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Silk Ways - Ancient Threads and Modern Networks
Silk ways - Ancient threads and modern networks By Ole Zethner and Rie Koustrup Koustrup & Co. 2007 Raw English translation of Danish text “Silkens veje – gamle tråde og nye netværk” by Ole Zethner. Numbers placed after each chapter refer to page numbers in the book. 1 Introduction Page 5 In more than 5.000 years people have found it pleasant to wear clothes of silk. Silk is cool in the summer, warm in the winter, but always comfortable. It is light, but at the same time strong, and the skin can breathe through silk. And silk is delightful for the eye – and for the fingers. Natural silk is spun by larvae of the silk moth. When the larva is going to pupate, is spins a case of silk around itself. Inside this case, the cocoon, the larva develops into a pupa and at last - if it is permitted to do it - into an adult moth. Often the larvae are called silk worms. However, zoologically the larvae have nothing to do with worms, as the moths are insects. Hence, we use the name silk larvae. Apart from a short description of wild silk butterflies, this book is about the mulberry silk moth, who’s larvae feed on leaves of the mulberry tree. The nature photographer Gerth Hansen has photographed the biological development, and the most important part-processes of silk production and the particular qualities of silk are accounted for. The WAYS OF SILK tells about the geographical silk roads, along which the silk was dispersed. Also, the importance of silk in the history of civilisation is treated. -
Swisstulle AG
Cinte Techtextil China is the ideal trade fair for technical textile and nonwoven products in Asia. This Swisstulle AG year the fair welcomes Swisstulle AG and Swisstulle (Qingdao) Co Ltd from Switzerland to showcase their warp knitted fabric for automobile Swisstulle (Qingdao) Co Ltd sunshade. at Cinte Techtextil China 2021 (Detailed product info featured on page 2.) Visit them at E1 - D01 Swisstulle AG Swisstulle (Qingdao) Co Ltd Company website: https://swisstulle.ch/ Swisstulle is since more than 35 years an important participant in the technical textiles market as a producer of knitting fabrics, as well as a specialist in various finishing processes. In each department well educated and specialized staff is at your disposal in order to realize your specific requirements and specifications. Due to the deep connections between production, product management and sales we are able to fulfill customer requests just in time. Cinte Techtextil China 22 – 24 June 2021 Shanghai New International Expo Centre Developing unique and exclusive Meet Swisstulle AG & Swisstulle products for niche markets (Qingdao) Co Ltd Technical textiles: at Cinte Techtextil China 2021! - Automotive/ Aviation industry (sunblind – safety net) - Medical Textiles - Substrates for coating & gumming- Reinforcement - Silver bobbinet for electro-magnetic "We now have a stable customer group. On the premise of maintaining the current customers, we also hope to get more cooperative relations with enterprises, so as to Swisstulle, the specialist when it comes expand the awareness of our products. We hope to show to textiles! our products to more countries through international trade shows like Cinte Techtextil China, so as to expand our Swisstulle has been present in the worldwide market for reputation and find more potential customers." technical textiles for more than 35 years as a manufacturer and supplier of knitted fabrics. -
Historic Furnishings Assessment, Morristown National Historical Park, Morristown, New Jersey
~~e, ~ t..toS2.t.?B (Y\D\L • [)qf- 331 I J3d-~(l.S National Park Service -- ~~· U.S. Department of the Interior Historic Furnishings Assessment Morristown National Historical Park, Morristown, New Jersey Decemb r 2 ATTENTION: Portions of this scanned document are illegible due to the poor quality of the source document. HISTORIC FURNISHINGS ASSESSMENT Ford Mansion and Wic·k House Morristown National Historical Park Morristown, New Jersey by Laurel A. Racine Senior Curator ..J Northeast Museum Services Center National Park Service December 2003 Introduction Morristown National Historical Park has two furnished historic houses: The Ford Mansion, otherwise known as Washington's Headquarters, at the edge of Morristown proper, and the Wick House in Jockey Hollow about six miles south. The following report is a Historic Furnishings Assessment based on a one-week site visit (November 2001) to Morristown National Historical Park (MORR) and a review of the available resources including National Park Service (NPS) reports, manuscript collections, photographs, relevant secondary sources, and other paper-based materials. The goal of the assessment is to identify avenues for making the Ford Mansion and Wick House more accurate and compelling installations in order to increase the public's understanding of the historic events that took place there. The assessment begins with overall issues at the park including staffing, interpretation, and a potential new exhibition on historic preservation at the Museum. The assessment then addresses the houses individually. For each house the researcher briefly outlines the history of the site, discusses previous research and planning efforts, analyzes the history of room use and furnishings, describes current use and conditions, indicates extant research materials, outlines treatment options, lists the sources consulted, and recommends sourc.es for future consultation. -
Chapman Wrttes His Own Epitaph in Closing Hours
■f- ■- . WBfS PRESS RUN) v 4VBHAGB DAILY CIRCULATIOI*' Ot* PHB EVENING HERALD for tjiie month of March, IWBO, 4,736 VOL. XtIV „ NO. .^r HEAVY COATS WILL BE JOHN T. KING IN ORDER FOR EASTER BANDITS IRON Washington, April 2.—^Heavy coats will be needed along the 10 IN R. I. BANK, ; INUCTED FOR Atlantic seaboard for the annual Easter parade Sunday. Fair but cold was the weather bureau's prediction today for GET ALL CASH W N G INCOME the eastern part of the counbry. It will rain tomorrow but the precipitation probably will stop by night. Raid Trust Co. at Phenix, Huge Profits Disclosed/by Negni, Near Deadi, Assert! <$>------------- Handcuff Clerks, Custom ^ federal Probe Into Deal in New-York, April 2.— ^Eighty He Beard Employer Fire .percent o f, the crime in New TIES BOY TO POST; ers, Drive Off wiA $15, York .. is committed by; persons German-own^ Metals Co. FWiraUURYIN under 22 years of age, acCQrd*>^ Fatal Shot— Appeals to 000 to $20,000. ing tb'the annuarreport'of tl^ Stock. PUNISHED IN COURT Children’s* Aid society. B A T H m (P Z •»- Supreme Court Judges Phenlx, R. I., April 2.— The Fal^-lawyers* Last C a4 New York, April 2.— John T. Mrs. Urbanad on Probadon mdht daring bank robbery In the King, former Republican national history of Rhode Island was staged Play Producer Indicteff After CQjnmltteemani of Connecticut, was here today when four masked ban New Trial Petition, to Ifc indicted today for perjury by the for Harsb Treatment of dits entered the banking rpoms of federal grand jury that has been in the Phenlx Trust company and Jury Probe of Famous ‘ CDIDEin Played Tomorrow. -
Mythological Intertextuality in Nineteenth Century Ballet Repertory
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-20-2006 Mythological Intertextuality in Nineteenth Century Ballet Repertory Liane Fisher Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Dance Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Fisher, Liane, "Mythological Intertextuality in Nineteenth Century Ballet Repertory" (2006). MALS Final Projects, 1995-2019. 41. https://creativematter.skidmore.edu/mals_stu_schol/41 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Mythological Intertextuality in Nineteenth Century Ballet Repertory Master of Arts in Liberal Studies Thesis Skidmore College Liane Fisher March 2006 Advisor: Isabel Brown Reader: Marc Andre Wiesmann Table of Contents Abstract .............................. ... .... .......................................... .......... ............................ ...................... 1 Chapter 1 : Introduction .. .................................................... ........... ..... ............ ..... ......... ............. 2 My thologyand Ballet ... ....... ... ........... ................... ....... ................... ....... ...... .................. 7 The Labyrinth My thologies .. ......................... .... ................. .......................................... -
PDF File Generated From
OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] RESTltlCTED IP.III>/Sm.A/1061 26 SeptaltJer 1988 f 10b~-E aaGniU.: :oG.ISH URGENT ASSISTANCE 'l'O THE ARGENTIRE \IOOL INDUSTRY SI/ARG/86/836/11-03 THE ARGENTINE REPUBLIC -· Technical report: Finishing of wool and wool blends* Prepared for the Governaent of the Argentine Republic by the United N•tions Industrial Development Organization. -
Identifying Handmade and Machine Lace Identification
Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4. -
Lager Beer and Times I Was Obliged to Go Without Room
'X - . ar (Inn V .11 1 if u n n Hi' 'J IP 4 Ml r E r Katabllihed Jalr a, 1853. VOL. XIX., XO. nOXOL,UL,U, IIAWAIIAX ISL.AXDS, WEDXESDAY. MAKCH 11, IS94.; PRICE: 5 CENTS. Xtasincss vTarite. Business CarDs. time opened wide to send nut a llash THE LIFE OF PESTALOZZi, of lightning, at another were half closed as if engaged ou what was go- ing on within; his features now ex- HAWAIIAN M. E. Grossman, D.D.tf. HAWAIIAN HARDWARE CO., pressing a profound sadness, and now The New Jewelry Store again the most peaceful happiness; HARDWARE, One of the Greatest Teachers of his speech either slow or nurried. 503 Fort Street, either oft and melodious or bursting Abstract and Title Co. Cutlery and Glassware the World. forth like thunder; imagine the man ARK PREPARED TO MANUFACTURE ANY 307 Fort Street. and you have him whom we used to THING IN THEIR LINK. call our Father Pestalozzi. Such as 1 3575-l- y have sketched him for you wo loved N"0. MERCHANT 8T. DENTIST, Souvenir Spoons ! him; we all loved him, for H. DAVIDSON, HARD STRUGGLE FOR RECOGNITION. he loved us all; we loved him a specialty. Also, on hand & fine stock J. 93 so warmly that when some time HONOLULU, U. I. EOTXL STRUT of imported passed without our seeing him we were quite troubled about it, and Attorney ind Ccunsellor-at-La- ir. when he again appeared we could not SST'OmcM Hotras 9 a. ac. to 4 p. x. JEWELEY. A 1'aper by l'rofemor II. -
Commercial the Future of Textile Flooring Bolon Artisan Ivory, Botanic Osier and Botanic Picea Contents
Commercial The Future Of Textile Flooring Bolon Artisan Ivory, Botanic Osier and Botanic Picea Contents 03 Company Overview 06 Product Overview 08 Performance Benefits 11 Commercial Portfolio 13 Work Spaces 17 Meeting Rooms 21 Corridors 25 Reception and Waiting Areas 29 Break-out Spaces 33 Dining Spaces 37 Stairs 39 Bolon Green 41 Care and Maintenance 03 The Story of Bolon The Company The History Bolon (est. 1949) - A third-generation family- Over 60 years ago in Sweden, an idea was owned Swedish design company and the creator born to turn textile waste into rag rugs and the of woven vinyl flooring. Bolon products are Bolon story began. Bolon’s initial product was trend-setting with distinct focus on innovation, revolutionary at the time, and it characterised a quality and sustainability. The designs deliver desire to lead rather than to follow. The man who the beauty of a woven textile with the benefits lit the spark was Nils-Erik Eklund, the founder of resilient flooring – long life cycles and ease of Bolon. Today, his granddaughters, Annica of installation and maintenance. The Bolon and Marie, continue to carry the torch. Since portfolio encompasses an infinite range of they took over the company from their parents design possibilities, suitable for all commercial in 2003, they have been on a mission to make applications, including indoor and controlled Bolon a design-led innovator and fuse the once outdoor flooring, wall-coverings and area rugs. conservative flooring company with the limitless Head-quartered and manufactured in creativity found in fashion, art, architecture and Ulricehamn, a town in the heart of Sweden’s interior design. -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
Week 3 the Woollen & Worsted Industries to 1780
Week 3 Dr Frances Richardson frances.richardson@conted. The woollen & ox.ac.uk https://open.conted.ox.ac.uk /series/manufactures- worsted industries industrial-revolution to 1780 Week 2 takeaways • Proto-industrialization theories give us some useful concepts for studying specific pre-factory manufacturing industries • More a framework than a predictive model • Artisan systems did not necessarily develop into putting-out systems • Proto-industry contained the seeds of its own demise • Although factory industrialization often grew out of proto-industry in the same area, some areas de-industrialized and industry spread to new areas • Other factors needed to explain changes, including marketing, industrial relations, and local politics Week 3 outline • Processes in woollen and worsted hand manufacture • Outline history – changing fashions, home demand and exports Wool comber • Organization of the industry in the West Country, Norwich and Yorkshire • How organisation and marketing affected success • How well different regions responded to changing fashion and demand Woollen cloth • Used carded, short-staple wool • Traditional from medieval period, predominated in Tudor exports • Types of cloth - broadcloth, kersey (lighter, less heavily fulled) • Export cloth high and medium quality – limited demand growth • Wool was sorted, willeyed, carded, spun, woven, fulled, finished – could involve raising nap, shearing, pressing, dyeing Broadcloth suit, 1705, VAM Worsted • Used combed, long-staple wool Lincoln longwool sheep • More suited to the Saxony -
Silk-Weaving in Sweden During the 19Th Century. Textiles and Texts - an Evaluation of the Source Material
Thesis for the degree of Licentiate of Philosophy SILK-WEAVING IN SWEDEN DURING THE 19TH CENTURY. Textiles and texts - An evaluation of the source material. Martin Ciszuk Translation Magnus Persson www.enodios.se Department of Product and Production Development Design & Human Factors CHALMERS UNIVERSITY OF TECHNOLOGY Gothenburg, Sweden 2012 Silk-weaving in Sweden during the 19th century. Textiles and texts - An evaluation of the source material. Martin Ciszuk © Martin Ciszuk, 2012 Technical report No. 71 ISSN 1652-9243 Department of Product and Production Development Chalmers University of Technology SE-412 96 Gothenburg SWEDEN Telephone: +46 (0)31- 772 10 00 Illustration: Brocatell, interior silk woven for Stockholm Royal pallace by Meyersson silk mill in Stock- holm 1849, woven from silk cultivated in Sweden, Eneberg collection 11.183-9:2 (Photo: Jan Berg Textilmuseet, Borås). Printed by Strokirk-Landströms AB Lidköping, Sweden, 2012 www.strokirk-landstroms.se Silk-weaving in Sweden during the 19th century. Textiles and texts - An evaluation of the source material. Martin Ciszuk Department of Product and Production Development Chalmers University of Technology Abstract Silk-weaving in Sweden during the 19th century. Textiles and texts - An evaluation of the source material. With the rich material available, 19th century silk-weaving invites to studies on industrialisation processes. The purpose of this licentiate thesis is to present and discuss an empirical material regarding silk production in Sweden in the 19th century, to examine the possibilities and problems of different kinds of materials when used as source materials, and to describe how this material can be systematized and analysed in relation to the perspective of a textile scientific interpretation.