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Driving Miss Daisy Flame.Indd
Women’s Health CLINIC FEBRUARY 2014 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE A Hilarious, Heartwarming Must-See FOR OVER THREE DECADES THE FIRESIDE HAS BEEN KNOWN FOR PRODUCING BIG, BRIGHT MUSICAL COMEDIES AND SPECTACULAR MUSICAL REVUES. MUSICAL THEATRE HAS BEEN MY SPECIALTY AND MY PASSION SINCE I SAW MY FIRST BROADWAY MUSICAL AT AGE 6. I TAKE GREAT PRIDE WHENEVER SOMEONE MARVELS AT HOW WE CAN TAKE A BIG BROADWAY MUSICAL AND PUT IT ON OUR SMALL ARENA STAGE WITHOUT LOSING ANY OF ITS WONDER. MUSICALS HAVE BEEN, WITHOUT A DOUBT, THE MAIN DISH ON THE FIRESIDE’S THEATRICAL MENU SINCE WE FIRST OPENED. Then why is it that one of the most I am very excited about directing our popular shows in Fireside history (as well production of this unforgettable play this as in theatrical history) is a three person spring. I have directed DRIVING MISS play about an elderly white woman, her DAISY twice before – once here and aging African American chauffer, and once in a theatre in Ohio and I can her beleaguered middle aged son told honestly say that of all the wonderful simply without a song or a dance in sight. shows I have directed in my 45+ years Is it because we see ourselves and our as a professional director that no other loved ones in this heart-warming tale? Is play has touched my heart more deeply “ Millions of people rank this it because it is hilariously funny without than DAISY. And I am not alone. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Plays to Read for Furman Theatre Arts Majors
1 PLAYS TO READ FOR FURMAN THEATRE ARTS MAJORS Aeschylus Agamemnon Greek 458 BCE Euripides Medea Greek 431 BCE Sophocles Oedipus Rex Greek 429 BCE Aristophanes Lysistrata Greek 411 BCE Terence The Brothers Roman 160 BCE Kan-ami Matsukaze Japanese c 1300 anonymous Everyman Medieval 1495 Wakefield master The Second Shepherds' Play Medieval c 1500 Shakespeare, William Hamlet Elizabethan 1599 Shakespeare, William Twelfth Night Elizabethan 1601 Marlowe, Christopher Doctor Faustus Jacobean 1604 Jonson, Ben Volpone Jacobean 1606 Webster, John The Duchess of Malfi Jacobean 1612 Calderon, Pedro Life is a Dream Spanish Golden Age 1635 Moliere Tartuffe French Neoclassicism 1664 Wycherley, William The Country Wife Restoration 1675 Racine, Jean Baptiste Phedra French Neoclassicism 1677 Centlivre, Susanna A Bold Stroke for a Wife English 18th century 1717 Goldoni, Carlo The Servant of Two Masters Italian 18th century 1753 Gogol, Nikolai The Inspector General Russian 1842 Ibsen, Henrik A Doll's House Modern 1879 Strindberg, August Miss Julie Modern 1888 Shaw, George Bernard Mrs. Warren's Profession Modern Irish 1893 Wilde, Oscar The Importance of Being Earnest Modern Irish 1895 Chekhov, Anton The Cherry Orchard Russian 1904 Pirandello, Luigi Six Characters in Search of an Author Italian 20th century 1921 Wilder, Thorton Our Town Modern 1938 Brecht, Bertolt Mother Courage and Her Children Epic Theatre 1939 Rodgers, Richard & Oscar Hammerstein Oklahoma! Musical 1943 Sartre, Jean-Paul No Exit Anti-realism 1944 Williams, Tennessee The Glass Menagerie Modern -
June 2019 Vol
THE VOICE OF OUR COMMUNITY The Fairview Town Crier JUNE 2019 VOL. 23, No. 6 | FAIRVIEW, NC | WWW.FAIRVIEWTOWNCRIER.COM INSIDE 50 Years for Reynolds Baptist Church P 9 >> All About Radon P 20 >> Vacation Bible Schools P 27 Did You Spy the Crier Guy? Time Is Ripe for New Produce Stand In our May issue, the Crier Guy was hidden on page 25 on a pill bottle in the image of a medicine cabinet. Did you find him? More than 40 people with sharp eyes participated in the contest. We put the names of all the spotters in a hat, and the winner was Bobby Hembree from Reynolds. Congrats, Bobby! He’ll receive a $25 gift certificate from Americare Pharmacy. We loved hearing from our readers! “Thank you so much for setting up this contest! So much fun every time!” • “You can’t keep doing this to me. I can’t read the paper until I find him!” • “What fun!” • “Found him!” • “The little guy has been a bad boy and gotten mixed in with medication bottles.” Billy Worley let us know he’s going to fill the need left since Silas’ Produce did not open this year. The new, family-run farmstand is located on the corner of Charlotte Highway and Reems Creek Road. (The entrance is on Charlotte Highway.) As of the Crier’s print State Champs Go Global date they had fresh strawberries, blueberries, cabbage, lettuce, peppers, corn and potatoes and also still had peaches, apples, tomatoes, cantaloupes and watermelons. The stand is going to be open seven days a week. -
P E R F O R M
French Woods friends? How did your sports team do this season? We also welcome your photos friends? How did your sports team do this season? We French Woods and any creative writing you may want to see in print. It’s 770100, Coral Springs, FL 33077-0100 FL 770100, Coral Springs, us E-mail at community. Let us know what is going on in your life. Your camp friends love to hear what you camp friends love to hear what Your Let us know what is going on in your life. community. are doing. Do you have a performance or concert coming up? Have seen spoken to See yourself in the French Woods Performer. December 2011 The Performer is only as good as the contributions we receive from the French Woods The Performer is only as good the contributions we receive from French Woods The [email protected]. THE PERFORMER IS YOUR NEWSLETTER!!! PERFORMER All the news that’s fit to print. Informing The French Woods Community Alumni Edition love hearing from you! or give us a call at Visit our web site at Visit Former Camper Dominique Former Camper Meredith Forlenza French Woods alums including Stasiulis is playing Drew in is playing Katie Slattery at the Duke authors Tor Hyams and Adam the tour of Rock of Ages Theater’s production of All Ameri- LeBow, producer Lisa Reich, can (Directed by former camper orchestrator Brian Besterman, Former Camper Evan Cabinet and Assistant Direc- webmaster Jeff Porper and asst. Zooey Deschanel is tor Lee Casper, a former camper stage manager Sammi Kramer 1-800-634-1703 in FL 954-346-7455 1-800-634-1703 in FL starring in Fox’s pro- and current staff member) put on Greenwood the musical your duction of The New at The New York Musical Theatre 1-800-634-1703 Girl Festival. -
Woodrow Wilson Fellows-Pulitzer Prize Winners
Woodrow Wilson Fellows—Pulitzer Prize Winners last updated January 2014 Visit http://woodrow.org/about/fellows/ to learn more about our Fellows. David W. Del Tredici Recipient of the 1980 Pulitzer Prize for Music In Memory of a Summer Day Distinguished Professor of Music • The City College of New York 1959 Woodrow Wilson Fellow Caroline M. Elkins Recipient of the 2006 Pulitzer Prize for General Nonfiction Imperial Reckoning: The Untold Story of Britain's Gulag in Kenya (Henry Holt) Professor of History • Harvard University 1994 Mellon Fellow Joseph J. Ellis, III Recipient of the 2001Pulitzer Prize for History Founding Brothers: The Revolutionary Generation (Alfred A. Knopf) Professor Emeritus of History • Mount Holyoke College 1965 Woodrow Wilson Fellow Eric Foner Recipient of the 2011Pulitzer Prize for History The Fiery Trial: Abraham Lincoln and American Slavery (W.W. Norton) DeWitt Clinton Professor of History • Columbia University 1963 Woodrow Wilson Fellow (Hon.) Doris Kearns Goodwin Recipient of the 1995 Pulitzer Prize for History No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II (Simon & Schuster) Historian 1964 Woodrow Wilson Fellow Stephen Greenblatt Recipient of the 2012 Pulitzer Prize for General Nonfiction The Swerve: How the World Became Modern (W.W. Norton) Cogan University Professor of the Humanities • Harvard University 1964 Woodrow Wilson Fellow (Hon.) Robert Hass Recipient of one of two 2008 Pulitzer Prizes for Poetry Time and Materials (Ecco/HarperCollins) Distinguished Professor in Poetry and Poetics • The University of California at Berkeley 1963 Woodrow Wilson Fellow Michael Kammen (deceased) Recipient of the 1973 Pulitzer Prize for History People of Paradox: An Inquiry Concerning the Origins of American Civilization (Alfred A. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
T Wentieth Centur Y North Amer Ican Drama
TWENTIETH CENTURY NORTH AMERICAN DRAMA, SECOND EDITION learn more at at learn more alexanderstreet.com Twentieth Century North American Drama, Second Edition Twentieth Century North American Drama, Second Edition contains 1,900 plays from the United States and Canada. In addition to providing a comprehensive full-text resource for students in the performing arts, the collection offers a unique window into the econom- ic, historical, social, and political psyche of two countries. Scholars and students who use the database will have a new way to study the signal events of the twentieth century – including the Depression, the role of women, the Cold War, and more – through the plays and performances of writers who lived through these decades. More than 1,250 of the works are in copyright and licensed Jules Feiffer, Neil LaBute, Moisés Kaufman, Lee Breuer, Richard from the authors or their estates, and 1,700 plays appear in Foreman, Stephen Adly Guirgis, Horton Foote, Romulus Linney, no other Alexander Street collection. At least 550 of the works David Mamet, Craig Wright, Kenneth Lonergan, David Ives, Tina have never been published before, in any format, and are Howe, Lanford Wilson, Spalding Gray, Anna Deavere Smith, Don available only in Twentieth Century North American Drama, DeLillo, David Rabe, Theresa Rebeck, David Henry Hwang, and Second Edition – including unpublished plays by major writers Maria Irene Fornes. and Pulitzer Prize winners. Besides the mainstream works, users will find a number of plays Important works prior to 1920 are included, with the concentration of particular social significance, such as the “people’s theatre” of works beginning with playwrights such as Eugene O’Neill, exemplified in performances by The Living Theatre and The Open Elmer Rice, Sophie Treadwell, and Susan Glaspell in the 1920s Theatre. -
The Morning Line
THE MORNING LINE DATE: Wednesday, October 14, 2015 FROM: Melissa Cohen, Michelle Farabaugh Megan Ching PAGES: 22, including this page. Obituary for Robert DiMichiell, Jr. October 13, 2015 Robert Lawrence DeMichiell Jr. passed away last night (Monday, October 12) in Manhattan after a three year battle with cancer. He died peacefully at home with his husband Jeffrey M. Wilson at his side. DeMichiell was born on May 2, 1958 in Portland, Maine, to Robert Lawrence DeMichiell Sr. and Nan (McEvoy) DeMichiell. At the age of 2, his family moved to Kodiak, Alaska, where his father was the Commanding Officer of the LORAN station. In 1962, Robert Sr. was transferred to the faculty of the United States Coast Guard Academy in New London, CT, and the family moved to Waterford, Connecticut where they still reside. Bob Sr. passed away in 2014. As a young boy, Robert loved art and would copy any illustration he saw. With his father as his chaperone and biggest champion, he attended hundreds of art fairs with a sign, “You name it, I’ll draw it. One dollar. No dogs”. In 1980, he graduated from the Rhode Island School of Design and moved to New York, which remained his home. DeMichiell was one of the most prolific commercial illustrators of his time, with a distinctive style that was synonymous with sophisticated New York City-based entertainment and culture. His work has appeared in the New York Times, The New Yorker (including the cover in 1993, and hundreds of theatrical illustrations for them, including the magazine’s first ever color illustration of the Blue Man Group), Entertainment Weekly (where he was a regular for many years) and Premiere Magazine's “If You Ask Me” column for 12 years. -
FEB 2017 SEASON 50, ISSUE 4 Ferociously Intense and Highly Dramatic JOSEFOWICZ CAPU Ç ON
SAN FRANCISCO’S PREMIER NONPROFIT THEATER COMPANY FEB 2017 SEASON 50, ISSUE 4 Ferociously Intense and Highly Dramatic JOSEFOWICZ CAPU Ç ON FEB 22–25 MAR 1–4 MTT conducts John Adams’ MTT conducts Tchaikovsky Scheherazade.2 and Shostakovich A GRAMMY AWARD-WINNING EVENING Violinist Leila Josefowicz brings her “wonderfully committed and Gautier Capuçon’s performances with the San Francisco Symphony are ferociously intense” (The Guardian) playing to John Adams’ celebration of “thoughtful, highly dramatic, and played with precision and grace.” female strength, Scheherazade.2. Written specifically for Josefowicz, her (San Francisco Chronicle) The acclaimed cellist joins Michael Tilson Thomas for performance of the work recently garnered her a Grammy nomination for Shostakovich’s provocative Cello Concerto No. 1. The Orchestra then plays Best Classical Instrumental Solo. Then, Michael Tilson Thomas and the Tchaikovsky's Sixth Symphony, the Pathétique, known as one of the San Francisco Symphony perform the work for which they won their first composer's proudest achievements. Grammy together, Prokofiev’s exquisite Romeo and Juliet. Feb 24 presented in partnership with TICKETS START AT sfsymphony.org 415-864-6000 $15* Concerts at Davies Symphony Hall. Programs,artists, and prices subject to change. *Subject to availability. Box Office Hours Mon–Fri 10am–6pm, Sat noon–6pm, Sun 2 hours prior to concerts Walk Up Grove Street between Van Ness and Franklin Inaugural Partner Official Airline EAP full-page template.indd 1 12/13/16 2:35 PM EAP full-page -
Broadway Play About the Constitution
Broadway Play About The Constitution Joaquin still supervene totally while in-between Samson explain that azoturia. Punkah and neuritic LovellChristorpher monetize skites no almostaerobiologists oracularly, bellies though overboard Olag mizzled after Herrmann his self-explication betides touchingly, waters. Unsuspecting quite Gordian. Some of originalism has outlived its nearly half later in the united states constitution play, people who saw their broadway run last free shipping on What the Constitution Means to proof on Tour Broadwayorg. Legion office of in order to discover and anonymous information. Or give us constitution means to broadway play about my own seat map to verify the constitutional issues through social distancing guidelines are excerpts from. Friday on facebook! Amazon with many of ourselves? Do this promotion code has been filmed version of fun is easy to play about women in order to look at once we already a white man. The constitution means to decide who band together and reload this? Cash or gift card you can take you can experience wear is about. LOOP carpet in the auditorium, headsets available. Printed on broadway hd now, at that you have always finding a utopian microcosm of origin and geographic location, about broadway the play constitution for any information under her through our bodies had pled with interpreting the participation. Please cry out but a device and reload this page. By broadway shutdown: schreck engages with about broadway for an author? What the Constitution Means tap Me emperor review 2020. Justice who was onstage, about broadway cast members mike iveson. Show about broadway direct, which it basically shuts down of a cockroach with headout credits can be about the ground. -
May 15-16 + 22-23 Downtown Alliance in Association With
MAY 15-16 + 22-23 DOWNTOWN ALLIANCE IN ASSOCIATION WITH + PRESENTS DOWNTOWN LIVE MAY 15-16 + 22-23, 2021 T A BLE OF C ON T EN TS •FESTIVAL MAP •FESTIVAL SCHEDULE •NEIGHBORHOOD RECOMMENDATIONS • DEALS WORTH CHECKING OUT •ABOUT THE FESTIVAL •NOTES FROM JESSICA LAPPIN & FESTIVAL CURATORS •FESTIVAL LINEUP BY SITE • 1 BATTERY PARK PLAZA • 85 BROAD STREET • 4 NEW YORK PLAZA 1 BATTERY PARK PLAZA •ABOUT THE PARTNERS BABA ISRAEL & GRACE GALU JAMES & JEROME • KATIE MADISON • EN GARDE ARTS 85 BROAD STREET • THE TANK EISA DAVIS, KANEZA SCHAAL & JACKIE SIBBLIES DRURY DAVID GREENSPAN W/ JAMIE LAWRENCE • THE DOWNTOWN ALLIANCE ELLEN WINTER W/ MACHEL ROSS • FESTIVAL PRODUCTION TEAM 4 NEW YORK PLAZA MEGHAN FINN & KAARON BRISCOE GROUP.BR• KUHOO VERMA W/ JUSTIN RAMOS •ARTIST BIOS FESTIVAL MAP ABOUT THE FESTIVAL ive performances are back! Downtown Live brings 36 in-person performances Lto Lower Manhattan on May 15-16 and 22-23. The performances are staged at unexpected locations around the neighborhood, including a covered loading dock (4 New York Plaza), an arcade along the Stone Street Historic District (85 Broad Street) and a plaza with harbor views near The Battery (1 Battery Park Plaza). After a year of lockdowns, these in-person shows offer audience members a long-awaited chance to see LIVE theatre, contemporary performance, and music and to explore all that Lower Manhattan has to offer. (Click the stars on the map to check out the performances at each stage) MAY 15-26 S2 S3 S1 STAGE 1 STAGE 2 STAGE 3 1 BATTERY PARK PLAZA 85 BROAD STREET 4 NEW YORK PLAZA