Swisstulle AG

Total Page：16

File Type：pdf, Size：1020Kb

Cinte Techtextil China is the ideal trade fair for technical textile and nonwoven products in Asia. This Swisstulle AG year the fair welcomes Swisstulle AG and Swisstulle (Qingdao) Co Ltd from Switzerland to showcase their warp knitted fabric for automobile Swisstulle (Qingdao) Co Ltd sunshade. at Cinte Techtextil China 2021 (Detailed product info featured on page 2.) Visit them at E1 - D01 Swisstulle AG Swisstulle (Qingdao) Co Ltd Company website: https://swisstulle.ch/ Swisstulle is since more than 35 years an important participant in the technical textiles market as a producer of knitting fabrics, as well as a specialist in various finishing processes. In each department well educated and specialized staff is at your disposal in order to realize your specific requirements and specifications. Due to the deep connections between production, product management and sales we are able to fulfill customer requests just in time. Cinte Techtextil China 22 – 24 June 2021 Shanghai New International Expo Centre Developing unique and exclusive Meet Swisstulle AG & Swisstulle products for niche markets (Qingdao) Co Ltd Technical textiles: at Cinte Techtextil China 2021! - Automotive/ Aviation industry (sunblind – safety net) - Medical Textiles - Substrates for coating & gumming- Reinforcement - Silver bobbinet for electro-magnetic "We now have a stable customer group. On the premise of maintaining the current customers, we also hope to get more cooperative relations with enterprises, so as to Swisstulle, the specialist when it comes expand the awareness of our products. We hope to show to textiles! our products to more countries through international trade shows like Cinte Techtextil China, so as to expand our Swisstulle has been present in the worldwide market for reputation and find more potential customers." technical textiles for more than 35 years as a manufacturer and supplier of knitted fabrics. Our strength - Mr Matthew Xu, Produntion Manager is customer-specific developments and the versatility in our offer. By integrating the individual operations – yarn Scan to Get Your Badge! preparation, knitting, specialized finishing – we are able to produce a wide range of high-quality and pollution-free Pre-register now and you may enjoy knitted fabrics made of natural, synthetic and high-tech our Online Business Matching fibers. Service where you can schedule your meetings with all of our With the development of economy, people's demand for exhibitors with just a few clicks! cars increases. As the market expands, the quantity of demand becomes larger and the output needs to be increased. At this time, the factory will have more orders Contact us! and obtain more stable interests. Messe Frankfurt (HK) Ltd Ms Xaey Wong / Ms Qube Chim Tel: +852 2238 9954 / 9906 [email protected] www.techtextilchina.com .

Copy Link

Recommended publications

Identifying Handmade and Machine Lace Identification
Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4.
[Show full text]
October 2004 CLASSIFICATION DEFINITIONS 87 - 1
October 2004 CLASSIFICATION DEFINITIONS 87 - 1 CLASS 87, TEXTILES: BRAIDING, NETTING, 245, Wire Fabrics and Structure, particularly sub- AND LACE MAKING classes 7 and 8 for wire fabrics even though for a structure provided for in this class (87) hav- SECTION I - CLASS DEFINITION ing claimed additional features of wire fabric structure. Processes and apparatus for forming strands or fabrics 427, Coating Processes, pertinent subclasses as from yarns, filaments or strands, by braiding, knotting determined by schedule review for processes and/or intertwisting the strands; and the corresponding of coating, per se, not combined with a textile products or fabrics. operation. SECTION II - LINES WITH OTHER CLASSES AND WITHIN THIS CLASS SUBCLASSES The line between this Class (87) and Class 428, Stock 1 Coated or impregnated: Material or Miscellaneous Articles, is that any plural This subclass is indented under the class defini- layer product or stock material which includes a compo- tion. Processes involving the applying of a nent classifiable in this Class (87) will be placed in this coating or impregnating material to the product Class; a plural layer stock material or product in general by application to the strand material at any time with no structure of the Class 87 type will be classified (i.e., before, during and/or after) relative to the in Class 428, Stock Material or Miscellaneous Articles. mechanical interrelation of the strands; and the See also reference to Class 87 in the main definition of resulting products. Class 428, Lines With Other Classes, Intermediate Arti- cles, and subclass 592 for metallic stock material having SEE OR SEARCH THIS CLASS, SUB- a helical component.
[Show full text]
Design Iterations Through Fusion of Additive and Subtractive Design
DESIGN ITERATIONS THROUGH FUSION OF ADDITIVE AND SUBTRACTIVE DESIGN A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Gordon Stumpo May 2016 i Thesis written by Gordon Stumpo B.A., Washington State University, 2014 M.A., Kent State University, 2016 Approved by Vince Quevedo, Thesis Supervisor Brian Peters, Committee Member Margarita Benitez, Committee Member Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art Mr. J.R. Campbell, Director, The Fashion School Dr. Christine Havice, Director, The School of Art Dr. John Crawford-Spinelli, Dean, College of the Arts ii TABLE OF CONTENTS Page LIST OF FIGURES ……………………………………………………………………………………….……….…….….vi LIST OF TABLES………………………………………………………………………………………...……….………..xi ACKNOWLEDGMENTS……………………………………………………………………………...………..………..xii CHAPTER I. INTRODUCTION…………………………………………………………………………………………..………….13 Concept……………………………………………………………………………………...................................13 Design Framework…………………………………………………………………………………………..…13 Surface and Structure Frameworks…………………………………………………………….….……14 Additive Design…………………………………………………………………………………………..…..….18 Subtractive Design……………………………………………………….……………………………....….…18 Tension…………….……………………………………………………………………………….…………..…..18 Price Point…………….…………………………….………………………………………………………...…..19 Personal Skills & Background…………….……………………………………………………….…..…..19 Problem Statement &
[Show full text]
University of Huddersfield Repository
University of Huddersfield Repository Redmore, Nicola Open to change: Embracing nature and the fragility of design. An investigation into outdoor seating materials through the practice of leno weaving. Original Citation Redmore, Nicola (2014) Open to change: Embracing nature and the fragility of design. An investigation into outdoor seating materials through the practice of leno weaving. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/23669/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Open to change: Embracing nature and the fragility of design. An investigation into outdoor seating materials through the practice of leno weaving. Nicola Redmore A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Masters by Research June 2014 Abstract The research documented in this thesis investigates the potential of leno woven fabrics to be developed for outdoor seating use, and to understand the influence that hand- weaving of these fabrics has on the design process for the commercial textile designer.
[Show full text]
Fashions at Extremelylow Prices
register of the voice were there sugges¬ on November IB will have Ossip Gabril- BROOKLYN ADVERTISEMENT BROOKLYN ADVERTISEMENT tions of tho old lusciousness of tone and owitsch as the soloist. There will be a BROOKLYN ADVERTISEMENT BROOKLYN Recollections of thnt Programmes ADVERTISEMENT purity of,intonation which had led Christmas concert on December 13 and Steinwny at the banquet in 1884 to laud on January 3 Mr. Damrosch and the as 'so clear to the heart of an old piano- New York Symphony Orchestra will Of the Week Â Famous tuner.' Mme. I'atti out of havo Mischa the distinguished singing tune; Levitzki, Station Mme. Patti gasping for breath; Mme. young American pianist, as the assist- Every I'atti chopping phrases into quivering ing artist. The remaining concerts will SUNDAY on the West bits without thought or compunction; be on January 31, February 21 and Aeolian Hall, 3 p. m., recital Side Subway song by Lines is an Start Singer Mine. Patti producing tones in a manner March 6, when the assisting attractions Cyrena Van Gordon, contralto: that ought to be held up na a warning will bo respectively Fritz Kreisler, Adolf Entrance- to Opn» to Mme. Patti Bolm's Ballet Intime Miss Should He Upbraid.Sir H. R. Bishop the A. ft 6. example every novice; and Lucy Come, Beloved .Handel UM. Continued from page 11 devoid of all but a shadow of that tone Gates." A Pastoral .Carey Private Sub¬ of opulent beauty, of that incomparable In addition to the young people's Coucher de Soleil,.René Lenormand way Entrance Close« technical skill which used to make dal- series, children will enter this year Tes Yeux .René Rabey for a 6c Fare.
[Show full text]
November / December Newsletter
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 4 – Issue 10 November/December 2012 From The Editor – The leaves are at their peak here in Atlanta as I pen this letter. And with all their brilliant colors of green, gold, red and bronze, the sky is a beautiful blue backdrop with not a single cloud to obscure the painting. Homes are decorated with pumpkins and goblins, and moms are thinking ahead to Thanksgiving Dinner and the Holidays. For all that goes on during the next two months, we have decided to combine the November and December issues of Bear In Mind. So in the future there will be 10 issues per year, but with the plans already being made, they will each be packed with wonderful, educational and entertaining articles. Actually, you might say we have two guests for you this month. Sandra Riley, the owner of an adorable One of my favorite sections of the newsletter is the shop in Birmingham, THIMBLES, recently acquired the FYI article. This month we refer you to a 2‐part series I Maggie's Classic pattern company. Sandra is thrilled did in September and October of 2010 on Pearl to be re‐introducing these truly classic patterns, AND Buttons and how Pearls are formed. I stumbled upon she will have more good news for you very soon, so the little tidbit for this month’s FYI which has stay tuned. If you would like directions to her shop, absolutely nothing to do with sewing, but you trivia or to order the patterns her phone number is: 205‐ buffs might find it interesting, anyway! Enjoy.
[Show full text]
Lace, Its Origin and History
*fe/m/e/Z. Ge/akrtfarp SSreniano 's 7?ew 2/or/c 1904 Copyrighted, 1904, BY Samuel L. Goldenberg. — Art library "I have here only a nosegay of culled flowers, and have brought nothing of my own but the thread that ties them together." Montaigne. HE task of the author of this work has not been an attempt to brush the dust of ages from the early history of lace in the •^ hope of contributing to the world's store of knowledge on the subject. His purpose, rather, has been to present to those whose rela- tion to lace is primarily a commercial one a compendium that may, perchance, in times of doubt, serve as a practical guide. Though this plan has been adhered to as closely as possible, the history of lace is so interwoven with life's comedies and tragedies, extending back over five centuries, that there must be, here and there in the following pages, a reminiscent tinge of this association. Lace is, in fact, so indelibly associated with the chalets perched high on mountain tops, with little cottages in the valleys of the Appenines and Pyrenees, with sequestered convents in provincial France, with the raiment of men and women whose names loom large in the history of the world, and the futile as well as the successful efforts of inventors to relieve tired eyes and weary fingers, that, no matter how one attempts to treat the subject, it must be colored now and again with the hues of many peoples of many periods. The author, in avowing his purpose to give this work a practical cast, does not wish to be understood as minimizing the importance of any of the standard works compiled by those whose years of study and research among ancient volumes and musty manuscripts in many tongues have been a labor of love.
[Show full text]
Introduction 3 the History of Bobbinet 4 About Bobbinet – a Study of Cloth Construction 8 Tulle, the Stuff That Dreams Are M
1808 – 2008 Table of Contents Introduction 3 The History of Bobbinet 4 About Bobbinet – A Study of Cloth Construction 8 Tulle, the Stuff that Dreams are Made of 13 Making a Big Entrance: Tulle Sets the Scene 29 Bobbinet Tulle, the Best Material for Wigs 33 Bobbinet Tulle for High-Tech Applications 36 Swisstulle UK Chard/Somerset: Premium Tulle in a Romantic Landscape 38 Machinery at Perry Street Factory 42 Swisstulle/Münchwilen Switzerland: We Knit and Finish Fabrics that Change the World 56 Swisstulle (Qingdao) China: Our Step into the Asian World 60 Swisstulle – The Specialists for Bobbinet and Warp Knitting Tulle 62 Appendix 64 Inhaltsverzeichnis Einführung 3 Die Geschichte des Bobinet 4 Bobinet – so entsteht das Gewebe 8 Tüll, der Stoff, aus dem die Träume sind 13 Vorhang auf: Tüll bestimmt das Bühnenbild 29 Bobinet-Tüll, für Perücken das beste Material 33 Bobbinet-Tüll für Hightech-Anwendungen 36 Swisstulle UK Chard/Somerset: Premiumtüll in romantischer Landschaft 38 Die Maschinen in der Fabrik Perry Street 42 Swisstulle/Münchwilen Schweiz: Wir wirken und veredeln Stoffe, die die Welt verändern 56 Swisstulle (Qingdao) China: Unser Eintritt in den asiatischen Raum 60 Swisstulle – Spezialistin für Bobinet- und Wirktülle 62 Anhang 64 Sommaire Introduction 3 L’histoire du tulle-bobinot 4 Le Bobinot – comment le tissu est fabriqué 8 Le tulle, un tissu qui rend les rêves réalité 13 Les rideaux en tulle embellissent la scène 29 Le tulle-bobinot : le meilleur tissu à perruques 32 Le tulle-bobinot pour les applications haute-technologie 36
[Show full text]
Radford, Nottingham by Graham Woodward
Radford, Nottingham by Graham Woodward Radford lies to the west of Nottingham city centre and takes its name from an old ford on Alfreton Road where the River Leen cut through the red sandstone rock near Bobbers Mill; hence the name Red-ford. Today the river is a shadow of its former self. Radford is mentioned in the Domesday Book (1086) as part of the property of William Peverel, Lord of the Manor. In 1105 he gave part of his land at ‘Radeford’ to Lenton Priory and it became part of Lenton parish. Aspley was part of Radford Parish until 1877. In this guide, Radford is the area coloured pink on the map shown above. It comprises an area of one-and-a-half square kilometres, from Bobbers Mill and Alfreton Road in the north to Derby Road in the south, bounded on the west by the Midland Railway line to Mansfield and on the east by Canning Circus. By the late 1830s it was the second largest parish in Nottinghamshire, with a greater population than even Newark. The land east of Radford Boulevard and Lenton Boulevard was named New Radford, a new parish carved out of the old one in April 1845. The area northeast of Alfreton Road is now part of the modern Hyson Green & Arboretum ward, as is part of the area around Bobbers Mill. Hyson Green was once part of Radford parish, but a modern sign at the Alfreton Road end of Bentinck Road welcomes visitors to Hyson Green, which fits with the division shown on the map.
[Show full text]
Sheila Design Consultation, She Sews for 7 Grandchildren—6 Girls and 1 Boy
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 4 – Issue October 2012 From The Editor – As I write this, tomorrow – September 21 – is the official first day of Fall. Already I have seen many pumpkins and Halloween decorations around the neighborhood. They say that now Halloween is second only to Christmas in consumer spending on decorations. Fittingly, we feature nightgowns this month. Mary Flemming has brought us an absolutely stunning nightgown that you will each wish to have for YOURSELF! You might find a loose fitting blouse About the Artist sleeve pattern to convert a sleeveless nightie into a luxurious comfortable winter gown. Our Mary Fleming attributes her love of sewing and fabulous Swiss Flannel is the ticket to a warm needlework to her grandmother, who taught her to version. Even after 40 or so washings, Anne Marie sew on a treadle machine while making doll Phelps (Peanut Butter & Jelly Kids) attests to it not clothes. However, it was not until her two pilling. She has a day gown that her 7 month old daughters were born that she discovered smocking and heirloom sewing and became “hooked”. With grandson has worn and worn, and guess what over 50 years of sewing experience, she has …….no pilling! attended numerous national and regional seminars including School of Needle Arts, School of Art I hope you enjoy this issue. And I also hope you Fashion, SAGA conventions, Sewing in the have been saving your pennies and dollars, so that Mountains, Sewing at the Beach, etc. A licensed you can splurge on some wonderful vintage laces, Heirloom I and II educator, she established her trims and ribbons at the SAGA market.
[Show full text]
Online Course, II - Needlepoint Lace Recognition, Study and Cataloguing of Hand-Made and Machine-Made Lace
Online Course, II - Needlepoint lace Recognition, study and cataloguing of hand-made and machine-made lace COURSE 21 hours LENGTH INSTRUCTOR Thessy Schoenholzer Nichols WHERE Live streaming The course will teach recognition of various needle lace techniques: lace-making from picage to joining; mixed-technique laces: needle and bobbin. hosiery frame/loom, horizontal and COURSE vertical knits; Rachel, tulle bobbinet, Cornely, Bonnaz, Leaver, OBJECTIVES Barmen, hand- operated embroidery machine, Schiffli, Multihead machines; perforated, cut and chemical lace; lace fabrics, Nottingham curtain lace frame; other techniques: filet, macramé, tatting, crotchet etc. Textile historians, scholars, students, and all those who wish to INTENDED FOR augment their knowledge of the structural aspects of woven textiles To have a device (smartphone, pc, tablet) connected to an EQUIPMENT internet working connection. TUITION 360,00 € DOCUMENT GIVEN AT Certificate of attendance THE END OF THE COURSE To register please send the enrolment form to the mail address: [email protected] or by fax to 055-680436 ENROLMENT Further information: please contact tel. 055 68.01.340 Quality Management System Fondazione Arte della Seta Lisio Cod. Fisc. E PIVA 00423890482 Organismo Formativo Accreditato Ente riconosciuto con D.P.R. 3-11-71 Reg. Toscana cod. FI0845 n.1402 (G.U. n. 89 del 5-4-1972) Via Benedetto Fortini, 143 50125 Firenze www.fondazionelisio.org tel. 0556801340 – fax. 055680436 e-mail [email protected] PROGRAMME 1 day 9 am - 1 pm (theory) - General introduction and method of recognition and analysis a) What is a lace and where did it come from. b) Lecture of the object, after Noemi Speiser, Moritz Dreger e Gottfried Semper c) Introduction of online research d) Fibers analysis including manmade and synthetics e) Basic documentation of the object itself, measurements, repeats f) Stylistic approach.
[Show full text]
Dry Goods, for 5. York
ted them, irritating hi* foe, by an angry 9. Elliott, I bark, at it crouched upon the limb like Robes Guy Fare Reduced I,."-. lay Buffalo hymn, a cat ready to spring her prey, hot TAILOR, And Time Altered. upon FOB. IAU IT his friends *"d *«• as if it felt to Inform -a ^ ft, at lm— at the taw Centennial Celebration. still that was delayed, b WM. BOLLES. "f ft—| spring S. P. that he has com- WVtlw Jbt. Mu conscious that its was sure, and felt a WISHESpublic in general lately kf JNwfmi, prey Litchfield, Oct. 20 19 in HanwiKTon, its victim in terrific 1 menced the above business Break tank hi eaag, ye tree*, in holding of At the breeao pleasure where he desires to obtain a share public through yaw tope At length, ripping up the bark, I Sweep* from the sea! suspense. patronage. All orders thankfully received a ferocious it drew For a* He rushing wing*, with apd quick growl, For Sate, And faithfully executed. IV oaoi shades and then sud- poor spriap, its recumbent length together, subscriber of* I N. B. All garments cut and made by him That bronnn a people brings, ggHk rpHE itself, sprung through the are warranted to fit. Exited though free. denly expanding 4^8§g fi rs for side his air towards its victim. The hunter, who •P FARM. j Haneinton, Sept. 20, 1880tflS Steam Boat* UNITED STATES, To stater bilk, lay down had watched its motions, with a situated tni Beecher, and HUDSON, Capt. Of oalu eagerly pleasantly THECapt.
[Show full text]