The Women (2021)
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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Plays to Read for Furman Theatre Arts Majors
1 PLAYS TO READ FOR FURMAN THEATRE ARTS MAJORS Aeschylus Agamemnon Greek 458 BCE Euripides Medea Greek 431 BCE Sophocles Oedipus Rex Greek 429 BCE Aristophanes Lysistrata Greek 411 BCE Terence The Brothers Roman 160 BCE Kan-ami Matsukaze Japanese c 1300 anonymous Everyman Medieval 1495 Wakefield master The Second Shepherds' Play Medieval c 1500 Shakespeare, William Hamlet Elizabethan 1599 Shakespeare, William Twelfth Night Elizabethan 1601 Marlowe, Christopher Doctor Faustus Jacobean 1604 Jonson, Ben Volpone Jacobean 1606 Webster, John The Duchess of Malfi Jacobean 1612 Calderon, Pedro Life is a Dream Spanish Golden Age 1635 Moliere Tartuffe French Neoclassicism 1664 Wycherley, William The Country Wife Restoration 1675 Racine, Jean Baptiste Phedra French Neoclassicism 1677 Centlivre, Susanna A Bold Stroke for a Wife English 18th century 1717 Goldoni, Carlo The Servant of Two Masters Italian 18th century 1753 Gogol, Nikolai The Inspector General Russian 1842 Ibsen, Henrik A Doll's House Modern 1879 Strindberg, August Miss Julie Modern 1888 Shaw, George Bernard Mrs. Warren's Profession Modern Irish 1893 Wilde, Oscar The Importance of Being Earnest Modern Irish 1895 Chekhov, Anton The Cherry Orchard Russian 1904 Pirandello, Luigi Six Characters in Search of an Author Italian 20th century 1921 Wilder, Thorton Our Town Modern 1938 Brecht, Bertolt Mother Courage and Her Children Epic Theatre 1939 Rodgers, Richard & Oscar Hammerstein Oklahoma! Musical 1943 Sartre, Jean-Paul No Exit Anti-realism 1944 Williams, Tennessee The Glass Menagerie Modern -
Kati Mitchell 617-496-2000 X8841 American Repertory Theatre in Association Wi
For Immediate Release: September 12, 2008 Contact: Kati Mitchell 617-496-2000 x8841 American Repertory Theatre in association with the Loeb Drama Center presents the world premiere of The Communist Dracula Pageant by Americans, for Americans with hallucinations, phosphorescence, and bears by Anne Washburn directed by Anne Kauffman October 18 — November 9 Zero Arrow Theatre Cambridge, Mass. — The American Repertory Theatre presents the world premiere of Anne Washburn’s The Communist Dracula Pageant directed by Anne Kauffman, at the A.R.T.’s Zero Arrow Theatre, corner of Arrow Street and Massachusetts Avenue, Cambridge. The production begins performances on Saturday, October 18 and runs through Sunday, November 9; it will be available for press viewing from Wednesday, October 22. “History, peopled with our faces, is not our story. Do not hope to find yourself in history. Look for yourself only in the terrible recesses of your own heart.” — The Communist Dracula Pageant Anne Washburn is one of the most exciting new voices in the American theatre. Her plays are feasts of imagination, with vivid characters, storylines that veer off in surprising directions, a wry sense of comedy, and a playful love of language. The Communist Dracula Pageant is a spectacular example. Drawing from trial transcripts and from Romania’s rich folklore, Washburn dramatizes the final days of Nicolae and Elena Ceausescu, the autocrats who ruled Romania from 1965-1989. This romp across Romanian myth and history exists in three time periods: 1989, when the Ceausescus’ dictatorship fell; 1976, when the dictators, at the height of their powers, commissioned kitschy pageants to celebrate the glory of the Romanian nation; and the fifteenth century, during the reign of Vlad Tepes, the historical Count Dracula. -
June 2019 Vol
THE VOICE OF OUR COMMUNITY The Fairview Town Crier JUNE 2019 VOL. 23, No. 6 | FAIRVIEW, NC | WWW.FAIRVIEWTOWNCRIER.COM INSIDE 50 Years for Reynolds Baptist Church P 9 >> All About Radon P 20 >> Vacation Bible Schools P 27 Did You Spy the Crier Guy? Time Is Ripe for New Produce Stand In our May issue, the Crier Guy was hidden on page 25 on a pill bottle in the image of a medicine cabinet. Did you find him? More than 40 people with sharp eyes participated in the contest. We put the names of all the spotters in a hat, and the winner was Bobby Hembree from Reynolds. Congrats, Bobby! He’ll receive a $25 gift certificate from Americare Pharmacy. We loved hearing from our readers! “Thank you so much for setting up this contest! So much fun every time!” • “You can’t keep doing this to me. I can’t read the paper until I find him!” • “What fun!” • “Found him!” • “The little guy has been a bad boy and gotten mixed in with medication bottles.” Billy Worley let us know he’s going to fill the need left since Silas’ Produce did not open this year. The new, family-run farmstand is located on the corner of Charlotte Highway and Reems Creek Road. (The entrance is on Charlotte Highway.) As of the Crier’s print State Champs Go Global date they had fresh strawberries, blueberries, cabbage, lettuce, peppers, corn and potatoes and also still had peaches, apples, tomatoes, cantaloupes and watermelons. The stand is going to be open seven days a week. -
New York City Center Names Lear Debessonet As Encores! Resident Director
PRESS CONTACT: Joe Guttridge, Director, Communications [email protected] 212.763.1279 New York City Center names Lear deBessonet as Encores! Resident Director January 17, 2019/NEW YORK, NY—New York City Center President & CEO Arlene Shuler and Encores! Artistic Director Jack Viertel today announced that Lear deBessonet would join the artistic team at City Center as Encores! Resident Director. In this new role, deBessonet will join Viertel and Music Director Rob Berman as an active member of the Encores! team. She will take part in all discussions surrounding repertoire, production artists, and casting— cultivating relationships with artists new to the series. She will also foster an open dialogue with today’s expanding audience around the social and political themes associated with the genre. In addition, deBessonet will occasionally direct a production for the series. “I can’t think of a better time than our 75th Anniversary Season to welcome Lear as the newest member of our artistic team,” said Arlene Shuler, President & CEO. “City Center has been a home to numerous artists over its history and it is essential that we continue to promote new voices and infuse the art form with fresh ideas. Lear’s perspective, along with Jack and Rob, Off‐Center Artistic Director Anne Kauffman, and Artistic Advisor Jeanine Tesori, will lead us into the next chapter of our history.” “I’m simply thrilled that Lear has agreed to join the Encores! family,” said Jack Viertel, Encores! Artistic Director. “To have someone with her broad understanding of where musical theater has been and where it is going—along with Rob Berman and myself—is going to help us take the program into its next phase armed with wider horizons, full of unexplored possibilities and delights yet undiscovered. -
Winter 2021 Performance Studies Course Listings
WINTER 2021 PERFORMANCE STUDIES COURSE LISTINGS College of Literature, Science, and the Arts (LSA) Undergraduate Level (100-400) Issues in African Studies - Symbolic Language and Communications in West African Visual and Performing Arts (AAS 206, 3 credits) Kwasi Ampene Survey of African American Cinema (AAS 232, 3 credits) Scott Poulson-Bryant This course examines the history and aesthetics of African American filmmaking from the silent era to the present. Films are analyzed within their socio-cultural contexts, with particular attention to how race and identity interact with class, gender, and sexuality. We consider the link between film and other forms of Black popular culture. Threads: What Does Clothing Have to Do with Race, Culture, Politics, and the Environment? (AAS 317, 3 credits) Megan Sweeney As our readings and discussions will highlight, clothing signals individuality and social legibility. It's a necessity and a privilege, protective and decorative, utilitarian and the stuff of consuming artistic passion. Clothes manage anxieties and create them, serve as armor and sometimes as sword. They reconcile and multiply our various selves. Clothing is a domain of the deadly serious and a domain of the lighthearted. So, put on your favorite outfit and get ready to think, read, write, and collaborate! Topics in Black World Studies - Hip Hop Africa (AAS 358.007, 3 credits) Kwasi Ampene The seminar will offer students an ethnomusicological perspective on performing arts and power in Sub-Saharan Africa. We shall investigate musical performances as modes of resistance, a means for negotiating power, establishing social identity, providing agency and empowerment, and as a means for constructing gender spaces. -
Southern Comfort
FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience. -
PRESS RELEASE (858) 228-3094 | [email protected]
Contact: Becky Biegelsen PRESS RELEASE (858) 228-3094 | [email protected] LA JOLLA PLAYHOUSE ANNOUNCES HUNDRED DAYS, THE BENGSONS’ “LUMINOUS MUSICAL MEMOIR,” AS FINAL PRODUCTION OF 2018/2019 SEASON RUN DATES SET FOR FULL SEASON SLATE La Jolla, CA – La Jolla Playhouse announces Hundred Days, book by The Bengsons and Sarah Gancher, music and lyrics by The Bengsons, directed by Anne Kauffman, and movement direction by Sonya Tayeh, as the final production of its 2018/2019 season, to run September 22 – October 21 in the Mandell Weiss Forum. Dubbed “a luminous musical memoir” and a Critic’s Pick by The New York Times, Hundred Days is an exhilarating and heartrending autobiographical piece, written and performed by husband-and-wife team Abigail and Shaun Bengson, about embracing uncertainty, taking a leap, and loving as if you only had a hundred days to live. With their magnetic chemistry and unique musical style, the Bengsons explore the fundamental question of how to make the most of the time you have. “This deeply honest and life-affirming show is a terrific addition to the 2018/2109 season,” said Playhouse Artistic Director and 2017 Tony Award winner Christopher Ashley. “I’m always looking for vibrant and distinct new voices – as well as unique ways of storytelling – and the Bengsons speak to both these aims, culminating in a singular piece of theatre that defies genres. I can’t wait to share with our audiences.” Hundred Days joins the previously-announced 2018/2019 season productions of The Squirrels (June 5 – July 1), queens (July 3 – 29), Seize the King (August 21 – September 16), The Year to Come (December 4 – 30) and Diana (February 19 – March 31, 2019). -
March 4 – 22, 2020
By Molly Smith Metzler Directed by M. Bevin O’Gara A production of the Kitchen Theatre, Ithaca MARCH 4 – 22, 2020 The Fielding Studio Series is supported in part by Associate Producer: Media Sponsor: 1 2 ABOUT GEVA THEATRE CENTER Geva Theatre Center is your not-for-profit theatre company dedicated to creating and producing professional theatre productions, programs and services of a national standard. As Rochester’s flagship professional theatre, Geva is the most attended regional theatre in New York State, and one of the 25 most subscribed in the country, serving up to 160,000 patrons annually, including 20,000 students. Founded in 1972 by William Selden and Cynthia Mason Selden, Geva was originally housed in the Rochester Business Institute building on South Clinton Avenue. In 1982, Geva purchased and converted its current space – formerly a NYS Arsenal designed by noted Rochester architect Andrew J Warner and built in 1868 – and opened its new home at the Richard Pine Theatre in March 1985. Geva operates two venues – the 516-seat Elaine P. Wilson Stage and the 180-seat Ron & Donna Fielding Stage. As one of the country’s leading theatre companies and a member of the national League of Resident Theatres, Geva produces a varied contemporary repertoire from musicals to world premieres celebrating the rich tapestry of our diverse community. We draw upon the talents of some of the country’s top actors, directors, designers and writers who are shaping the American Theatre scene. Geva’s education programs serve 20,000 students annually through student matinees, in-school workshops, theatre tours, career day, the acclaimed Summer Academy training program, and opportunities such as the Stage Door Project, which pairs a local school with a production in the Geva season giving students an exclusive look into the entire process of producing a show. -
February 23 @ 7Pm Et
VISION RESIDENCY MENASAFIED FEBRUARY 23 @ 7PM ET MENASAFIED FEBRUARY 23 @ 7PM ET FEATURING GEORGE ABUD JONATHAN RAVIV VISHAL VAIDYA SHERZ ALETAHA SHARONE SAYEGH KUHOO VERMA SHOBA NARAYANAN THE TEAM Directed by SHARONE SAYEGH Arranged & Music Directed by MONA SEYED-BOLORFOROSH Music Produced, Mixed & Mastered by JACKLYN RIHA Videography & Video Editing by BRIAN VINIK VIRTUAL BAND Bansuri SRISHTI BIYANI Bass & Kanun JOHN MURCHISON Clarinet TANO BROCK Piano MONA SEYED-BOLORFOROSH Violin BENGISU GÖKÇE Tabla, Dolak, Durbuka, Riq, Darbuka, Frame Drum, Talking Drum & Udu MT ADITYA SRINIVASAN Djembe & Doumbek GILBERT MANSOUR Guitar & Oud HARVEY VALDES Curated by Vision Resident RONA SIDDIQUI THE ARTISTS WOULD LIKE TO THANK Rona Siddiqui, Jamshied Sharifi, Lee Poulin & Joe Tannenbaum. Ars Nova operates on the unceded land of the Lenape peoples on the island of Manhahtaan (Mannahatta) in Lenapehoking, the Lenape Homeland. We acknowledge the brutal history of this stolen land and the displacement and dispossession of its Indigenous people. We also acknowledge that after there were stolen lands, there were stolen people. We honor the generations of displaced and enslaved people that built, and continue to build, the country that we occupy today. We gathered together in virtual space to watch this performance. We encourage you to consider the legacies of colonization embedded within the technology and structures we use and to acknowledge its disproportionate impact on communities of color and Indigenous peoples worldwide. We invite you to join us in acknowledging all of this as well as our shared responsibility: to consider our way forward in reconciliation, decolonization, anti-racism and allyship. We commit ourselves to the daily practice of pursuing this work.