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Shakespeare's Heroines in American Musical Theater
Jelena Zlatarov-Marcetic Jelena Zlatarov-Marcetic Jelena Shakespeare's Heroines in American Musical Theater Migration and Happiness Master’s thesis in English Supervisor: Eli Løfaldli Master’s thesis Master’s May 2019 Shakespeare's Heroines in American Musical Theater Musical in American Heroines Shakespeare's NTNU Faculty of Humanities Faculty Department of Language and Literature Norwegian University of Science and Technology of Science University Norwegian Jelena Zlatarov-Marcetic Shakespeare's Heroines in American Musical Theater Migration and Happiness Master’s thesis in English Supervisor: Eli Løfaldli May 2019 Norwegian University of Science and Technology Faculty of Humanities Department of Language and Literature Acknowledgements Firstly, I would like to thank my family for their unwavering support and patience, and especially my husband for his invaluable inputs. Secondly, I would like to express my gratitude to my supervisor Eli Løfaldli, who has taught me a lot and has shown great patience and understanding during this whole year. Thirdly, I would like to thank Kirsten Slørstad for being the kindest librarian ever, without whose help I would have had great difficulty getting hold of the necessary literature. Finally, I big thank you goes to all my friends who have shown interest in my work, let me use their libraries, and proofread my writing. Also, to Rasmus, who always knew when I needed a break. Jelena Zlatarov-Marcetic, Tynset 15 May 2019 Table of Contents Introduction ……………………………………………………………………………….…1 Adapting the Canon -
2002 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 2002 2002 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "2002 Illinois Shakespeare Festival Program" (2002). Illinois Shakespeare Festival. 28. https://ir.library.illinoisstate.edu/isf/28 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I LLINOIS SHAKESPEARE FESTIVAL Folio A MIDSUMMER NIGHT'S DREAM ROMEO & JULIET THE MERCHANT OF VENICE 2 5rhSeason THE THEATRE AT EWING MANOR - 2002 "A bed, a bed, my kingdom for a bed ... " You'll fall in love with our beds and a whole lot more at the Hampton Inn Bloomington-Normal. Guaranteed. With complimentary breakfast buffet, free local calls, an outdoor heated pool, and your choice of smoking or non-smoking rooms, plus the opportunity to earn Hilton HHonors hotel points and airline miles. All backed by our 100% Satisfaction Guarantee. If you're not completely satisfied, your night's stay is free. Hampton Inn Bloomington/Normal 604 ½ I.A.A. Drive Bloomington, IL 61701 The closest hotel to the Festival. For reservations call (309) 662-2800 or 1-800 HAMPTON For cellular reservations, call #INN. ~~ ~ 6 o/ ILLINOIS SHAKESPEARE FESTIVAL 20oi A MIDSUMMER NIGHT'S DREAM BY WILLIAM SHAKESPEARE JUNE 19, 21, 27, 29, JULY 5, 7, 13, 16, 20, 21, 26, 27, AUGUST I, 4, 7, IO czSo ROMEO AND JULIET BY WILLIAM SHAKESPEARE JUNE 20, 22, 28, 30, JULY 6, 14, 18, 20, 24, 28, 31, AUGUST 2, 8 czSo THE MERCHANT OF VENICE BY WILLIAM SHAKESPEARE JULY II, 12, 17, 19, 23, 25, 27, 30, AUGUST 3, 6, 9 EWING MANOR, BLOOMINGTON • WESTHOFF THEATRE, NORMAL CALVIN MAcLEAN FERGUS G. -
The Museum of Modern Art Celebrates Vienna's Rich
THE MUSEUM OF MODERN ART CELEBRATES VIENNA’S RICH CINEMATIC HISTORY WITH MAJOR COLLABORATIVE EXHIBITION Vienna Unveiled: A City in Cinema Is Held in Conjunction with Carnegie Hall’s Citywide Festival Vienna: City of Dreams, and Features Guest Appearances by VALIE EXPORT and Jem Cohen Vienna Unveiled: A City in Cinema February 27–April 20, 2014 The Roy and Niuta Titus Theaters NEW YORK, January 29, 2014—In honor of the 50th anniversary of the Austrian Film Museum, Vienna, The Museum of Modern Art presents a major collaborative exhibition exploring Vienna as a city both real and mythic throughout the history of cinema. With additional contributions from the Filmarchiv Austria, the exhibition focuses on Austrian and German Jewish émigrés—including Max Ophuls, Erich von Stroheim, and Billy Wilder—as they look back on the city they left behind, as well as an international array of contemporary filmmakers and artists, such as Jem Cohen, VALIE EXPORT, Michael Haneke, Kurt Kren, Stanley Kubrick, Richard Linklater, Nicholas Roeg, and Ulrich Seidl, whose visions of Vienna reveal the powerful hold the city continues to exert over our collective unconscious. Vienna Unveiled: A City in Cinema is organized by Alexander Horwath, Director, Austrian Film Museum, Vienna, and Joshua Siegel, Associate Curator, Department of Film, MoMA, with special thanks to the Österreichische Galerie Belvedere. The exhibition is also held in conjunction with Vienna: City of Dreams, a citywide festival organized by Carnegie Hall. Spanning the late 19th to the early 21st centuries, from historical and romanticized images of the Austro-Hungarian empire to noir-tinged Cold War narratives, and from a breeding ground of anti- Semitism and European Fascism to a present-day center of artistic experimentation and socioeconomic stability, the exhibition features some 70 films. -
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores. -
Preface to the First Edition 1
NOTES Preface to the First Edition 1. The Rodgers and Hammerstein Song Book (New York: Simon & Schuster and Williamson Music, 1956); Six Plays by Rodgers and Hammerstein (New York: Modern Library Association, 1959). 2. Like other Broadway-loving families, especially those residing on the west side of the coun- try, it took the release of the West Side Story movie with Natalie Wood for us to become fully cognizant of this show. 3. “The World of Stephen Sondheim,” interview, “Previn and the Pittsburgh,” channel 26 tele- vision broadcast, March 13, 1977. 4. A chronological survey of Broadway texts from the 1950s to the 1980s might include the fol- lowing: Cecil Smith, Musical Comedy in America; Lehman Engel, The American Musical Theater; David Ewen, New Complete Book of the American Musical Theatre; Ethan Mordden, Better Foot Forward; Abe Laufe, Broadway’s Greatest Musicals (New York: Funk & Wagnalls, 1977); Martin Gottfried, Broadway Musicals; Stanley Green, The World of Musical Comedy; Richard Kislan, The Musical (Englewood Cliffs, N.J.: Prentice-Hall, 1980); Gerald Bordman, American Musical Comedy, American Musical Theatre, American Musical Revue, and American Operetta; Alan Jay Lerner, The Musical Theatre: A Celebration; and Gerald Mast, Can’t Help Singin.’ 5. See Gerald Bordman, American Musical Comedy, American Musical Revue, and American Oper- etta, and Lehman Engel, The American Musical Theater. 6. Miles Kreuger, “Show Boat”: The Story of a Classic American Musical; Hollis Alpert, The Life and Times of “Porgy and Bess.” The literature on Porgy and Bess contains a particularly impres- sive collection of worthwhile analytical and historical essays by Richard Crawford, Charles Hamm, Wayne Shirley, and Lawrence Starr (see the Selected Bibliography). -
Playbill: 42Nd Street at the Umbrella
42 ND STREET INAUGURAL SEASON This production made possible by the generosity of Cast and Crew Members from The Umbrella Stage’s Seasons 1-11 This 2019-2020 season is made possible by the generosity of Kate and Mark Reid in memory of Kate’s mother, Micheline Sakharoff 40 STOW STREET, CONCORD, MA | TheUmbrellaStage.org Proud sponsor of THE UMBRELLA Community Arts Center Best wishes for a successful 2019-2020 Performing Arts Season! ADAGE CAPITAL MANAGEMENT, LP 200 CLARENDON STREET 52nd FLOOR BOSTON, MASSACHUSETTS 02116 PHONE: 617.867.2800 adagecapital.com THE UMBRELLA STAGE COMPANY PRESENTS Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the Novel by BRADFORD ROPES Original Direction and Dances by GOWER CHAMPION Originally Produced on Broadway by DAVID MERRICK Directed by Brian Boruta Music Direction by James Murphy Musical Restaging and New Choreography by Lara Finn Banister Scenic Design by Lighting Design by Sound Design by Benjamin D. Rush SeifAllah Sallotto-Cristobal Elizabeth Havenor Costume Design by Properties Design by Stage Managed by Brian Simons Sarajane Morse Mullins Michael T. Lacey 42ND STREET is presented by arrangement with Funded in part by the Tams-Witmark, A Concord Theatricals Company www.tamswitmark.com The use of all songs is by arrangement with Warner Bros., the owner of music publishers’ rights Dear Friends, Welcome to The Umbrella, where there’s so much that’s exciting and new to share with you! Of course, we are beyond thrilled to introduce you to our two newly constructed theaters – part of a massive, multiyear renovation and expansion campaign that saw the transformation of every aspect of our Arts center. -
Titel Kino 3/2003
EXPORT-UNION OF GERMAN CINEMA 3/2003 AT LOCARNO MEIN NAME IST BACH & DAS WUNDER VON BERN Piazza Grande AT VENICE ROSENSTRASSE in Competition AT SAN SEBASTIAN SCHUSSANGST & SUPERTEX in Competition FOCUS ON Film Music in Germany Kino Martin Feifel, Katja Riemann (photo © Studio Hamburg) Martin Feifel, Katja GERMAN CINEMA KINO3/2003 4 focus on film music in germany DON’T SHOOT THE PIANO PLAYER 14 directors’ portraits THE SUN IS AS MUCH MINE AS THE NIGHT A portrait of Fatih Akin 15 TURNING GENRE CINEMA UPSIDE DOWN A portrait of Nina Grosse 18 producer’s portrait LOOKING FOR A VISION A portrait of Bavaria Filmverleih- & Produktions GmbH 20 actress’ portrait BREAKING THE SPELL A portrait of Hannelore Elsner 22 KINO news in production 28 ABOUT A GIRL Catharina Deus 28 AGNES UND SEINE BRUEDER Oskar Roehler 29 DER CLOWN Sebastian Vigg 30 C(R)OOK Pepe Danquart 30 ERBSEN AUF HALB 6 Lars Buechel 31 LATTENKNALLER Sherry Hormann 32 MAEDCHEN MAEDCHEN II Peter Gersina 32 MARSEILLE Angela Schanelec 33 SAMS IN GEFAHR Ben Verbong 34 SOMMERBLITZE Nicos Ligouris 34 (T)RAUMSCHIFF SURPRISE – PERIODE 1 Michael "Bully" Herbig 35 DER UNTERGANG – HITLER UND DAS ENDE DES DRITTEN REICHES Oliver Hirschbiegel the 100 most significant german films (part 10) 40 WESTFRONT 1918 THE WESTERN FRONT 1918 Georg Wilhelm Pabst 41 DIE DREIGROSCHENOPER THE THREEPENNY OPERA Georg Wilhelm Pabst 42 ANGST ESSEN SEELE AUF FEAR EATS THE SOUL Rainer Werner Fassbinder 43 DER VERLORENE THE LOST ONE Peter Lorre new german films 44 V Don Schubert 45 7 BRUEDER 7 BROTHERS Sebastian Winkels -
Julius Caesar
PRESENTED BY William Shakespeare's JULIUS CAESAR SHAKESPEARE THEATRE COMPANY Dear Friend, "i thank you for your pains and courtesy". Table of Contents I hope you will enjoy one of Julius Caesar, act 2, scene 2 Letter from Michael Kahn 3 Shakespeare’s most politically Out of the Past charged pieces, uniquely suited by Akiva Fox 4 to Washington, D.C., audiences. Synopsis 7 Julius Caesar reaches into the ThE 2011 ShakESPEaRE ThEaTRE ComPaNY About the Playwright 9 heart of Roman history to explore not only the consequences of Title Page 11 FREE FoR all iS PRESENTED BY conspiracy but also the complications of political Cast 12 ambition. David Muse’s original 2008 production Cast Biographies 13 was called “majestic” by the Washington Times and hailed as “electrifying” by DC Theatre Review. Direction and Design Biographies 21 I am pleased to make this wonderful production available to the Washington community for free, Shakespeare: with the generous support of sponsors like Target Caesar of Playwrights? 26 and donors like the Friends of Free For All. Shakespeare Theatre Company There could be no greater gift on the eve of this Board of Trustees 6 anniversary season than to celebrate its opening Shakespeare Theatre with you—friends new and old. I hope you will Company 24 return during the 2011-2012 Season to experience some of the exciting events we have in store. This Friends of Free For All 28 Ad Space season is sure to bring many memorable moments For the Shakespeare to STC stages, from the classic works of Regnard, Theatre Company 30 O’Neill and Goldoni to Shakespeare’s Much Ado Staff 32 About Nothing, The Two Gentlemen of Verona Happenings 33 and The Merry Wives of Windsor. -
Quarterly 1 · 2006
German Films Quarterly 1 · 2006 AT BERLIN In Competition ELEMENTARTEILCHEN by Oskar Roehler DER FREIE WILLE by Matthias Glasner REQUIEM by Hans-Christian Schmid PORTRAITS Gregor Schnitzler, Isabelle Stever, TANGRAM Film, Henry Huebchen SHOOTING STAR Johanna Wokalek SPECIAL REPORT Germans in Hollywood german films quarterly 1/2006 focus on 4 GERMANS IN HOLLYWOOD directors’ portraits 12 PASTA LA VISTA, BABY! A portrait of Gregor Schnitzler 14 FILMING AT EYE LEVEL A portrait of Isabelle Stever producer’s portrait 16 BLENDING TRADITION WITH INNOVATION A portrait of TANGRAM Filmproduktion actors’ portraits 18 GO FOR HUEBCHEN! BETWEEN MASTROIANNI AND BRANDO A portrait of Henry Huebchen 20 AT HOME ON STAGE AND SCREEN A portrait of Johanna Wokalek 22 news in production 28 AM LIMIT Pepe Danquart 28 DAS BABY MIT DEM GOLDZAHN Daniel Acht 29 DAS DOPPELTE LOTTCHEN Michael Schaack, Tobias Genkel 30 FC VENUS Ute Wieland 31 FUER DEN UNBEKANNTEN HUND Dominik Reding, Benjamin Reding 31 HELDIN Volker Schloendorff 32 LEBEN MIT HANNAH Erica von Moeller 33 LIEBESLEBEN Maria Schrader 34 MARIA AM WASSER Thomas Wendrich 35 SPECIAL Anno Saul 36 TANZ AM UFER DER TRAEUME Cosima Lange 36 TRIP TO ASIA – DIE SUCHE NACH DEM EINKLANG Thomas Grube new german films 38 3° KAELTER 3° COLDER (NEW DIRECTOR’S CUT) Florian Hoffmeister 39 12 TANGOS – ADIOS BUENOS AIRES Arne Birkenstock 40 89 MILLIMETER 89 MILLIMETRES Sebastian Heinzel 41 AFTER EFFECT Stephan Geene 42 BLACKOUT Maximilian Erlenwein 43 BUONANOTTE TOPOLINO BYE BYE BERLUSCONI! Jan Henrik Stahlberg 44 CON GAME Wolf -
Brigitte Hobmeier
WEISSE LILIEN Ein Film von Christian Frosch A | D | LUX | H 2007, 96 min KINOSTART: 29. August 2008 Verleih polyfilm Verleih 1050 Wien Margaretenstraße 78 T 581 39 00 20 F 581 39 00 39 www.polyfilm.at Pressebetreuung apomat* büro für kommunikation Andrea Pollach 0699/194 484 51 Mahnaz Tischeh 0699/119 022 57 [email protected] www.apomat.at WEISSE LILIEN – SILENT RESIDENT 2007 | A,D,LUX,H | 96 min | Deutsch | 35mm | Farbe | 1:2,35 CREDITS REGIE Christian Frosch KAMERA Busso von Müller SCHNITT Michael Palm TON Jörg Theil AUSSTATTUNG Giovanni Scribano KOSTÜM Alfred Mayerhofer KOMPONIST Andreas Ockert SOUNDDESIGN Michael Palm, Sebastian Schmidt TONMISCHUNG Olaf Mehl PRODUKTION Amour Fou Filmproduktion | Alexander Dumreicher-Ivanceanu und KGP Kranzelbinder Gabriele Production | Gabriele Kranzelbinder KOPRODUKTION DEUTSCHLAND Mediopolis, Alexander Ris, Jörg Rothe Neue Visionen Filmproduktion, Matthias Mücke und Torsten Frehse Weltfilm, Kristina Konrad und Christian Frosch KOPRODUKTION UNGARN Eurofilm Studio, Péter Miskolczi KOPRODUKTION LUXEMBOURG Minotaurus Film, Bady Minck WELTVERTRIEB Bavaria Film International FÖRDERUNGEN ÖFI (Österreichisches Filminstitut), FFW (Filmfonds Wien), ORF (Film/Fernsehabkommen), Medienboard Berlin-Brandenburg, Filmfund Luxembourg, MDM (Mitteldeutsche Medienförderung), Motion Picture Public Foundation of Hungary, Ministerium für Bildung und Kultur der Republik Ungarn, MEDIA Programm DARSTELLERINNEN und DARSTELLER Brigitte Hobmeier, Martin Wuttke, Johanna Wokalek, Erni Mangold, Walfriede Schmitt, Xaver Hutter, -
Diplomarbeit
Diplomarbeit Titel der Diplomarbeit Der singende Schauspieler am Burgtheater Tradition und Praxis im Spannungsfeld zwischen Sprechen und Singen Verfasser Christian Fleisch angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, Januar 2015 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Diplomstudium Theater-, Film- und Medienwissenschaft Betreuerin: Ass.-Prof. Dr. Isolde Schmid-Reiter Inhaltsverzeichnis Vorwort .............................................................................................................................. 4 Danksagung ....................................................................................................................... 6 1. Einleitung ...................................................................................................................... 8 2. Singen am Burgtheater von 1741 bis 1976 .................................................................. 11 2.1 Das Alte Burgtheater als Opernbühne (1741 bis 1810) ........................................ 11 2.2 Vom Alten zum neuen Burgtheater (1810 bis 1888) ............................................ 19 2.3 Das neue Haus am Ring (1888 bis 1976) ............................................................. 25 3. Spielplanbetrachtung von 1976 bis 2014 .................................................................... 30 3.1 Achim Benning (1976 bis 1986) ........................................................................... 33 3.2 Claus Peymann (1986 bis 1999) .......................................................................... -
![JULIANE KÖHLER Lilly Wust [“Aimée”]](https://docslib.b-cdn.net/cover/1779/juliane-k%C3%B6hler-lilly-wust-aim%C3%A9e-4231779.webp)
JULIANE KÖHLER Lilly Wust [“Aimée”]
GOLDEN GLOBE NOMINEE BEST FOREIGN LANGUAGE FILM OFFICIAL GERMAN SELECTION ACADEMY AWARDS OPENING NIGHT FILM 49TH INTERNATIONAL BERLIN FILM FESTIVAL WINNER OF TWO BEST ACTRESS SILVER BEARS a film by Max Färberböck A ZEITGEIST FILMS RELEASE a film by Max Färberböck starring Maria Schrader Juliane Köhler Johanna Wokalek Heike Makatsch Elisabeth Degen Detlev Buck Peter Weck Inge Keller directed by Max Färberböck written by Max Färberböck and Rona Munro based on the book by Erica Fischer Producers Günter Rohrbach and Hanno Huth Germany, 1999, Color Running time: 125 minutes Format: 1:1.85 Sound: Dolby Digital Stereo A ZEITGEIST FILMS RELEASE 247 CENTRE ST • 2ND FL NEW YORK • NY 10013 TEL (212) 274-1989 • FAX (212) 274-1644 [email protected] www.zeitgeistfilm.com Introduction In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women. One of them, Lilly Wust (Juliane Köhler), married and the mother of four sons, enjoys the privileges of her stature as an exemplar of Nazi motherhood. For her, this affair will be the most decisive experience of her life. For the other woman, Felice Schragenheim (Maria Schrader), a Jewess and member of the underground, their love fuels her with the hope that she will survive. A half-century later, Lilly Wust told her incredible story to writer Erica Fischer, and the book, AIMÉE & JAGUAR, first published in 1994 immediately became a bestseller and has since been translated into eleven languages. Max Färberböck’s debut film, based on Fischer’s book, is the true story of this extraordinary relationship.