ESTELLE PARSONS & NAOMI LIEBLER Monday, April 13
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Elgar Chadwick
ELGAR Falstaff CHADWICK Tam O’Shanter Andrew Constantine BBC National Orchestra of Wales Timothy West Samuel West CD 1 CD 2 Sir Edward Elgar (1857-1934) Sir Edward Elgar (1857-1934) Falstaff – Symphonic Study in C minor, Op.68 Falstaff – Symphonic Study in C minor, Op.68 1 I am not only witty in myself, but the cause that wit is in other men 3.59 1 Falstaff and Prince Henry 3.05 2 Falstaff and Prince Henry 3.02 2 Eastcheap - the robbery at Gadshill - The Boar’s Head - revelry and sleep 13.25 3 What’s the matter? 3.28 3 Dream interlude: ‘Jack Falstaff, now Sir John, a boy, 4 Eastcheap - the robbery at Gadshill - The Boar’s Head - and page to Sir Thomas Mowbray, Duke of Norfolk 2.35 revelry and sleep 13.25 4 Falstaff’s March - The return through Gloucestershire 4.12 5 Dream interlude: ‘Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk’ 2.37 5 Interlude: Gloucestershire. Shallow’s orchard - The new king - The hurried ride to London 2.45 6 Come, sir, which men shall I have? 1.43 6 King Henry V’s progress - The repudiation of Falstaff and his death 9.22 7 Falstaff’s March - The return through Gloucestershire 4.12 8 Interlude: Shallow’s orchard - The new king - Total time 35.28 The hurried ride to London 2.44 BBC National Orchestra of Wales 9 Sir John, thy tender lambkin now is king. Harry the Fifth’s the man 2.24 Andrew Constantine 10 King Henry V’s progress - The repudiation of Falstaff and his death 9.25 George Whitefield Chadwick (1854-1931) Tam O’Shanter 11 Chadwick’s introductory note to Tam O’Shanter 4.32 12 Tam O’Shanter 19.39 Total time 71.14 BBC National Orchestra of Wales Andrew Constantine Falstaff, Timothy West Prince Henry, Samuel West George Whitefield Chadwick, Erik Chapman Robert Burns, Billy Wiz 2 Many of you might be coming to Elgar’s great masterpiece Falstaff for the very first time - I truly hope so! It has, undeniably, had a harder time working its way into the consciousness of the ‘Elgar-lover’ than most of his other great works. -
2015 United Solo Festival Guide
GREETINGS FROM UNITED SOLO Dear Friends, Welcome to the world of theatre; where a diverse body of artists brings innovative interpretations of the shared currency of human life! Entering its sixth year, United Solo has come to represent a unique landmark on the New York City theatrical map by offering a selection of one hundred fifty productions from six continents, staged over the course of ten weeks. We unite renowned artists and emerging talents, curate collections of scripts at Indie Theater Now, present an international showcase overseas, fundraise for the Actors Fund, and feature companies returning by popular demand in our special Encore category. United Solo thrives as the world’s largest solo theatre festival thanks to the commitment of a global family of patrons, artists, business associates, and supporters. I am deeply grateful to them for making it possible again this year! This Festival guide is an open invitation to a world of exciting stories. Enjoy this world through United Solo. Stay united! Omar Sangare, Ph.D. Artistic Director UNITED SOLO unitedsolo.org THE WORLD’S LARGEST SOLO THEATRE FESTIVAL (3) 2015 FACTS & FIGURES UNITED SOLO TEAM the world’s largest solo theatre festival OMAR SANGARE MICHAEL MILLER Artistic Director Literary Advisor 150 productions from 6 continents [email protected] [email protected] September 17 – November 22, 2015 ILYA KHODOSH MARCIN LIPINSKI PERFORMANCES AT TICKETS THROUGH Associate Artistic Director General Manager [email protected] [email protected] JULIA KWINTO TERRY TAMM 410 WEST 42nd STREET www.telecharge.com Creative Director Dramaturg [email protected] NEW YORK CITY 212-239-6200 [email protected] SPECIAL THANKS TO ANDREA DUQUETTE DIANE R. -
159 Years After Dred Scott Decision, Descendants of Scott and Chief Justice Taney Meet on Stage
(For immediate release—with photo) 159 years after Dred Scott decision, descendants of Scott and Chief Justice Taney meet on stage. Theinfamous Dred Scott decision that led to the Civil War is the focus of a contemporary dialogue in a new play by Kate Taney Billingsley presented by The Actors Studio in New York under the direction of Estelle Parsons, Oscar winner and a stage and screen presence for more than 60 years. The play, A Man of His Time, is part The Community Project, a series of original one-act productions the studio (at 432 West 44th St.) is offering at 7 p.m. May 13-14 and May 19-21 with a 2 p.m. matinee May 21(Saturday) Admission is free. For reservations, e- mail [email protected]. The playwright, Taney Billingsley, is a descendant of Chief Justice Roger B. Taney, author of the Supreme Court ruling that both declared Dred Scott property as well as nullifying the Missouri Compromise, making slavery legal in the western territories.Her dramatization is a etaphor for today’s disourse o rae, preseted as a oersatio oer offee etee Taney and Scott family members. Following the nightly curtain May 14, two family descendants—Charlie Taney of Norwalk, CT, the playright’s father, ad Lye M. Jackson, great-great-granddaughter of Scott, and founder of the Dred Scott Heritage Foundation of St. Louis, MO—will take the stage to engage in a discussion of race relations then and now. Estelle Parsons is a member of the American Theatre Hall of Fame and at 88 is still a vibrant figure in the theater. -
Bam 2016 Annual Report
BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016. -
71St Cover F
SEVENTY-FIRST STREET 71VOLUME 12 ● NUMBER 2 MMC Gallery Named Hewitt Gallery of Art TABLE OF CONTENTS MMC Gallery Named Hewitt Gallery of Art In honor of Marsha A. Hewitt ’67 and husband Carl’s generous donation SEVENTY-FIRST STREET to the College, the MMC Gallery of Art has a new name. Turn the page to learn more about this couple’s deep commitment to MMC . 2 Grant Funds One MMC Student’s Passion for Science VOLUME 12 ● NUMBER 2 Elizabeth Perez ’06 had a unique opportunity to work full-time FALL 2004 on her research in molecular neuroscience this summer 71 thanks to a grant from Bristol-Myers Squibb . 4 Editor: Erin J. Sauer Design: Connelly Design Fundraising Recap . 6 The Tamburro Family’s Legacy 71st Street is published twice a Impact of Annual Fund Donations year by the Office of Institutional Advancement at Marymount Greek Student Attends MMC Thanks to Niarchos Foundation Manhattan College. The title SAT Scores of MMC Freshman on the Rise recognizes the many alumni and faculty who have come to refer Spring Round-Up affectionately to the college The events and happenings that shaped our spring . 8 by its Upper East Side address. Campus Notes Marymount Manhattan College 221 East 71st Street Faculty announcements, notable lectures, theatre events, award winners, New York, NY 10021 and other interesting news from around campus . 14 (212) 517-0450 Class Notes Find out what your fellow alumni are up to . 18 The views and opinions expressed by those in this magazine are Alumni Calendar . 24 independent and do not necessarily represent those of Marymount Manhattan College. -
March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster. -
ANNA MAGNANI the GOLDEN COACH.1953 [Commedia Del’Arte] DIR RENOIR the FUGITIVE KIND.1959
Acting Styles Film List All the films and actors are part of film history that you should be aware of. They all contain a differing acting “style” and often have a different “method” within each film. Follow up any film and actor that interests you. Don’t feel you have to finish any you are not enjoying. My priority choices in red ANNA MAGNANI THE GOLDEN COACH.1953 [commedia del’arte] DIR RENOIR THE FUGITIVE KIND.1959. T.W .BRANDO . JOANNA WOODWARD, MAUREEN STAPLETON. THE ROSE TATTOO. 1955 T.W. BURT LANCASTER WILD IS THE WIND.1957 ANTHONY QUINN. FRANCIOSA. DIR GEORGE CUKOR. BETTE DAVIS NOW VOYAGER. 1942 CLAUDE RAINS ALL ABOUT EVE. 1950. ANNE BAXTER. MARILYN MONROE WHAT EVER HAPPENED TO BABY JANE? 1962. JOAN CRAWFORD. GERALDINE PAGE. SUMMER & SMOKE. 1961. T.W. LAWRENCE HARVEY SWEET BIRD OF YOUTH 1962. T,W. PAUL NEWMAN MONTGOMERY CLIFT. A PLACE IN THE SUN. 1951 .ELIZABETH TAYLOR YOUNG LIONS. 1958 MARLON BRANDO FROM HERE TO ETERNITY 1953. BURT LANCASTER. FRANK SINATRA. SUDDENLY LAST SUMMER 1959. T.W. ELIZABETH TAYLOR KATHERINE HEPBURN THE MISFITS. 1961. MARILYN MONROE, CLARK GABLE GRETA GARBO QUEEN CHRISTINA. 1933. JOHN GILBERT. CAMILLE 1936. ROBERT TAYLOR. DIR. GEORGE CUKOR ELIZABETH TAYLOR/BURTON WHO’S AFRAID OF VIRGINIA WOOLF. 1956 THE TAMING OF THE SHREW 1967. DIR ZEFFERELLI CAT ON A HOT TIN ROOF T.W. 1958. PAUL NEWMAN REFLECTIONS IN A GOLDEN EYE. 1967. BRANDO. DIR. JOHN HUSTON GIANT 56 JAMES DEAN. ROCK HUDSON VIVIEN LEIGH________ A STREETCAR NAMED DESIRE. T.W. 1951. BRANDO. KIM STANLEY DIR. ELIA KAZAN THE ROMAN SPRING OF MRS STONE. -
Favourite Poems for Children Favourite Poems For
Favourite Poems JUNIOR CLASSICS for Children The Owl and the Pussycat • The Pied Piper of Hamelin The Jumblies • My Shadow and many more Read by Anton Lesser, Roy McMillan, Rachel Bavidge and others 1 The Lobster Quadrille Lewis Carroll, read by Katinka Wolf 1:58 2 The Walrus and the Carpenter Lewis Carroll, read by Anton Lesser 4:22 3 You Are Old, Father William Lewis Carroll, read by Roy McMillan 1:46 4 Humpty Dumpty’s Song Lewis Carroll, read by Richard Wilson 2:05 5 Jabberwocky Lewis Carroll, read by David Timson 1:33 6 Little Trotty Wagtail John Clare, read by Katinka Wolf 0:51 7 The Bogus-Boo James Reeves, read by Anton Lesser 1:17 8 A Tragedy in Rhyme Oliver Herford, read by Anton Lesser 2:25 9 A Guinea Pig Song Anonymous, read by Katinka Wolf 0:47 10 The Jumblies Edward Lear, read by Anton Lesser 4:06 2 11 The Owl and the Pussycat Edward Lear, read by Roy McMillan 1:35 12 Duck’s Ditty Kenneth Grahame, read by Katinka Wolf 0:40 13 There was an Old Man with a Beard Edward Lear, read by Roy McMillan 0:17 14 Old Meg John Keats, read by Anne Harvey 1:24 15 How Pleasant to Know Mr Lear Edward Lear, read by Roy McMillan 1:31 16 There was a naughty boy John Keats, read by Simon Russell Beale 0:35 17 At the Zoo William Makepeace Thackeray, read by Roy McMillan 0:29 18 Dahn the Plug’ole Anonymous, read by Anton Lesser 1:14 19 Henry King Hilaire Belloc, read by Katinka Wolf 0:47 20 Matilda Hilaire Belloc, read by Anne Harvey 2:35 3 21 The King’s Breakfast A.A. -
Hal Holbrook
HAL HOLBROOK Hal Holbrook was born in Cleveland in 1925, but raised mostly in South Weymouth, Massachusetts. His people had settled there in 1635 and were, according to his grandfather, “some kind of criminals from England.” His mother disappeared when he was two, his father followed suit, so young Holbrook and his two sisters were raised by their grandfather. It was only later he found out that his mother had gone into show business. Holbrook, being the only boy, was the “white hope of the family.” Sent away at the age of 7 to one of the finer New England schools, he was beaten regularly by a Dickensian headmaster who, when forced to retire, committed suicide. But when he was 12 he was sent to Culver Military Academy, where he discovered acting as an escape from his disenchantment with authority. While not the model cadet, he believes the discipline he learned at Culver saved his life. In the summer of 1942 he got his first paid professional engagement playing the son in The Man Who Came To Dinner at the Cain Park Theatre in Cleveland at $15.00 per week. That fall, he entered Denison University in Ohio, majoring in Theatre under the tutelage of his lifelong mentor, Edward A. Wright. World War II pulled him out of there and put him into the Army Engineers for three years. The Mark Twain characterization grew out of an honors project at Denison University after the War. Holbrook and his first wife, Ruby, had constructed a two-person show, playing characters from Shakespeare to Twain. -
MISSISSIPPI LEGISLATURE REGULAR SESSION 2007 By: the Entire Membership HOUSE RESOLUTION NO. 58 a RESOLUTION CO
MISSISSIPPI LEGISLATURE REGULAR SESSION 2007 By: The Entire Membership To: Rules HOUSE RESOLUTION NO. 58 1 A RESOLUTION COMMENDING MR. HAL HOLBROOK AND CONGRATULATING 2 HIM UPON ALL HIS ACCOMPLISHMENTS AND CAREER SUCCESSES AS AN ACTOR. 3 WHEREAS, Harold Rowe Holbrook, Jr., whom we have come to know 4 as Hal Holbrook, was born on February 17, 1925, in Cleveland, 5 Ohio, to Harold Rowe Holbrook and Aileen Davenport; and 6 WHEREAS, Hal Holbrook entered Denison University in 1942, 7 left to serve three years in the United States Army as an engineer 8 during World War II, and subsequently graduated from Denison 9 University in 1948, where his participation in an honors program 10 on Mark Twain would launch his long career as a performer; and 11 WHEREAS, Mr. Holbrook, as he told Bill Moyers in an 12 interview, presented his first solo performance as Mark Twain at 13 Lock Haven State Teachers College in Pennsylvania in 1954, as a 14 "desperate alternative to selling hats or running elevators to 15 keep his family alive"; and 16 WHEREAS, later Ed Sullivan saw Holbrook's performance and 17 invited him on the Ed Sullivan Show where Holbrook received his 18 first national exposure as Twain on February 12, 1956; and 19 WHEREAS, eventually more performances and other venues would 20 solidify Mr. Holbrook's "Mark Twain Tonight" as the most enduring 21 one man show in theatrical history and would inspire many more 22 actors and actresses to bring to life characters of history to the 23 world's theater goers; and 24 WHEREAS, Mr. -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
Before-The-Act-Programme.Pdf
Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu The money raised by Before The Act will go into ality by local authorities.