Playbill: 42Nd Street at the Umbrella

Total Page:16

File Type:pdf, Size:1020Kb

Playbill: 42Nd Street at the Umbrella 42 ND STREET INAUGURAL SEASON This production made possible by the generosity of Cast and Crew Members from The Umbrella Stage’s Seasons 1-11 This 2019-2020 season is made possible by the generosity of Kate and Mark Reid in memory of Kate’s mother, Micheline Sakharoff 40 STOW STREET, CONCORD, MA | TheUmbrellaStage.org Proud sponsor of THE UMBRELLA Community Arts Center Best wishes for a successful 2019-2020 Performing Arts Season! ADAGE CAPITAL MANAGEMENT, LP 200 CLARENDON STREET 52nd FLOOR BOSTON, MASSACHUSETTS 02116 PHONE: 617.867.2800 adagecapital.com THE UMBRELLA STAGE COMPANY PRESENTS Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the Novel by BRADFORD ROPES Original Direction and Dances by GOWER CHAMPION Originally Produced on Broadway by DAVID MERRICK Directed by Brian Boruta Music Direction by James Murphy Musical Restaging and New Choreography by Lara Finn Banister Scenic Design by Lighting Design by Sound Design by Benjamin D. Rush SeifAllah Sallotto-Cristobal Elizabeth Havenor Costume Design by Properties Design by Stage Managed by Brian Simons Sarajane Morse Mullins Michael T. Lacey 42ND STREET is presented by arrangement with Funded in part by the Tams-Witmark, A Concord Theatricals Company www.tamswitmark.com The use of all songs is by arrangement with Warner Bros., the owner of music publishers’ rights Dear Friends, Welcome to The Umbrella, where there’s so much that’s exciting and new to share with you! Of course, we are beyond thrilled to introduce you to our two newly constructed theaters – part of a massive, multiyear renovation and expansion campaign that saw the transformation of every aspect of our Arts center. We hope you will enjoy our comfortable and accessible, state- of-the-art theaters, open and airy lobby, vibrant art exhibition spaces, and convenient new ticketing, concession and restroom facilities. We’re delighted to have a space that creates a complete audience experience worthy of the productions staged here. Beyond just the facilities, technology and amenities, however, is the evolution of the work itself. We have endeavored to share Bold, Daring and Innovative theater with audiences for years, but now proudly bring it to the next level with the launch of The Umbrella Stage Company – Greater Boston’s newest professional theater. New faces, new production talent, and exciting new titles including some regional premieres will further enhance the high quality audiences have come to expect from our award-winning Performing Arts Program. And, we are pleased to join with other institutions and businesses in town to build a vibrant, welcoming cultural destination here in historic Concord Center. Our new #DinnerAndAShowConcord program invites arts patrons throughout the region to “make a night of it” here in town, enjoying special offers from hospitality partners listed later in this booklet. At this exciting time of growth, we are grateful for your ongoing support of The Umbrella, and ask you to help us spread the word about this wonderful organization. Jerry Wedge Executive Director 42ND STREET CAST Gillian Mariner Gordon* as Peggy Sawyer Todd Yard as Julian Marsh Mickey T. White as Billy Lawlor Aimee Doherty* as Dorothy Brock Daniel Forrest Sullivan as Andy Lee Barbara Pierre as Maggie Jones Ryan Malyar as Bert Barry Ashley Nicole Martin as Anytime Annie Temma Beaudreau as Lorraine Rachel Tata as Phyllis WITH John Breen Alden Gagnon Chris DiOrio Jackson Jirard Cara Guappone Thom Hardy Gordon Ellis Erica Lundin Will Fafard Nick Osborne Hannah Shihdanian * Appearing through an Agreement between this theater and Actor’s Equity Association, the Union of Professional Actors and Stage Managers in the United States. Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 professional Actors and Stage Managers. Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIOand is affiliated with FIA, an international organization of performing arts unions. Equity is governed by its own members through an elected Council, representing principal actors, chorus actors and stage managers living in three regions: Eastern, Central and Western. Members at large participate in Equity’s governance through a system of regional Boards and Committees. Equity has 28 designated area liaison cities with over 100 members each. 42ND STREET ORCHESTRA James Murphy, Conductor Samantha Prindiville, Piano Cezar Garde, Drums/Percussion Ben Stevens, Bass Jeff Leonard, Reed I Jean Pace, Reed II Todd Brunel- Reed III Thomas Carroll, Reed IV Beth Goodman, Reed V Erika Izaguirre, Trumpet I Dani Garcia, Trumpet II Rick Copeland, Trombone I Emma Staudacher, Horn This performance features moving lights and other special effects. Any patrons with concerns about these effects should please ask for a member of house management. TheUmbrellaStage.org | 978.371.0820 42ND STREET MUSICAL NUMBERS ACT I “Overture” – Orchestra “Audition” – Dancers “Young and Healthy” – Billy and Peggy “Shadow Waltz” – Maggie, Dorothy, and Girls “Shadow Waltz (Reprise)” – Dorothy “Go into Your Dance” – Maggie, Peggy, Annie, Phyllis, Lorraine, and Andy “You’re Getting to Be a Habit with Me” – Dorothy and Dancing Company “Getting Out of Town” – Maggie, Bert, Pat, and Chorus “Dames” – Billy and Chorus “I Know Now” – Dorothy, Chorus and Billy “We’re in the Money” – Annie, Phyllis, Lorraine, Peggy, Billy, and Chorus “Act One Finale” – Dorothy and Orchestra ACT II “Entr’acte” – Orchestra “There’s a Sunny Side to Every Situation” – Chorus “Lullaby of Broadway” – Julian and Company “Montage” – Julian, Andy, Peggy and Dancing Company “About a Quarter to Nine” – Dorothy and Peggy “Shuffle Off to Buffalo” – Maggie, Bert, Annie, and Girls “Forty-Second Street” – Peggy with Dancing Company “Forty-Second Street (Reprise)” – Julian TheUmbrellaStage.org | 978.371.0820 Letter From The Director of Performing Arts: Greetings! It gives me great pleasure to be able to finally welcome you all to this production of 42nd Street, which marks the first in this beautiful new facility. For the past several years now, our vision of creating a regional destination for the arts in Concord has been a labor of love and a source of joy and hope for me and many others as we worked to realize a transformed future for this incredible organization. No production could be more appropriately suited to mark this occasion than 42nd Street, which, at its core, is a celebration of musical theatre and the people who make it happen; of the grit and determination it takes to realize a vision. But it is also about hope and joy; about chasing a dream and believing in oneself and others. It doesn’t take much effort to draw a striking parallel between the story of 42nd Street and the story of this beautiful new facility. 42nd Street has a long and storied history, and remains safely ensconced in the canon of classic musical theatre. Yes, because of the music, yes (of course) because of the dancing, but also because of Peggy Sawyer herself, as she dares to hope against impossible odds and to open-heartedly chase a dream. Some of the most successful productions of 42nd Street have been set against uncertain times, and in uncertain times, what the world needs is a few more Peggy Sawyers. We have so much planned for this season both here and in our new Black Box Theater just upstairs from where you are sitting now. In November we welcome back Michelle Aguillon (Disgraced, To Kill A Mockingbird, The Joy Luck Club) as she directs August Wilson’s Fences. In December Elliot Norton Award winner Nancy Curran Willis directs Tuck Everlasting. In January we bring you the Regional Premiere of the folk-punk musical Hundred Days. In March, Peyton Pugmire (La Cage Aux Folles) returns to stage a powerful rendition of Martin Sherman’s Bent, and we close the season in April when Julia Deter (Hedwig and The Angry Inch) returns to mount one of the first regional productions of the musical War Paint starring Boston’s own leading ladies Leigh Barrett and Shana Dirik. Season subscriptions are on sale now, and I hope to see you all at many more performances to come. Thank you for being a part of this incredible moment. See you at the theater! Brian Boruta, Director, The Umbrella Performing Arts TheUmbrellaArts.org | 978.371.0820 ND WHO’S WHO IN 42 STREET Temma Beaudreau lawyer by day, he’s happy any time he gets (Lorraine) is thrilled to a chance to perform before an audience be making her Umbrella that can’t send his client to state prison. debut in 42nd Street! She Thanks to Lace for the faith, and to all the has recently appeared production team for giving me a chance as Penny Pingleton in to check another box on my bucket list: Hairspray and Sister Mary performing on the same stage as Aimee Robert in Sister Act at Doherty. the Stadium Theatre, as well as sang backup for Josh Groban on Aimee Doherty* his Bridges Tour. Temma is a graduate of (Dorothy Brock) is excited Emmanuel College, where she received to make her Umbrella three nominations from the Kennedy debut! Regional: Gussie Center American College Theatre Festival in Merrily We Roll for the Richard Maltby Jr. Award for Along, Yvonne/Blaire Musical Theatre Excellence (The Little in Sunday In The Park Mermaid, Disaster!, A Day in Hollywood/A With George and Mrs. Night in the Ukraine). Temma grew up as Segstrom in A Little Night a competitive dancer, and it feels so full Music (Huntington Theatre), Rosalind in circle that her first professional production As You Like It (Shakespeare & Company), is such an iconic dance show.
Recommended publications
  • Year of Production Dates Title of Production Playwright Directed By
    Theatre Production Masterlist - Main Stage Year of Production Dates Title of Production Playwright Directed by 1977 Mar 10-19, 1977 J.B A Play in Verse Archibald MacLeish Richard Epp 1977 Nov 2-12, 1977 Equus Peter Shaffer Richard Epp & Brian Parkinson 1978 Mar 8-18, 1978 Tartuffe Moliere Brian Parkinson 1978 Apr 5-8, 1978 Vanities Jack Heifner Ches Skinner 1978 Nov 1-11, 1978 The Shadow Box Michael Cristofer Ches Skinner 1979 Mar 14-24, 1979 12th Night William Shakespeare Brian Parkinson 1979 Nov 19-24, 1979 The Caucasian Chalk Circle Bertolt Brecht David Spinks 1980 Feb 27 - Mar 8, 1980 Les Canadiens Rick Salutin Richard Epp 1980 Nov 3-8, 1980 The Birthday Party Harold Pinter Brian Parkinson 1981 Mar 18-21, 1981 The Cherry Orchard Anton Chekhov Richard Epp 1981 Apr 7-11, 1981 Cat on a Hot Tin Roof Tennessee Williams Ches Skinner 1981 Nov 4-7, 1981 Rosencrantz & Guildenstern are dead Tom Stoppard Richard Epp 1981 Dec 15-19, 1981 Toad of Toad Hall A.A Milne David Spinks 1982 Feb 9-13, 1982 The Madwomen of Chaillot Jean Giraudoulx Ches Skinner 1982 Mar 30 - Apr 3, 1982 Waiting for the Parade John Murrell Sara Stanley 1982 Oct 26-30, 1982 A Midsummer Night's Dream William Shakespeare David Spinks 1982 Dec 7-11, 1982 The Gayden Chronicles Michael Cook Ches Skinner 1983 Feb 15-19, 1983 A Flea in Her Ear Georges Feydeau Brian Parkinson 1983 Oct 10-15, 1983 Hedda Gabler Henrik Ibsen Brian Parkinson 1983 Nov 21-26, 1983 Antigone Sophocles Richard Epp 1984 Feb 6-11, 1984 Buried Child Sam Shepard Ches Skinner 1984 Mar 27-31, 1984 Oh, What a Lovely War Charles Chilton & Theatre Workshop David Spinks 1984 Oct 14-20, 1984 Les Belles Soeurs Michael Tremblay Sara Stanley 1984 Nov 18-24, 1984 The School for Scandal Richard B.
    [Show full text]
  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
    [Show full text]
  • “Hello, Dolly!” the Tony Award-Winning Be
    FOR RELEASE ON JULY 23, 2018 “The best show of the year. ‘Hello, Dolly!’ must not be missed.” NPR, David Richardson “This ‘Dolly!’ is classic Broadway at its best.” Entertainment Weekly, Maya Stanton “It is, in a word, perfection.” Time Out New York, Adam Feldman TONY AWARD®-WINNING BROADWAY LEGEND BETTY BUCKLEY STARS IN FIRST NATIONAL TOUR OF “HELLO, DOLLY!” THE TONY AWARD-WINNING BEST MUSICAL REVIVAL WILL BEGIN PERFORMANCES SEPTEMBER 30 AT PLAYHOUSE SQUARE SINGLE TICKETS ON SALE JULY 27 Cleveland, OH – The producers of HELLO, DOLLY!, the Tony Award-winning Best Musical Revival, and Playhouse Square announced today that single tickets for the National Tour starring Broadway legend Betty Buckley will go on sale Friday, July 27. Tickets will be available at the Playhouse Square Ticket Office (1519 Euclid Avenue in downtown Cleveland), by visiting playhousesquare.org, or by calling 216-241-6000. Group orders of 15 or more may be placed by calling 216-640-8600. HELLO, DOLLY! comes to Playhouse Square September 30 through October 21, 2018 as part of the KeyBank Broadway Series. Tony Award-winning Broadway legend Betty Buckley stars in HELLO, DOLLY! – the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.” Winner of four Tony Awards including Best Musical Revival, director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). Breaking box office records week after week and receiving unanimous raves on Broadway, this HELLO, DOLLY! pays tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history.
    [Show full text]
  • Kert, Larry (1930-1991) Larry Kert and Carol Lawrence Performing on by Craig Kaczorowski the Ed Sullivan Show in 1958
    Kert, Larry (1930-1991) Larry Kert and Carol Lawrence performing on by Craig Kaczorowski the Ed Sullivan Show in 1958. Encyclopedia Copyright © 2015, glbtq, Inc. Film still from a YouTube video. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com The gay actor and singer Larry Kert originated the lead romantic role of Tony in the landmark 1957 Broadway musical West Side Story. With his expressive, vibrant tenor, he introduced some of the most memorable songs in the Leonard Bernstein-Stephen Sondheim score, including "Maria," "Tonight," and "Something's Coming." In 1970, Kert triumphed again on Broadway in another Sondheim musical, Company, as Robert, a New York bachelor observing the strains and tensions in the marriages of his best friends, as well as struggling to commit emotionally to each of his three girlfriends. Other Broadway shows involving Kert were unfortunately short-lived, and his later career was devoted mainly to cabaret, television, and regional theater. He was born Frederick Lawrence Kert in Los Angeles, California on December 5, 1930 into a comfortably middle-class family. His father was a jeweler and his mother an actress. He had a brother, Morton, and two sisters, Evelyn and the singer later known as Anita Ellis. He initially attended Hollywood High School but transferred to the Hollywood Professional School in Los Angeles. While still in school, Kert performed as an extra and stunt double in several movies, including Lassie Come Home (1943), where he was a stand-in for the film's star Roddy McDowell. After graduation, Kert took some classes at Los Angeles City College but soon dropped out and moved to New York City where he studied with the celebrated acting teacher Sanford Meisner.
    [Show full text]
  • Pippin Buy Tickets
    New York Subscribe to Time Out New York Search Things To Do Food & Drink Arts & Culture Film Music & Nightlife Shopping & Style City Guide Tickets & Offers Pippin Buy tickets Musicals Revival Music Box Theatre Until Sun Dec 22 Near Music Box Theatre Bars and Restaurants Shops pubs and cafés Photograph: Joan Marcus Paramount Bar and Grill Pippin Time Out rating: User ratings: Critics' pick Paramount Bar Rate this Comments 3 Time Out says Add + Marriott Marquis Hotel Thu Apr 25 2013 Like 406 Tweet 23 Theater review by Adam Feldman. Music Box Theatre (Broadway). 0 Book by Roger O. Hirson. Music and lyrics by Stephen Schwartz. Dir. Rum House Diane Paulus. With Matthew James Thomas, Patina Miller, Rachel Bay Jones. 2hrs 30mins. One intermission. The Living Room at the W Ladies and gentlemen, step right up to the greatest show of the Broadway season: Diane Paulus’s sensational cirque-noir revival of Pippin. Here, in all its grand and dubious glory, is musical-theater showmanship at its best, 1001 others, see all a thrilling evening of art and craftiness spiked with ambivalence about the nature of enthrallment. Chet Walker’s dances, which retain the pelvic thrust of Bob Fosse’s original choreography, are a viciously precise mockery of showbiz bump and grind, enacted by a sexy, sinister, improbably limber ensemble (in skintight carnival gear and medieval costumery). Circus elements created by Gypsy Snider—acrobatics, aerialism, contortionism, juggling, hula hoops—build momentum toward what the ringmaster assures us is “a climax you will remember for the rest of your lives.” That just might be true.
    [Show full text]
  • 42Nd Street Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
    [Show full text]
  • The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
    FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin­ ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play.
    [Show full text]
  • MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season
    MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945.
    [Show full text]
  • Alternative North Americas: What Canada and The
    ALTERNATIVE NORTH AMERICAS What Canada and the United States Can Learn from Each Other David T. Jones ALTERNATIVE NORTH AMERICAS Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, D.C. 20004 Copyright © 2014 by David T. Jones All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of author’s rights. Published online. ISBN: 978-1-938027-36-9 DEDICATION Once more for Teresa The be and end of it all A Journey of Ten Thousand Years Begins with a Single Day (Forever Tandem) TABLE OF CONTENTS Introduction .................................................................................................................1 Chapter 1 Borders—Open Borders and Closing Threats .......................................... 12 Chapter 2 Unsettled Boundaries—That Not Yet Settled Border ................................ 24 Chapter 3 Arctic Sovereignty—Arctic Antics ............................................................. 45 Chapter 4 Immigrants and Refugees .........................................................................54 Chapter 5 Crime and (Lack of) Punishment .............................................................. 78 Chapter 6 Human Rights and Wrongs .................................................................... 102 Chapter 7 Language and Discord ..........................................................................
    [Show full text]
  • Meeting Planner's Guide 2019
    AN ADVERTISING SUPPLEMENT TO CRAin’S NEW YORK BUSINESS MEETING Planner’S GUIDE 2019 YOUR RESOURCE FOR SUCCESSFUL MEETINGS AND EVENTS IF YOU ARE A MEETING or event hotels in the New York City area. than other channels. A lot of that a trend toward “bleisure,” the walk the line between creating planner you are part of an elite, Our goal is to keep you ahead value comes from networking in combining of business travel and experiences that resonate with multi-talented group. Being a of the curve and one up on the person. One-on-one meetings leisure. Today’s event attendees the whole audience, as well as planner calls for a wide range of competition in 2019. have become a hot commodity; expect event planners to be equal with individual attendees. expert skills and qualifications, To that end, here are some research has shown that, after parts manager and travel agent. such as managing, budgeting and of the meeting and event trends content, networking is the sec- Everything from programming to GIVE THEM execution, knowledge of tech- to consider when planning ond biggest motivator for event catering is likely to reference the A SHOW nology, creative talent—not to this year: attendees today. And the term locality and culture of the desti- 2019 also sees a trend for the mention leadership, adaptability, “networking” covers everything nation both on-site and off. “festivalization” of meetings and people skills, patience and energy IN YOUR FACE from spontaneous conversations events. A growing number of (to name just a few). When you “Face time” is the buzzword to huddle rooms and meet-and- TAKE IT PERSONAlly gatherings are adding perfor- possess all of these qualities you in meetings and events for greets.
    [Show full text]
  • Young Adult Realistic Fiction Book List
    Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her.
    [Show full text]
  • Musical! Theatre!
    Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all.
    [Show full text]