DOCSLIB.ORG

Don Pasquale Resources

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Don Pasquale Resources DON PASQUALE RESOURCES Books Don Pasquale Vocal Score Italian [Paperback] Authors: Gaetano Donizetti, Giovanni Ruffini. Notes: Musical Theatre Vocal Solo. Italian/English. 218 pages. Hal Leonard. 2004. Don Pasquale Score (Ricordi Opera Full Scores) Authors: Gaetano Donizetti, Giovanni Ruffini. (Study Score). Paperback edition with new art cover. Italian/English. 512 pages. Ricordi. 2005. Donizetti’s Opera, Don Pasquale [Paperback/Kindle Edition] Authors: Gaetano Donizetti, Giovanni Ruffini. (Study Score). This scarce antiquarian book is a facsimile reprint of the original. Italian/English. 36 pages. Kessinger Publishing, LLC. 2008. Don Pasquale / The Opera Journeys Mini Guide Series [Paperback] Authors: Gaetano Donizetti, Burton Fisher. (Study Score). Pocket-sized guide includes story synopsis, story narrative with one-bar music highlight examples and an essay providing background about the opera and its composer, analysis, and insightful commentary. English. 36 pages. Opera Journeys. 2000. SAN FRANCISCO OPERA Education Materials DON PASQUALE Resources Films/DVDs Donizetti – Don Pasquale / Corbelli, de Niese, Borchev, Shrader, Mazzola (2013) Actors: Alessandro Corbelli, Danielle de Niese, Nikolay Borchev, Alek Shrader. Conductor: Enrique Mazzola. London Philharmonic Orchestra and The Glyndebourne Chorus. Director: Mariame Clément. Language: Italian. DVD. 2014. Donizetti – Don Pasquale / Furlanetto, Gallo, Kunde, Focile, Muti (2011) Actors: Ferruccio Furlanetto, Lucio Gallo, Gregory Kunde, Nuccia Focile. Conductor: Riccardo Muti. Orchestra and Chorus of the Teatro alla Scala. Director: Stefano Vizioli, Patrizia Carmine. Language: Italian. DVD. 2011. Donizetti – Don Pasquale / Netrebko, Del Carlo, Polenzani, Kwiecien, Levine (2010) Actors: Anna Netrebko, John Del Carlo, Matthew Polenzani, Mariusz Kwiecien. Conductor: James Levine. Metropolitan Opera Orchestra and Chorus. Director: Otto Schenk, Gary Halvorson. Language: Italian. DVD. 2011. Donizetti – Don Pasquale / Ciofi, Alaimo, Shankle, Giossi, Pido (2008) Actors: Patrizia Ciofi, Simone Alaimo, Norman Shankle, Marzio Giossi. Conductor: Evelino Pido. Orchestra de la Suisse Romande. Director: Daniel Slater, Don Kent. Language: Italian. DVD. 2008 Donizetti – Don Pasquale / Florez, Raimondi, Rey, Widmer, Murga (2007) Actors: Juan Diego Florez, Ruggero Raimondi, Isabel Rey, Oliver Widmer, Valeriy Murga. Conductor: Nello Santi. Chorus and Orchestra of the Opernhaus Zürich. Director: Grischa Asagaroff. Language: Italian. DVD. 2007. Donizetti – Don Pasquale / Desderi, Cassi, Gatell, Giordano - Ravenna Festival (2006) Actors: Claudio Desderi, Mario Cassi, Juan Francisco Gatell, Laura Giordano. Conductor: Riccardo Muti. Orchestra Giovanile Luigi Cherubini. Director: Andrea De Rosa, Corrado Casati. Language: Italian. DVD. 2010. Donizetti – Don Pasquale / Mei, Corbelli, Siragusa, de Candia, Korsten (2002) Actors: Eva Mei, Alessandro Corbelli, Antonio Siragusa, Roberto de Candia. Conductor: Gérard Korsten. Orchestra and Chorus of the Teatro Lirico di Cagliari. Director: Daniel Slater, Don Kent. Language: Italian. DVD. 2014 SAN FRANCISCO OPERA Education Materials DON PASQUALE Resources CDs Donizetti: Don Pasquale Composer: Gaetano Donizetti. Performers: Mirella Freni, Sesto Bruscantini, Leo Nucci, Gosta Winbergh. Language: Italian. Conductor: Riccardo Muti, Philharmonia Orchestra. 2010. Donizetti: Don Pasquale Composer: Gaetano Donizetti. Performers: Renato Bruson, Eva Mei, Chor des Bayerischen Rundfunks, Thomas Allen, Alfredo Giacomotti. Language: Italian. Conductor: Roberto Abbado, Münchner Rundfunkorchester. 2008. Donizetti: Don Pasquale Composer: Gaetano Donizetti. Performers: Alfredo Mariotti, Mario Basiola, Ugo Benelli, Anna Maccianti, Emma Bruno de Sanctis. Language: Italian. Conductor: Ettore Gracis, Gran Teatro La Fenice. 2006. Donizetti: Don Pasquale Composer: Gaetano Donizetti. Performers: Beverly Sills, Donald Gramm, Alfredo Kraus, Alan Titus. Language: Italian. Conductor: Sarah Caldwell, London Symphony. 2002. Donizetti: Don Pasquale Composer: Gaetano Donizetti. Performers: Barbara Hendricks, Gabriel Bacquier, Luca Canonici, Gino Quilico, René Schirrer. Language: Italian. Conductor: Gabriele Ferro, Opéra de Lyon. 1992. Donizetti: Don Pasquale (1952) Composer: Gaetano Donizetti. Performers: Sesto Bruscantini, Mario Borriello, Ada Noni, Cesare Valletti, Armando Benzi. Language: Italian. Conductor: Mario Rossi, Orchestra Sinfonica e Coro di Torino della RAI. 2016. SAN FRANCISCO OPERA Education Materials DON PASQUALE Resources .
Load more

Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • SOTTO UNA NUOVA LUCE Note, Gesti, Parole Per Spegnere Il Buio
    SOTTO UNA NUOVA LUCE Note, gesti, parole per spegnere il buio TEATRO MASSIMO E TEATRO DI VERDURA 4, 5 luglio ore 21.30 – Teatro Massimo Sala Grande Ella Milch-Sheriff Der ewige Fremde (L’eterno straniero) (nuova commissione del Teatro Massimo con la Gewandhaus Orchester di Lipsia e la BBC Philharmonic di Manchester) Monodramma per attore e orchestra (edizioni Peters) Testo Joshua Sobol Voce recitante Eli Danker Ludwig van Beethoven Messa in Do maggiore op. 86 per soli, coro e orchestra Soprano Laura Giordano Mezzosoprano Marianna Pizzolato Tenore Luis Gomes Basso Evan Hughes Ideazione dello spazio scenico della Sala del Teatro e regia Roberto Andò Scene e luci Gianni Carluccio Video Luca Scarzella Video-mapping Michele Innocente Musica ambient installazione Antonello Raggi Direttore Omer Meir Wellber Orchestra e Coro del Teatro Massimo Maestro del Coro Ciro Visco Durata 60 minuti circa In streaming su Arte e Web TV il 5 luglio 11 luglio ore 21.15 – Teatro di Verdura ore 21.15 Ludwig van Beethoven Sinfonia n. 9 in Re minore op. 125 per soli, coro e orchestra Direttore Omer Meir Wellber Soprano Desirée Rancatore Mezzosoprano Chiara Amarù Tenore René Barbera Basso Gianluca Buratto Orchestra e Coro del Teatro Massimo Maestro del Coro Ciro Visco Durata 70 minuti circa In streaming sulla WebTV 17 luglio ore 21.15 – Teatro di Verdura Leonard Bernstein Ouverture da Candide George Gershwin Rhapsody in Blue Variations on I Got Rhythm per pianoforte e orchestra Porgy and Bess Symphonic Picture (arr. Robert Russell Bennett) Direttore e pianoforte Wayne Marshall Orchestra del Teatro Massimo Durata 65 minuti circa In streaming sulla WebTV 22 luglio ore 21.15 – Teatro di Verdura Wolfgang Amadeus Mozart Concerto per pianoforte e orchestra n.
    [Show full text]
  • Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
    [Show full text]
  • Diszkográfia Az Első Kötethez
    © Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus
    [Show full text]
  • Verdi Otello
    VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers;
    [Show full text]
  • Erik Van Heyningen, Bass Baritone
    Erik Van Heyningen, Bass Baritone Bass-baritone Erik van Heyningen is currently a resident of New York City, where he is part of the Artist Diploma in Opera Studies program at the Juilliard School. The 2018-2019 season carries many debuts for Erik, including his Carnegie Hall debut as the bass soloist in Mastervoice’s performance of Israel in Egypt, Leporello in Don Giovanni at the Juilliard School, 1st Nazarene in Salome at the Spoleto Festival, and Fernando in La gazza ladra at Teatro Nuovo. Erik Van Heyningen was a member of the 2017-2018 Michigan Opera Theatre Studio Artist program. There, he performed Angelotti and the Jailer in Tosca, Count Ceprano in Rigoletto, and Ernest Hemingway et. al in Ricky Ian Gordon’s 27. In early 2018, he made his Austin Opera debut as Truffaldino in Ariadne auf Naxos. In the summer of 2018, Erik returned to Santa Fe Opera as an Apprentice Artist to perform The Imperial Commissioner in Madame Butterfly, and Ragotzki/Archbishop in Candide. In the Summer of 2017, he joined the Santa Fe Opera for his first season as an Apprentice Artist and received the Donald Gramm Memorial award. In the Spring of 2016, Mr. Van Heyningen was a Richard Gaddes Festival Artist with Opera Theater of St. Louis, where he appeared as Truffaldino. Erik spent the previous two summers as a Gerdine Young Artist at the Opera Theatre of St. Louis, performing as both the Jailer in Dialogues of the Carmelites and Simon Fenton in Emmeline, and received the Richman Memorial Award. In addition to his operatic work, Mr.
    [Show full text]
  • Royal Opera House Performance Review 2006/07
    royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
    [Show full text]
  • 07 – Spinning the Record
    VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • The American Opera Series May 16 – November 28, 2015
    The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary.
    [Show full text]
  • Leonardo Galeazzi
    leonardogaleazzi barítono 1 RESUMEN pag. 3 Biografía pag. 4 Repertorio: Ópera, Concierto, Oratorio pag. 7 Títulos: Ópera, Concierto, Oratorio pag. 11 Grabaciones - Otras experiencias pag. 12 Prensa pag. 19 Foto pag. 21 Link y Contactos 2 BIOGRAFIA Año 2020 Estudió interpretación con la directora Rita Riboni y canto con el barítono Carlo Guidantoni, especializándose con Luis Alva, Renato Bruson, Alain Billard, Regina Resnik y Alessandro Corbelli. Entre los recientes y los próximos compromisos, Le Comte Ory (Gouverneur) en Metz, Così fan tutte (Don Alfonso) en Tours, Tosca (Sagrestano) en Aix en Provence y Lyon, L’amour des trois oranges (Pantalon) en el San Carlo de Napoli.. Se distinguió en La fanciulla del west (Castro) y Madama Butterfly (Yakusidé) en La Scala de Milan, Il barbiere di Siviglia (Basilio) en l’Opéra du Rhin de Strasbourg, Il Signor Bruschino (Gaudenzio) en el Opéra de Chambre de Généve; Il barbiere di Siviglia (Bartolo), Don Giovanni (Leporello) y La Grande Duchesse (Boum) en Clermont-Ferrand; Don Pasquale (Pasquale) y Il barbiere di Siviglia (Bartolo), Les fées du Rhin (Conrad), Madama Butterfly (Sharpless) en Biel/Solothurn; en Don Giovanni (Leporello), La scala di seta (Blansac), Cenerentola (Dandini), Turandot (Ping) de l'As.Li.Co.; L'amour des trois oranges (Pantalon), Orfphée aux Enfer (Jupiter) y Gianni Schicchi (Schicchi) en el Maggio Musicale Fiorentino, Il matrimonio segreto (Geronimo) en el Festival de Sédières, en el Bergamo Music Festival con L'Elisir d'amore (Belcore) y La traviata (Duphol) tanto replicado de gira en Japón, Gemma di Vergy (Guido), La Cecchina (Taglieferro) y Il furioso all'Isola di San Domingo (Bartolomeo) reproducido en Savona, Módena, Rovigo, Piacenza y Ravenna.
    [Show full text]
  • L'œuvre À L'affiche
    37 affiche xp 2/06/05 10:13 Page 120 L'œuvre à l'affiche Recherches: Elisabetta Soldini avec la contribution de César Arturo Dillon, Georges Farret Calendrier des premières représentations du Barbier de Séville d’après A. Loewenberg, Annals of Opera 1597-1940, Londres 1978 et Pipers Enzyklopädie des Musiktheaters, éd. C. Dahlhaus et S. Döhring, 1991 Le signe [▼] renvoie aux tableaux des pages suivantes. Sauf indication contraire signalée entre parenthèses, l’œuvre a été chantée en italien: [Ang] anglais, [All] allemand, [Bulg] bulgare, [Cro] croate, [Dan] danois, [Esp] espagnol, [Est] estonien, [Finn] finnois, [Flam] flamand, [Fr] français, [Héb] hébreu, [Hong] hongrois, [Lett] letton, [Lit] Lituanien, [Née] néerlandais, [Nor] norvégien, [Pol] polonais, [Rou] roumain, [Ru] russe, [Serb] serbe, [Slov] slovène, [Sué] suédois, [Tch] tchèque CRÉATION: 20 février 1816, Rome, Teatro Argentina. [▼] 1869: décembre, Le Caire. 1871: 3 novembre, Paris, Athénée. 1818: 10 mars, Londres, Her Majesty’s Theatre. - 16 juillet, Barcelone. - 1874: 29 septembre, Helsinki. [Finn] - 2 décembre, Zagreb. [Cro] 13 octobre, Londres, Covent Garden. [Ang] 1875: Le Cap. 1819: 1er janvier, Munich. - Carnaval, Lisbonne. - 3 mai, New York [Ang] - 1876: Tiflis. - Kiev. [Ru] 27 mai, Graz. [All] - 28 septembre, Vienne, Theater auf der Wieden. [All] - 1883: 23 novembre, New York, Metropolitan. 26 octobre, Paris, Théâtre-Italien. 1884: 8 novembre, Paris, Opéra-Comique. 1820: 6 septembre, Milan, Teatro alla Scala. - 29 septembre, Prague. [All] - 1905 : Ljubljana. [Slov] 3 octobre, Braunschweig. [All] - 16 décembre, Vienne, Kärntnertor- 1913 : 3 mai, Christiania (Oslo). [Norv] Theater. [All] - 18 décembre, Brünn. [All] 1918 : Shanghai. [Ru] 1821: 25 août, Madrid. - 31 août, Odessa. - 19 septembre, Lyon.
    [Show full text]