying, without the -
Onference Bios Abstracts
11th Conference of Italian Researchers in the World Houston Feb 26-27, 2016 Scroll down to find Bios and abstracts of speakers. 1 PARTICIPANTS (in alphabetic order) Alessandro Alabastri, Ph.D. ----- [email protected] Nordlander Nanophotonics group Physics and Astronomy Department, Rice University, Houston, TX Nanophotonics Enhanced Steam Generation and Water Desalinization Water evaporation is the fundamental process at the base of the hydrological cycle which regulates the global movement of water, affects the climate and basically keeps Earth alive. Evaporation from the ocean is necessary to purify water and to remove its salty content so that the land can be regularly supplied with fresh (and possibly drinkable) water. While being a simple and natural process, water evaporation is, in its spontaneous form, highly energy demanding and slow. The reason relies on water relatively large specific heat and vaporization latent heat which lead, at ambient conditions, to a limited evaporation rate. Considering that 1.1 billion people in the world lack access to an efficient drinking water supply and that the Oil & Gas industry produces 14 billion of barrels of wastewater annually (~70,000 liters per second), the development of efficient methods for water purification represents an urgent challenge for scientists and engineers. In this context evaporation can play a major role since water, when turned in its gaseous form, is purified from non-volatile components (such as pollutants or salt) which can be otherwise present in its liquid phase. At this purpose, it was recently found that broadly absorbing metal or carbon nanoparticles, when mixed with water, greatly enhance the evaporation rate if the solution is placed under focused sun irradiation. -
(1897-1976) in Italy in the Interwar Period
Open Research Online The Open University’s repository of research publications and other research outputs ‘In defence of the decorator’ : Giulio Rosso (1897-1976) in Italy in the interwar period Thesis How to cite: Fiore, Antonio David (2017). ‘In defence of the decorator’ : Giulio Rosso (1897-1976) in Italy in the interwar period. PhD thesis The Open University. For guidance on citations see FAQs. c 2017 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000cdc8 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Antonio David Fiore Master’s Degree in Heritage Studies (Honours) Postgraduate Diploma in Restoration of Architectural Monuments ‘In defence of the decorator’ Giulio Rosso (18971976) in Italy in the interwar period Volume I A dissertation submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in History of Art The Open University June 2017 Abstract This dissertation concerns the creative practice developed by the Italian decorator Giulio Rosso (1897–1976) in Italy during the interwar period (1919–1941). Despite post-war critical oblivion, Rosso’s contemporary colleagues, intellectuals, and architects appreciated his ability to master an extremely varied repertoire, adapting it to meet different spatial requirements while also updating it through humour and stylistic references to the visual languages of contemporary fine arts and modern media. -
Awards Ceremony Held at the Headquarters of the Italian National
FINAL DRAFT Article title The management and memory of Fascist monumental art in postwar and contemporary Italy: the case of Luigi Montanarini’s Apotheosis of Fascism Authors Nick Carter (Corresponding Author) Simon Martin Australian Catholic University Research Fellow National School of Arts British School at Rome Faculty of Education and Arts via Gramsci 25A Barker Road Rome 00197 Strathfield Italy Sydney NSW 2135 Australia Email: [email protected] [email protected] Tel: +61 (0)297014587 +39 (0)63264939 Author biographies Nick Carter is Associate Professor of Modern History at Australian Catholic University, Sydney. He is the author of Modern Italy in Historical Perspective (London: Bloomsbury Academic, 2010) and editor of Britain, Ireland and the Italian Risorgimento (Basingstoke: Palgrave Macmillan, 2015). Simon Martin is a Research Fellow at the British School at Rome and co-director of the University of Buckingham’s MA in the History of Sport by research. He is the author of Football and Fascism: The National Game under Mussolini (Oxford and New York: Berg, 2004), which won the British Society for Sport’s History’s Lord Aberdare Prize for literary history in 2005. The book was published in Italian as Calcio e Fascismo in 2006 by Mondadori. His second monograph, Sport Italia. The Italian Love Affair with Sport (London: I. B. Tauris, 2011) won the Lord Aberdare Prize in 2012. Abstract In postwar Germany, the Allies and the German authorities moved quickly and systematically to destroy or physically remove all traces of Nazi art. No such process occurred in postwar Italy. This meant that hundreds of ideologically inspired statues, mosaics, murals and other artefacts survived into the republican period. -
FLAVIA MARCELLO the Idea of Rome in Fascist Art and Architecture: the Decorative Program of the Palazzo Dei Congressi in EUR, Rome
Flavia Marcello, The Idea of Rome in Fascist Art and Architecture: The Decorative Program of the Palazzo dei Congressi in EUR, Rome FLAVIA MARCELLO The Idea of Rome in Fascist Art and Architecture: The Decorative Program of the Palazzo dei Congressi in EUR, Rome ABSTRACT This paper engages with the notion of interspace by examining an understudied and unpublished cycle of mosaics and frescoes destined for the main hall of the Palazzo dei Congressi in Rome’s south-western suburb of EUR, a major building project by Roman architect Adalberto Libera. It first provides a socio-historical and aesthetic background to the building of EUR as Rome’s international exposition of 1942, which aimed to celebrate the achievements of Italian (and fascist) civilisation. It then focuses on the concept of Romanità (or Roman-ness) as a mythical and idealised past that was engaged on a number of levels as a teleological foundation for the advent (and eternity) of fascist rule. This past was adopted, interpreted and made manifest at the urban scale in the master plan of EUR, at the architectural scale in the buildings and at the interior scale in the decorative programs incorporated in each. It argues that the Palazzo dei Congressi allows us to gain further insight into the notion of interspace as it exemplifies this on a number of physical, symbolic and temporal levels. Physically, in the urban space, architectural form and interiors; symbolically, in the content and compositional layout of the mosaics; and temporally, in the use of historical elision and conflation between mythical pasts and idealised present.