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ロッシーニとセビリアの理髪師Ⅱ Gioachino Rossini and “Il Barbiere De Siviglia” Ⅱ

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2013 年度テーマ展示 4 月 2013 年度基礎ゼミ “音楽の情熱、音楽への情熱” レクチャーコンサート 参考資料展 ロッシーニとセビリアの理髪師Ⅱ Gioachino Rossini and “Il barbiere de Siviglia” Ⅱ 企画 国立音楽大学附属図書館広報委員会 開催期間 2013 年 4 月 2 日～2013 年 5 月 2 日 開催場所 図書館ブラウジングルーム・AV 資料室 ロッシーニとセビリアの理髪師Ⅱ Gioachino Rossini and “Il barbiere de Siviglia” Ⅱ 今年度の基礎ゼミ・レクチャーコンサートは、”音楽の情熱、音楽への情熱”がテ ーマです。演奏曲の一つがロッシーニ作曲の《セビリアの理髪師》。 そこで図書館では、ロッシーニと《セビリアの理髪師》に焦点をあてて、図書館の たくさんの所蔵資料の中から、ロッシーニの人物像や彼の生きた時代、《セビリアの 理髪師》をはじめとするロッシーニのオペラやイタリア・オペラに関する図書、楽 譜、雑誌、AV 資料を選んで紹介します。 目次 貴重資料 ・・・・・・・・・・・・・・・・・・・・・・・2 図書 ・・・・・・・・・・・・・・・・・・・・・・・・・・・2 楽譜 ・・・・・・・・・・・・・・・・・・・・・・・・・・・4 AV 資料 ・・・・・・・・・・・・・・・・・・・・・・・・5 展示パネル ・・・・・・・・・・・・・・・・・・・・・・9 企画・構成●（国立音楽大学附属図書館広報委員会、柄田明美、古庄もも） 1 貴重資料 Le barbier de Séville Paris : La Lyre moderne, not before 1821 請求記号 ●M4-414（マイクロフィルム） セビリアの理髪師の初演は 1816 年のローマ（テアトロ・アルジェンティーナ）ですが、19 世紀 初頭のフランスではイタリア・オペラが人気を博しており、パリの出版社は競うようにロッシー ニ作品を出版しました。 本楽譜は、1821 年にパリとリヨンで上演された公演のスコアです。パリの出版社 La Lyre moderne から出版されたもので、出版年は公演と同年の 1821 年であると推定されます。 印刷は彫版印刷。金属版を彫刻し、インキをつめて紙に転写する印刷技法です。厚手の 紙が使用され、印字部分の外側が額縁のようにみえるのが特徴です。 図書 ☛ロッシーニの人物像については、多くの作家や研究家が評伝を執筆しています。 ロッシーニ伝 / スタンダール〔著〕 ; 山辺雅彦訳 東京 : みすず書房, 1992 請求記号 ●C56-975 『赤と黒』などで有名なスタンダールが無名時代に執筆したロッシーニに関する伝記"Vie de Rossini"（1823 年）の翻訳本。ロッシーニの生存中に書かれており、事実関係についての議 論はあるものの、ロッシーニの人生と音楽、彼の生きた時代を記した書で、世界各国で版・ 編者を変えながら出版されています。 ロッシーニ仮面の男 / マリオ・ニコラーオ著 ; 小畑恒夫訳 東京 : 音楽之友社, 1992 請求記号 ●C56-647 イタリア在住の音楽ジャーナリストの著書“La maschera di Rossini”（1990 年）の翻訳本。 〈怠惰〉〈快楽主義者〉〈色男〉〈グルメ〉など、さまざまに伝わるロッシーニの音楽と人生に関 する評伝です。 ロッシーニと料理 : オペラを作曲した美食家の生涯・逸話・音楽・書簡・料理 / 水谷彰良著 東京 : 透土社, 1993 請求記号 ●C58-146、C65-105 食通、美食家、料理人として料理史にも名を残すロッシーニの実像を料理という視点から 探った著。ロッシーニ料理のレシピも多数掲載されています。 Gioacchino Rossini, the reluctant hero / Alan Kendall London : V. Gollancz, 1992 請求記号 ●C55-526 ロッシーニのオペラと音楽家としての人生について、丁寧な調査をもとに書かれた本です。 19 世紀初めのイタリアのオペラ産業など、ロッシーニの生きた時代の社会背景も知ることが できます。巻末にロッシーニの作品リスト、関連する人物や場所に関するインデックスがつ いています。 2 消えたオペラ譜 : 楽譜出版にみるオペラ 400 年史 / 水谷彰良著 東京 : 音楽之友社, 2003 請求記号 ●J98-045、J100-236 オペラ楽譜の歴史を紐解き、オペラの史的変遷にも迫った研究書です。100 点以上のオペ ラの初版・初期出版譜の図録が掲載されています。 大作曲家の知られざる横顔 / 渡辺学而著 東京 : 丸善, 1991 請求記号 ●C54-455 ヴィヴァルディからショパンまで、15 人の大作曲家の知られざるエピソードを資料に基いて 紹介しています。もちろん、ロッシーニも紹介されています。 ☛図書館では、こんな本も所蔵しています！ まんが館名作オペラ劇場. 7 / つづき佳子著 東京 : 音教社, 1990 請求記号 ●C61-678 まんがで読む世界の名作オペラ. 7 / つづき佳子著 東京 : メトロポリタンプレス, 2012 請求記号 ●J122-137 ☛ロッシーニのオペラ作品や音楽に関する図書です。洋書は、写真やイラストが多く、見て 楽しめるものを中心に紹介します。 The Cambridge companion to Rossini / edited by Emanuele Senici Cambridge companions to music Cambridge ; New York : Cambridge University Press, 2004 請求記号●J101-971 ロッシーニの人生と音楽家としての経歴、彼のオペラ作品、オペラ以外の作品について、 専門的な観点からまとめています。写真も豊富です。 Il teatron di Rossini : le nuove edizioni e la messinscena contemporanea / scritti di Bruno Cagli, Franco Mariotti ; testimonianze di Gae Aulenti ... [et al.] ; note storico-critiche di Marco Spada. Milano : Ricordi, c1992 請求記号●J80-817 ロッシーニのオペラを世界各国の劇場で上演された写真や制作スケッチなどで紹介してい ます。臨場感ある上演写真、美しい舞台や衣装スケッチが楽しめます。 The golden century of Italian opera from Rossini to Puccini / William Weaver London : Thames and Hudson, 1980 請求記号●C32-244 「イタリア・オペラの黄金時代」の原本。翻訳本とあわせて読んでみてください。 イタリア・オペラの黄金時代 : ロッシーニからプッチーニまで / ウィリアム・ウィーヴァー著 ; 大平光雄訳 東京 : 音楽之友社, 1998 請求記号 ●C62-510 ロッシーニの『セビリャの理髪師』が初演された 1816 年からの約 110 年間について、史実に 基づき、イタリア・オペラの作曲家、歌手、出版社、指揮者など、イタリア・オペラを取り巻くさ まざまな人々の姿に迫った著作です。 3 19 世紀の音楽カリカチュア / ハンス・クリストフ・ヴォルプス著 ; 渡辺裕訳 東京 : 音楽之友社, 1984 請求記号 ●C39-846 カリカチュア（caricature）とは、戯画、風刺画を意味します。当時から、大作曲家は注目さ れ、彼らの知られざる素顔は人々の興味の対象となっていました。この本は、19 世紀の音 楽のカリカチュアを集めて解説したもので、大衆と音楽との関係を浮き彫りにする一冊です。 たくさんのカリカチュアが楽しめます。 楽譜 ☛自筆譜のファクシミリは、作曲家の自筆譜は作品を研究するのに最も重要な資料です。 Il barbiere di Siviglia : commedia in due atti di Cesare Sterbini / Gioachino Rossini. － Facsimile dell'autografo [Italy] : Libreria musicale italiana, [1993]. (Arte armonica. Serie I, Fonti ; 2) 請求記号●A10-562、H34-148f ☛フルスコアです。 The barber of Seville / Gioacchino Rossini New York : Dover, 1989 （イタリア語） 請求記号●H31-380、H42-588 ☛以下の 2 冊はヴォーカル・スコアです。 Il barbiere di Siviglia = The barber of Seville : a comic opera in 2 acts : in three stage versions / by Giochino Rossini ; Italian libretto by Cesare Sterbini ; English adaptation by Virginia Card ; adapted from the Italian libretto and play of the same name by Beaumarchais Lynbrook, N.Y : Boosey & Hawkes, c1956 （イタリア語・英語） 請求記号●F0-946 セヴィリャの理髪師 : 全 2 幕 / ジョアキーノ・アントニオ・ロッシーニ ; ヴォーカル・スコア 東京 : 音楽之友社, 2003 (イタリア語・日本語) 請求記号●F23-069 ☛歌劇の歌詞，台本「リブレット」です。 セビリャの理髪師 : 2 幕の喜歌劇 / ロッシーニ作曲 ; チェーザレ・ステルビーニ台本 大阪 : おぺら読本出版, 2002 オペラ対訳台本 (イタリア語・日本語) 請求記号●X0-990 Il barbiere di Siviglia : melodramma giocoso in 2 atti / libretto di Cesare Sterbini musica di Gioachino Rossini ; a cura di Serena Carresi Roma : Bonacci Editore, c1996 請求記号●X0-870-244 4 ☛以下の 3 冊はアレンジ版です。 Il barbiere di Siviglia : Oper in 2 Akten / von G. Rossini ; Klavierauszug zu 4 Händen, nach der Partitur bearbeitet von Arnold Schönberg Wien : Universal Edition, [1997?] Piano music (4 hands), Arranged 請求記号●G27-093 Cavatina for tenor saxophone and piano : from "The barber of Seville" / Rossini ; [tarnscribed and edited by ] Sigurd Pascher New York : International Music, c1991 Saxophone and piano music, Arranged 請求記号●H32-305 Suite to The barber of Seville / G.A. Rossini ; (Arranged by Sedlak) for 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, and contrabassoon Monteux, France : Musica Rara, c1988 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, and contrabassoon, Arranged 請求記号●H30-127 AV 資料 《CD》 『セビリアの理髪師』の録音資料（CD）を全曲盤を中心に紹介します。展示期間中は、AV 資料室入口のケースで CD ジャケットを展示しています。カウンターに申し込んで、AV 資料 室内で視聴することもできます（展示番号で申し込んで下さい）。 ※録音の古い順に掲載 Il barbiere di Siviglia / Gioacchino Rossini － Arkadia, p1996 Mercedes Capsir, soprano ; Dino Borgioli, tenor ; Riccardo Stracciari, baritone ; Salvatore Baccaloni, Vincenzo Bettoni, basses ; other soloists ; Orchestra and Chorus of La Scala, Milan ; Lorenzo Molajoli, conductor 録音： 1930 年 請求記号● XD37214-37215 展示番号 CD-1 The barber of Seville / Rossini － Guild Historical, p2004 － (Immortal performances). Josephine Tuminia, soprano ; Bruno Landi, tenor ; John Charles Thomas, baritone ; Salvatore Baccaloni, Ezio Pinza, basses ; others ; Chorus & Orchestra of the Metropolitan Opera ; Gennaro Papi, conductor 録音： 1941 年 3 月 1 日 請求記号● XD57391-57392 展示番号 CD-2 Il barbiere di Siviglia / Gioacchino Rossini － Gala, p2003 Giuseppe di Stefano (Figaro) ; Lily Pons (Rosina) ; Giuseppe Valdengo (Il conte di Almaviva) ; Salvatore Baccaloni (Bartolo) ; Jerome Hines (Don Basilio) ; other soloists ; Orchestra and Chorus of the Metropolitan Opera ; Alberto Erede, conductor 録音： 1950 年, New York 請求記号● XD55516-55517 展示番号 CD-3 Il barbiere di Siviglia / Rossini － EMI Classics, 1994 Maria Callas, soprano ; Luigi Alva, tenor ; Tito Gobbi, Nicola Zaccaria, baritones ; Fritz Ollendorff, bass ; other soloists ; The Philharmonia Orchestra & Chorus ; Alceo Galliera, conductor 録音: 1957 年 2 月 7-14 日, Kingsway Hall, London 請求記号●XD30897-30898 展 示番号 CD-4 5 Il barbiere di Siviglia / Gioacchino Rossini － Deutsche Grammophon, 1999, p1961 Gianna d'Angelo, soprano ; Nicola Monti, tenor ; Renato Capecchi, baritone ; Giorgio Tadeo, bass ; other soloists ; Coro dell'Opera nazionale italiana ; Symphonie-Orchester des Bayerischen Rundfunks ; Bruno Bartoletti, conductor 1960 年 6 月, ミュンヘン, ヘルクレスザール 請求記号● XD42196-42197 展示番号 CD-5 Il barbiere di Siviglia / Rossini － EMI Classics, 1997 － (Grand opera series) Victoria de los Angeles, soprano ; Luigi Alva, tenor ; Sesto Bruscantini, baritone ; Carlo Cava, bass ; other soloists ; Glyndebourne Festival Chorus ; Royal Philharmonic Orchesra ; Vittorio Gui, conductor 録音: 1962 年 9 月, No. 1 Studio, Abbey Road, London 請求記号●XD38274-38275 展示番号 CD-6 Il barbiere di Siviglia / Rossini － London, 1992, p1965 － (Grand opera) Stefania Malagu, soprano ; Teresa Berganza, mezzo soprano ; Ugo Benelli, tenor ; Manuel Ausensi, baritone ; Nicolai Ghiaurov, Fernando Corena, basses ; other soloists ; Orchestra e Coro Rossini di Napoli ; Silvio Varviso, conductor 録音: 1964 年 7, 8 月, Conservatorio, Napoli 請求記号● XD20258-20259 展示番号 CD-7 Il barbiere di Siviglia / Gioacchino Rossini － Opera Italiana, p1989 Malvina Major, soprano ; Luigi Alva, tenor ; Hermann Prey, baritone ; Fernando Corena, bass ; other soloists ; Coro dell'Opera di Stato di Vienna 録音: 1968 年 7 月 28 日 Salisburgo (ライヴ・アナログ録音) 請求記号●XD10166-10167 展示番号 CD-8 Il barbiere di Siviglia / Gioacchino Rossini. － Deutsche Grammophon, 1992, p1972 Teresa Berganza, mezzo-soparno ; Luigi Alva, tenor ; Hermann Prey, baritone ; Enzo Dara, Paolo Montarsolo, basses ; other soloists ; The Ambrosian Opera Chorus ; London Symphony Orchestra ; Claudio Abbado, conductor 録音: 1971 年 9 月 ロンドン （アナログ録音） 請求記号●XD17397-17298、XD25863/-25864 展示番号 CD-9 Il barbiere di Siviglia : brani scelti / Rossini － Deutsche Grammophon, 1993, p1972 Teresa Berganza, mezzo-soprano ; Luigi Alva, tenor ; Hermann Prey, baritone ; Enzo Dara, Paolo Montarsolo, basses ; others ; Ambrosian Opera Chorus ; London Symphony Orchestra ; Claudio Abbado, conductor 1971 年 9 月, London, Watford Town Hall 請求記号●XD26745 展示番号 CD-10 Il barbiere di Siviglia / Gioacchino Rossini － Sony Classical, 1990, p1982. － (Sony classical opera library) Marilyn Horne, mezzo-soprano ; Paolo Barbacini, tenor ; Leo Nucci, baritone ; Enzo Dara, Samuel Ramey, basses ; Orchestra & Chorus of Teatro alla Scala, Milan ; Riccardo Chailly, conductor 録音: 1981 年, Milan 請求記号●XD9058-9060 展示番号 CD-11 Il barbiere di Siviglia : [highlights] / Rossini － Teldec, p1993 Agnes Baltsa, mezzo soprano ; Francisco Araiza, tenor ; Thomas Allen, Domenico Trimarchi, baritones ; Robert Lloyd, bass ; other soloists ; Ambrosian Opera Chorus ; 6 Academy of St Martin in the Fields ; Neville Marriner, conductor 1983 年 6 月 11-18 日, ロンドン, ワトフォード 請求記号●XD20330-2033 展示番号 CD-12 Il barbiere di Siviglia /
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  • COLORATURA and LYRIC COLORATURA SOPRANO

    COLORATURA and LYRIC COLORATURA SOPRANO

    **MANY OF THESE SINGERS SPANNED MORE THAN ONE VOICE TYPE IN THEIR CAREERS!** COLORATURA and LYRIC COLORATURA SOPRANO: DRAMATIC SOPRANO: Joan Sutherland Maria Callas Birgit Nilsson Anna Moffo Kirstin Flagstad Lisette Oropesa Ghena Dimitrova Sumi Jo Hildegard Behrens Edita Gruberova Eva Marton Lucia Popp Lotte Lehmann Patrizia Ciofi Maria Nemeth Ruth Ann Swenson Rose Pauly Beverly Sills Helen Traubel Diana Damrau Jessye Norman LYRIC MEZZO: SOUBRETTE & LYRIC SOPRANO: Janet Baker Mirella Freni Cecilia Bartoli Renee Fleming Teresa Berganza Kiri te Kanawa Kathleen Ferrier Hei-Kyung Hong Elena Garanca Ileana Cotrubas Susan Graham Victoria de los Angeles Marilyn Horne Barbara Frittoli Risë Stevens Lisa della Casa Frederica Von Stade Teresa Stratas Tatiana Troyanos Elisabeth Schwarzkopf Carolyn Watkinson DRAMATIC MEZZO: SPINTO SOPRANO: Agnes Baltsa Anja Harteros Grace Bumbry Montserrat Caballe Christa Ludwig Maria Jeritza Giulietta Simionato Gabriela Tucci Shirley Verrett Renata Tebaldi Brigitte Fassbaender Violeta Urmana Rita Gorr Meta Seinemeyer Fiorenza Cossotto Leontyne Price Stephanie Blythe Zinka Milanov Ebe Stignani Rosa Ponselle Waltraud Meier Carol Neblett ** MANY SINGERS SPAN MORE THAN ONE CATEGORY IN THE COURSE OF A CAREER ** ROSSINI, MOZART TENOR: BARITONE: Fritz Wunderlich Piero Cappuccilli Luigi Alva Lawrence Tibbett Alfredo Kraus Ettore Bastianini Ferruccio Tagliavani Horst Günther Richard Croft Giuseppe Taddei Juan Diego Florez Tito Gobbi Lawrence Brownlee Simon Keenlyside Cesare Valletti Sesto Bruscantini Dietrich Fischer-Dieskau
  • Opera Recordings: a Very Personal Guide by Ralph Moore

    Opera Recordings: a Very Personal Guide by Ralph Moore

    “Untouchable” and ”Most Recommendable” Opera Recordings: a very personal guide by Ralph Moore My handful of regular readers might have noticed some glaring omissions in the list of thirty-seven major operas whose discographies I have surveyed over the last couple of years - operas whose quality and popularity are such that one might reasonably have expected me to have included them in my labours. There are, after all, probably around fifty truly first-rate operas which have been most often performed and recorded and I have by no means covered them all. I received requests to survey some of the following but on consideration, I realised that there were good reasons for my reluctance to do so. The most obvious omissions are these twelve operas: Verdi’s La traviata and Il trovatore; Wagner’s Lohengrin and Tannhäuser; Mozart’s Don Giovanni; Puccini’s La bohème, Tosca, Madama Butterfly and Turandot; Rossini’s Il barbiere di Siviglia; Donizetti’s Lucia di Lammermoor and Beethoven’s Fidelio. My reason for not having reviewed them collectively is that either the opera in question has received one or two recordings of such definitive quality that consideration of the others is otiose or there are so many good recordings of it in the catalogue that making a helpful or meaningful recommendation becomes difficult. I have therefore decided to circumvent the problem by making some brief, annotated recommendations and guidance for those major operas hitherto neglected. Obviously, my selections are highly subjective and controversial, and other collectors will be dismayed that I have ostensibly rejected their own candidates for recordings of classic status or nominated one they loathe but at the same time I think I may fairly claim that these are, in general, recordings which have stood the test of time.
  • The Barber of Seville

    The Barber of Seville

    Education Study Guide The Barber of Seville Music by Gioachino Rossini Libretto by Cesare Sterbini First Performance February 5, 1816, Teatro Argentina, Rome Opera 101, Wednesday February 19, 2014 Children’s Performance February 22 at 1pm Performances February 21 & 22 at 7:30 pm. Matinée February 23 at 2:00 pm At the Kravis Center for the Performing Arts In Italian with English Surtitles PALM BEACH OPERA Education Materials THE BARBER OF SEVILLE STUDY GUIDE & ACTIVITES 2013/2014 CAST & CREATIVE TEAM Conductor: Patrick Fournillier* Director: Christopher Mattaliano* Figaro: Rodion Pogossov* Rosina: Silvia Tro Santafe* Count Almaviva: David Portillo* Dr. Bartolo: Bruno Pratico Don Basilio: Wayne Tigges* *Palm Beach Opera Debut GIAOCHINO ROSSINI, Composer PALM BEACH OPERA Education Materials THE BARBER OF SEVILLE STUDY GUIDE & ACTIVITES 2013/2014 THE BARBER OF SEVILLE COMPOSER BIOGRAPHY GIAOCHINO ROSSINI Gioachino Antonio Rossini (February 29, 1792 – November 13, 1868) is one of the most prolific, enduring and popular composers in the history of opera. He wrote 39 operas, including the famous Il Barbiere di Siviglia (The Barber of Seville), La Cenerentola (Cinderella), and Guillaume Tell (William Tell). His musical style is characterized by distinctive, song-like melodies that, combined with his operasʼ lighthearted stories, have captivated audiences to the present day. Rossini was born in Pesaro, Italy on February 29, 1792 to musical parents. As a boy he learned to sing and play the horn, and sang in at least one opera in Bologna. Though he wrote an opera that went unperformed for several years at the age of 13 or 14, the official beginning of his operatic career occurred at the age of 18, with a one-act comedy for the opera in Venice, and furthercommissions followed from Bologna, Ferrara, Venice, and Milan, where La Pietra del Paragone was a success at La Scala in 1812.
  • Decca Discography

    Decca Discography

    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
  • El Món De L'òpera a Les Biblioteques De Girona

    El Món De L'òpera a Les Biblioteques De Girona

    Biblioteca Carles Rahola i Associació Amics de l’Òpera de Girona El món de l’òpera a les biblioteques de Girona Selecció de llibres de caràcter divulgatiu sobre òpera i de diverses versions (en CD i DVD) d’algunes de les òperes que LiceuBib i Òperabus Girona han programat de la temporada 2018/2019 del Gran Teatre del Liceu. Òpera. Història i crítica ALIER, Roger. - Diccionario de la ópera. - Ma Non Troppo, 2007. - 2 v. ALIER, Roger. - ¿Qué es esto de la ópera? : introducción al mundo de la lírica.- Ma Non Troppo, 2004 ALIER, Roger. - Historia de la ópera.- Ma Non Troppo, 2011 BOURNE, Joyce. - Ópera : los grandes compositores y sus obras maestras.- Blume, 2009 CAMINO, Francisco. - Ópera : historia, autores, obras y argumentos, intérpretes, teatros, discografia. - Ollero & Ramos, 2001 CAPDEVILA, Manuel. - El Gran libro de la ópera : las 183 óperas más importantes de la historia.- Península, 2004 CASTARÈDE, Marie-France. - El Espiritu de la ópera : la exaltación de las pasiones humanes.- Paidós, 2003 50 conceptos cruciales de òpera : papeles e intérpretes.- Blume, 2015 COSTAL I FORNELLS, Anna. - La Inauguració del Teatre Municipal de Girona l'any 1860 : òpera, espectacle, ciutat.- Ajuntament de Girona, 2010 GORGORI, Marcel. - Cinc cèntims d'òpera : converses d'estiu entre dos amics. - Pòrtic, 2002 GORGORI, Marcel. - Paraula d'òpera : els termes imprescindibles per a gaudir de l'òpera : segones converses.- Pòrtic, 2003 GORGORI, Marcel. - Aquella nit, a l'òpera : anècdotes, vivències i emocions personals explicades en conversa.- Mina, 2005 Historia ilustrada de la ópera.- Paidós, 2004 HOOGAN, Eckhardt van den. - El ABC de la ópera : todo lo que hay que saber.- Taurus, 2005 MENÉNDEZ TORRELLAS, Gabriel.
  • Boston Symphony Orchestra Concert Programs, Summer, 1967-1968

    Boston Symphony Orchestra Concert Programs, Summer, 1967-1968

    IAN 13 ***>*!& EIGHTH WEEK August 18, 19, 20, 1967 7 .T)S TWO MAGNIFICENT RECORDING ACHIEVEMENTS BY THE BOSTON SYMPHONY UNDER ERICH LEINSDORF BOSTON I NTLSSON I , ^v Wagner r Rt SYMPH()NY CHOOKASIAN aZtZ ?ATTTl?M j [i/yUIrjiVJ LEINSDORF BERGONZ1 Pro M"liir" Vohtngnti &&L**j6kl*m\ FLAGELLO \ Complete Boston Symphony Orchestra/Leinsdorf Konya • Amara Gorr Dooley • Hines • Marsh Boston Chorus Pro Musica • Patterson rca Victor nvtwsHoovt The first absolutely complete Verdi Requiem featurin; Lohengrin on records. four celebrated soloists rca Victor d @The most trusted name in sound ^*- EIGHTY-SIXTH SEASON 1966-1967 BOSTON SYMPHONY ORCHEST ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Thirtieth Berkshire Festival - 1967 MUSIC SHED AT TANGLEWOOD Concert Bulletin of the EIGHTH WEEK Copyright, 1967, by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer FIenby B. Cabot Talcott M. Banks John L. Thorndtkb Philip K. Allen Francis W. Hatch Henry A. Laughlin >v. Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James FI. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Pale rey Perkins Lewis Perry Edward A. Taet Tangleivood Advisory Committee Alan J. Blau George E. Mole Jesse L. Thomason Lawrence K. Miller Whitney S. Stoddard Robert K. Wheeler H. George Wilde Chairmen of the Boards of Selectmen (Ex Officio): Stockbridge, Arthur W. Maskell, Jr. Lenox, John Pignatelli Lee, Andre Jaotjbn Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator William Moyer Harry J.
  • JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION

    JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION

    JUNE, 1969 60c WASHINGTON/ BALTIMORE EDITION THE FM LISTENING GUIDE . r . 'n YG} itas-er".175ro ó _o °.. - i ,1!11 (! TV 1151,!S~ .. ha...,.. .,wv . _ . v '7.] gl "The Sony 6060 is the brightest thing that happened to stereo in a long while. If outshines receivers costing hundreds more." i///,ompoo.11 111111111IIIt111Í11111SM\\\\\\\\\\\ SONY FM 88 90 92 94 96 98 100 102104 10E 108 MHz at I 1UNING .lN"WI, 1 .. .r. I STEREO RECEIVER 0060 SO110 STATE Sony Model STR-6060 FW AM/FM Stereo Receiver MANUFACTURER'S SPECIFICATIONS- 0.5°/o. FM Stereo Separation: More :han 0.2°/o at rated output; under 0.15°/o at FM Tuner Section-IHF Usable Sensitivity: 40 dB @ 1 kHz. AM Tuner Section-Sensi- 0.5 watts output. Frequency Response: 1.8 /t, V. S/N Ratio: 65 dB. Capture Ratio: tivity: 160 µ,V (built-in antenna); 10 µ,V Aux, Tape: 20 Hz to 60 kHz +0, -3 dB. 1.5 dB. IHF Selectivity: 80 dB. Antenna: (external antenna). S/N Ratio: 50 dE @ S/N Ratio: Aux, Tape: 100 dB; Phono: 70 300 ohm & 75 ohm. Frequency Response: 5 mV input. Amplifier Section Dynamic dB; Tape Head; 60 dB. Tone Control 20 to 20,000 Hz ±1 dB. Image Rejection: Power Output: 110 watts (total), 8 ohms. Range: Bass: ±10 dB @ 100 Hz; Treble: 80 dB. IF Rejection: 90 dB. Spurious Rejec- RMS Power Output: 45 watts per charnel, ±10 dB @ 10 kHz. General-Dimensions: tion: 90 dB. AM Suppression: 50 dB. Total 8 ohms.
  • Behind the Curtain

    Behind the Curtain

    BEHIND THE CURTAIN FALL 2009 Gotham Chamber Opera is the nation’s foremost com- pany dedicated to pro- ducing rarely-performed chamber operas from the Baroque era to the pres- ent. Our mission is to pres- The National Endowment for the Arts With our inaugural newsletter, Gotham Cham- ent innovative, fully-staged recently awarded Gotham Chamber ber Opera intends to keep you – our loyal sup- productions of the highest Opera a $25,000 American Recovery porters and fans – current on the “pre-eminent quality in intimate venues. small opera company in New York” according to and Reinvestment Grant. Gotham was The New York Times. Starting with this semi-an- one of only 17 opera companies in the NEAL GOREN nual dispatch, we will broadcast the company’s ARTISTIC DIRECTOR country to receive this very special rec- news: our exciting upcoming productions; bios ognition, and one of just three in New of the fantastic artists scheduled to perform with York, along with New York City Opera us; reviews of our successes; and other relevant DAVID BENNETT developments. and Opera America. The NEA received MANAGING DIRECTOR While all performing arts companies endure tough stimulus funding under the American challenges these days, Gotham wants you to know Recovery and Reinvestment Act to sup- that our company also enjoys towering achieve- BOARD OF DIRECTORS port job retention in the performing arts ments. Read on to see what ambitious plans are sector. in our future. KAREN LERNER Thank you for your support! PRESIDENT EMERITUS “Because these grants go to support the or- ganizations themselves - rather than specif- ic programs or productions - this is a vote of TED TRUSSELL PORTER real confidence in Gotham as an institution,” PRESIDENT said Managing Director David Bennett.