Plays to Read for Furman Theatre Arts Majors
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Lntertextuality in AMERICAN DRAMA Critical Essays on Eugene 0 'Neill, Susan Glaspell, Thornton Wilder, -~Arthur Miller and Other Playwrights
lNTERTEXTUALITY IN AMERICAN DRAMA Critical Essays on Eugene 0 'Neill, Susan Glaspell, Thornton Wilder, -~Arthur Miller and Other Playwrights Edited by Drew Eisenhauer and Brenda Murphy McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London Table of Contents Introduction: What Is "'ntertextuality" and Why Is the Term Important Today? DREW EISENHAUER .......................... 1 Part I: Literary Intertextuality LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA SECTION ONE: PoETS Intertextuality in American drama : critical essays on Eugene O'Neill, Susan Glaspell, Thornton Wilder, Arthur Miller The Ancient Mariner and O'Neill's Intertextual Epiphany and other playwrights I edited by Drew Eisenhauer and (Herman Daniel Farrell III) ............................... 10 Brenda Murphy. p. em. "Deep in my silent sea": Eugene O'Neill's Extended Includes bibliographical references and index. Adaptation of Coleridge's The Ancient Mariner ISBN 978-0-7864-6391-6 (Rupendra Guha Majumdar) ............................... 25 softcover : acid free paper § A Multi-Faceted Moon: Shakespearean and Keatsian Echoes 1. American drama- 20th century- History in Eugene O'Neill's A Moon for the Misbegotten and criticism. 2. O'Neill, Eugene, 1888-1953- (Aurelie Sanchez) ........................................ 36 Criticism and interpretation. 3. Glaspell, Susan, 1876-1948- Criticism and interpretation. Trailing Clouds of Glory: Glaspell, Romantic Ideology 4. Wilder, Thornton, 1897-1975- Criticism and Cultural Conflict in Modern American Literature and interpretation. 5. Miller, Arthur, 1915-2005- Criticism and interpretation. 6. Intertextuality. (Michael Winetsky) ...................................... 52 I. Eisenhauer, Drew. II. Murphy, Brenda, 1950- On Closets and Graves: Intertextualities in Susan Glaspell's PS350.I58 2013 Alison's House and Emily Dickinson's Poetry 812'.509-dc23 2012038662 (Noelia Hernando-Real) ................................. -
DISTINGUISHED ALUMNI As of 3/1/2017
University of Northern Colorado School of Theatre Arts and Dance DISTINGUISHED ALUMNI as of 3/1/2017 Broadway – 25 Performers (55 Productions) Josh Buscher – West Side Story 2009 (OC), Pricilla Queen of the Desert (OC), Big Fish (OC) Ryan Dinning – Machinal (OC) Jenny Fellner – Wicked, Mamma Mia, The Boyfriend, Pal Joey (OC) Scott Foster – Forbidden Broadway (Alive and Kicking) 2013, Brooklyn (OC), Forbidden Broadway (Alive and Kicking) 2014 Greg German – Assassins (OC), Biloxi Blues (OC), Boeing/Boeing Patty Goble – Bye Bye Birdie 2009 (OC), Curtains (OC), The Woman in White (OC), La Cage Aux Follies 2004 (OC), Kiss Me Kate 1999 (OC), Ragtime (OC), Phantom of the Opera Derek Hanson – Anything Goes (Sutton Foster), Side Show (2014 Revival), An American in Paris (2016), Tamara Hayden – Les Miz, Cabaret Autumn Hulbert – Legally Blonde Aisha Jackson – Beautiful: The Carol King Musical, Waitress (OC) Ryan Jesse – Jersey Boys Patricia Jones – Buried Child (OC), Indiscretions (w/Kathleen Turner) Andy Kelso – Mamma Mia, Kinky Boots (OC) Beth Malone – Ring of Fire (OC), Fun Home (OC)+ Victoria Matlock – Million Dollar Quartet (OC) Jason Olazabal – Julius Caesar (OC) (w/Denzel Washington) Laura Ryan – Country Roads The John Denver Musical (OC) Lisa Simms – A Chorus Line Andrea Dora Smith – Tarzan, Motown (OC) Erica Sweany – Honeymoon in Vegas – The Musical (OC) Jason Veasey – The Lion King Jason Watson – Mamma Mia Aléna Watters – Sister Act (OC), Adams Family Musical (OC), West Side Story 2009, Wysandria Woolsey – Chess, Parade, Beauty and the -
Year of Production Dates Title of Production Playwright Directed By
Theatre Production Masterlist - Main Stage Year of Production Dates Title of Production Playwright Directed by 1977 Mar 10-19, 1977 J.B A Play in Verse Archibald MacLeish Richard Epp 1977 Nov 2-12, 1977 Equus Peter Shaffer Richard Epp & Brian Parkinson 1978 Mar 8-18, 1978 Tartuffe Moliere Brian Parkinson 1978 Apr 5-8, 1978 Vanities Jack Heifner Ches Skinner 1978 Nov 1-11, 1978 The Shadow Box Michael Cristofer Ches Skinner 1979 Mar 14-24, 1979 12th Night William Shakespeare Brian Parkinson 1979 Nov 19-24, 1979 The Caucasian Chalk Circle Bertolt Brecht David Spinks 1980 Feb 27 - Mar 8, 1980 Les Canadiens Rick Salutin Richard Epp 1980 Nov 3-8, 1980 The Birthday Party Harold Pinter Brian Parkinson 1981 Mar 18-21, 1981 The Cherry Orchard Anton Chekhov Richard Epp 1981 Apr 7-11, 1981 Cat on a Hot Tin Roof Tennessee Williams Ches Skinner 1981 Nov 4-7, 1981 Rosencrantz & Guildenstern are dead Tom Stoppard Richard Epp 1981 Dec 15-19, 1981 Toad of Toad Hall A.A Milne David Spinks 1982 Feb 9-13, 1982 The Madwomen of Chaillot Jean Giraudoulx Ches Skinner 1982 Mar 30 - Apr 3, 1982 Waiting for the Parade John Murrell Sara Stanley 1982 Oct 26-30, 1982 A Midsummer Night's Dream William Shakespeare David Spinks 1982 Dec 7-11, 1982 The Gayden Chronicles Michael Cook Ches Skinner 1983 Feb 15-19, 1983 A Flea in Her Ear Georges Feydeau Brian Parkinson 1983 Oct 10-15, 1983 Hedda Gabler Henrik Ibsen Brian Parkinson 1983 Nov 21-26, 1983 Antigone Sophocles Richard Epp 1984 Feb 6-11, 1984 Buried Child Sam Shepard Ches Skinner 1984 Mar 27-31, 1984 Oh, What a Lovely War Charles Chilton & Theatre Workshop David Spinks 1984 Oct 14-20, 1984 Les Belles Soeurs Michael Tremblay Sara Stanley 1984 Nov 18-24, 1984 The School for Scandal Richard B. -
A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
Fences Study Guide
Pacific Conservatory Theatre Student Matinee Program Presents August Wilson’s Fences Generously sponsored by Franca Bongi-Lockard Nancy K. Johnson A Study Guide for Educators Welcome to the Pacific Conservatory Theatre A NOTE TO THE TEACHER Thank you for bringing your students to PCPA at Allan Hancock College. Here are some helpful hints for your visit to the Marian Theatre. The top priority of our staff is to provide an enjoyable day of live theatre for you and your students. We offer you this study guide as a tool to prepare your students prior to the performance. SUGGESTIONS FOR STUDENT ETIQUETTE Note-able behavior is a vital part of theater for youth. Going to the theater is not a casual event. It is a special occasion. If students are prepared properly, it will be a memorable, educational experience they will remember for years. 1. Have students enter the theater in a single file. Chaperones should be one adult for every ten students. Our ushers will assist you with locating your seats. Please wait until the usher has seated your party before any rearranging of seats to avoid injury and confusion. While seated, teachers should space themselves so they are visible, between every groups of ten students. Teachers and adults must remain with their group during the entire performance. 2. Once seated in the theater, students may go to the bathroom in small groups and with the teacher's permission. Please chaperone younger students. Once the show is over, please remain seated until the House Manager dismisses your school. 3. Please remind your students that we do not permit: - food, gum, drinks, smoking, hats, backpacks or large purses - disruptive talking. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Member Association AFTRA / AEA / SAG Hassan El-Amin Height
Member Association A.F.T.R.A. / A.E.A. / SAG Hassan El-Amin Height: 6’ Weight: 212lb Theatres Roles Directors Resident Ensemble Players August: Osage County Bill Fordham Jackson Gay Murder on the Orient Express Samuel Ratchett Sanford Robbins The Crucible Thomas Putnam Ben Barnes Lettice and Lovage Mr. Bardolph Steve Tague Woman in Mind Andy Jackson Gay Minor Fantastical Kingdom Bernard Mark Lamos Inherit the Wind Rev. Brown Sanford Robbins Fences Troy Maxson Cameron Knight The MountainTop Martin Luther King Jr. Walter Dallas From the Author Of Dax Jade King Carroll A Flea in her Ear Dr. Finache Mark Lamos Twelfth Night Antonio Maria Aitken God of Carnage Michael Novak Kate Buckley Clybourne Park Albert/Kevin Lee E. Ernst The Bells Jim Theresa Rebeck The Elephant Man Dr. Carr Gomm Sanford Robbins Dallas Theatre Center Christmas Carol Jacob Marley Joe Ferrell In the Beginning God / Ensemble Kevin Moriarty It’s a Bird, It’s a Plane, It’s Superman! Perry White Kevin Moriarty Death of a Salesman Uncle Ben Amanda Dehnert Henry IV Northumberland Kevin Moriarty God of Carnage Michael Joe Ferrell King Lear Earl of Kent Kevin Moriarty The Odd Couple Roy Kevin Moriarty Fly (2013) Pirate Jeffery Seller A Raisin in the Sun Bobo Tre Garrett Clybourne Park Albert/Kevin Joel Ferrell Sherlock Holmes King of Bohemia Kevin Moriarty Les Misérables Priest Liesl Tommy Driving Miss Daisy Hoke Colburn Joel Ferrell The Kennedy Center August Wilson 20TH Century Fences Gabriel Kenny Leon Two Trains Running Hambone Isreal Hicks Jitney Booster Gordon Davidson The -
Maria Conchita Alonso, Jami Gertz, Jenny O'hara, Harriet
MARIA CONCHITA ALONSO, JAMI GERTZ, JENNY O’HARA, HARRIET SANSOM HARRIS AND CHRISTINE LAHTI JOIN CAST OF LOVE, LOSS AND WHAT I WORE Fifth Cast will Perform Nora Ephron and Delia Ephron’s Fashion-Focused Hit Through September 26 LOS ANGELES, August 25, 2010 — Nora Ephron and Delia Ephron’s Love, Loss, and What I Wore attracts a whole new cast of actresses as it continues its Los Angeles run in the Audrey Skirball Kenis Theater at the Geffen Playhouse through the month of September. The new cast includes Jenny O’Hara, who is known for her Broadway roles in The Odd Couple and Promises, Promises and was most recently seen on the big screen in M. Night Shyamalan’s Devil, as the narrator Gingy; Oscar and Emmy Award winner Christine Lahti, best known in the theater world for her collaboration with Wendy Wasserstein in The Heidi Chronicles; Broadway vet Harriet Sansom Harris, who won a Tony Award for her role in Thoroughly Modern Millie; Jami Gertz, who is well-recognized for her film work in Twister and The Lost Boys as well as a recent stint on HBO’s Entourage; and Maria Conchita Alonso best known for television work on Desperate Housewives. Love, Loss and What I Wore, an intimate collection of stories covering some of life’s most poignant moments and their corresponding wardrobe, is directed by Jenny Sullivan. The evening of vignettes, which is based on the best-selling book of the same name by Ilene Beckerman as well as personal reminiscences from the Ephrons and their friends, features a rotating cast of five actresses who share tales to which every woman can relate. -
Our-Town-Study-Guide.Pdf
STUDY GUIDE TABLE OF CONTENTS PERFORMANCE INFORMATION PAGE 3 TORNTON WILDER PAGE 4 THORNTON WILDER CHRONOLOGY PAGE 5 OUR TOWN: A BRIEF HISTORY PAGE 6 PLAY SYNOPSIS PAGE 7 CAST OF CHARACTERS PAGE 10 THE PULITZER PRIZE PAGE 11 OUR TOWN: A HISTORICAL TIMELINE PAGE 12 THE TIMES THEY ARE A-CHANGING PAGE 16 THEMES OF OUR TOWN PAGE 17 NEW HAMPSHIRE PAGE 18 SCENIC DESIGN PAGE 19 PROMPTS FOR DISCUSSION PAGE 21 AUDIENCE ETIQUETTE PAGE 22 STUDENT EVALUATION PAGE 23 TEACHER EVALUATION PAGE 24 New Stage Theatre Presents OUR TOWN by Thornton Wilder Directed by Francine Thomas Reynolds Sponsored by Sanderson Farms Stage Manager Lighting Designer Scenic Designer Elise McDonald Brent Lefavor Dex Edwards Costume Designer Technical Director/Properties Lesley Raybon Richard Lawrence There will be one 10-minute intermission THE CAST Cast (in order of appearance) STAGE MANAGER Sharon Miles DR. GIBBS Larry Wells HOWIE NEWSOME Christan McLaurine JOE CROWELL, JR. Ben Sanders MRS. GIBBS Malaika Quarterman MRS. WEBB Kerri Sanders GEORGE GIBBS Cliff Miller * REBECCA GIBBS Mary Frances Dean WALLY WEBB Jeffrey Cornelius EMILY WEBB Devon Caraway* PROFESSOR WILLARD Amanda Dear MR. WEBB Yohance Myles* WOMAN #1 LaSharron Purvis SIMON STIMSON Jeff Raab WOMAN #2 Hope Prybylski WOMAN #3 Ashanti Alexander CONSTABLE WARREN Chris Roebuck MRS. SOAMES Joy Amerson SI CROWELL Alex Forbes SAM CRAIG Jake Bell JOE STODDARD James Anderson FARMER MCCARTY Peter James VIOLINIST Miranda Kunk *The actor appears through the courtesy of Actors’ Equity Association, the Union of Profes- sional Actors and Stage Managers in the United States. THORNTON WILDER Thornton Wilder was born in Madison, Wisconsin on April 17, 1897. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70