AUTOGRAPH AUCTION Sunday 27 November 2011 10:00
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Kalendár Výročí 2018
Úvod Kultúra je od nepamäti súčasťou človeka. Pramení z tvorivého ducha jednotlivca, ktorý prostredníctvom svojho diela zušľachťuje seba a okolie. Vďaka kultúrnemu dedičstvu si spoločnosť uvedomuje, vytvára a obnovuje svoju identitu. Kultúrne dedičstvo je nositeľom informácií o histórii ľudstva a národov, spája society žijúce vedľa seba a tie sa rešpektujú podľa stupňa svojej kultúrnej vyspelosti. Týka sa nielen umenia, ale aj správania, ktoré je poznávacím znakom konkrétneho človeka, society, etnika a národa. Väčšinou nepotrebuje tlmočenie do cudzích jazykov a prostredníctvom pozdvihovania ľudského ducha je jedným z najlepších prostriedkov na udržiavanie mieru. Jeho význam si intenzívne pripomíname práve v roku 2018, ktorý vyhlásila Európska komisia za Európsky rok kultúrneho dedičstva. Kultúrne dedičstvo uchovávame a zveľaďujeme pre svoju silnú vnútornú potrebu byť človekom, ako aj z lásky a úcty k predkom, súčasníkom a k potomstvu. V tejto myšlienke predkladáme Kalendár výročí 2018. Tento rok je jubilejným 240. výročím narodenia bratislavského rodáka Johanna Nepomuka Hummela. Kalendár výročí nám pripomína aj výnimočne vysoký vek slovenských osobností: Gizela Veclová – 95 rokov, Danica Móžiová-Nováková – 90 rokov, Naďa Földváriová, Dagmar Rohová-Boksová, Zdenka Bernátová a Božena Ormisová – 85 rokov, Boris Banáry, Ľudovít Štassel – 95 rokov, Ladislav Dóša, Ján Kende a Pavol Zelenay – 90 rokov, Ladislav Déczi a Ivan Palovič – 80. rokov. Zo zahraničných umelcov oslávi 90 rokov Ennio Morricone, 85 rokov Montserrat Caballé a 80 rokov Jevgenij Nesterenko a ďalší. Významné výročia majú aj umelci, ktorí preslávili Slovensko vo svete: Lucia Popp, Marta Beňačková, Sergej Kopčák, Peter Lipa. Vďaka Kalendáru výročí 2018 nezabudneme ani na výnimočných ľudí, ktorí v tichu archívov a knižníc vytvárali pevné podložie pre prácu vedcov, pedagógov, umelcov: Mária Jana Terrayová, Vladimír Dvořák, Jozef Šátek. -
Haessly, Katie (2010) British Conservative Women Mps
British Conservative Women MPs and ‘Women’s Issues’ 1950-1979 Katie Haessly, BA MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy December 2010 1 Abstract In the period 1950-1979, there were significant changes in legislation relating to women’s issues, specifically employment, marital and guardianship and abortion rights. This thesis explores the impact of Conservative female MPs on these changes as well as the changing roles of women within the party. In addition there is a discussion of the relationships between Conservative women and their colleagues which provides insights into the changes in gender roles which were occurring at this time. Following the introduction the next four chapters focus on the women themselves and the changes in the above mentioned women’s issues during the mid-twentieth century and the impact Conservative women MPs had on them. The changing Conservative attitudes are considered in the context of the wider changes in women’s roles in society in the period. Chapter six explores the relationship between women and men of the Conservative Parliamentary Party, as well as men’s impact on the selected women’s issues. These relationships were crucial to enhancing women’s roles within the party, as it is widely recognised that women would not have been able to attain high positions or affect the issues as they did without help from male colleagues. Finally, the female Labour MPs in the alteration of women’s issues is discussed in Chapter seven. Labour women’s relationships both with their party and with Conservative women are also examined. -
Lucia Di Lammermoor Donizetti
LUCIA DI LAMMERMOOR DONIZETTI Fitxa La follia de Lucia 11 59 Juan Luis Linares Repartiment Una criatura inestable 12 65 Enedina Lloris Argument Cronologia 19 Teresa Lloret 74 Jordi Fernández M. English Synopsis Lucia di Lammermoor 31 81 al Liceu Jaume Tribó Sobre la producció Selecció discogràfica 39 Damiano Michieletto 91 Javier Pérez Senz Bogeria i romanticisme Bibliografia recomanada 43 Arturo Reverter 94 Aleix Pratdepàdua Ah, la bogeria! Biografies 55 Xavier Albertí 96 LUCIA DI LAMMERMOOR Òpera en tres actes de Gaetano Donizetti. Llibret de Salvatore Cammarano basat en la novel·la The Bride of Lammermoor de Walter Scott. Estrenes 26 de setembre de 1835: Teatro San Carlo de Nàpols 22 de setembre de 1838: Teatre de la Santa Creu de Barcelona 15 de setembre de 1849: Gran Teatre del Liceu 4 de desembre de 2006: última representació al Liceu Total de representacions en la programació del Liceu: 277 12 /2015 Torn 4 20.00 h E 5 20.00 h PB 7 20.00 h A 10 20.00 h PE 11 20.00 h - 12 18.00 h C 14 17.00 h H 15 20.00 h PC 17 20.00 h B 18* 20.00 h G 20 17.00 h T 23 20.00 h D 27 18.00 h F 29 20.00 h PA Durada aproximada: 2 h. 50 min. (*): Amb audiodescripció Amb el suport de liceubarcelona.cat 12 pàg. Repartiment 13 Temporada 2015/16 desembre 2015 Lord Enrico Ashton Marco Caria (4, 7, 11 ,14, 17, 20 ,23 desembre) / Direcció musical Marco Armiliato Giorgio Caoduro (5, 10 12, 15, 18, 27, 29 desembre) Direcció d’escena Damiano Michieletto Miss Lucia Elena Moşuc (4, 7, 11 ,14, 17, 20 ,23 desembre) / Reposició direcció d’escena Roberto Pizzuto María José -
Malala Yousafzai Documentary James Mcavoy Holds the Award for Best British Film
SUBSCRIPTION TUESDAY, MARCH 31, 2015 JAMADA ALTHANI 11, 1436 AH www.kuwaittimes.net Panel to Morocco Ancient Petra India’s women discuss diesel confronts sees few athletes box, smuggling abortion taboo visitors as Jordan shoot, wrestle with officials3 with reform7 tourism40 declines for17 recognition Ban names Amir ‘Global Min 22º Max 31º Humanitarian Champion’ High Tide 10:15 & 21:35 Low Tide UN chief hails Sheikh Sabah’s compassion, generosity 03:15 & 15:40 40 PAGES NO: 16476 150 FILS NEW YORK: UN Secretary General Ban Ki-moon hoped world leaders emulate HH the Amir of Kuwait Sheikh Sabah Al-Ahmad Al-Jaber Al-Sabah’s humanitarian lead- NGOs pledge $506m for Syrian refugees ership, describing him as a “Global Humanitarian Champion”. In an exclusive interview with Kuwait News KUWAIT: A UN envoy warned yesterday of a “horrify- Agency (KUNA) and Kuwait TV, Ban expressed his deep- ing” humanitarian situation brewing in Syria as non- est appreciation of HH the Amir for his generous and governmental organizations pledged more than $500 compassionate leadership in hosting the third interna- million for refugees on the eve of a major donor con- tional donors conference (Kuwait III) for Syria. ference. The United Nations has launched an appeal Ban, noting the Syrian people’s dire need of to raise $8.4 billion for Syria this year and hopes to resources of all kinds, called on the world leaders to receive major pledges at the donor meeting today in take part in this pledging conference. With the estima- Kuwait. “Failing to meet the required funds risks tion of $8.4 billion set by the UN needed to address the resulting in a horrifying and dangerous humanitarian current humanitarian crisis in 2015-16, Ban said $2.9 bil- catastrophe,” Abdullah Al-Maatouq, UN special envoy lion is for the Syrian response plan and $5.5 billion is for humanitarian affairs, told a meeting of NGOs. -
17.2. Cylinders, Ed. Discs, Pathes. 7-26
CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti). -
16 November 2018 Page 1 of 12
Radio 3 Listings for 10 – 16 November 2018 Page 1 of 12 SATURDAY 10 NOVEMBER 2018 Aufforderung zum Tanz : rondo brillant for piano Op.65 of Lent, settings of texts from the Old Testament Book of Artur Schnabel (Piano) Lamentations. SAT 01:00 Through the Night (m000127l) Rhapsodie espagnole 05:18 AM Although modestly scored for one and two voices and organ, Music for two pianos by Debussy, Ravel & Bartok performed Wolfgang Amadeus Mozart (1756-1791) the music makes a deeply expressive and satisfying sequence, by Yuka Oechslin & Anton Kernjak. Presented by John Shea. Mentre ti lascio, o figlia - aria for bass and orchestra (K.513) by turns meditative, dramatic and contemplative as it deals with Robert Holl (Bass), Netherlands Radio Philharmonic Orchestra, the captivity of the Jews and the destruction of the temple of 01:01 AM Kenneth Montgomery (Conductor) Jerusalem in 587 BC and demands top-flight singers. Claude Debussy (1862-1918) En Blanc et Noir 05:26 AM 10.20am New Releases Yuka Oechslin (Piano), Anton Kernjak (Piano) Erik Satie (1866-1925), Darius Milhaud (Arranger) Jack-in-the-box pantomime (Prelude; Entr'acte; Finale) Mozart: ‘Les Trois Derniers Symphonies’ 01:18 AM CBC Vancouver Orchestra, Mario Bernardi (Conductor) Ensemble Appassionata Maurice Ravel (1875-1937) Mathieu Herzog (conductor) La Valse 05:33 AM NAÏVE V 5457 (2CDs) Yuka Oechslin (Piano), Anton Kernjak (Piano) Jean-Philippe Rameau (1683-1764) Les Indes Galantes (excerpts) Mozart: ‘Sonatas for fortepiano & violin’ Vol.1 01:33 AM Norwegian Chamber Orchestra, Terje Tønnesen -
Speakers of the House of Commons
Parliamentary Information List BRIEFING PAPER 04637a 21 August 2015 Speakers of the House of Commons Speaker Date Constituency Notes Peter de Montfort 1258 − William Trussell 1327 − Appeared as joint spokesman of Lords and Commons. Styled 'Procurator' Henry Beaumont 1332 (Mar) − Appeared as joint spokesman of Lords and Commons. Sir Geoffrey Le Scrope 1332 (Sep) − Appeared as joint spokesman of Lords and Commons. Probably Chief Justice. William Trussell 1340 − William Trussell 1343 − Appeared for the Commons alone. William de Thorpe 1347-1348 − Probably Chief Justice. Baron of the Exchequer, 1352. William de Shareshull 1351-1352 − Probably Chief Justice. Sir Henry Green 1361-1363¹ − Doubtful if he acted as Speaker. All of the above were Presiding Officers rather than Speakers Sir Peter de la Mare 1376 − Sir Thomas Hungerford 1377 (Jan-Mar) Wiltshire The first to be designated Speaker. Sir Peter de la Mare 1377 (Oct-Nov) Herefordshire Sir James Pickering 1378 (Oct-Nov) Westmorland Sir John Guildesborough 1380 Essex Sir Richard Waldegrave 1381-1382 Suffolk Sir James Pickering 1383-1390 Yorkshire During these years the records are defective and this Speaker's service might not have been unbroken. Sir John Bussy 1394-1398 Lincolnshire Beheaded 1399 Sir John Cheyne 1399 (Oct) Gloucestershire Resigned after only two days in office. John Dorewood 1399 (Oct-Nov) Essex Possibly the first lawyer to become Speaker. Sir Arnold Savage 1401(Jan-Mar) Kent Sir Henry Redford 1402 (Oct-Nov) Lincolnshire Sir Arnold Savage 1404 (Jan-Apr) Kent Sir William Sturmy 1404 (Oct-Nov) Devonshire Or Esturmy Sir John Tiptoft 1406 Huntingdonshire Created Baron Tiptoft, 1426. -
LA TRAVIATA Al Liceu
1 LA TRAVIATA EN EL LICEU Estreno absoluto: 6 marzo 1853 en el teatro de La Fenice de Venecia. Estreno de la segunda versión, definitiva: 6 mayo 1854 en el teatro San Benedetto de Venecia. Estreno en el Gran Teatre del Liceu: 25 octubre 1855. Última representación en el Liceu: 18 julio 2015. Total de representaciones: 251 TEMPORADA 1855-1856 25-X-1855 LA TRAVIATA Número de representaciones: 10 Es estreno en el Liceu. Número en el Liceu: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. Fechas: 25, 26, 28, 31 octubre; 1, 14, 18 noviembre; 21, 26 diciembre 1855; 6 enero 1856. Violetta Valéry: Eugénie Julienne-Dejean Flora Bervoix: Caterina Mas-Porcell Annina: Balbina Alabau Alfredo Germont: Giovanni De Vecchi Giorgio Germont: Gaetano Fiori Gastone: Josep Santés Barone Douphol: Josep Obiols Marchese d'Obigny: Francesc Sánchez Dottore Grenvil: José Aznar Giuseppe: Josep Gómez Director: Marià Obiols TEMPORADA 1859-1860 12-IV-1860 LA TRAVIATA Número de representaciones: 8 Número histórico en el Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Fechas: 12, 15 abril; 1, 2, 6, 15, 17, 30 mayo 1860. Nota: Se suprimela cabaletta del aria del tenor en el segundo acto. Número histórico en el Liceu: 11, 12, 123, 14, 15, 16, 17, 18. Última "Traviata" en el Liceu: 6 enero 1856. Violetta Valéry: Carlotta Carozzi-Zucchi Flora Bervoix: Caterina Mas-Porcell 2 Annina: Isolina Porcell Alfredo Germont: Emilio Pancani Giorgio Germont: Leone Giraldoni Gastone: Gaetano Aducci Barone Douphol: Josep Obiols Marchese d'Obigny: Josep Coll Dottore Grenvil: Leopoldo Jover Giuseppe: Ignasi Costa Domestico di Flora: Francisco Sánchez Director: Marià Obiols TEMPORADA 1860-1861 1-XII-1860 LA TRAVIATA Número de representaciones: 14 Número histórico en el Liceu: 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32. -
TEATRO SOLVAY SPETTACOLI LIRICI Direzione Artistica Dino Lessi
TEATRO SOLVAY SPETTACOLI LIRICI Direzione Artistica Dino Lessi 1940 Rigoletto baritono Mario Basiola, soprano Lina Aimaro, tenore Carlo Merino, direttore Arturo Lucon 1941 La Traviata soprano Magda Olivero, tenore Mario Filippeschi, baritono Gino Vanelli, direttore Arturo Lucon Andrea Chenier tenore Galliano Masini, soprano Fernanda Ciani, baritono Luigi Borgonovo, direttore Arturo Lucon 1942 Il Barbiere di Siviglia baritono Carlo Galeffi, soprano Emilia Carlino, tenore Vladimiro Badiali, basso Andrea Mongelli, direttore Arturo Lucon Madama Butterfly soprano Iris Adami Corradetti, tenore Mario Del Monaco, baritono Afro Poli, direttore Antonino Votto 1943 La Sonnambula soprano Emilia Carlino, tenore Francesco Albanese, basso Italo Taio, direttore Federico Del Cupolo 1947 Tosca soprano Carla Castellani, tenore Gianni Poggi, baritono Raimondo Torres, direttore Umberto Berrettoni 1948 Un Ballo in Maschera soprano Franca Sacchi, tenore Antonio Latino, mezzo soprano Miriam Pirazzini, baritono Raimundo Torres 1949 Rigoletto baritono Aldo Protti, soprano Hilde Reggiani, tenore Giuseppe Savio, direttore Federico Del Cupolo L’Amico Fritz tenore Bruno Landi, soprano Rosetta Noli, baritono Gino Vanelli, direttore Federico del Cupolo Mefistofele basso Cesare Siepi, soprano Rosetta Noli, tenore Glauco Scarlin, direttore Umberto Berrettoni 1950 La Traviata soprano Rosetta Noli, tenore Giuseppe Campora, baritono Carlo Tagliabue, direttore Umberto Berrettoni Manon soprano Mafalda Favero, tenore Agostino Lazzari, baritono Leo Piccioli, direttore Umberto -
Preview Pack Fiorentina
Preview Pack Fiorentina - Cagliari Serie A 17ª Giornata 10/01/2021 - Ore 18.00 Fiorentina – Cagliari Serie A – 10/01/2021 1. Opta Facts ............................................................................................................................................ 4 2. Scontri diretti - Risultati ........................................................................................................................ 8 3. Ultimo precedente in questa competizione ..................................................................................... 8 4. Classifica dettagliata .......................................................................................................................... 9 5. Programma della giornata ............................................................................................................... 10 6. Prossima giornata .............................................................................................................................. 10 7. I 20 migliori giocatori - Reti ............................................................................................................... 11 8. Risultati Fiorentina .............................................................................................................................. 12 9. Risultati Cagliari ................................................................................................................................. 13 10. Forma recente .................................................................................................................................. -
Toscanini IV – La Scala and the Metropolitan Opera
Toscanini IV – La Scala and the Metropolitan Opera Trying to find a balance between what the verbal descriptions of Toscanini’s conducting during the period of roughly 1895-1915 say of him and what he actually did can be like trying to capture lightning in a bottle. Since he made no recordings before December 1920, and instrumental recordings at that, we cannot say with any real certainty what his conducting style was like during those years. We do know, from the complaints of Tito Ricordi, some of which reached Giuseppe Verdi’s ears, that Italian audiences hated much of what Toscanini was doing: conducting operas at the written tempos, not allowing most unwritten high notes (but not all, at least not then), refusing to encore well-loved arias and ensembles, and insisting in silence as long as the music was being played and sung. In short, he instituted the kind of audience decorum we come to expect today, although of course even now (particularly in Italy and America, not so much in England) we still have audiences interrupting the flow of an opera to inject their bravos and bravas when they should just let well enough alone. Ricordi complained to Verdi that Toscanini was ruining his operas, which led Verdi to ask Arrigo Boïto, whom he trusted, for an assessment. Boïto, as a friend and champion of the conductor, told Verdi that he was simply conducting the operas pretty much as he wrote them and not allowing excess high notes, repeats or breaks in the action. Verdi was pleased to hear this; it is well known that he detested slowly-paced performances of his operas and, worse yet, the interpolated high notes he did not write. -
You Are Known by the Company You Keep
You Are Known By The Company You Keep , “ A friend through business is a friend indeed” Sir Len Southward May I introduce you to some of my friends…. I am delighted to introduce you to some of the many wonderful people I have had the Honour of working with over the years, people who have made music their livelihood and delighted the hearts of millions around the world. You too have joined the famous and those with prestige by employing the services of Allen Birchler, Piano Tuner to the Regent on Broadway. You are welcome to make my friends, yours. Allen C Birchler. A graduate of the famous Julliard School, Nina Tichman (piano) has won many prestigious competitions and appears as a soloist with orchestras and recital the world over. Xyrion Trio "At the risk of running out of superlatives, it was complex, vibrant dangerously inspired and just plain, absolutely brilliant" Otago Daily Times Bringing together three of Germany’s finest musicians - Nina Tichman, Ida Bieler and Maria Kliegel - the Xyrion Trio (pronounced ‘Ziri-on’, like ‘Xena, Warrior Princess’) tour for Chamber Music New Zealand in October. A graduate of the famous Julliard School, Nina Tichman (piano) has won many prestigious competitions and appears as a soloist with orchestras and recital the world over. In 2004 Nina was invited to perform for the President of Germany. Ida Bieler (violin), for many years a member of the Melos Quartet, is in demand as a teacher and a judge at international masterclasses and competitions. Maria Kliegel is one of the leading cellists of the 21st Century.