Week 3 the Woollen & Worsted Industries to 1780
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The Rhetoric of the Saints in Middle English Bibiical Drama by Chester N. Scoville a Thesis Submitted in Conformity with The
The Rhetoric of the Saints in Middle English BibIical Drama by Chester N. Scoville A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto O Copyright by Chester N. Scoville (2000) National Library Bibiiotheque nationale l*l ,,na& du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rwW~gtm OttawaON KlAûîU4 OtÈewaûN K1AW canada canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otheMrise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract of Thesis for the Degree of Doctor of Philosophy 2000 Department of English, University of Toronto The Rhetoric of the Saints in Middle English Biblical Dnma by Chester N. Scovilie Much past criticism of character in Middle English drarna has fallen into one of two rougtily defined positions: either that early drama was to be valued as an example of burgeoning realism as dernonstrated by its villains and rascals, or that it was didactic and stylized, meant primarily to teach doctrine to the faithfùl. -
Tartan As a Popular Commodity, C.1770-1830. Scottish Historical Review, 95(2), Pp
Tuckett, S. (2016) Reassessing the romance: tartan as a popular commodity, c.1770-1830. Scottish Historical Review, 95(2), pp. 182-202. (doi:10.3366/shr.2016.0295) This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/112412/ Deposited on: 22 September 2016 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk SALLY TUCKETT Reassessing the Romance: Tartan as a Popular Commodity, c.1770-1830 ABSTRACT Through examining the surviving records of tartan manufacturers, William Wilson & Son of Bannockburn, this article looks at the production and use of tartan in the late eighteenth and early nineteenth centuries. While it does not deny the importance of the various meanings and interpretations attached to tartan since the mid-eighteenth century, this article contends that more practical reasons for tartan’s popularity—primarily its functional and aesthetic qualities—merit greater attention. Along with evidence from contemporary newspapers and fashion manuals, this article focuses on evidence from the production and popular consumption of tartan at the turn of the nineteenth century, including its incorporation into fashionable dress and its use beyond the social elite. This article seeks to demonstrate the contemporary understanding of tartan as an attractive and useful commodity. Since the mid-eighteenth century tartan has been subjected to many varied and often confusing interpretations: it has been used as a symbol of loyalty and rebellion, as representing a fading Highland culture and heritage, as a visual reminder of the might of the British Empire, as a marker of social status, and even as a means of highlighting racial difference. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Start Spinning: Everything You Need to Know to Make Great Yarn Ebook
START SPINNING: EVERYTHING YOU NEED TO KNOW TO MAKE GREAT YARN PDF, EPUB, EBOOK Maggie Casey | 120 pages | 01 Apr 2008 | Interweave Press Inc | 9781596680654 | English | Loveland, CO, United States Start Spinning: Everything You Need to Know to Make Great Yarn PDF Book To make two-ply yarn, take two singles strands or both ends of the same strand , attach them both to your spindle, and twist them around each other in the opposite direction from how you originally spun them. When you spin, you put twist into fibres so that they hold together to form a continuous thread. Navajo Plying - Making a three-ply yarn 8. Designed to appeal to the beginning spinner, tips and hints are provided that illustrate how easy, enjoyable, and relaxing spinning can be. When I was in Kenya, women spun Romney wool chiefly "in the grease," but it often locked in large amounts of dirt in the process. Spin spin spin! Covers fiber characteristics, preparation and spinning, choosing a wheel, and crafting the finished yarn into useful and attractive pieces. I Made It! Leave the original loop of fiber anchored on the spindle hook. Description If you are a knitter or crocheter looking to take the step from just using manufactured yarn to making your own this is a great book to get you started. A bunch of loose fibers will fall apart if you pull on their ends. Launching a Patreon! First and foremost, you want a balanced drop spindle that spins true. Either one will do just fine to learn on. It is also much easier to learn to spin wool than silk, or cotton and other vegetable fibres. -
Historic Furnishings Assessment, Morristown National Historical Park, Morristown, New Jersey
~~e, ~ t..toS2.t.?B (Y\D\L • [)qf- 331 I J3d-~(l.S National Park Service -- ~~· U.S. Department of the Interior Historic Furnishings Assessment Morristown National Historical Park, Morristown, New Jersey Decemb r 2 ATTENTION: Portions of this scanned document are illegible due to the poor quality of the source document. HISTORIC FURNISHINGS ASSESSMENT Ford Mansion and Wic·k House Morristown National Historical Park Morristown, New Jersey by Laurel A. Racine Senior Curator ..J Northeast Museum Services Center National Park Service December 2003 Introduction Morristown National Historical Park has two furnished historic houses: The Ford Mansion, otherwise known as Washington's Headquarters, at the edge of Morristown proper, and the Wick House in Jockey Hollow about six miles south. The following report is a Historic Furnishings Assessment based on a one-week site visit (November 2001) to Morristown National Historical Park (MORR) and a review of the available resources including National Park Service (NPS) reports, manuscript collections, photographs, relevant secondary sources, and other paper-based materials. The goal of the assessment is to identify avenues for making the Ford Mansion and Wick House more accurate and compelling installations in order to increase the public's understanding of the historic events that took place there. The assessment begins with overall issues at the park including staffing, interpretation, and a potential new exhibition on historic preservation at the Museum. The assessment then addresses the houses individually. For each house the researcher briefly outlines the history of the site, discusses previous research and planning efforts, analyzes the history of room use and furnishings, describes current use and conditions, indicates extant research materials, outlines treatment options, lists the sources consulted, and recommends sourc.es for future consultation. -
2012 Spring Newsletter
The Sheep Geek’s Gazette April 2012 Nottingham and District Guild of Spinners, Weavers and Dyers. Ethnic garments Black and white Bogolanfini (mud cloth) Date: 1970Courtesy of Judy Edmister This three-piece man’s outfit is traditional for the Mali of Western Africa. The upper body cover is left open on the side in traditional African style to facilitate ventilation. The wrapped lower body covering is made of seven strips of hand woven cloth woven by men on a double heddle loom. The skullcap is traditional in design and form. The production of mud cloth starts with plain white cotton cloth strip-woven by men. The narrow strips are then sewn together. The fabric is then soaked in mordant-bearing mulch leaves. The mordant (tannin) soaks into the fabric that takes on an even yellow color. The mud dye process is complex and time consuming. After fermenting the dye in a covered pot for about a year to turn the dye black, iron oxide in the mud reacts with the tannic acid from the mulchtoproduce a colorfast dye. The resulting pattern is painted around the light colored or white design motif. Don’t try this at home. Sheep droppings boiled in milk were once recommended in Ireland as a cure for whooping cough. The Story of the Golden Fleece In Greek mythology, the golden fleece was the fleece of the gold-haired winged ram. It appears in the story of Jason and the Argonauts when Jason has to find the fleece and prove his claim to the throne of Iolcus. -
All Hands Are Enjoined to Spin : Textile Production in Seventeenth-Century Massachusetts." (1996)
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1996 All hands are enjoined to spin : textile production in seventeenth- century Massachusetts. Susan M. Ouellette University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Ouellette, Susan M., "All hands are enjoined to spin : textile production in seventeenth-century Massachusetts." (1996). Doctoral Dissertations 1896 - February 2014. 1224. https://scholarworks.umass.edu/dissertations_1/1224 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. UMASS/AMHERST c c: 315DLDb0133T[] i !3 ALL HANDS ARE ENJOINED TO SPIN: TEXTILE PRODUCTION IN SEVENTEENTH-CENTURY MASSACHUSETTS A Dissertation Presented by SUSAN M. OUELLETTE Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 1996 History ALL HANDS ARE ENJOINED TO SPIN: TEXTILE PRODUCTION IN SEVENTEENTH-CENTURY MASSACHUSETTS A Dissertation Presented by SUSAN M. OUELLETTE Approved as to style and content by: So Barry/ J . Levy^/ Chair c konJL WI_ Xa LaaAj Gerald McFarland, Member Neal Salisbury, Member Patricia Warner, Member Bruce Laurie, Department Head History (^Copyright by Susan Poland Ouellette 1996 All Rights Reserved ABSTRACT ALL HANDS ARE ENJOINED TO SPIN: TEXTILE PRODUCTION IN SEVENTEENTH-CENTURY MASSACHUSETTS FEBRUARY 1996 SUSAN M. OUELLETTE, B.A., STATE UNIVERSITY OF NEW YORK PLATTSBURGH M.A., UNIVERSITY OF MASSACHUSETTS AMHERST Ph.D., UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor Barry J. -
YOUNIQUE TOUCH Pressed Powder Foundation
Fact Sheet YOUNIQUE TOUCH Pressed Powder Foundation New shades. New formula. Meet your match. We’ve got you covered with YOUNIQUE TOUCH pressed powder foundation. Our new formula goes on silky smooth to create a flawless, airbrushed finish with buildable, medium-to-full coverage. With brand-new shade options (in addition to our classic shades of TOUCH MINERAL pressed powder foundation), we’re sure you’ll be able to find your perfect match. TELL ME MORE APPLICATION TIPS USE WITH • Smooth and easy application with 1. Swirl the YOUNIQUE™ powder • Included foundation sponge a velvety soft feel puff brush or YOUNIQUE™ • YOUNIQUE™ • Shine control with matte finish powder/concealer brush in powder/concealer brush or • New skin-flattering shades: product, tapping away excess. YOUNIQUE™ powder • Crepe • Damask You can also swipe foundation puff brush • Camlet • Dupioni onto the included • TOUCH MINERAL skin • Poplin • Twill foundation sponge. perfecting concealer • Jacquard • Sable 2. Apply from center of face • Tweed • Percale towards outer edges. • Gingham • Brocade 3. Continue to build for • Voile desired coverage. Price for 8 g / 0.28 oz: $32 USD | $39 CAD | $46 AUD | $45 NZD | £25 GBP | $560 MXN | 34,50 € EUR | HK$248 ABOUT YOUNIQUE Nature + Love + Science. Since its inception in 2012, Younique has been committed to developing beauty products that combine innovative science with the best ingredients nature has to offer. Younique, famous for its best-selling MOODSTRUCK 3D FIBER LASHES+™ lash enhancer, is the first direct-selling company to pioneer the social media-based business model. Founded by a brother-sister team—Derek Maxfield and Melanie Huscroft—Younique offers women the opportunity to look and feel great while helping advance the brand’s mission to uplift, empower, and validate women around the world. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Transatlantic Trade in Woollen Cloth 1850-1914: the Role of Shoddy
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1990 Transatlantic Trade In Woollen Cloth 1850-1914: The Role Of Shoddy David T. Jenkins University of York Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Jenkins, David T., "Transatlantic Trade In Woollen Cloth 1850-1914: The Role Of Shoddy" (1990). Textile Society of America Symposium Proceedings. 607. https://digitalcommons.unl.edu/tsaconf/607 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. -25- TRANSATLANTIC TRADE IN WOOLLEN CLOTH 1850-1914: THE ROLE OF SHODDY conditions. The nature and scale of the problem did not permit easy and DAVID T. JENKINS rapid solutions. The raw materials, technology and labour skills required for all-wool worsted production were quite different and a Department of Economics and Related Studies, University of York, York, rapid conversion to French methods of wool preparation and spinning was Y01 5DD, England. not quickly feasible. The British industry instead pursued a policy, initially rather slowly, of adapting its existing machinery and THE WORSTED CLOTH TRADE innovating new products, notably worsted coatings. In the two decades The factors affecting European trade and competition in worsted before the First World War it did recoup some of its previous trade cloth in foreign markets, notably the United States, in the second half losses but its level of trade did not recover to that of earlier years.2 of the nineteenth century are well recorded. -
Paper 2: the Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with Extra Images July 2015
Industrial Lyme - Paper 2: The Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with extra images July 2015 Like all research, this is on-going. If you know more, or are descended from any of the families involved, please get in touch with the author via Lyme Regis Museum. Summary Woollen cloth has been made in the Lim Valley from at least medieval times, but this paper is more about the factories in Lyme Regis and Uplyme that made high-quality West of England coat cloths. The factories in Lyme were bankrupt in 1847, leaving the Uplyme factory to soldier on against Yorkshire competition until it was destroyed by fire in 1866, whilst being modernised. In Lyme the factories were started up again in the 1850s to make silk thread and hemp twine, but only for a short period; these are the subjects of other papers in this series. This paper contains: the background to the trade, the history of the factories and a walking trail to see the mills. Cloth making – the essential process in a nutshell Sheep fleeces are packed on the farm into big canvas bags called woolsacks. At the factory the fleeces are scoured (washed) to remove lanolin (wool- grease), dirt and adhering vegetable material. Then the fleeces are scribbled (torn up into pieces), combed and carded to produce rovings, long strips of wool ready for spinning. Washed and combed fleece being fed into a carding machine at Coldharbour Mill, Uffculme, Devon Industrial Lyme Paper 2 – The Woollen Cloth Industry © R Bull & Lyme Regis Museum 1 Spinning means to draw out and twist - and by this process the scales of the individual wool fibres lock together to produce a thread known as a single. -
Spininnovation
No. 24 07.2008 € INNOVATION 5,– SPIN THE MAGAZINE FOR SPINNING MILLS COREflex® – Core Yarn Attachment for Ring Spinning Machines ACP Quality Package Premium Parts – News HP-GX 5010 New Top Weighting Arms Mill Reports: – Nahar, India – Danmao, China Berkol – Part of Bräcker Wilhelm Stahlecker GmbH CONTENTS Editorial 3 COREflex® – Spinning Soft Core Yarn on Ring and Compact Spinning Machines 5 Yarn Quality Improved by ACP Quality Package 9 Premium Parts – News – Metal Washer for Magnetic Navals – CR-Coating for B 174 and B 20 SOLIDRINGS – ProFiL®Navels 15 The Theory of Compacting 19 BERKOL® – Becomes Part of Bräcker AG, Switzerland 21 NAHAR – A Saga from Farm to Fashion 23 Experience with EliTe® and EliTwist®CompactSet – A Practical Assessment , Nahar Industries, India 25 Manufacture of the SUESSEN Technology Components 27 Produce More and Better High Grade Worsted Fashion Fabric – Danmao Spinning Mills, China 31 HP-GX 5010 – The Top Weighting Arm for Worsted Spinning 36 Wilhelm Stahlecker GmbH (WST) – Centre for Research and Development 40 SUESSEN Customer Survey 2007 44 News 46 Advertisement: – Graf, Switzerland 47 – SUESSEN Product Range 48 Impressum No. 24 – July 2008 Published by Reprint of articles with reference Price : € 5.– Spindelfabrik Suessen GmbH permitted – Voucher copies desired Publication : once per year Dammstrasse 1, D-73079 Süssen, All rights reserved Information & Advertising Contact: Germany Spindelfabrik Suessen GmbH SPINNOVATION, Germany Editor in Chief : Peter Stahlecker fax + 49 (0) 71 62 15-367 Title registered® at German Patent Front Cover : e-mail: [email protected] Office EliCoreTwist® – EliTwist®CompactSet internet: www.suessen.com Copyright © 2008 with COREflex ® 2 SPINNOVATION No.