PRESENTED BY

William Shakespeare's JULIUS CAESAR

SHAKESPEARE THEATRE COMPANY Dear Friend, "I thank you for your pains and courtesy". Table of Contents I hope you will enjoy one of Julius Caesar, act 2, scene 2 Letter from Michael Kahn 3 Shakespeare’s most politically Out of the Past charged pieces, uniquely suited by Akiva Fox 4 to Washington, D.C., audiences. Synopsis 7 Julius Caesar reaches into the The 2011 Shakespeare Theatre Company About the Playwright 9 heart of Roman history to explore not only the consequences of Title Page 11 Free For All is presented by conspiracy but also the complications of political Cast 12 ambition. David Muse’s original 2008 production Cast Biographies 13 was called “majestic” by the Washington Times and hailed as “electrifying” by DC Theatre Review. Direction and Design Biographies 21 I am pleased to make this wonderful production available to the Washington community for free, Shakespeare: with the generous support of sponsors like Target Caesar of Playwrights? 26 and donors like the Friends of Free For All. Shakespeare Theatre Company There could be no greater gift on the eve of this Board of Trustees 6 anniversary season than to celebrate its opening Shakespeare Theatre with you—friends new and old. I hope you will Company 24 return during the 2011-2012 Season to experience some of the exciting events we have in store. This Friends of Free For All 28 Ad Space season is sure to bring many memorable moments For the Shakespeare to STC stages, from the classic works of Regnard, Theatre Company 30 O’Neill and Goldoni to Shakespeare’s Much Ado Staff 32 About Nothing, The Two Gentlemen of Verona Happenings 33 and The Merry Wives of Windsor. With special “Bard’s Broadway” performances of The Boys from Audience Services 34 LEADERSHIP SUPPORT: Syracuse and Two Gentlemen of Verona (a rock opera), we celebrate the indelible influence of

and The Real Estate Cover and photo on page 4 of Dan Kremer Shakespeare on the musical theatre community. Community Partners by Carol Rosegg. In addition to our mainstage productions this year, DC Commission on the Arts & Humanities please join us for the opening engagement of the Friends of Free For All Philip L. Graham Fund musical FELA! in September and October, John Hurt’s performance in Samuel Beckett's Krapp’s Last Tape and the imaginative puppetry of Basil Twist’s Petrushka. ADDITIONAL SUPPORT: IN-KIND SUPPORT:

PEPCO Red Velvet Tangy Sweet I hope to see you in our audiences later this season.

EXCLUSIVE MEDIA SPONSOR: Best always,

Michael Kahn Artistic Director, Shakespeare Theatre Company

Take Metrobus or Metrorail to the Free For All. Visit the Trip Planner at MetroOpensDoors.com.

2 3 Photo of Dan Kremer and the 2008 cast of Julius Caesar by Carol Rosegg. is controlled by those who write it, and so Ironically, the conspirators murdered the became his own historian and playwright. He tyrant but failed to prevent tyranny. The was famously vain about his appearance and ghosts of history, powerful though they held almost monthly triumphs, symbolic may be, could not rule Rome. Caesar’s public processions that celebrate a military teenaged great-nephew and heir Octavius victories. When he returned to Rome after deftly stepped into the void created by winning a bruising civil war, he made the assassination, and began to shape the sure that his name was always followed future by controlling the past. First, he by the words “Father of his Country.” By officially changed his name to Julius Caesar, February of the year 44 BCE, the war-scarred immediately winning the loyalty of both THE Senate and people were all too happy to the people and Caesar’s military legions on name him dictator for life, the end result the historical strength of the name alone. of his lifetime of self-mythologizing. And when he split with his former ally Antony, Octavius embarked on a systematic In Shakespeare’s play, Caesar carefully PAST cultivates his image in order to dominate Rome. He refers to himself in public as “The past is “Caesar,” as though speaking of someone else. He punishes the tribunes, Murellus never dead.” and Flavius, not for attacking him but for defacing his “images.” And he calls himself propaganda campaign to depict Antony as For William Shakespeare, setting five Rome was the specter that haunted and “constant as the Northern Star,” all but an enemy of Rome. After defeating Antony of his plays in the Roman Empire was illuminated Shakespeare’s England. placing himself in the heavens. His rival and Cleopatra in battle, he finished the good business. English children read If Roman history was Shakespeare’s Brutus, by contrast, rises against Caesar job his great-uncle Caesar had begun; the the works of the great Roman writers touchstone for understanding because he feels subject to the force of Senate granted him dictatorial powers, and as the foundation of their classical contemporary history, it should come history. The ideal of the Republic, established the Roman Empire was founded. Caesar education, a new translation of the as no surprise that he chose to use it as when Brutus’ ancestor Lucius Junius Brutus could finally rest, and Octavius received historian Plutarch’s biography of the the subject for his greatest Roman plays. threw the king out of Rome, puts the the new name Augustus (“the lofty one”). great Romans sold well and plays about In his cycle of Julius Caesar and Antony assassin’s knife in Brutus’s hand as surely as Brutus’ beloved Republic was no more, Rome filled theatres. In fact, the name and Cleopatra, Shakespeare explores the his co-conspirators do. But because Caesar thanks to a leader who could fashion his of "Julius Caesar" appears in 17 different ways in which successful leaders employ established his historical image so perfectly own image and write his own history. In plays by Shakespeare, including his and reshape history to their advantage, in life, no assassin can truly kill him. Antony the end, Octavius won power more through plays about English history. Clearly, and unsuccessful leaders fail to tame or is able to use Caesar’s image as “Father of his public relations than through warfare. Shakespeare’s England (itself a escape history. The characters in these Country” to turn the people against Brutus burgeoning empire in the 1590s) saw plays practice or fatally forget George and drive him from Rome. When Caesar’s “The past is never dead,” wrote William itself as the intellectual and historical Orwell’s famous axiom: “Who controls ghost finally appears to Brutus before his Faulkner in his novel Requiem for a Nun. “It’s heir to Rome. “To Shakespeare’s original the past controls the future; who battle for Rome, he does so almost as the not even past.” The past lived on in the audiences,” writes the scholar Marjorie controls the present controls the past.” spirit of history, dragging Brutus down. As Elizabethan present through the staging Garber, “a play about ancient Rome his friends fall around him and he faces of Roman stories for English audiences was not an escapist document about a The real Julius Caesar all but invented his own death, Brutus can only marvel, and continues to live on in the staging of faraway world, but a powerful lesson in the art of consolidating political power “O Julius Caesar, thou art mighty yet.” Shakespeare’s Roman stories in a future he ethics and statecraft. The Elizabethan by controlling historical narrative. could only imagine. The lesson of history view of history suggested that the When he served as a general in Gaul, he and its uses feels as current today as it did Romans provided models of conduct, delivered his reports to the Senate in the in Caesar’s and in Shakespeare’s time. that history taught, and that its lessons form of a literary drama with himself could—and should—be learned.” as the hero. He realized that history I Akiva Fox

4 75 Board of Trustees Synopsis

Michael R. Klein, Chairman The great Roman general Julius Caesar has defeated his rival Pompey in battle, and the Robert E. Falb, Vice Chairman people cheer his return to Rome in triumph. As Caesar enjoys the festivities, a soothsayer Pauline Schneider, Secretary interrupts, warning Caesar to “beware the Ides of March.” John Hill, Treasurer Michael Kahn, Artistic Director Cassius and Brutus, two leading senators, watch the proceedings with trepidation. Cassius tests the principled Brutus’ opposition to Caesar by telling him that Caesar has ambitions to Ex-Officio Trustees John R. Hauge be named king. They hear loud cheers, and the senator Caska informs them that Caesar’s Nicholas W. Allard Stephen A. Hopkins Chris Jennings, Ashley Allen Lawrence A. Hough Managing Director right-hand man Mark Antony offered Caesar a crown three times, and each time Caesar Stephen E. Allis W. Mike House refused it. Unsettled, Brutus tells Cassius to speak with him again the next day. Emeritus Trustees Anita M. Antenucci Jeffrey M. Kaplan R. Robert Linowes*, Kathy Bailey Scott Kaufmann Later, as a fiery storm rages over Rome, Caska reports strange omens. Cassius claims that Founding Chairman Jeffrey D. Bauman Abbe D. Lowell they are signs that Caesar will be named king, and declares his intentions to resist. Caska James B. Adler Afsaneh Beschloss Kathleen Matthews decides to join Cassius in opposing Caesar. To bring Brutus over to their cause, Cassius Heidi L. Berry* Landon Butler Eleanor Merrill David A. Brody* forges letters hinting at Caesar’s ambition, and arranges for them to be dropped where Dr. Paul Carter Howard P. Milstein Melvin S. Cohen Brutus will find them. Ralph P. Davidson Melissa A. Moss James F. Fitzpatrick Dr. Mark Epstein Robert S. Osborne Dr. Sidney Harman* In the middle of the night, six senators arrive at Brutus’ house to convince him to join their Steven B. Epstein Stephen M. Ryan Lady Manning plot against Caesar. They all agree to assassinate Caesar the following day—the Ides of James A. Feldman Lady Sheinwald William F. McSweeny March. Cassius wants to kill Antony as well, but Brutus refuses. After the conspirators depart, Peter Finn Chris Simmons V. Sue Molina Brutus’s wife Portia comes to him, convinced that he is keeping a secret from her. Moved by Andrew C. Florance Dr. Stanton Sloane Walter Pincus Miles Gilburne George P. Stamas her devotion, he almost reveals the conspiracy to her. Eden Rafshoon Kingdon Gould III Suzanne S. Youngkin Emily Malino Scheuer* The next morning, Caesar’s wife Calpurnia tries to convince him to stay at home, terrified Barbara Harman Mrs. Louis Sullivan by dreams that foretell his death. Although Caesar scoffs at his wife’s superstitious fears, he Daniel W. Toohey finally agrees stay home and to send Antony to the Senate in his place. But the conspirators Sarah Valente arrive and manage to convince Caesar to go to the Senate. When they arrive at the Senate Lady Wright house, the conspirators assassinate Caesar. Before they can leave to proclaim that they have * Deceased liberated Rome, Antony returns, asking only to speak at Caesar’s funeral; despite Cassius’ protestations, Brutus agrees. Brutus defends Caesar’s killing to the people in the Forum. But Antony, arriving with Caesar’s body, extols Caesar’s virtues. Whipped into a frenzy by Antony’s words, the people race off to get revenge on Caesar’s murderers. Antony receives word that Caesar’s grand-nephew and heir Octavius has come to Rome, and that Brutus and Cassius have fled the growing mob. Antony joins with Octavius and Caesar’s ally Lepidus to eliminate their enemies and rule SHAKESPEARE THEATRE COMPANY Share your passion for Rome, but immediately informs Octavius of his intentions to cut off Lepidus after he has theatre and the law served his usefulness. As Brutus and Cassius prepare for war against Antony and Octavius, with fellow D.C. legal they fall out bitterly over money. Brutus apologizes for his angry mood, revealing that his minds as a member wife Portia has killed herself. That night, the ghost of Caesar appears to Brutus and promises of the Shakespeare that they will meet again in battle. BARD Theatre Company Bard Association. Members The two armies meet on the plains of Philippi. When the battle turns against Cassius’ side, ASSOCIATION of the Bard Association he kills himself in despair. Brutus manages to overpower Octavius for a while, but falters experience classical when Antony joins the fight against him. Surrounded, he too falls on his sword. Having won, theatre at its finest Antony and Octavius pay tribute to the well-intentioned Brutus. while meeting and interacting with other members of the legal profession and Washington VIPs. Join today and enjoy benefits such as advance ticket purchase for the 2012 Mock Trial and Shakespeare and the Law events. For additional information, you may email BardAssociation@ ShakespeareTheatre.org, call Emily Lynn, Individual Campaigns Manager, at 202.547.3230 ext 2325, or view a complete list of benefits and Bard Association membership levels at ShakespeareTheatre.org/Support.

7 About the Playwright

William Shakespeare

No man’s life has been the subject of more speculation than William Shakespeare’s. While Shakespearean scholars have dedicated their lives to the search for evidence, the truth is that no one really knows what the truth is. Scholars agree that a William Shakespeare was baptized at Stratford- upon-Avon on April 26, 1564. Tradition holds that he was born three days earlier, on April 23—the same date on TasTe This; which, 52 years later, he was recorded to have died. On November 27, 1582, a marriage license was granted to 18-year-old William and 26-year-old Anne Hathaway. A daughter, Susanna, was born to the couple six months later. We know that twins, Hamnet and Judith, were born soon iT’s going after and were baptized. What we do not know is how the young Shakespeare came to travel to London and how he first came to the stage. Whatever the truth may be, it is clear that in the years between 1582 and 1592 someone calling himself William Shakespeare became involved in the London theatre scene and was a principal actor with one of several To change repertory companies. By 1592 Shakespeare had become prominent enough as a playwright to engender professional jealousy. A rival playwright, Robert Greene, wrote snidely of an “upstart crow, beautified with our feathers, that with his tiger’s heart wrapped in a player’s hide supposes your life. he is as well able to bombast out a blank verse as the best of you, and being an absolute Johannes-factotum is in his own conceit the only Shakescene in a country.” In the years between 1591 and 1593, the theatres of London were temporarily shut down due to an outbreak of plague; Shakespeare turned his considerable talents to sonnet writing and José andrés acquired a patron, the young Lord Southampton, to whom two of his poems, Venus and Adonis and The Rape of Lucrece, are dedicated.

In 1594 Shakespeare was listed as a stockholder in the Lord Chamberlain’s Men; he was a member of this company for the rest of his career, which lasted until approximately 1611. When James I came to the throne in 1603, he issued a royal license to Shakespeare and his fellow players, inviting them to call themselves The King’s Men. The King’s Men leased the Blackfriar’s Theatre in London in 1608. This theatre, which had artificial lighting and was During the 2011 Free For All (September 1–4) probably heated, served as their winter playhouse. The famous Globe Theatre was their identify yourself as an STC supporter and Zaytinya summer performance space. will donate 35% of your check towards Shakespeare In the years since Shakespeare’s death, he had fallen to the depths of obscurity only to be resurrected as the greatest writer of English literature and drama. In the 1800s, his plays Theatre Company and the Free For All! were so popular that many refused to believe that an actor from Stratford had written them. To this day some believe that Sir Francis Bacon was the real author of the plays; Reservations are encouraged. Valid during normal business hours. others argue that Edward DeVere, the Earl of Oxford, was the man. Still others contend that Sir Walter Raleigh or Christopher Marlowe penned the lines attributed to Shakespeare. Whether the plays were written by Shakespeare the man or Shakespeare the myth, it is clear that no other playwright has made such a significant and lasting contribution to the English language.

Innovative Greek, Turkish and Lebanese cuisine by Chef José Andrés. 701 9th street nw | washington dc 20001 | 202.638.0800 | zaytinya.com

9 Artistic Director Michael Kahn Managing Director Chris Jennings

William Shakespeare's Julius Caesar

Performances Begin August 18, 2011 Opening Night August 19, 2011 Sidney Harman Hall

Director Fight Director David Paul Rick Sordelet

Original Director Assistant Fight Director David Muse Michael Rossmy

Set Designer Casting James Noone Stuart Howard and Paul Hardt

Costume Designer Resident Casting Director Jennifer Moeller Daniel Neville-Rehbehn

Original Lighting Designer Voice and Text Coach Mark McCullough Ursula Meyer

Lighting Design recreated by Assistant Director Jason Arnold Gus Heagerty

Composer Production Stage Manager Martin Desjardins Mary K Klinger*

Sound Designer Assistant Stage Manager Daniel Baker Elizabeth Clewley*

Associate Sound Designer Resident Production Stage Manager Chris Baines Joseph Smelser*

Julius Caesar is presented by Target, with leadership support from Ameriprise, the DC Commission on the Arts & Humanities (an agency supported in part by the National Endowment for the Arts), CoStar and the Real Estate Community Partners, Friends of Free For All, the Philip L. Graham Fund and The Washington Post. Additional support is provided by PEPCO and Zaytinya. In-kind support is provided by Red Velvet Cupcakes/ Tangy Sweet. The Shakespeare Theatre Company is proud to partner with Metro for the Free For All.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

11 Ensemble ...... Travis Blumer, Clinton Faulkner, Cast Greg Gallagher, John Geiger, Michael Hammond, Phil Hosford, Richard Huffman, Anthony A. Jackson, Emily Joshi-Powell, Dan Lawrence, Jeremy Lister, Peg Nichols, Steve Nixon, Joe Palka, Stuart Patt, Cameron Pippitt, Armand Sindoni, JULIUS CAESAR Kevin Stevens, Emily Whitworth, Jacob Yeh Julius Caesar...... Dan Kremer* Calphurnia, his wife...... Naomi Jacobson* Fight Captains: Chris Genebach* and Dan Lawrence There will be one 15-minute intermission. Triumvirs after the death of Julius Caesar The Shakespeare Theatre Company operates under an agreement between the League of Resident Theatres and Octavius Caesar...... Aubrey Deeker* Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and employs members of the Society of Stage Directors and Choreographers and United Scenic Artists. The Company is also Mark Antony...... Kurt Rhoads* a constituent of Theatre Communications Group (TCG), the national organization for not-for-profit professional Lepidus...... John Seidman* theatre, and is a member of the American Arts Alliance, the Cultural Alliance of Greater Washington, the League of Washington Theatres, the Greater Washington Board of Trade, the D.C. Chamber of Commerce, the United Arts Organization, Cultural Tourism DC and the Washington Convention and Tourism Corporation. Conspirators against Julius Caesar Copyright laws prohibit the use of cameras and recording equipment in the theatre. Marcus Brutus...... Tom Hammond* * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. Caius Cassius...... Scott Parkinson* Caska...... Geoffrey Owens* Decius Brutus...... Brent Harris* Trebonius...... Bill Largess* Caius Ligarius...... Dan Mason* Cast Biographies Metellus Cimber...... Tyrone Mitchell Henderson* Cinna...... Jefferson Slinkard* Travis Blumer Clinton Faulkner Ensemble Ensemble Portia, wife to Marcus Brutus...... Rachael Holmes* STC: 2011-2012 Acting Fellow, NEW YORK: Off-Broadway: Lucius, servant to Marcus Brutus...... Brian Riemer The Merchant of Venice, An Ideal Abingdon Theater/American Husband. TRAINING: New York Place Theater: Manchild in the University’s Tisch School of the Promiseland (dir. Wyn Handman); Tribunes of the people Arts; Stella Adler Studio. La MaMa e.t.c.: Leslie Lee’s The Book of Lambert; American Murellus...... Chris Genebach* Theater of Actors: Edmund in King Lear. FILM: Flavius...... Paul Morella* Aubrey Deeker* Various roles in short and independent films. Octavius Caesar TRAINING: Howard University; American Academy of STC: Affiliated Artist, Gratiano in Dramatic Arts. A Soothsayer...... Kryztov Lindquist* The Merchant of Venice, Philiste in The Liar (David Ives world Greg Gallagher A Cobbler...... John Seidman* premiere), Silvius in As You Like Ensemble Cicero, a senator...... Charles Turner* It, Hortensio in The Taming of the STC: Ensemble, An Ideal Husband; Shrew (mainstage and Free For understudy for All’s Well That Ends Cinna, a poet...... Paul Reisman* All), France in King Lear, Hermes in Ion, Mercutio in Well. REGIONAL: American Century Another Poet...... Charles Turner* Romeo and Juliet, Octavius Caesar in Julius Caesar Theater: American Men in A Piece and Antony and Cleopatra, Edmund of Kent in of My Heart; Zemfira Stage: Lance Edward II, Catesby in Richard III, Dumaine in Love’s Corporal Dawson in A Few Good Generals and Officers in the Armies of Brutus and Cassius Labor’s Lost (mainstage and RSC), Tebaldeo in Men. TRAINING: The Center for Movement Theater Lorenzaccio. NEW YORK: Lincoln Center Director’s with Dody DiSanto; Leigh Smiley (voice). Lucilius...... Chris Genebach* Lab. REGIONAL: The Kennedy Center, Signature Titinius...... Dan Mason* Theatre, Woolly Mammoth Theatre Company, Round Chris Genebach* House Theatre, Theater Alliance, Theater J, Ford’s Murellus/Lucilius Messala...... Jefferson Slinkard* Theatre, Folger Theatre, Studio Theatre, Rep Stage, STC: Philario in Cymbeline, Duke Everyman Theatre, Potomac Theatre Project, Olney of Cornwall in King Lear, Lucius Volumnius...... Kryztov Lindquist* Theatre, Manteo Theatre Festival. FILM: The Seer, in Titus Andronicus. NEW YORK: Pindarus...... Paul Morella* Leave No Marine Behind. TELEVISION: HBO: True Broadway: Manhattan Theatre Blood, The Wire. TRAINING: The North Carolina Club: Shining City, The Other Side; Strato...... Tyrone Mitchell Henderson* School of the Arts: The School of Drama. Off-Broadway: The Duke on 42nd

12 13 Street: Cardinal Winchester/Lord Saye/Lord Clifford Brent Harris* Anthony A. Jackson Bête, Undershaft in Major Barbara, Prospero in The in Rose Rage: Henry VI Parts 1, 2 and 3. REGIONAL: Decius Brutus Tempest, Jaques in As You Like It, Duke in Measure Folger Theatre: Ligniere in Cyrano, Helen/Menelaus/ Ensemble STC: Polixenes in The Winter's Tale. STC: Tamberlaine The Great, for Measure, Oberon in A Midsummer Night’s Pylades/Trojan Slave in Orestes: A Tragic Romp; NEW YORK: The Actors Company Edward II, Ion. NATIONAL TOURS: Dream, premieres of The Majestic Kid and Emma’s Studio Theatre: Luther Flynn in Superior Donuts, Theatre: Long Island Sound; Pearl National Players (Tour 58): Othello Child; American Conservatory Theatre; Arizona Laurence in Shining City; TheatreWorks (Hartford): Theatre: Richard III ; Promenade in Othello. REGIONAL: State Theatre Company; Dallas Theater Center; Geva; Nicky in The Seafarer; Goodman Theatre: Duke Theatre: Tryst. NATIONAL TOUR: Theatre of Georgia: Rosencrantz Kansas City Repertory Theatre; McCarter Theatre; of Cornwall in King Lear; Chicago Shakespeare Scar in The Lion King. REGIONAL in Hamlet, Masoula the Wedding Milwaukee Repertory Theatre; Playwrights Horizons; Theater: Rose Rage: Henry VI Parts 1, 2 and 3, Short THEATRE: American Repertory Theatre: Ajax in Planner in Father of the Bride; Virginia Shakespeare Portland Center Stage; Seattle Rep; Yale Repertory Shakespeare! Romeo and Juliet, Short Shakespeare! Ajax; Denver Center: Salieri in Amadeus, Angelo in Festival: Worcester in Henry IV, Part 1, First Fairy in Theatre. FILM: Living Will, The Four Diamonds. A Midsummer Night’s Dream, King John. FILM & Measure for Measure, Freddie in Noises Off; Oregon A Midsummer Night’s Dream. Olney Theatre Center: TELEVISION: The Fugitive. OTHER: TELEVISION: William Atherton in The War of 1812 Shakespeare Festival: Garry in Present Laughter, Alonso in The Tempest. OTHER: Arena Stage (The Author of The Chase, a stage adaptation of Venus (PBS, Fall 2011), The Product of 3M. RADIO: WAMU Benedick in Much Ado about Nothing, Tony in Mead Center for American Theater): teaching artist, and Adonis. 88.5/Lean & Hungry Theatre: Lord Capulet in Romeo Royal Family, Lucifer in Doctor Faustus; Philadelphia member of the Community Engagement Team. & Juliet, Theseus/Oberon/Demetrius/Flute in A Theatre Company: Olivier in Orson's Shadow Bill Largess* Midsummer Night’s Dream. (Barrymore Award nomination); Seattle Rep: Naomi Jacobson* Trebonius/Scarus Theseus/Oberon in A Midsummer Night's Dream; Calphurnia STC: Osric in Hamlet, An Enemy Michael Hammond Actors Theatre of Louisville: Randall in Heartbreak of The People, The Imaginary Ensemble STC: Duchess of York in Richard House; Virginia Stage: Iago in Othello; Missouri II (Helen Hayes Award), Mistress Invalid, Cymbeline. NEW YORK: REGIONAL: Studio Theatre: Solid Rep: Leontes in The Winter’s Tale; Syracuse Stage: Quickly in Henry V, Doll Tearsheet Off-Broadway: Manhattan Theatre Gold Cadillac, Superior Donuts Macbeth in Macbeth, Dracula in Dracula, Markinson in Henry IV, Part 2, Lucetta in Club: The Captain's Tiger; (u/s); American Century Theater: in A Few Good Men; Portland Center Stage: DeVere The Two Gentlemen of Verona, REGIONAL: Washington Stage Stage Door; Source Festival: in Beard of Avon (Drammy Award). TELEVISION: Madame Haughty in The Silent Guild: 25 seasons, Artistic Director since 2008, An Sasquatch and the Man; Studio Guiding Light, Out of the Box. Woman, Prudence in Camino Real. NEW YORK: Ideal Husband (Helen Hayes nomination), Man & 2ndStage: That Face (u/s); Off-Broadway: Blue Light/Atlantic Theatre: Galactia Superman (Helen Hayes nomination), The Alchemist, Williamstown Theatre Festival: The Torch-Bearers; Tyrone Mitchell in Scenes From An Execution. REGIONAL: Goodman Arms And The Man, St Nicholas, Dante's Inferno Eugene O’Neill Theater Center: A Devil at Noon. Henderson* Theatre: Bawd in Pericles; Arizona Theatre Company: (one-man adaptation), The Potting Shed; Round OTHER: Readings: DC Shorts Film Festival, Kennedy Metellus Cimber/Strato Louise in Ten Chimneys; Milwaukee Repertory House Theatre: Cuckoo's Nest, Alice (Helen Hayes Center Page-to-Stage Festival. FILM: Damascus STC: An Enemy of the People, Theater: Constance in Goodnight Desdemona…; nomination), The Cherry Orchard, Woman in Mind, Road, The Demise of Charlie Hampstead. Romeo and Juliet, Julius Caesar, Arena Stage: Beatrice in A View From the Bridge; Uncle Vanya; Rep Stage: Two by Barrie, Travels With TRAINING: Brown University; Studio Theatre Acting Antony and Cleopatra. NEW YORK: The Folger Theatre: Katherine of Aragon in Henry My Aunt (Helen Hayes nomination), The Seagull, Conservatory; University of California San Diego: Off-Broadway: Bring In Da Noise- VIII (Helen Hayes nomination); Ford’s Theatre: The Dazzle, Translations, Da; Ford's Theatre: 1776; MFA class of 2014. Bring In Da Funk, The Tempest Norah/Grace in State of the Union; Woolly Olney Theatre: Camelot, 1776; Source Theatre: (starring Patrick Stewart, dir. George C. Wolfe), Mammoth Theatre Company Member: Nancy in The Heartbreak House, Psychopathia Sexualis; Everyman Tom Hammond* The America Play, Two Noble Kinsmen, The Public Theatre: The Foreigner, The Crucible; Bay Theatre Marcus Brutus Unmentionables (Helen Hayes nomination), The Sings, Letters To The End Of The World, King Lear. Widow in Vigils (Helen Hayes nomination); Theater Company: The Foreigner (Helen Hayes nomination). STC: Brutus in Julius Caesar, REGIONAL: Radio Golf, The 39 Steps, The Tempest J: Arkadina in The Seagull. AWARDS: 2009 Lunt- AWARDS: Five Helen Hayes Award nominations, Two Pericles in Pericles (Free For All). (starring Anthony Head), Much Ado About Nothing, Fontanne Fellowship, DC Commission Individual Theatre Lobby Awards. OTHER: Playwright of Lord NEW YORK: Broadway: Lorenzo The Merchant Of Venice, Othello, Hamlet, Topdog/ Artist Grant, 13 Helen Hayes nominations, 2 Helen Arthur Savile's Crime, Inferno. INSTRUCTOR: Catholic in The Merchant of Venice (with Underdog, Intimate Apparel, Gutenberg The Musical, Hayes Awards. OTHER: Voice Over: NPR, PBS. University, George Washington University. Al Pacino, dir. Daniel Sullivan); Yellowman, The Piano Lesson, Jitney, All My Sons, Off-Broadway: Mint Theatre: Dr. The Crucible, Master Harold and the Boys, Angels in Emily Joshi-Powell Dan Lawrence Knock in Dr. Knock; Theatre for a New Audience: America, A Raisin in the Sun, Blues For An Alabama Ensemble Brutus in Julius Caesar; Horatio in Hamlet (dir. David Ensemble Sky (opposite Phylicia Rashad). FILM: Ride For Your STC: 2010-2011 Acting Fellow, STC: Twelfth Night (Free For All), Esbjornson); Aenaeas in Troilus and Cressida (dir. Life, The Treatment, Suits. TELEVISION: Boardwalk The Merchant of Venice, An Romeo and Juliet, Twelfth Night, Sir Peter Hall); Storyteller in Cymbeline (dir. Bart Empire, 2 Suits, Law & Order; Law & Order: Criminal Ideal Husband. REGIONAL: Jane The Dog in the Manger, King Sher); Manhattan Theatre Club: The Receptionist; Intent; Suits; As The World Turns; All My Children. Austen’s Emma; Macbeth; Arcadia. Lear; 2008-2009 Acting Fellow. Primary Stages: The Stendhal Syndrome. REGIONAL: AWARDS: Audelco Nominee, Dallas Theatre Critics TRAINING: Bristol Old Vic Theatre REGIONAL: Shakespeare Theatre of Old Globe Theatre: Macbeth in Macbeth, Duke in Award, Leon Rabin Award. School in England. New Jersey: Timon of Athens, Julius Measure for Measure; New Jersey Shakespeare: Caesar, A Midsummer Night's Dream; Hudson Valley Berowne in Love's Labor's Lost; Pericles in Pericles; Rachael Holmes* Dan Kremer* Shakespeare and Gallery Players: Hamlet; Seacoast Engeman Theatre: Henry Higgins in My Fair Lady, Portia Rep.: As You Like It. TRAINING: Ithaca College: B.F.A. Nathan Detroit in Guys and Dolls. INTERNATIONAL: Julius Caesar STC: Princess Katherine in STC: Enobarbus in Antony and Acting; Moscow Art Theatre: Chekhov Technique. Shakespeare’s Globe Theatre, London: Iachimo in Henry V, Queen Isabel in Richard Cleopatra, Julius Caesar in Julius Cymbeline in Closeup; Royal Shakespeare Company: II. NEW YORK: Manhattan Theatre Caesar, Capulet in Romeo and Kryztov Lindquist* Philario in Cymbeline. TELEVISION: Law & Order, Club: Ruined. REGIONAL: Arena Juliet, Willoughby in Richard II, Soothsayer/Volumnius Life on Mars, All My Children, As the World Turns, Stage: Sophie in Ruined; Studio French Constable in Henry V. STC: Soothsayer in Antony and American Masters. Theatre: Marcus, Or The Secret of REGIONAL: Denver Center: Van Cleopatra, Soothsayer/Volumnius Sweet; Epic Theatre Ensemble: Widowers’ Houses Helsing in Dracula; Clarence Brown: Nils Bohr in in Julius Caesar. REGIONAL: (Audelco nomination for best lead actress); The Copenhagen; Utah Shakespeare: Vandergelder Keegan Theatre: There Are Little Hangar Theatre and Capital Repertory Theatre: No in The Matchmaker, Lear in King Lear; Oregon Kingdoms (American Premiere: Child… TELEVISION: The Good Wife, Dirt, Guiding Shakespeare: Lambert LeRoux in Pravda, John in Kevin Barry); Scena Theatre: Light, All My Children, national commercials and Oleanna, de Medici in The White Devil, Elomire in La Mother Courage; Washington Stage Guild: Opus; voice-overs. INSTRUCTOR: The New Victory Theatre Folger Theatre/Scena Theatre: Duet (World Premiere: (New York): Master Teaching Artist. TRAINING: MFA New York University. 14 15 Otho Eskin) Woolly Mammoth Theatre Company: Folger Theatre: Macbeth (co-dir. Teller); Studio Joe Palka Kurt Rhoads* The Marriage of Mr. Mississippi, Quills, Mud Theatre: Romeo and Juliet, North Shore Fish, Ensemble Mark Antony People; Studio Theatre: A Bright and Bold Design; Imagine Drowning, Conversations with my Father, REGIONAL: Washington STC: Clarence in Richard III, Next Stage: Democracy! (World Premiere: Joseph Two Sisters and a Piano; Olney Theatre: A Passion Shakespeare Company: Captain Antony in both Antony and Brodsky); Scena Theatre: Season in Hell, Endgame, for Justice, Opus, Rabbit Hole, Dinner with Friends, Jack Boyle in Juno and the Cleopatra and Julius Caesar. The Beckett Festival; Ford’s Theatre: A Christmas A Christmas Carol (one man show), Brooklyn Boy, Paycock, Hastings in Richard NEW YORK: Broadway: Julius Carol; Delaware Theatre Company: Our Town; Sight Unseen, ‘Art’, Becket, The Time of Your Life, III, Anselme in The Miser (dir. Caesar (with Denzel Washington). Source Theatre: Texts for Nothing #10, Krieg, A M. Butterfly, Broken Glass, Private Lives, Coffee Akiva Fox), Doc in Small Craft REGIONAL: Arena Stage: Uncle Prayer for My Daughter, Equus (with Marcia Gay With Richelieu, The Laramie Project; Theater J: Warnings, Warwick in Edward III. FILM: That Night, Peck in How I Learned to Drive, Agamemnon and Harden). INTERNATIONAL: Scena Theatre, Italy, Either Or (by Tom Keneally), The Accident; Round Crybaby. TELEVISION: Homicide: Life on the Streets. his Daughters; Dallas Theater Center: Lewis in Bosnia, Croatia, Slovenia: Duet, A Beckett Trio, House Theatre: Life X 3, Midwives, The Threepenny OTHER: Playwright: Alleyway Theatre, Buffalo: Dividing the Estate, Henry IV in Henry IV, Parts 1 American Buffalo. OTHER: Producer/Editor: Enoch Opera, Snakebit; Everyman Theatre: Sight Unseen, Mookie Cranks a Tater (2010); Last Stand of the and 2; Hudson Stage Company: Love Song; Arvada Arden with Michael York; Shakespeare Theatre at Shooting Star, A Passion for Justice; LA Theatre Polish Sharpshooters; Cleveland Ensemble Theatre; Center for the Arts: Thomas More in A Man for All the Folger: Acting company member (1985-1986); Works: All My Sons (with Julie Harris and James The Erie Playhouse; Theatre Factory (Pittsburgh); Seasons; Trinity Repertory Company: Shooting Star. six ballets with Rudolf Nureyev. AWARDS: Helen Farentino), The Best Man (with Fred Thompson and Omaha Playhouse. INTERNATIONAL: Sydney, Adelaide, Edinburgh, the Hayes Best Supporting Actor nomination: Prince Marsha Mason). Netherlands: Horse Country, Captain Overlord’s Conti in La Bête. TRAINING: Stella Adler; American Scott Parkinson* Folly. OTHER: Directing: Hudson Valley Shakespeare Academy of Dramatic Arts. Steve Nixon Caius Cassius Festival: The Comedy of Errors, The Taming of the Ensemble STC: The Persians, Julius Shrew; Worked with Hudson Valley Shakespeare Jeremy Lister STC: Julius Caesar. REGIONAL: Caesar, Antony and Cleopatra. Festival for 16 seasons. Ensemble Studio Theatre: Phil in All That NEW YORK: Broadway: Lincoln REGIONAL: Studio Theatre: I Will Ever Be, Prisoner and Center: The Coast of Utopia; Off- Brian Riemer Director and Ensemble in Understudy in Guantanamo, Broadway: Barrow Street: Stage Lucius/Ensemble History Boys; Washington Understudy in Rock and Roll, Manager in Our Town (dir. David STC: Tamburlaine, Edward Shakespeare Company: Victor Moonlight, Intelligent Design of Cromer), Orson's Shadow; MCC Theater: The Third II, Richard III (Understudy). Prynne in Private Lives; Virginia Jenny Chow, Grey Gardens, Solid Gold Cadillac; DC Story; Chicago Shakespeare at the Duke: Rose REGIONAL: Ford’s Theatre: Young Stage Company: Porter in The Fringe Festival: James in Terre Haute. TRAINING: Rage; 59E59/Writers' Theatre: Crime & Punishment. Abel in The Children of Eden; Elephant Man. TELEVISION: Game Change, The University of Missouri. NATIONAL TOUR: The 39 Steps. REGIONAL: Chicago Folger Theatre: Young Macduff Letelier Assassination, A Haunting, Psychic Witness. Shakespeare Theater: 16 productions, including the (Understudy) in Richard III; TRAINING: Studio Theatre Acting Conservatory. Geoffrey Owens* title role in Richard II and the Fool in King Lear; Royal Shakespeare Company: Son of Polymestor Caska Writers' Theatre: Doctor's Dilemma, Candida, Glass in Hecuba. TRAINING: Currently a senior at Dan Mason* NEW YORK: Broadway: Belasco Menagerie; Court Theatre: Puck in Midsummer Georgetown Day School. Caius Ligarius/Titinius Theater: Romeo in Romeo Night’s Dream; Hartford Stage: Caesar in Antony and NEW YORK: Broadway: Amadeus and Juliet, Orlando in As You Cleopatra (dir. Tina Landau); Old Globe: Mercutio John Seidman* (dir. Sir Peter Hall); Off-Broadway: Like It (dir. Estelle Parsons); in Romeo and Juliet (dir. Daniel Sullivan), The Lepidus/A Cobbler Horton Foote’s The Roads To Off-Broadway: New York Seagull (dir. Jack O'Brien); Mark Taper Forum: The STC: The Persians, The Home with Jean Stapleton (dir. Shakespeare Festival: Cleon in School for Scandal (dir. Brian Bedford); Goodman Merchant of Venice. NEW YORK: Horton Foote). REGIONAL: Pisanio Pericles (dir. Brian Kulick), Puck in A Midsummer Theatre; Northlight Theater; La Jolla Playhouse; Broadway: Knave of Hearts in in Cymbeline, Hamlet in Hamlet; Night’s Dream (dir. A.J. Antoon), Mercutio in Seattle Repertory. AWARDS: four Joseph Jefferson Alice in Wonderland (dir. Eva Mr. Antrobus in The Skin Of Our Teeth, Alan Squire Romeo and Juliet (dir. Estelle Parsons), Fitzwater nominations (award, Rose Rage). OTHER: featured LeGallienne); Off-Broadway: in The Petrified Forest, Bassanio in The Merchant in Richard II (dir. Joseph Papp). REGIONAL: Long interview, North American Players of Shakespeare. Roundabout: Give Me Your Of Venice, Rennie Davis in The Chicago Conspiracy Wharf Theater: Don Pedro in Much Ado About Answer, Do!; Atlantic Theatre Company: Once in Trial. INTERNATIONAL: The Edinburgh Fringe Nothing, Acaste in The Misanthrope; Hartford Paul Reisman* a Lifetime, Communion, Adam and the Experts, Festival: Lit 305 (dir. Guy Giarrizzo). FILM: Lord Krill Stage Company: Valere in Tartuffe (dir. Mark Cinna the Poet Therese Raquin, Das Rheingold. REGIONAL: in The Last Starfighter. TELEVISION: White Mama Llamos); Wadsworth Theater: Salomé (with Al REGIONAL: American Shakespeare Philadelphia Orchestra and Boston Symphony: (with Bette Davis, dir. Jackie Cooper), Wings (PBS, Pacino, dir. Estelle Parsons). FILM: Salomaybe (dir. Center: Grumio in The Taming Stravinsky’s L’Histoire du Soldat; Williamstown: dir. John Madden), StarTrek—The Next Generation, Al Pacino), The Paper (dir. Ron Howard), Play the of the Shrew, Lorenzo/Aragon Camino Real; The Old Globe; Huntington Theatre; Law and Order, Antony and Cleopatra (with Game, Stonebrook. TELEVISION: The Cosby Show, in The Merchant of Venice, Seattle Repertory Theatre; Actors Theatre of Lynne Redgrave). AWARDS: Dramalogue Awards It’s Always Sunny in Philadelphia, Medium, Boston Nym/Gower/Westmoreland Louisville; McCarter Theater; Pittsburgh Public for Hamlet and Lit 305. OTHER: The Shelter West Legal, Journeyman, That’s So Raven, Las Vegas, in Henry V, Fred/Tiny Tim in Theater; Dallas Theater Center; Cincinnati Playhouse; Company (New York): Artistic Director; Director: Without a Trace, The Secret Life of the American A Christmas Carol; Shakespeare Theatre of New Shakespeare Theatre of New Jersey; Chautauqua acclaimed productions in Dublin Ireland, New York, Teenager, Law & Order. INSTRUCTOR: Yale Jersey: Norfolk in Richard III, Mr. Hurst/Capt. Denny Theatre Company; O’Neill Theatre Center. FILM: The Los Angeles. TRAINING: Uta Hagen, Robert Lewis; College: Visiting Professor; Florida State University/ in Pride & Prejudice; TheatreFest: Hal in Proof; 12 Thomas Crown Affair, Jeffrey, Sea of Love, Racing San Francisco State University: B.A. Asdo Conservatory: Assistant Professor; Herbert Miles West: Jim in Happy Hour (World Premiere); Daylight. TELEVISION: Hack, Law & Order, Law & Beghof Studio: teacher. TRAINING: Uta Hagen, American Globe Theatre: Puck/Snug/Philostrate Order: CI, Spin City, One Life to Live, The Silence, Paul Morella* Nikos Psacharapoulos, Austin Pendleton, Yale in A Midsummer Night's Dream; Faction of Fools: Bedtime Playhouse. AWARDS: Kevin Kline Award Flavius/Pindarus College: BA in English and Theater Studies. Scuffaldino in Tales of Courage and Poultry. nomination for Senex in A Funny Thing Happened STC: King John. REGIONAL: TRAINING: George Washington University: Academy on the Way to the Forum; AudioFile Award for The Signature Theatre: Angels in for Classical Acting: MFA. Dante Club. America (parts I and II); Arena Stage: All My Sons, Orpheus Descending; Woolly Mammoth: Quills, Watbanaland, After Ashley, Christmas on Mars, Big Death and Little Death;

16 17 Armand Sindoni Charles Turner* Ensemble Cicero/Another Poet STC: Ensemble in Antony and STC: Oedipus. NEW YORK: Cleopatra and Julius Caesar. Broadway: Dividing the Estate REGIONAL: Scena Theatre: (dir. Michael Wilson); Norman in Pasha in Purge; Synetic Theater: On Golden Pond (replacing James Voland in The Master and the Earl Jones, with Leslie Uggams); Margarita, Mullah in Host and Lincoln Center: The Little Foxes Guest, Polonious/Gravedigger in Hamlet (Helen (with Stockard Channing); Off-Broadway: The Hayes Outstanding Ensemble Award), Banquo in Man in Edward Albee’s The Play about the Baby Macbeth, Phrixis/Creon in Jason and the Argonauts, (opposite Marian Seldes), The Cherry Orchard, Ma Reb Solomon in The Dybbuk (co-production with Rainey’s Black Bottom, Orphan’s Home Trilogy. toBE OR NOT Theater J); Georgetown Theatre Company: Y in REGIONAL: Hartford Stage Company: Orphan’s Bushwa; The Center Company: Marek/Soldier in Home Trilogy, To Kill a Mockingbird (with Matthew One of the Few. Modine); American Repertory Theater: Johnny Baseball (dir. Diane Paulus). INTERNATIONAL: Jefferson Slinkard* Athens Festival (STC): Oedipus (with Avery Brooks). Cinna/Messala FILM: Presumed Innocent, Super Cops (dir. toBE NEW YORK: Off-Broadway: Worth Gordon Parks). TELEVISION: Mr. Keller in A Gifted Street Theatre: Bone Daddy, The Man (with Patrick Wilson, produced by Jonathan Mystery of Attraction; Off-Off- Demme). AWARDS: Audelco: Directing: Bessie Broadway: Parenthesis Theater: Smith (musical). OTHER: Audie. Audio: recorded Tappercoom, The Lady’s Not books. INSTRUCTOR: New York University; SUNY Old At CoStar Group, For Burning; American Globe Westbury: Professor and Theatre Director. TRAINING: Theatre: Polixines, The Winter’s Tale. REGIONAL: Yale School of Drama: MFA; Royal Academy of we provide Las Vegas: Bill Austin in Mamma Mia!; Asolo Dramatic Art, Chichester, UK. Repertory Theatre: Host of the Garter, The Merry the answers Wives of Windsor (dir. Daniel Fish); Chicago Emily Whitworth that bring great Shakespeare Theater: Hubert in King John (dir. Ensemble Barbara Gaines); Milwaukee Shakespeare Theatre: STC: Louisson in The Imaginary performances Toby Belch in Twelfth Night; Northern Stage Invalid; Fanny in Sir Patient Theatre: Petruchio in The Taming of the Shrew; Fancy (reading). REGIONAL: to light in Northeast Shakespeare Ensemble: Iago in Othello. Synetic Family Theater: Louise in commercial INTERNATIONAL: Broadway Asia-Asian Tour: The The Nutcracker; Kennedy Center King in Cinderella (with Lea Salonga); Wakayama Page-to-Stage Festival: Maddy real estate. Marina City Japan: Olaf in The Viking Adventure Lee; Synetic Teen Theatre: Helena in A Midsummer Stunt Show. TELEVISION: Law & Order: SVU, Law & Night’s Dream; Studio Theatre: Confessions, Kit This season, Order: Criminal Intent. OTHER: Director and Fight (world premiere staged reading); National Theater Group Sales Tickets Director. INSTRUCTOR: Professional Performing Arts Saturdays: Emily in Magical Theatre; Firebelly we’re proud School NYC: Stage Combat. TRAINING: University of Productions: Evelyn Munn in The Children's Hour; Minnesota: BA in Theater; Florida State University/ community theater roles include Peter Pan, Mulan, Make it a night to support Asolo Conservatory: MFA in Acting. Dinah Lord in The Philadelphia Story. AWARDS: to remember for Shakespeare 2011 CAPPIES nomination (Best Actress in Kevin Stevens a Musical). your group and Theatre Ensemble become a part STC: 2010-2011 Acting Fellow, Jacob Yeh Company’s An Ideal Husband (Swing), The Ensemble of the magic Merchant of Venice, Cymbeline. REGIONAL: Ford’s Theatre: of bringing theatre to life! Free For All. REGIONAL: Griffin Theatre: Staff A Christmas Carol; 1st Sgt. Aaron White in Letters Home; Stage Theatre: Fuddy Meers, From large student groups to small book The Mime Company: Featured in Shakespeare’s R&J, The Game clubs, corporate parties or even your family An Evening of Mime; Bailiwick Repertory Company: of Love and Chance; dog & pony and friends, we are here to help make your Paolo in Chiaroscuro; Williamstown Theatre Festival dc: Courage; Adventure Theatre: (Workshop): Prentiss in Peter Pan and the Star Just a Dream, Holes; Discovery Theater: Tigers, theatre outing a rewarding one. Catchers, Willie in Dark Shadows. TELEVISION: Dragons, and Other Wise Tails; Source Festival: Gangland. TRAINING: Northwestern University: BA in The Relationship of Archibald and Amity as Live Theatre, Certificate in Creative Writing for the Media. Inside an Elevator, Urashima Taro; Capital Fringe Festival: Be Here Now, Home Free!. TRAINING: Contact Group Sales at Theatre Lab School of the Dramatic Arts (Honors [email protected]. Conservatory ’08). Groups of 10 or more receive a savings of at least 20% on tickets!

WWW.COSTAR.COM 18 Direction and Design Biographies

David Paul James Noone Director Set Designer STC: Director: Hamlet (Fellows Project); The Liar STC: The Alchemist, Design for Living, Julius 2011|2012 (ReDiscovery Series); Music Director: King Lear; Caesar, Antony and Cleopatra, Major Barbara, The Associate Music Director: Henry V; Assistant Persians, Othello, Cyrano. NEW YORK: Broadway: A Director: Julius Caesar, King Lear, Ion, Romeo Bronx Tale, Come Back Little Sheba, Match, Urban and Juliet. NEW YORK: Broadway: Assistant Cowboy, A Class Act, Judgment at Nuremberg, ANNIVERsary Director, Manhattan Theatre Club: Master Class Jekyll and Hyde, The Rainmaker, Night Must Fall, (with Tyne Daly). REGIONAL: Perseverance The Sunshine Boys, Getting and Spending, The Theatre: Blood Wedding, Welcome to Social Gin Game; Off-Broadway: The Persians, Three Tall SEASON Disorder Camp!; Washington National Opera: Women, Fully Committed, Full Gallop, Frankie and Le nozze di Figaro; Ash Lawn Opera: Il barbiere Johnny in the Claire de Lune, Cowgirls, Ruthless!, di Siviglia; Westminster Choir College: Cosi fan Breaking Legs, Boys in the Band, The Women tutte; Assistant Director, Kennedy Center: Master in Black; Manhattan Theatre Club; Signature Class; California Shakespeare Theatre: As You Like Theatre; Lincoln Center Theater; Playwrights It; Atlanta Opera: Aida; Perseverance Theatre: The Horizons; Second Stage; National Actors Theatre; Laramie Project; Chautauqua Theatre Company: Atlantic Theater Company; Primary Stages; Celebrating CLASSICAL Years Macbeth, On the Verge..., The September 11th Roundabout Theatre. REGIONAL: Arena Stage, Old 25 Project, Once in a Lifetime; The Juilliard School: Globe, Seattle Repertory, Pasadena Playhouse, Macbeth, Richard III. INTERNATIONAL: Tel Aviv Dallas Theater Center, Alley Theatre, Ahmanson Summer Opera Festival: The Bear; Fatal Song; Theatre, Mark Taper Forum, Geffen Playhouse, Intermezzo Festival (Belgium): Die Zauberfloete. Pittsburgh Public Theater, Guthrie Theater, Chicago OTHER: Two seasons as Associate in Casting Shakespeare Theater, Ravinia Festival, Goodspeed Jean-François Regnard’s William Shakespeare’s at the Metropolitan Opera. INSTRUCTOR: The Musicals, Long Wharf Theatre, Virginia Stage, Juilliard School (Dramatic Advisor, Masters Huntington Theatre, Village Theatre, Syracuse Program in Vocal Arts); Barnard College/Columbia Stage, Geva Theatre, Coconut Grove Playhouse, the Heir Apparent Much Ado University, Dept. of Theatre; Metropolitan Opera Capitol Repertory Theatre. NATIONAL TOURS: September 6–October 23, 2011 Lindemann Young Artist Development Program; Jekyll and Hyde, Full Gallop, The Gin Game, About Nothing International Vocal Arts Institute, Tel Aviv, Israel. Steiglitz Loves O’Keeffe, Breaking Legs, Three Tall TRAINING: Columbia University. Women, Fully Committed. OPERA: Lyric Opera Of November 23, 2011–January 1, 2012 Chicago, Washington Opera, Los Angeles Opera, William Shakespeare’s David Muse Houston Grand, New York City, Glimmerglass, Original Director Canadian Opera, Portland Opera. INTERNATIONAL: the Two Gentlemen Eugene O’Neill’s STC: Affiliated Artist, Associate Artistic Director, Hampstead Theatre: Full Gallop; Tokyo: A Class 2005-2010; Director: Henry V, The Taming of Act, Little Shop of Horrors. TELEVISION: Sweeney Strange Interlude the Shrew (Free For All), Romeo and Juliet, Todd; Passion; Candide; Camelot; Company of Verona Julius Caesar, On the Eve of Friday Morning, (shown in movie theatres). AWARDS: Drama Desk January 17–March 4, 2012 March 27–April 29, 2012 Pericles (Free For All); Assistant Director: Award, American Theatre Wing Design Award, LA Othello, Lady Windermere’s Fan, The Tempest, Ovation Award, 2 Helen Hayes Awards, NAACP Pericles, Macbeth; Director: ReDiscovery Series, Theatre Design Awards. INSTRUCTOR: Boston numerous readings; Master Acting Class instructor. University School of Theatre Arts. Carlo Goldoni’s William Shakespeare’s REGIONAL: Studio Theatre: Artistic Director since 2010; Director: Venus In Fur, Circle Mirror Jennifer Moeller the Servant the Merry Wives Transformation, Reasons to be Pretty, Blackbird, Costume Designer Frozen, The Intelligent Design of Jenny Chow; STC: Affiliated Artist, The Merchant of Venice, Arena Stage: Frankie and Johnny in the Claire de Richard II, Romeo and Juliet, Antony and of Two Masters of Windsor Lune; Theatre Alliance: The Bluest Eye; Hudson Cleopatra, Julius Caesar, Tamburlaine, Richard May 15–July 1, 2012 June 12–July 15, 2012 Valley Shakespeare Festival: Antony and Cleopatra. III. NEW YORK: Off-Broadway: Primary Stages: INSTRUCTOR: Shakespeare Theatre Academy Happy Now?; Women’s Project: Crooked (sets), for Classical Acting; Georgetown University; Yale Aliens with Extraordinary Skills. REGIONAL: Studio University. OTHER: New play development at Theatre: Venus in Fur; McCarter Theatre Center: numerous theatres including New York Theatre The How and the Why; Williamstown Theatre Workshop, Arena Stage, Geva Theatre, Kennedy Festival: Six Degrees of Separation; George Street Center, Ford’s Theatre. AWARDS: DC Mayor’s Arts Playhouse: Circle Mirror Transformation, The SUBSCRIBE TODAY! Award for Outstanding Emerging Artist, National Seafarer; Yale Repertory Theatre: Dance of the Theatre Conference Emerging Artist Award. Holy Ghost; Barrington Stage Company: Sweeney TRAINING: Yale University: BA; Yale School of Todd; Berkshire Theatre Festival: Waiting for Godot; 202.547.1122 Drama: MFA in directing. Chautauqua Theater Company: The Winter’s Tale. ShakespeareTheatre.org. TRAINING: Yale School of Drama: MFA.

21 Photo of Joey Stone and Hollis Resnik by Scott Suchman. Jason Arnold REGIONAL: Huntington Theatre: Mauritius, Breath, Johnson), Dan in Real Life (starring Steve Carell Mary K Klinger* Lighting Designer Boom; McCarter Theatre: Twelfth Night, Ridiculous and Juliet Binoche). TELEVISION: Stunt Coordinator Production Stage Manager NEW YORK: Zero Hour (dir. Piper Laurie). Fraud; Actors Theatre of Louisville: Mystery of for Guiding Light (12 years); Stunt Coordinator NEW YORK: Broadway: “QED” (with Alan Alda), REGIONAL: Philadelphia Theatre Company: Attraction, Wit, Cloud Tectonics; Arena Stage: An for One Life to Live. AWARDS: Edith Oliver Award Angels in America, Parts One and Two. NATIONAL Resurrection (dir. Oz Scott); Hartford Stage: American Daughter; Center Stage: The Voysey for Sustained Excellence from the Lucille Lortel TOURS: 50th Anniversary production of Death Resurrection; Arena Stage: Emergence-See!; Theater Inheritance, Picnic; Round House Theatre: Midwives, Foundation. OTHER: Board member for the of a Salesman, Teenage Mutant Ninja Turtles. J: Something You Did, Honey Brown Eyes, Without Camille, columbinus (Helen Hayes Award), The Shakespeare Theatre of New Jersey. INSTRUCTOR: REGIONAL: Geffen Playhouse (L.A.) and Intiman You I'm Nothing (starring Sandra Bernhard), The Diary of Anne Frank (Helen Hayes Award); Yale Yale School of Drama, The New School for Drama; Playhouse (Seattle): Ruined; The Old Globe Price, Family Secrets, Central Park West/Riverside Repertory: Iphigeneia at Aulis. INTERNATIONAL: The Neighbor Playhouse. Theatre, San Diego: Othello, A Midsummer Night’s Drive, A Bad Friend, Oh the Innocents, Welcome The Holland Festival, Amsterdam: House/Lights; Dream, Titus Andronicus, Measure for Measure, to My Rash/Third, Talley's Folly; Rep Stage: FINN, Harstad, Norway: Rett Etter Midnatt; Stuart Howard and Paul Hardt Hamlet, Romeo and Juliet, The Two Gentlemen Intelligence, The Santaland Diaries, A Shayna Mirvish Productions, Toronto, Canada: Death of a Casting of Verona, All’s Well That Ends Well, Cyrano de Maidel, Mrs. Farnsworth; Imagination Stage: Junie Salesman; Edinburgh Fringe Festival: Embracing the STC: Since 1986. REGIONAL: Washington, DC Bergerac, Coriolanus, The Merry Wives of Windsor, B. Jones, How I Became a Pirate, Busy Town, The Riddle. TRAINING: Yale School of Drama. (Recent): Arena Stage: Oklahoma! (dir. Molly Smith); Twelfth Night; Center Theatre Group, Los Angeles Neverending Story, The Jungle Book, Sleeping Sophisticated Ladies (dir. Maurice Hines); The Studio (selected): Louis and Clark Reach the Euphrates, Beauty, Seussical, Cinderella, Charlotte's Web, Daniel Baker Theatre: The Habit of Art (dir. David Muse); Metro Radio Golf, Gem of the Ocean, The School for Bunnicula, The BFG; MetroStage: The Stephen Sound Designer Stage: Josephine Tonight (dir. Maurice Hines). Scandal, Intimate Apparel, Topdog/Underdog, Schwartz Project, Three Sistahs; Washington STC: Julius Caesar, Antony and Cleopatra, The Gem of the Ocean, Ten Unknowns, The House of Shakespeare Company: Hapgood, The Milktrain Taming of the Shrew, On the Eve of Friday Morning. Daniel Neville-Rehbehn Bernarda Alba, The Molière Comedies, “QED,” In Doesn't Stop Here Anymore; Everyman Theatre: The NEW YORK: Atlantic Theater, Keen Company, Resident Casting Director Real Life, Another American: Asking and Telling, Waverly Gallery, Blues for an Alabama Sky, The LaMama, ETC, The New Group. Rattlestick Theater, See For the Shakespeare Theatre Company (page 31). Expecting Isabel, Enigma Variations, Tongue of Crucible. TEACHING: American University: Artist in Second Stage Women’s Project, Cherry Lane. a Bird, Nine Armenians (L.A. and Denver), Molly Residence. TRAINING: Vassar College: BA in Drama; REGIONAL: Actors Theater of Phoenix, Arena Stage, Ursula Meyer Sweeney, Changes of Heart, Slavs! (L.A. and La Brandeis University: MFA in Design. Dallas Theater Center, Dorset Theater Festival, Geva Voice and Text Coach Jolla), Angels in America, Bandido!, The Woman Theatre, Huntington Theatre, Long Wharf Theatre, STC: Twelfth Night, The Taming of the Shrew Warrior, Unfinished Stories, Spunk (L.A., London Mark McCullough Portland Center Stage, San Jose Repertory, Studio (FFA). REGIONAL: Voice, Text and Accent Coaching: and Berkeley), Jelly’s Last Jam; Pasadena Playhouse: Original Lighting Designer Theatre, TheaterWorks, Westport Country Playhouse, Oregon Shakespeare Festival—14 seasons, La Arms and the Man, Spoke Song, Look Homeward STC: Richard II, Henry V Design for Living, Julius Yale Repertory. Jolla Playhouse, South Coast Repertory, Utah Angel; Los Angeles Theatre Center: 1951-2006, Caesar, Anthony and Cleopatra, Edward the Shakespearean Festival, Guthrie Theatre, Old The Kathy and Mo Show, Joe Turner’s Come and II, Tamburlaine, Titus Andronicus, Richard III, Chris Baines Globe San Diego, Shakespeare Santa Cruz, Gone and Stars in the Morning Sky; Corporate Hamlet. NEW YORK: Broadway: The American Associate Sound Designer Yale Repertory, ACT Seattle, Idaho Shakespeare Events (selected): Opening of Valley Performing Plan, Accent on Youth, After Miss Julie, Jesus Christ REGIONAL: Woolly Mammoth Theater: Gruesome Festival, Shakespeare Theatre Company DC 2009; Arts Center, Spotlight Awards, Organ Power 5-10, Superstar (Broadway; National and UK Tour); Off- Playground Injuries; Forum Theater: Scorched; Professional Acting: Seattle Repertory, Milwaukee THEA Awards, Chevy, Pontiac, Opening of Our Broadway: The Language Archive, Old Money, Everyman Theatre: All My Sons; designs with Repertory, La Jolla Playhouse, ACT Seattle, Oregon, Lady, Queen of Angels. INSTRUCTOR: University of Mouth to Mouth, How I Learned to Drive, The Long Children’s Theater Charlotte; Olney Theater Santa Cruz, Idaho and Illinois Shakespeare Festivals; Southern California: Adjunct Professor of Christmas Ride Home, This is Our Youth, Lobby Company; Theater J; Adventure Theatre; Synetic Speaker/Performer: Aspen Music Festival, San Stage Management. Hero. REGIONAL: Court Theatre; La Jolla Playhouse; Theater; Bay Theater; Journeyman Theatre; Diego Symphony. AWARDS: Distinguished Teaching Mark Taper Forum; Long Wharf; Hartford Stage; The Rorschach Theatre; Kennedy Center TYA; American Award (UC San Diego). TEACHING: Yale School of Elizabeth Clewley* Huntington Theatre; Centerstage; The Old Globe; Century Theatre; Constellation Theatre Company; Drama, UC Santa Barbara, University of Washington, Assistant Stage Manager Oregon Shakespeare; Guthrie Theater, Steppenwolf Theatre Alliance; Source Theatre Festival; American currently UC San Diego. TRAINING: ADVS Central STC: Old Times, Cymbeline, Twelfth Night (Free For Theatre Company, Center Stage. INTERNATIONAL: College Theatre Festival; Young Playwrights School of Speech and Drama London–Graduated All), The Liar (ASM), Richard II, The Alchemist, The London (West End): Whistle Down the Wind; Royal Theatre; University of Maryland; Catholic University; with Distinction; University of Washington: MFA; Taming of the Shrew (FFA), King Lear, Ion, Twelfth Shakespeare Company; Gate Theatre (Dublin). American University; Actors Theatre of Charlotte; Designated Linklater Teacher. Night, Romeo and Juliet, 2008 Harman Center for OPERA: Metropolitan Opera; La Scala; New York City National Players. the Arts Annual Gala (Production Assistant), Julius Opera; Washington National Opera; Glimmerglass; Gus Heagerty Caesar, Antony and Cleopatra, Argonautika, The Teatro Real Madrid; Royal Opera House Covent Rick Sordelet Assistant Director Taming of the Shrew, On the Eve of Friday Morning Fight Director Garden; Opéra National du Rhin; Opera North; STC: 2011-2012 Directing Fellow. NEW YORK: (Stage Management Intern). REGIONAL: Theater Dallas Opera; Opéra de Montréal; Seattle Opera. STC: Cymbeline, Twelfth Night, Richard II, Henry V, Assistant Director: Off-Broadway: Playwrights of the American South: Driving Miss Daisy (Stage Antony and Cleopatra, Julius Caesar, Tamburlaine, Horizons and New York Theatre Workshop: The Manager); Cape Fear Regional Theatre: Thoroughly Martin Desjardins Edward II, The Taming of the Shrew, Titus Shaggs: Philosophy of the World (dir. John Langs). Modern Millie, Rodgers and Hammerstein’s Composer Andronicus, Henry IV, Part 1 and Part 2, Hamlet REGIONAL: Studio Theatre: The Walworth Farce Cinderella, Tuesdays With Morrie (Stage Manager). STC: Old Times, An Ideal Husband, Twelfth Night (Free For All), Henry VI, Parts 1, 2 and 3, Peer Gynt, (dir. Matt Torney), The New Electric Ballroom (dir. INTERNATIONAL: International Festival Arts (Free For All), Mrs. Warren’s Profession, The As You Like It, Othello. NEW YORK: Broadway: 52 Matt Torney); The Folger Theatre: The Comedy of and Ideas (Stage Manager); International VSA Liar, Richard II, Design for Living, Twelfth Night Broadway shows including The Lion King, The Errors (dir. Aaron Posner); Kennedy Center Theatre Festival (Stage Manager). TRAINING: East Carolina (2008), Antony and Cleopatra, Julius Caesar, Addams Family, The People in the Picture, National for Young Audiences: Snow White, Rose Red, (and University: BFA in Stage Management. Titus Andronicus, Richard III (2007), The Beaux’ Tours of Beauty and the Beast, Spring Awakening, Fred) (dir. Matthew Gardiner); Seattle Shakespeare Stratagem, Lady Windermere’s Fan, Macbeth, Les Misérables, Company (New York Philharmonic Company: Hamlet (dir. John Langs); The Theatre Joseph Smelser* A Midsummer Night’s Dream (Helen Hayes and nationally). INTERNATIONAL: 52 First Class @ Boston Court & Circle X Theatre Co.: World Resident Production Stage Manager Award), The Rivals, Ghosts, Richard III (2003), productions worldwide: Tarzan, Aida, The Lion King, Premiere: The Good Book of Pedantry and Wonder STC: All’s Well That Ends Well. REGIONAL: Associate Don Carlos. NEW YORK: Off-Broadway: Second Beauty and the Beast, Ben Hur Live. OPERA: The (dir. John Langs). OTHER: John F. Kennedy Center Artistic Director/Staff Producer, Seattle Repertory Stage: The Scene; New York Theatre Workshop: Metropolitan Opera, The Royal Opera House, La for the Performing Arts: William R. Kenan Directing Theatre; Production Manager; Aurora Theatre; columbinus (Lucille Lortel Award); The Wooster Scalla in Milan: Cyrano (starring Placido Domingo); Fellow (2010-2011); TRAINING: University of North Resident Stage Manager, Berkeley Repertory Group: North Atlantic, House/Lights; Playwrights The Metropolitan Opera: Don Carlo (dir. by Nicholas Carolina School of the Arts: BFA in Directing Theatre, Stage Manager, American Conservatory Horizons: Gunshy; John Houseman: Below the Belt. Hytner); San Francisco Opera: Heart of the Soldier. (Gerald Freedman). Theatre. TRAINING: Oberlin College: BA. FILM: The Game Plan (starring Dwayne “The Rock”

22 23 2011 Real Estate Shakespeare Theatre Company Community Partnership

Celebrating 25 Classical Years Creating the Next Generation of Artists in support of the Shakespeare Theatre Company Free For All As the 2011-2012 Season begins, the Shakespeare and Audiences Theatre Company is set to celebrate! Not only is it the STC is a leader in arts education, with a series of 25th year of Michael Kahn’s leadership, vision and initiatives that teach and excite learners of all ages. artistic direction but, over the past quarter of a century, Meaningful, fun learning opportunities are available for it has become one of the nation’s leading theatre elementary and high school students and educators, PRESENTED BY companies. Today, STC is synonymous with artistic and Master Acting Classes are held throughout the excellence and making classical theatre more accessible. year. Michael Kahn leads the Academy for Classical Acting, a one-year master’s program at The George LEAD SPONSOR An Unwavering Commitment to Washington University. Beyond the classroom, Artistic Excellence educational opportunities like creative conversations are available to all in the community. STC honors the language of classic playwrights while presenting their work through a 21st-century lens with productions that blend classical traditions and modern Supporting the Community originality. Hallmarks include exquisite sets, elegant STC has helped to revitalize both the Penn Quarter costumes, leading classical actors and above all, an and Capitol Hill neighborhoods and drive an artistic $10,000 uncompromising dedication to quality. renaissance in Washington, D.C. Today, programs such as Free For All and Happenings at the Harman During the past 25 years, STC has: give residents and visitors alike the opportunity to enjoy low cost—or even free—performances. Such Gould Property Company • Produced and hosted nearly 150 productions efforts are critical in exposing diverse audiences to the • Entertained more than 2.5 million audience performing arts, creating engagement and building members new generations of performing art enthusiasts and Additional Support: supporters. The Bozzuto Group • Attracted some of the world’s greatest talent, Brookfield Office Properties including Dame Helen Mirren, Sir Ian McKellen, Forest City Washington Patrick Stewart, Marsha Mason and Avery Brooks Play a Part Hines • Presented free Shakespeare to more than 600,000 STC is profoundly grateful for the support of those JM Zell Partners, Ltd. residents through Free For All, a beloved annual who are passionately committed to classical theatre. Property Capital LLC tradition In our 25-year history, you have allowed us to reach Terra Nova Title & Settlement Services out and expand boundaries, to inform and inspire the • Produced almost the entire Shakespearean canon, Vornado/Charles E. Smith community, and to challenge our audiences to think including rarely-produced classics such as ZGF Architects LLP critically and creatively. We hope that you will reflect Cymbeline and Pericles on the accomplishments of our first 25 years, and look • Hosted award-winning international performances, forward to the role you will play in the next 25. Learn 2011 Real Estate Community including Phèdre, The Great Game: Afghanistan more at ShakespeareTheatre.org/support or call Partners CommitteE and Black Watch 202.547.1122, option 7. Andrew Florance, CoStar Group, Inc., • Uncovered and produced nine “new” classical What Lies Ahead Kingdon Gould III, Gould Property Company, works, including David Ives’ hit adaptation of The Scott Kaufmann, JM Zell Partners, Ltd. Liar, through the ReDiscovery series Even as it celebrates the past 25 years, STC’s focus • Welcomed almost 11,500 guests to Happenings at is squarely on the future: expanding its repertoire; Sponsors as of July 12, 2011 the Harman, which showcases new and emerging continuing to produce the Shakespearean canon as artists in the community well as the many great, relevant classics yet to be explored; building on current education programs in • Received more Helen Hayes Awards for producing an effort to reach all public schools in Washington, plays than any other theatre As one of the leading industries in the national capital region, the Real Estate D.C.; and educating, nurturing and growing the next Community Partnership (RECP) takes seriously its corporate social responsibility to generation of actors, directors and all those who • Garnered accolades including the Washington improve the community by providing underwriting for the Free For All—one of the Post Distinguished Service Award, the Humanities appreciate theatre. We hope you’ll join us! Council of Washington, D.C.’s Public Humanities most impactful outreach programs in Washington. In 2010, the Real Estate Community Award and the Mayor’s Arts Award Partners provided nearly a quarter of the cost that allowed 14,000 Washington-area residents and visitors to experience free performances of Shakespeare at Sidney • Engaged more than 8,000 students and educators a year through its arts education program Harman Hall.

For the past eight years, this coalition of real estate companies has partnered to provide essential financial support to keep this program free and accessible.

Please join us in thanking them for their important role in making the Free For All possible each year.

24 Photo of Dan Kremer and the 2008 cast of Julius Caesar by Carol Rosegg. SHAKESPEARE: CAESAR OF PLAYWRIGHTS? A CONVERSATION WITH STEVE HILLS, PRESIDENT AND GENERAL MANAGER, THE WASHINGTON POST

Steve Hills has served as president and general manager of The Washington Post since September 2002. He began his career at The Post as a business intern in 1986. Hills has nearly 30 years of experience in media, holding a number of different roles ranging from reporter to sales representative to executive. He and his wife Joslyn are devoted fans of the arts. They reside in Chevy Chase, Maryland with their two children.

Craig Wallace as Caius Ligarius, Scott Parkinson as Caius Cassius, Tom Hammond as Brutus and Kurt Rhoads as Ventidius in the 2008 cast of Julius Caesar by Carol Rosegg. Q. We’ve been told that you are a huge fan of Shakespeare. When did you first become passionate about his work?

I went on a field trip to see As You Like It in San Francisco when I was in eighth grade. I was Q. This year’s Free For All, Julius Caesar, exemplifies the dangers of power and struck by Shakespeare's language and his understanding of the human condition in all its idealism. How do you think Shakespeare’s Roman tragedy holds up in a modern variety. Later, I studied him in high school and in college, and found that my appreciation political arena? of his work grew with greater exposure. Most recently, I took my 16-year-old daughter Annie to see the Shakespeare Theatre Company’s The Merchant of Venice. I wanted to Caesar teaches that reacting to overreaches of power by overreaching in the opposite introduce her to his plays at an early age, just as I had been introduced. direction does not work. Creating effective confrontation and finding resolution is always the harder row to hoe, but it is more productive in the end. Q. Do you have a favorite play? For me, Julius Caesar is not just a play about politics, but also a play that celebrates language I can't pick just one. I love King Lear as a written work, and Hamlet, Macbeth, A Midsummer at its finest. In high school, I learned (and think I may still know—but don't test me) Mark Night's Dream, Julius Caesar, The Tempest and Henry IV, Part I as plays. Antony's funeral oration, one of the great speeches of all time. The slow twists and turns of the speech and the poetry of it are the work of a genius. I love to see it performed. Henry IV has always held my interest in the way it explores Henry’s journey from young man to king. I love Shakespeare’s exploration of the trajectory of his growth as a man and Q. The Washington Post has supported and partnered with Free For All productions monarch, including necessary sacrifices and the isolation that often comes with power. for many years now. What draws you to contribute to this program?

Q. It sounds like you pay special attention to the human elements of Shakespeare’s At The Post, we try to bring information and fun to the community with the hope of making storytelling. Though his plays, like Julius Caesar, are often grounded in historical people more informed and doing our small part to improve the local community. The periods, do they resonate for you on a day-to-day basis? arts in general align with this mission, as does the Free For All by exposing new audiences to Shakespeare. We are proud of our long-term relationship with the Shakespeare Yes—an example from The Tempest is the character of Ferdinand who is imprisoned, Theatre Company for this beloved summer event and we look forward to continuing this yet blissful and in love. I try to always remember Ferdinand’s lesson that—to some relationship for years to come. degree—happiness has far more to do with how we react to our situation than with the situation itself. The Washington Post has been a sponsor of the Free For All since it began at Carter Barron I also draw guidance from Shakespeare in my daily life as a business leader. Many of his Amphitheatre in 1991. plays, King Lear in particular, demonstrate the fleeting nature of power and fame and the need to put oneself in the shoes of those who are less fortunate.

26 27 Kathryn and Robert Krubsack Donna Pocaro Dr. Hanna Weissberger Nina Latterell Mr. and Mrs. Gabriel Potter Jack White Section2011 Friends Title of Free For All Jean and Jules Lauderdale Mr. Mark C. Raby Ramon and Catherine Williams Sam Lee Sara Radcliffe Melinda Yium Thanks to the generous support of our sponsors and our Friends, the Shakespeare Theatre Company can Debra Linick Jennifer and Harry Rand continue this program each season. If you are interested in keeping the Free For All FREE, please consider Carol and Terry Long Phil Richards In Memory of Marion Bryce supporting this great Washington experience. Shirley Loo Chad Rishel Anonymous Mr. Anthony Cavalieri James Michael Robinson Michael Becraft Gifts received as of August 1, 2011 and Ms. Ellen Look Enid Chung Roemer Linda Elyse Bryce Amy G. Luedders Mugizi Rwebangira Dr. Bryce Brylawski * Denotes a Trustee of the Shakespeare Theatre Company Lala Seidensticker Doug and Liz Scheffler Ursula David Melissa C. Mann Richard and Rochelle Schwab Mari and Hywel Davies Hal Maring Meredith and Susan Senter Rosemarie and Christina Farrera $2,500+ Lori Korff Ms. Teresa Danley and family Brendan McKenna Lisa Sockett and Andrew Joskow Donald and Cathy Fogel VIP Friend Joseph Krakora Allen and Louisa Grant and Kristin Meikle Janet W. Solinger and Anne and Michael Greene Esthy and Jim Adler* Roger and Robin Millay Warren Davidson Steve Metalitz and Kit Gage Jacob K. Goldhaber Mike Henry and Ann Howard Ann K. Morales Linda S. Neighborgall Tony and Nancy DeCrappeo John Grattan Metz, Jr. Steven Spaeth Summer Jenkins, Jonathan Toni A. Ritzenberg Christopher Nowell Dr. Marjorie Deutsch Brad, Milisa, Maria, Phillip Staub Phillips and Dorian Phillips Tom and Cathie Woteki Steve Sleigh Eva Domotorffy Sarah Middleton Ms. Terry N. Steinberg Helen Kenney Caroline and Ian Smith DeWaal In memory of John T. Dowling, Jack and Barbara Miller Janice Sterling David A. Lamdin $500 to $2,499 Sharon Tash a devotee of the Bard of Avon Bonnie Miyaoka Judith Strotz L. L. Lanam Producing Friend David DeBruin and Dutch and Brenda Dunham Mr. James Moody Susan and Brian Sullam Jim Link American Association of Elizabeth Taylor Nancy and John Ebert Hazel C. Moore Theresa Sullivan Nancy Mitchell McCabe University Women The K.P. and Phoebe Tsolainos William Elwood Firth Morris David Tallerico and M. Mary McCue In memory of Charles Foundation, Inc. Naomi and Gary Felsenfeld Kirk and Margit Nahra Susan Powell Nancy and Bob McKinless H. Beardsley Mark Tushnet and Gerald Foley Paul Nejelski Heidi Thibodeau Mr. and Mrs. Harry H. Shaffer Kate and David Bell Elizabeth Alexander Brian Foucart Ms. Dana J. Nielsen Jacqueline Tibbetts Lynn Trundle Kim Bollen Annette Ward Mr. Frederick Franklin Mr. Brendan O'Hara Ms. Renee Tietjen Judith Walter and Irvin Nathan Gwen Brewer Carl Read Gerber Regina O'Hare Margaret Tocci Sarah and Matt Wilson Tim and Glenda Christenson $200 to $299 Marcy Stahl and Dennis Gerrity Janice and Richard Okita Lindsey Toohey Mark and Ruth Zalonis Andrea and Tim Corcoran Contributing Friend Frank H. Gibson Judith Penski Priscilla Trubin Elizabeth Delaney Anonymous (3) Dr. and Mrs. George Gill In honor of Susan, Nicholas, Kathleen and Gregg Vanorden Louise A. Fishbein Daniel Alpert and Ann Franke Cristi and Martin Goldberg Andrew and Abigail Phillips Steve Verna Barry and Marie Fleishman Douglas and Jane Alspach Joseph Gonzalez Karen L. Hawkins American Federation of In memory of Philip Greer Dr. and Mrs. Casey Jason Government Employees David Grenkevich Lt. Col. and Mrs. Local 476 (HUD) Karen Halle William K. Konze Cherrill Alfou Anson The Helwig Family Dr. Richard M. Krause Francis Apostolo Myra Holsinger Ms. Marcel Lafollette Nicole Baker In honor of Mikki Hornberger Janice McCall Michael and Lissa Barry Michael Hughes and Linda Kelsay Meek Rev. John P. Beal, III Wiessler-Hughes John O'Donnell Curtis and Ina Bedke Dale Rubenstein and Ms. Judith Weintraub Amy Bell Loring Ingraham Carolyn L. Wheeler Alan Berger Katherine Jameson Janet Black Barry Johnson and $400 to $499 Andy and Shellie Bressler Edward Chapman Become a Sustaining Friend Joe and Aurora Brito Neal Johnson and Anonymous Mr. John Broadbent Kathleen Kendrick Friend of Free For All! FlatGrass - Uncommon Synergy Michael Burke and Carl Smith Fred Jones Norman D. Henley Daniel Fernicola and Pat Jones Barbara J. Butler In honor of Philip R. and $300 to $399 Jennifer Byrnes Florence H. Karn If you're interested in supporting Free For All Supporting Friend Valerie Carter Joel and Mary Keiler so we can continue to provide free Shakespeare Mr. and Mrs. Stephen Bergstrom William H. Carter Barbara Keller Miss Jennifer L. Burke In memory of Katie Granger Melinda Kimble for future generations, consider joining the Mary des Jardins Ms. Lani M. Choy Charles King and Friends of Free All. To donate, please visit Andy and Shari Fisher Angela Stafford Clemens Nagender Taalla Craig and Kathy Franklin JoEllen and Michael Collins Laurie Kittle ShakespeareTheatre.org/FOFFA or call In memory of John Grozier Susan E. Connors Patricia and Sean Kline 202.547.3230, ext. 2324. Kathleen and George Hanrahan John and Elizabeth Cordaro David, Gina, Nikita and Lois Howlin Ron Cossey Tatiana Kobe Karpatkin Family In memory of Barbara Barry Martha Herbig and David Korsh David B. Levine and Katheryn L. Cranford Mr. Richard Levine and Judith H. Katz Alyson Dais Ms. Wendy Krasner

28 29 Alan Paul Ellen O’Brien Associate Director Head of Voice and Text For the Shakespeare Theatre Company STC: Joined the company in 2007 as the Directing STC: More than 50 productions over 11 seasons. Fellow and worked for two seasons as the Resident ACADEMY FOR CLASSICAL ACTING: 22 productions Michael Kahn Opera; Carmen for Houston and Washington Assistant Director; Director: Twelfth Night (Free For of Shakespeare and Jacobean plays. REGIONAL: Artistic Director Operas; Carousel for Miami Opera; Julius Caesar All) and numerous ReDiscovery Readings; Assistant Ford’s Theatre, Arena Stage, Charlotte Repertory STC: Old Times, All's Well That for San Francisco Spring Opera. INTERNATIONAL: Director: 13 shows for Michael Kahn, David Muse, Company, Aurora/Magic Theaters; People’s Ends Well, The Liar, Richard II, Love’s Labor’s Lost at the Royal Shakespeare Maria Aitken, Jonathan Munby, Rebecca Bayla Light and Theatre Company; Shakespeare Santa The Alchemist, Design for Living, Company’s Complete Works Festival; The Oedipus Taichman, Gale Edwards, and Mary Zimmerman. Cruz; North Carolina Shakespeare Festival. The Way of the World, Antony and Plays at the Athens Festival; Five by Tenn for The DIRECTING: Signature Theatre: I Am My Own PUBLICATIONS: Articles in The Voice and Speech Cleopatra (2008), Tamburlaine, Acting Company’s tour of Eastern Europe; Show Wife; Catholic University: Man of La Mancha; Review, Shakespeare in the Twentieth Century, Hamlet (2007), Richard III Boat for the National Cultural Center Opera House Apex Theatre Company: Richard II; Northwestern Shakespearean Illuminations, Shakespeare Survey, (2007), The Beaux’ Stratagem, Love’s Labor’s Lost, in Cairo; The White Devil for the Adelaide Festival. University: Six Degrees of Separation; readings for Shakespeare Quarterly, Shakespeare and the Arts, Othello, Lorenzaccio, Macbeth (2004), Cyrano, BOARD MEMBERSHIPS: Theatre Communications Arena Stage, Georgetown University, The Phillips The Voice and Speech Review: Associate Editor for Five by Tenn (at the Kennedy Center), The Silent Group; New York State Council on the Arts; D.C. Collection, and The Goethe Institut. ASSISTANT Heightened Text, Verse and Scansion. TRAINING: Woman, The Winter’s Tale (2002), The Duchess Commission on the Arts and Humanities; National DIRECTING: Arena Stage: Cabaret, 33 Variations Yale University: MA, MPhil, PhD (English); Central of Malfi, The Oedipus Plays, Hedda Gabler, Don Endowment for the Arts; Opera America’s 80s and Workshop; Woolly Mammoth Theatre Company: School of Speech and Drama/The Open University Carlos, Timon of Athens, Camino Real, Coriolanus, Beyond. AWARDS: Seven Helen Hayes Awards for Dead Man’s Cell Phone. TRAINING: Northwestern (London): Advanced and Post-Graduate Diplomas King Lear (1999), The Merchant of Venice, King Outstanding Director; 2011 CAGLCC Excellence University: BS in theatre. in Voice Studies. TEACHING: Academy for Classical John, A Woman of No Importance, Sweet Bird in Business Award; 2010 WAPAVA Richard Acting; University of California, Santa Cruz; Guilford of Youth, Peer Gynt, Mourning Becomes Electra, Bauer Award; 2007 Mayor’s Arts Award Special Deborah Vandergrift College; Kirkland College. Henry VI, Volpone, Henry V, Henry IV, The Doctor’s Recognition for Shakespeare in Washington; 2007 Director of Production Dilemma, Richard II, Much Ado about Nothing Stephen and Christine Schwarzman Award for REGIONAL: Fifth season at STC, Production Manager Daniel Neville-Rehbehn (also at McCarter Theatre Center), Mother Courage Excellence in Theatre; 2007 Sir John Gielgud Award at Hartford Stage for six seasons; Stage Manager Resident Casting Director and Her Children, Hamlet, Measure for Measure, for Excellence in the Dramatic Arts; 2005 Person for more than 30 shows at Hartford Stage work- STC: The Merchant of Venice, Old Times, An Ideal King Lear (1991), Richard III (1990), The Merry of the Year from the National Theatre Conference; ing with directors including Mark Lamos, Michael Husband, Cymbeline, Candide. REGIONAL: The Wives of Windsor, Twelfth Night, As You Like It, 2004 Shakespeare Society Medal; 2002 William Wilson, Michael Langham, JoAnne Akalaitis, Richard Studio Theatre: Assistant Production Management Antony and Cleopatra (1988), Macbeth (1988), Shakespeare Award for Classical Theatre; 2002 Foreman and Anne Bogart; Stage Manager for and Casting for several productions including All’s Well That Ends Well, The Winter’s Tale (1987), Distinguished Washingtonian Award from The La Jolla Playhouse, Georgia Shakespeare Festival, American Buffalo, Reasons to be Pretty, In the Red Romeo and Juliet. NEW YORK: Broadway: Show University Club; 2002 GLAAD Capitol Award; 1997 New Jersey Shakespeare Festival, Phoenix Theatre and Brown Water, Adding Machine: A Musical, Boat (Tony nomination), Cat on a Hot Tin Roof, Mayor’s Arts Award for Excellence in an Artistic and other theatres. INTERNATIONAL: Pearls for Grey Gardens, Rock ‘n’ Roll, Blackbird, Shining Whodunnit, Night of the Tribades, Death of Bessie Discipline; 1996 Opera Music Theater International’s Pigs international tour (dir. Richard Foreman), City, The History Boys, Jerry Springer: The Opera; Smith, Here’s Where I Belong, Othello, Henry V; Bravo Award; 1990 First Annual Shakespeare’s International Production Associates. OTHER: Project Centerstage: Production Management Intern, 2006- Off-Broadway: Manhattan Theatre Club: Five By Globe Award; 1989 Washingtonian Magazine Manager: Arts Festival Atlanta, International Festival 2007 Season. TRAINING: Towson University: BS in Tenn, Sleep Deprivation Chamber; Funnyhouse of Washingtonian of the Year; 1989 Washington Post of Arts and Ideas; Stage Manager for 1996 Olympic Theatre Design. a Negro, The Rimers of Eldritch, Three by Thornton Award for Distinguished Community Service; 1988 Games, Glimmerglass Opera, New York City Opera. Wilder, A Month in the Country, Hedda Gabler, John Houseman Award. HONORARY DOCTORATES: TRAINING: Oberlin College: BA in English and Jenny Lord The Señorita from Tacna, Ten by Tennessee; University of South Carolina; Kean College; The Theatre; UC San Diego: MFA in Stage Management. Resident Assistant Director New York Shakespeare Festival: Measure for Juilliard School; The American University. STC: Director: Dream a Little Dream, 2011 Fellows Measure (Saturday Review Award). Artistic Director: Drew Lichtenberg Project; ReDiscovery Series: Don’t Play With The Acting Company, 1978–1988. TEACHING: Chris Jennings Literary Associate Love, Madness in Valencia; Assistant Director: six productions 2010-2011. As director: NEW YORK: Richard Rodgers Director of Juilliard Drama Managing Director REGIONAL: Baltimore CENTERSTAGE: Caroline, NYMF: Going Down Swingin’, Don Imbroglio; Division July 1992–May 2006, faculty member STC: Joined the Company as or Change, Cyrano; Baltimore CENTERSTAGE/ Manhattan Opera Theatre: The Filthy Habit. 1967–; Shakespeare Theatre Company Academy for General Manager in 2004. Lookingglass Theatre Company: Around the REGIONAL: Dallas Theater Center: A Christmas Classical Acting at the George Washington University. ADMINISTRATION: General World in 80 Days; Yale Repertory Theatre: Lulu Carol; New Century Theatre: Bee-luther-hatchee; Previously: New York University; Circle in the Manager: Trinity Repertory (adapted by Mark Lamos and Drew Lichtenberg); 42nd Street Moon: By Jupiter; several operas Square Theatre School; Princeton University; British Company (1999–2004), Theatre Williamstown Theatre Festival: The Front Page, including favorites Così fan tutte and Eugene American Drama Academy; founder of Chautauqua for a New Audience (1997– The Physicists, The Corn is Green; Public Theatre Onegin. As choreographer: California Shakespeare Theatre Conservatory. REGIONAL: Arena Stage: A 1999); Associate Managing Director: Yale Repertory SUMMERSTAGE: Macbeth (associate dramaturg; dir. Theater, San Francisco Shakespeare Festival, 42nd Touch of the Poet; Signature Theatre: Otabenga; Theatre; Assistant to the Executive Producer: Moisés Kaufman). OTHER: Yale School of Drama: Street Moon, etc. EDUCATIONAL: NYU/Stella Adler Guthrie Theater: The Duchess of Malfi; American Manhattan Theater Club; Founder/Producing The Ghost Sonata (dir. Shana Cooper), American Conservatory: The Cherry Orchard, Angels in Repertory Theatre: ‘Tis Pity She’s a Whore; American Director: Texas Young Playwrights Festival; Premiere of Tarell McCraney’s In the Red & Brown America: Perestroika; San Francisco State University: Shakespeare Theatre: Artistic Director for 10 years, Manager: Dougherty Arts Center. MEMBERSHIPS: Water. TRAINING: Yale: MFA in Dramaturgy and Street Scene. OTHER: Assistant to directors at Geva more than 20 productions; McCarter Theatre Center: Currently serves on the Board of the Theatre Dramatic Criticism; DFA expected 2013. Theatre Center, Encores!, Mint Theatre Company, Artistic Director for five seasons, including Beyond Communications Group, DC Downtown BID, THE California Shakespeare Theater, Music-Theatre the Horizon, filmed for PBS; Chautauqua Theatre: ARC, DC Arts Collaborative and the Penn Quarter Group. TRAINING: Yale University: BA. Artistic Director, including The Glass Menagerie Neighborhood Association, and is a member of the with Tom Hulce; Goodman Theatre: Old Times League of Resident Theatres (served on AEA and (MacArthur Award), The Tooth of Crime (Jefferson SSDC Negotiating Committees); Mid Atlantic Arts nomination); Ford’s Theatre: Eleanor. OPERA: Foundation and has served as a panelist for the Romeo and Juliette for Dallas Opera; Vanessa for NEA, DC Commission on the Arts and Humanities the New York City Opera (2007); Lysistrata or The AWARDS: Arts Administration Fellowship: National Nude Goddess for Houston Grand Opera and New Endowment for the Arts. TRAINING: University York City Opera; Vanessa for Washington Opera of Miami: BFA in Theatre/Music; Yale School of and Dallas Opera; Show Boat for Houston Grand Drama: MFA in Theatre Management. 30 31 PRODUCTION Scene Shop Foreman Greg Schmidt Director of Production Deborah Vandergrift Scene and Paints Buyer Kati Torgerson Staff Associate Director of Production Genevieve Cooper Carpenters Leanne Bock, Tyler Hoyt, Assistant Production Manager Tim Kaufmann Kurt Van Nostrand, Joshua Wellnitz Production Management Intern Shaminda Amarakoon Charge Scenic Artist Sally Glass Artistic Director Michael Kahn MARKETING AND COMMUNICATIONS Bookings Manager Jared C. Neff Scenic Artist Jose Ortiz Managing Director Chris Jennings Director of Marketing Bookings Coordinator Tim Bailey Scenic Painter Karla Ramsey Executive Assistant to the and Communications Darby Lunceford Bookings Assistant Julia Curry Overhire Scenic Painter Deni Holl Artistic Director and Managing Director Ray Bracken Associate Director of Marketing Austin Auclair Resident Production Stage Manager Joseph Smelser Prop Shop Director Chester Hardison Marketing Manager Peggy Kearns Assistant Stage Managers Elizabeth Clewley, Associate Props Director Eric Reynolds ARTISTIC Associate Director of Audience Development Benjamin Royer Lead Props Artisan Chris Young Associate Director Alan Paul and Special Programs Anna Mills Russell Production Assistants Hannah O'Neil, Teresa Wood Props Artisan Tobias Harding Resident Assistant Director Jenny Lord Assistant Ticket Services Manager Becca Gurganious Stage Management Interns Justin Silverman, Maria Tejada Props Painter/Sculptor Eric Hammesfahr Head of Voice and Text Ellen O’Brien Subscriptions Services Manager Zachary Ford Costume Shop Director Wendy Stark Prey Hand Props Artisan Kimberley Cruce Resident Casting Director Daniel Neville-Rehbehn Sales Supervisor Christopher Arnold, Chuck Clay Costume Shop Floor Manager Randi Fowler Kudner Soft Goods Artisan Rebecca Williams Literary Associate Drew Lichtenberg Sales Associates Zindzi Ali, Evelyn Chester, Holly Cobb, Master Electrician Sean R. McCarthy Danielle Cox, Heather Hart, Michel Higgs, Costume Crafts Manager Katie Stack Artistic Fellow Laura Henry Assistant Master Electrician Lily Bradford Christopher Hunt, Joe Isenberg, KC Johnson, Resident Design Assistant Lynda Myers Directing Fellow Gus Heagerty Harman Electrician Brian Flory Stephanie Junkin, Jessica Kaplan, Angela Kolesnikova, Free for All Design Assistant Laura Benedict Affiliated Artists Keith Baxter, Avery Brooks, Lansburgh Electrician Lauren A. Hill Andre McBride, Katherine McCann, Izetta Mobley, Drapers Denise Aitchison, Randall Exton, Sally Kessler Helen Carey, Veanne Cox, Aubrey Deeker, Colleen Delany, Electrician Jacob Moriarty-Stone Franchelle Stewart Dorn, Adam Green, Edward Gero, Kristin Nam, Alex Perez, Sarah Polaski, Carmelitta Riley, First Hands Jennifer Biehl, Billie Jo Fisher, Assistant to the Lighting Designer Andrew Scharwath Philip Goodwin, Jane Greenwood, Michael Hayden, Marie Riley, Crystal Stewart, Trey Thomas, Tessa Lew, Sandra Thomas Audio/Video Supervisor Jason Tratta Tana Hicken, Simon Higlett, Christopher Innvar, Nkem Wellington, Michael Wharton Stitchers Jessica Havlicek, C. Layton Kuchinski, Assistant Audio Engineer Jessica Murphy Stacy Keach, Floyd King, Andrew Long, Ethan McSweeny, Call Center Director Monte Hostetler Michele Ordway, Jennifer Rankin, Donna Sachs, Pamela Wilcox Lansburgh Board Operator Andrew Smith Jennifer Moeller, David Muse, James Noone, Patrick Page, Teleservices Associates Andrew Davis, Eric Garvanne, Robert Perdziola, Nancy Robinette, David Sabin, Rebecca Gavrila, Stephanie Green, Crafts Artisan Joshua Kelley Audio/Video Engineer Geoff Moore Miriam Silverman, Walt Spangler, Cheryl Kempler, Afifa Klouj, Joanna Morgan, Overhire Draper Matt Nunn Stage Operations Supervisor Louie Baxter Tom Story, Rebecca Bayla Taichman, Max Napper, Cynthia Perdue, Amy Sloane, Overhire First Hand Sara Trebing Stage Carpenters Katherine Lucibella, Emily Steger Ted van Griethuysen, Adam Wernick Kirk Sobell, Pat Sonaty, Tamra Testerman, Luke Tudball Overhire Stitchers Belinda Haaland, Run Crew Mick Coughlan, Nick Custer Theatre Services Manager Dora Hoyt Alaina Venditti, Sandy Smoker-Duraes Wardrobe Supervisor Katherine Share ADMINISTRATION Assistant House Managers Melissa Adler, Tim Bailey, Costume Design Apprentice Raphael Reagan Wardrobe Staff Jessi Cole Jackson, Monica Speaker Director of Administration James Roemer Julia Curry, Taryn Friend, Technical Director Mark Prey Wigs and Make-Up Jaime Bagley Associate Director of Administration Anne S. Kohn Addie Gayoso, Jocelyn Henjum, Assistant Technical Directors Michael Bagley, Kelly Dunnavant Human Resources Manager Kimberley Mauldin Joe Lamantia, Andrea Lemieux, HR/IT Administrative Assistant Deanna Gonzalez Meaghan McFadden, Lauren Parks, Ronee Penoi, Accounting Manager Mary Margaret Finneran Ali Peterson, Bach Polakowski, Marie Riley, Accounting Assistant Marco Dimuzio Joseph Thomas, Kelsey Williamson Company Manager Eric C. Bailey Retail Manager Christopher Levy Company Management Assistant Chase Helton Assistant Retail Manager Sue Fraser General Management Intern Kendall Judy Harman Reception Shaun Russell Receptionist Ursula David Communications Manager Diane Metzger Director of Operations Timothy Fowler Publicist Lindsay Tolar Theatre Building Engineer Jerry Sampson Publications Coordinator Lauren McGrath Maintenance Technician Al Sanders Marketing and Communications Intern Magan Carrigan Custodian Trent Holland Web and Media Programmer Brien Patterson Operations/IT Assistant Melissa Adler Senior Graphic Designer Ricardo Alvarez Harman Porters Dennis Fuller, Associate Graphic Designer Nicole Geldart What’s in your lunch today? Jorge Ramirez, Rosa Umanzor Graphic Designer Raphael Davison Lansburgh Porters Mirna Guzman, Agustin Hernandez Photographers Kevin Allen, Scott Suchman Director of Information Technology Brian McCloskey EDUCATION PROGRAMS IT Helpdesk Associate David Harvey The Academy for HAPPENINGS AT THE HARMAN Classical Acting Director Gary Logan DEVELOPMENT Academy Program Coordinator Julia Strachan Free performances and events on Wednesdays at noon in Chief Development Officer Ed Zakreski Director of Education Samantha K. Wyer The Forum in Sidney Harman Hall (610 F Street NW). Associate Director of Development Amy Gardner School Programs Manager Vanessa Buono Associate Director of Special Events Joanne Coutts Training Programs Manager Dat Ngo Development Operations Manager Meridith Young Community Engagement Manager Marcy Spiro Development Coordinator Norah Quinn Audience Enrichment Manager Hannah Hessel Director of Corporate Giving Noreen Major Education Coordinator Tamsin Green Corporate Giving Manager Meghan Metzger Resident Teaching Artist Jim Gagne New season begins September 7, 2011 Campaign Officer Anne House Quinn Education Intern Monica Powell Director of Individual Giving Karri Brady Affiliated Teaching Artists Elizabeth Alman, Membership Manager Chris Nitti Wyckham Avery, Michael John Boynton, Dan Crane, Individual Campaigns Manager Emily Lynn George Grant, Rachel Grossman, Rachael Holmes, Major Gifts Coordinator Tony Wagener Paul Hope, Michelle Jackson, Casey Kaleba, Floyd King, Visit ShakespeareTheatre.org/Happenings or Director of Foundation and Jackie Lawton, Andrew Long, Mitch Mattson, Government Relations Connie L. Perez Adrienne Nelson, Elaine Qualter, Paul Reisman, call 202.547.1122 for up-to-date information. Lorraine Ressegger, Tonya Beckman Ross, Oran Sandel, Joel Santner, Erin Sloan, Brent Stansell, Esther Williamson, Matt Wilson 32 3333 Audience Services

Lansburgh Theatre Accessibility 450 7th Street NW Our theatres are accessible to persons with disabilities. Please request special seating at time Sidney Harman Hall of ticket purchase and arrive 30 minutes before 610 F Street NW curtain for priority seating.

Ticket sales and subscriber exchanges: An audio-enhancement system is available for all Tickets: 202.547.1122 performances. Both headset receivers and neck Toll-free: 877.487.8849 loops (to use with hearing aids outfitted with a “T” Group sales: 202.547.1122, option 6 switch) are available at the coat check on a first- TTY (hearing impaired): 202.638.3863 come basis. Box office fax: 202.608.6350 Bookings: 202.547.3230 ext. 2206 Program notes in Braille and large print are available at the coat check. Box Office Hours: When there is an evening performance: Sign Interpreted performance: August 30 at 7:30 p.m. Monday: 10 a.m.–6 p.m. Audio Described performance: September 4 at 2 p.m. Tuesday–Saturday: 10 a.m.–6:30 p.m. Sunday: Noon–6:30 p.m. Support for Shakespeare Theatre Company’s (Box Office window open until curtain time) Accessibility Programs provided by When there is no evening performance: Monday–Saturday: 10 a.m.–6 p.m. Sunday: Noon–6 p.m. The video and/or audio recording of this performance by Concessions and Gift Shops: any means whatsoever is strictly prohibited. As a courtesy, Food and beverages are available one hour before turn off pagers, telephones, watch alarms and all other each performance. Pre-order before curtain for electronic devices during the performance. immediate pick-up at intermission. Lansburgh Theatre and Sidney Harman Hall gift shops are open before Audience members may be reached during a curtain, at intermission and for a short time after performance by calling house management at each performance. 202.547.3230 ext. 2517. Specify seat location.

Latecomers will be seated at management’s discretion.

Join the conversation! The Shakespeare Theatre Company Tell us about your Free For All experience and connect with other theatregoers. has provided our community access to Shakespeare’s classics year after year. facebook.com/ShakespeareinDC The Washington Post is proud to be a founding sponsor of the Free For All. twitter.com/ShakespeareinDC B:5.25” T:5” S:4.75”

education B:8.25” S:7.75” T:8” True to our legacy of giving, Target® is on track to reach $1 billion for education by the end of 2015—that’s a lot of new bookworms. Learn more about our commitment to kids at Target.com/Community.

©2011 Target Stores. The Bullseye Design and Target are registered trademarks of Target Brands, Inc. All rights reserved.351481

TGA110046_351481_MCProgramAd-5x8 1 5/3/11 12:09 PM

351481_MC_ProgramAd_5x8.indd Live: 4.75” x 7.75” Project Manager: Jasmine Greenlee Cyan Client: Tgt Trim: 5” x 8” Studio Artist: freelance Magenta Ad Number: None Bleed: 5.25” x 8.25” Account Manager: None Yellow InDesign CS5 Scale: 1”=1” Art Director: None Black Date: 4-25-2011 2:37 PM Printed: None Copy Writer: None Page: 1 of 1 Final Output At: 100% Previous User: freelance Publication(s): None Document Path: ...:Interactive:Target:9524_Education_Projects:3_Assets_Raw:Layouts:Program ads:351481_LO_ProgramAd_5x8.indd Material Close Date: None Used Fonts: Helvetica Neue (37 Thin Condensed, 65 Medium, 75 Bold, 45 Light) Ins ertion Date: None Linked Content: Light_Cream_cr.tif (237 ppi; 126.49%), TargetRedTexture_small.tif (669 ppi; 29.88%), YellowTexture_16x6.psd (1220 ppi; 24.57%), Notes: None RedTexture12x12.psd (915 ppi; 32.77%), Blue_Texture_FINAL.tif (659 ppi; 45.51%), Brown6x8.psd (1284 ppi; 23.35%)