Fashions at Extremelylow Prices
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Swisstulle AG
Cinte Techtextil China is the ideal trade fair for technical textile and nonwoven products in Asia. This Swisstulle AG year the fair welcomes Swisstulle AG and Swisstulle (Qingdao) Co Ltd from Switzerland to showcase their warp knitted fabric for automobile Swisstulle (Qingdao) Co Ltd sunshade. at Cinte Techtextil China 2021 (Detailed product info featured on page 2.) Visit them at E1 - D01 Swisstulle AG Swisstulle (Qingdao) Co Ltd Company website: https://swisstulle.ch/ Swisstulle is since more than 35 years an important participant in the technical textiles market as a producer of knitting fabrics, as well as a specialist in various finishing processes. In each department well educated and specialized staff is at your disposal in order to realize your specific requirements and specifications. Due to the deep connections between production, product management and sales we are able to fulfill customer requests just in time. Cinte Techtextil China 22 – 24 June 2021 Shanghai New International Expo Centre Developing unique and exclusive Meet Swisstulle AG & Swisstulle products for niche markets (Qingdao) Co Ltd Technical textiles: at Cinte Techtextil China 2021! - Automotive/ Aviation industry (sunblind – safety net) - Medical Textiles - Substrates for coating & gumming- Reinforcement - Silver bobbinet for electro-magnetic "We now have a stable customer group. On the premise of maintaining the current customers, we also hope to get more cooperative relations with enterprises, so as to Swisstulle, the specialist when it comes expand the awareness of our products. We hope to show to textiles! our products to more countries through international trade shows like Cinte Techtextil China, so as to expand our Swisstulle has been present in the worldwide market for reputation and find more potential customers." technical textiles for more than 35 years as a manufacturer and supplier of knitted fabrics. -
VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just the slightest marks. For collectors searching top copies, you’ve come to the right place! The further we get from the time of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually with a translation of the text or similarly related comments. BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommendation of Jean de Reszke, who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke him- self and appeared with him at the Paris Opéra, making her debut as Gounod’s Juliette. -
Identifying Handmade and Machine Lace Identification
Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4. -
October 2004 CLASSIFICATION DEFINITIONS 87 - 1
October 2004 CLASSIFICATION DEFINITIONS 87 - 1 CLASS 87, TEXTILES: BRAIDING, NETTING, 245, Wire Fabrics and Structure, particularly sub- AND LACE MAKING classes 7 and 8 for wire fabrics even though for a structure provided for in this class (87) hav- SECTION I - CLASS DEFINITION ing claimed additional features of wire fabric structure. Processes and apparatus for forming strands or fabrics 427, Coating Processes, pertinent subclasses as from yarns, filaments or strands, by braiding, knotting determined by schedule review for processes and/or intertwisting the strands; and the corresponding of coating, per se, not combined with a textile products or fabrics. operation. SECTION II - LINES WITH OTHER CLASSES AND WITHIN THIS CLASS SUBCLASSES The line between this Class (87) and Class 428, Stock 1 Coated or impregnated: Material or Miscellaneous Articles, is that any plural This subclass is indented under the class defini- layer product or stock material which includes a compo- tion. Processes involving the applying of a nent classifiable in this Class (87) will be placed in this coating or impregnating material to the product Class; a plural layer stock material or product in general by application to the strand material at any time with no structure of the Class 87 type will be classified (i.e., before, during and/or after) relative to the in Class 428, Stock Material or Miscellaneous Articles. mechanical interrelation of the strands; and the See also reference to Class 87 in the main definition of resulting products. Class 428, Lines With Other Classes, Intermediate Arti- cles, and subclass 592 for metallic stock material having SEE OR SEARCH THIS CLASS, SUB- a helical component. -
Design Iterations Through Fusion of Additive and Subtractive Design
DESIGN ITERATIONS THROUGH FUSION OF ADDITIVE AND SUBTRACTIVE DESIGN A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Gordon Stumpo May 2016 i Thesis written by Gordon Stumpo B.A., Washington State University, 2014 M.A., Kent State University, 2016 Approved by Vince Quevedo, Thesis Supervisor Brian Peters, Committee Member Margarita Benitez, Committee Member Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art Mr. J.R. Campbell, Director, The Fashion School Dr. Christine Havice, Director, The School of Art Dr. John Crawford-Spinelli, Dean, College of the Arts ii TABLE OF CONTENTS Page LIST OF FIGURES ……………………………………………………………………………………….……….…….….vi LIST OF TABLES………………………………………………………………………………………...……….………..xi ACKNOWLEDGMENTS……………………………………………………………………………...………..………..xii CHAPTER I. INTRODUCTION…………………………………………………………………………………………..………….13 Concept……………………………………………………………………………………...................................13 Design Framework…………………………………………………………………………………………..…13 Surface and Structure Frameworks…………………………………………………………….….……14 Additive Design…………………………………………………………………………………………..…..….18 Subtractive Design……………………………………………………….……………………………....….…18 Tension…………….……………………………………………………………………………….…………..…..18 Price Point…………….…………………………….………………………………………………………...…..19 Personal Skills & Background…………….……………………………………………………….…..…..19 Problem Statement & -
University of Huddersfield Repository
University of Huddersfield Repository Redmore, Nicola Open to change: Embracing nature and the fragility of design. An investigation into outdoor seating materials through the practice of leno weaving. Original Citation Redmore, Nicola (2014) Open to change: Embracing nature and the fragility of design. An investigation into outdoor seating materials through the practice of leno weaving. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/23669/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Open to change: Embracing nature and the fragility of design. An investigation into outdoor seating materials through the practice of leno weaving. Nicola Redmore A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Masters by Research June 2014 Abstract The research documented in this thesis investigates the potential of leno woven fabrics to be developed for outdoor seating use, and to understand the influence that hand- weaving of these fabrics has on the design process for the commercial textile designer. -
Alumni Deaths, Jan/Feb 2020
ALUMNI DEATHS ’36—Reinald Werrenrath Jr. of Evanston, IL, August 8, 2019; TV pioneer; created, 2019; worked at the Cornell Campus Store; home economics teacher; author; enjoyed produced, and directed several early TV shows; produced educational films; televised sewing, reading, traveling, and antiquing; active in community and alumni affairs. the 1964 Nobel Prize Award ceremonies and the World Series of Golf; veteran; human Alpha Omicron Pi. rights advocate; active in civic, community, and professional affairs. Alpha Delta Phi. ’44—Charles T. Derry of Paoli, PA, November 5, 2018; national sales manager, ’37 BS Ag—John D. Henderson of Vero Beach, FL, formerly of Glen Rock, NJ, and Flintkote Co.; also worked for Monsey Building Products; veteran; enjoyed tennis, Greensburg, PA, September 8, 2019; president, Harder Jersey Pest Control; director, golf, and travel; active in professional affairs. Glen Rock Savings and Loan; veteran; Rotarian; enjoyed travel, photography, and raising orchids; active in community, religious, and alumni affairs. ’44—William V. Gaffney of Rush, NY, January 16, 2019; financial manager, classified photography satellite program at Kodak; veteran; active in civic, community, and ’39 BA—Edward J. Moore of Woodbury, NJ, July 3, 2019; analytical chemist, Socony professional affairs. Mobil Co.; also worked at Dugway Proving Ground and Homestead Steel Works; enjoyed golf, bridge, windsurfing, reading, music, and dancing. Theta Chi. ’44 BA, JD ’48—George H. Getman of Sun City Center, FL, February 20, 2019; attorney; NYS tax attorney; veteran; Mason; president, Masonic Medical Research ’40 BME—Paul W. Koenig of Auburn, NY, August 29, 2019; engineer, General Electric; Lab; Shriner; active in civic, community, professional, religious, and alumni affairs. -
November / December Newsletter
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 4 – Issue 10 November/December 2012 From The Editor – The leaves are at their peak here in Atlanta as I pen this letter. And with all their brilliant colors of green, gold, red and bronze, the sky is a beautiful blue backdrop with not a single cloud to obscure the painting. Homes are decorated with pumpkins and goblins, and moms are thinking ahead to Thanksgiving Dinner and the Holidays. For all that goes on during the next two months, we have decided to combine the November and December issues of Bear In Mind. So in the future there will be 10 issues per year, but with the plans already being made, they will each be packed with wonderful, educational and entertaining articles. Actually, you might say we have two guests for you this month. Sandra Riley, the owner of an adorable One of my favorite sections of the newsletter is the shop in Birmingham, THIMBLES, recently acquired the FYI article. This month we refer you to a 2‐part series I Maggie's Classic pattern company. Sandra is thrilled did in September and October of 2010 on Pearl to be re‐introducing these truly classic patterns, AND Buttons and how Pearls are formed. I stumbled upon she will have more good news for you very soon, so the little tidbit for this month’s FYI which has stay tuned. If you would like directions to her shop, absolutely nothing to do with sewing, but you trivia or to order the patterns her phone number is: 205‐ buffs might find it interesting, anyway! Enjoy. -
[ News and Comment of Concert and Opera I To-Night
NEWS AND ___-;-,1- . COMMENT OF AND I [ .=============^_-_-___^^^-:-1^5^----= =____-_ CONCERT OPERA cnt-day desolation and destruction in . -'.-" a uatanic fury. The artist will lccturo \Chicago Opera Co, on the exhibition of thrilling scenes, all of which wcro made in their natural Mme. to Sing colors a new Hempel by process. Tho former ' Last Week Minister of War, M. Millcrand, is the I Begins executive president of the Committee in 'Le Nozze di for tho Relief of the Wounded and Sick Figaro Presentation Will Include Soldiers. President Poincaró is chair¬ Two Operas man of tho honorary committee. Will- Caruso To Be Heard as Radames in New to New York Audiences: (iLeSau- Jam Saneloz was sent to this country aa a special commissioner in charge of and teriot," by Lazzari, and <(Isabeau,T the exhibition. "Aida," Lázaro, Spanish Tenor, Tho American executive committee is Will headed by Mrs. Robert Appear 'Again in "Rigoletto" fourth and la^t week of the Chi- Bacon and Mrs. The which Rosa LeRoy Edgar. Th« list of season at the Raisa, Giuseppi Gandcnzi, patronesses rneo Opera Company's Giacomo Rimini, Louise at tho French Theatre exhibition in¬ i Mme. Frieda lícmpcl will make lier will dance. Mr. Bodanzky will conduct. Theatre will include two op¬ Swartz Berat, Jcska Lexington and others of its former cast cludes over fifty prominent last appearance this season with the "Mrfrouf" will be the'Saturday mat¬ eras new to New York, which had their will society appear, with M. Charlier at women. Among them are Mrs. -
Lace, Its Origin and History
*fe/m/e/Z. Ge/akrtfarp SSreniano 's 7?ew 2/or/c 1904 Copyrighted, 1904, BY Samuel L. Goldenberg. — Art library "I have here only a nosegay of culled flowers, and have brought nothing of my own but the thread that ties them together." Montaigne. HE task of the author of this work has not been an attempt to brush the dust of ages from the early history of lace in the •^ hope of contributing to the world's store of knowledge on the subject. His purpose, rather, has been to present to those whose rela- tion to lace is primarily a commercial one a compendium that may, perchance, in times of doubt, serve as a practical guide. Though this plan has been adhered to as closely as possible, the history of lace is so interwoven with life's comedies and tragedies, extending back over five centuries, that there must be, here and there in the following pages, a reminiscent tinge of this association. Lace is, in fact, so indelibly associated with the chalets perched high on mountain tops, with little cottages in the valleys of the Appenines and Pyrenees, with sequestered convents in provincial France, with the raiment of men and women whose names loom large in the history of the world, and the futile as well as the successful efforts of inventors to relieve tired eyes and weary fingers, that, no matter how one attempts to treat the subject, it must be colored now and again with the hues of many peoples of many periods. The author, in avowing his purpose to give this work a practical cast, does not wish to be understood as minimizing the importance of any of the standard works compiled by those whose years of study and research among ancient volumes and musty manuscripts in many tongues have been a labor of love. -
Forgotten Splendour
FORGOTTEN SPLENDOUR A Chronology of the North Shore Music Festival 1909 to 1939 by Andrew Cottonaro Beginning in 1909 and lasting until 1939, the North Shore Music Festival of Northwestern University was a significant musical and social event in the Chicago area. For a few days each Spring, the campus hosted a diverse body of performers in a series of grand concerts. Naturally, some of that era’s most eminent singers could be heard there. Their presence certainly helped to sell tickets and their artistry helped to sustain the festival as a popular and critical success. Now, sixty years later, the festival hardly even counts as a faded memory. To date, two books (in part), offer a general outline of the festival’s history, but both lack any detailed analysis of who appeared and what was actually sung. This is the first attempt to present a chronology of the vocal offerings (quite distinct from the orchestral offerings) at the festival. Northwestern University, the official sponsor of the festival, is located in Evanston, Illinois (USA). The town is a suburb of Chicago, directly north of the city and on the banks of Lake Michigan. Because of this geographic position, Evanston and the other cities of the area are called the North Shore, hence the origin of the festival’s name. Northwestern University was incorporated in 1850 and gradually won recognition for its academic excellence. The establishment of musical studies, however, was a tangled web of many failed efforts. In a final and desperate attempt to salvage musical education, the university’s board of trustees in 1891 appointed Peter Christian Lutkin (1858-1931) to direct musical studies, a post that he held until his death. -
Brooklyn Institute Provides Rich Musical Fare · I
- - - -- ---~"'--'-------'C October 14, 1916 MUSICAL AMERICA 43 Brooklyn Institute Provides Rich Musical Fare · I [Continued from page 39] already paid a larger sum for his serv lished rule of using the Academy Music certs in Brooklyn and New York, .in ices than any other choral conductor in Hall. which sixteen new Russian church com the East. Suffice to say that, without Dec. 6 and April 4. Of considerable United German Singers positions will be heard. Among the out social and musical importance, as well, bad feeling, his demand was refused, and of-town appearances of the Aeolian Choir ,will be the third white breakfast on the everyone is in the dark concerning his The Brooklyn Quartet Club will sing will be one at the Drew Theologi~al last Saturday in April. Besides these successor. The concert for Nov. 26 has at Prospect Hall on Nov. 12, the first Seminary, Madison, N. J. , events the club will provide an afternoon been postponed till Dec. 19, in advance of program of its 110 active members Jed The Philomela Ladies' Glee Club, .be musicale on Feb. 10. Although assisting which, however, will be the fifty-first an by Carl Fique. The latter is director ginning its twelfth season with Etta artists for the regular concerts have not nual celebration at Arion hall, in which · of the United Singers of Brooklyn, em Hamilton Morris, conductor, has in been definitely announced it is believed the men's, ·women's and mixed choruses bracing thirty-four German societies. On preparation two interesting concerts. that some selection· will be made from and orchestra of sixty-five will partici Oct.