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Choral Evensong
CHORAL EVENSONG 5:00 P.M. SUNDAY, FEBRUARY 5, 2017 THE FIFTH SUNDAY AFTER EPIPHANY CHRIST CHURCH 118 N. Washington St. Alexandria, VA 22314 www.HistoricChristChurch.org CHORAL EVENSONG is the service of Evening Prayer with choral music. It is sung in cathedrals with choral foundations on a more or less daily basis, and in many parish churches around the world. The Prayer Book of 1662 established the pattern for Choral Evensong which remains in common usage throughout the worldwide Anglican Communion. Since the earliest Christian times, the need to mark the passing of time with prayer has been recognized. The monastic cycle of prayer began in the desert with Anthony in the fourth century and continues to this day. By the Reformation, Vespers had become an elaborate musical celebration in the evening. The English Reformation demanded that the vernacular be the language of worship and resulted in the liturgical simplicity of Thomas Cranmer’s services of Morning and Evening Prayer. The provision of music for this structure and these words was the task of men like Tallis, Byrd, Gibbons, and Tomkins, whose creativity laid the foundations of Anglican choral worship. Choral Evensong is the quintessence of such worship. The canon of music for Evensong continues to grow, with composers from around the world contributing to it. Unlike the Eucharist, which follows the movement of the Church calendar, and unlike private prayer, which follows the events of our lives, the daily office follows its own rhythm. The readings are done “in course,” and are not specifically chosen to make a particular point, and the canticles (Magnificat and Nunc dimittis) are the same each day. -
Kalendár Výročí 2018
Úvod Kultúra je od nepamäti súčasťou človeka. Pramení z tvorivého ducha jednotlivca, ktorý prostredníctvom svojho diela zušľachťuje seba a okolie. Vďaka kultúrnemu dedičstvu si spoločnosť uvedomuje, vytvára a obnovuje svoju identitu. Kultúrne dedičstvo je nositeľom informácií o histórii ľudstva a národov, spája society žijúce vedľa seba a tie sa rešpektujú podľa stupňa svojej kultúrnej vyspelosti. Týka sa nielen umenia, ale aj správania, ktoré je poznávacím znakom konkrétneho človeka, society, etnika a národa. Väčšinou nepotrebuje tlmočenie do cudzích jazykov a prostredníctvom pozdvihovania ľudského ducha je jedným z najlepších prostriedkov na udržiavanie mieru. Jeho význam si intenzívne pripomíname práve v roku 2018, ktorý vyhlásila Európska komisia za Európsky rok kultúrneho dedičstva. Kultúrne dedičstvo uchovávame a zveľaďujeme pre svoju silnú vnútornú potrebu byť človekom, ako aj z lásky a úcty k predkom, súčasníkom a k potomstvu. V tejto myšlienke predkladáme Kalendár výročí 2018. Tento rok je jubilejným 240. výročím narodenia bratislavského rodáka Johanna Nepomuka Hummela. Kalendár výročí nám pripomína aj výnimočne vysoký vek slovenských osobností: Gizela Veclová – 95 rokov, Danica Móžiová-Nováková – 90 rokov, Naďa Földváriová, Dagmar Rohová-Boksová, Zdenka Bernátová a Božena Ormisová – 85 rokov, Boris Banáry, Ľudovít Štassel – 95 rokov, Ladislav Dóša, Ján Kende a Pavol Zelenay – 90 rokov, Ladislav Déczi a Ivan Palovič – 80. rokov. Zo zahraničných umelcov oslávi 90 rokov Ennio Morricone, 85 rokov Montserrat Caballé a 80 rokov Jevgenij Nesterenko a ďalší. Významné výročia majú aj umelci, ktorí preslávili Slovensko vo svete: Lucia Popp, Marta Beňačková, Sergej Kopčák, Peter Lipa. Vďaka Kalendáru výročí 2018 nezabudneme ani na výnimočných ľudí, ktorí v tichu archívov a knižníc vytvárali pevné podložie pre prácu vedcov, pedagógov, umelcov: Mária Jana Terrayová, Vladimír Dvořák, Jozef Šátek. -
Historic Downtown Sarasota
CHURCH OF THE REDEEMER 2020 Historic Downtown Sarasota CONCERTS CHORAL EVENSONG SPECIAL EVENTS Church of the Redeemer Great Music Series 27 Jan 11 Feb 7:30pm 7:30pm CHOPIN BRITISH NIGHT Chamber Orchestra PROJECT of Sarasota Pianist Renana Gutman Dr. Robert Vodnoy Conductor 19 Jan 9 Feb 4:30pm 4pm MUSICA SACRA requiem Mass KENT TRITLE in d minor Organ Concert W.A. Mozart Sunday, 19 Jan Monday, 27 Jan Sunday, 9 Feb Tuesday, 11 Feb KENT TRITLE CHOPIN PROJECT MUSICA SACRA CONCERT Organ Recital Pianist Requiem mass British Night Evensong Renana Gutman in d minor W.A. Mozart Chamber Orchestra the Redeemer Choirs of Sarasota 4:30pm 7:30pm 4pm 7:30pm Kent Tritle is a choral conductor Pianist Renana Gutman will be Musica Sacra of Sarasota is the Carmen Bannon – Flute and organist in New York City. He is “Chasing Chopin” as she presents Florida Gulf Coast’s only Nicholas Arbolino – Oboe the current director of the works by the Polish master and concert ensemble dedicated to Robert Vodnoy – Conductor professional chorus Musica Sacra composers he influenced including the performances and promotion Masterpieces by British composers, and the Oratorio Society of New Gabriel Fauré, Claude Debussy, of choral/orchestral music based and music inspired by the plays of York. He is also the director of Alexander Scriabin and others, on sacred texts. Mozart’s last William Shakespeare, performed in cathedral music and organist at the with elegant commentary that major choral work, left collaboration with Urbanite Theatre. Cathedral of St. John the Divine, weaves their music and their incomplete at the time of his Music by Elgar, Handel, Holst, Kent Tritle is the organist for the stories. -
View/Download Liner Notes
HUBERT PARRY SONGS OF FAREWELL British Choral Music remarkable for its harmonic warmth and melodic simplicity. Gustav Holst (1874-1934) composed The Evening- 1 The Evening-Watch Op.43 No.1 Gustav Holst [4.59] Watch, subtitled ‘Dialogue between the Body Herbert Howells (1892-1983) composed his Soloists: Matthew Long, Clare Wilkinson and the Soul’ in 1924, and conducted its first memorial anthem Take him, earth, for cherishing 2 A Good-Night Richard Rodney Bennett [2.58] performance at the 1925 Three Choirs Festival in late 1963 as a tribute to the assassinated 3 Take him, earth, for cherishing Herbert Howells [9.02] in Gloucester Cathedral. A setting of Henry President John F Kennedy, an event that had moved Vaughan, it was planned as the first of a series him deeply. The text, translated by Helen Waddell, 4 Funeral Ikos John Tavener [7.41] of motets for unaccompanied double chorus, is from a 4th-century poem by Aurelius Clemens Songs of Farewell Hubert Parry but only one other was composed. ‘The Body’ Prudentius. There is a continual suggestion in 5 My soul, there is a country [3.52] is represented by two solo voices, a tenor and the poem of a move or transition from Earth to 6 I know my soul hath power to know all things [2.04] an alto – singing in a metrically free, senza Paradise, and Howells enacts this by the way 7 Never weather-beaten sail [3.22] misura manner – and ‘The Soul’ by the full his music moves from unison melody to very rich 8 There is an old belief [4.52] choir. -
Dec 16 - Mar 17 Thank You!
DEC 16 - MAR 17 THANK YOU! Nottingham Lakeside Arts is generously funded by The University of Nottingham which supports our core staff and excellent facilities. We rely on income generation through ticket sales and donations to continue to deliver the high quality programme across all Lakeside’s performance venues, the University Museum, and the Djanogly Gallery, which our supporters love. Grateful thanks to all who have donated through ticket-round ups in the last year. Special thanks to those who have recently joined our new Annual Giving Programme: - Justine Schneider - Josephine Cutts You are all making a positive contribution to the continued success of Nottingham Lakeside Arts. To find out more, or to join our Annual Giving programme, please contacT [email protected] or [email protected], or visit lakesidearts.org.uk/support-us WWW.LAKESIDEARTS.ORG.UK FOLLOW US BOX OFFICE 0115 846 7777 03 C TENTS VISUAL ARTS 4-13 MUSEUM 14-21 WESTON GALLERY 22-23 MUSIC 24-35 THEATRE 36-49 LEARNING 50-52 USEFUL INFORMATION 54-55 04 WWW.LAKESIDEARTS.ORG.UK FOLLOW US BOX OFFICE 0115 846 7777 VICTOR PASMORE TOWARDS A NEW REALITY Saturday 26 November – Sunday 19 February 2017 Djanogly Gallery Admission Free Open Tuesday - Sunday inclusive By the beginning of his professional artistic life in the late A lavishly illustrated book published by Lund 1930s and early 1940s, Victor Pasmore (1908-1998) Humphries in association with the Djanogly had quickly established himself as an assured painter of Gallery accompanies the exhibition. The insights lyrical landscapes, figures and still-life studies. -
Radio 3 Listings for 10 – 16 October 2020 Page
Radio 3 Listings for 10 – 16 October 2020 Page 1 of 11 SATURDAY 10 OCTOBER 2020 Duo concertante in G major Benjamin Grosvenor (piano) Alexandar Avramov (violin), Ivan Peev (violin) Royal Scottish National Orchestra SAT 01:00 Through the Night (m000n6mk) Elim Chan (conductor) Nordic landscapes 05:47 AM Decca 4850365 Johann Sebastian Bach (1685-1750) https://www.deccaclassics.com/en/catalogue/products/chopin- Grieg and Sibelius from Auckland, New Zealand. Jonathan 4 Lieder from the Schemelli songbook (BWV.443, 468, 470 & piano-concertos-grosvenor-11989 Swain presents. 439) Bernarda Fink (mezzo soprano), Domen Marincic (gamba), Arion: Voyage of A Slavic Soul 01:01 AM Dalibor Miklavcic (organ) Songs by Rimsky-Korsakov, Dvořák, Tchaikovsky, John Anthony Ritchie (1921-2014) Rachmaninov, Janáček & Novák Suite No. 1 for Strings 05:57 AM Natalya Romaniw (soprano) Auckland Philharmonia Orchestra, Daniel Blendulf (conductor) Wolfgang Amadeus Mozart (1756-1791) Lada Valešová (piano) Piano Trio in B flat major, K 502 Orchid Classics ORC100131 01:16 AM Amatis Piano Trio https://www.orchidclassics.com/releases/orc100131-natalya- Edvard Grieg (1843-1907) romaniw-lada-valesova/ Piano Concerto in A minor, op. 16 06:20 AM Alessio Bax (piano), Auckland Philharmonia Orchestra, Daniel Johannes Brahms (1833-1897) Veress: String Trio & Bartók: Piano Quintet Blendulf (conductor) Hungarian dances for piano duet (Nos.1; 11; 13; 17; 8) Vilde Frang (violin) Noel Lee (piano), Christian Ivaldi (piano) Barnabás Kelemen (violin) 01:45 AM Lawrence Power (viola) Alexander Scriabin (1871-1915) 06:33 AM Nicolas Altstaedt (cello) Prelude for the Left Hand, op. 9/1 Valborg Aulin (1860-1928) Alexander Lonquich (piano) Alessio Bax (piano) Quartet for strings in F major (1884) Alpha ALPHA458 Tale String Quartet https://outhere-music.com/en/albums/veress-string-trio-bartok- 01:48 AM piano-quintet-alpha458 Jean Sibelius (1865-1957) Symphony No. -
Compositeur Naissance Décès Période Notker Balbulus C
Compositeur Naissance Décès Période Notker Balbulus c. 840 912 Médiévale Odo of Cluny c. 878 942 Médiévale Guido da Arezzo c. 991 c. 1033 Médiévale Hermann of Reichenau 1013 1054 Médiévale Guillaume d'Aquitaine 1071 1126 Médiévale Petrus Abaelardus 1079 1142 Médiévale Hildegard von Bingen 1098 1179 Médiévale Bernart de Ventadorn c. 1130 a. 1230 Médiévale Léonin 1135 1201 Médiévale Pérotin 1160 1225 Médiévale Philippe le Chancelier c. 1160 1236 Médiévale Pierre de Molins 1170 c. 1220 Médiévale Walther von der Vogelwide c. 1170 c. 1230 Médiévale Alfonso el Sabio 1221 1284 Médiévale Adam de la Halle c. 1235 1288 Médiévale Petrus de Cruce c. 1260 a. 1302 Médiévale Philippe de Vitry 1291 1361 Médiévale Guillaume de Machaut c. 1300 1377 Médiévale Francesco Landini c. 1325 1397 Médiévale Johannes Ciconia c. 1335 1412 Médiévale/Renaissance Jacopo da Bologna Bologna c. 1340 c. 1386 Médiévale Zacara da Teramo c. 1350 c. 1413 Médiévale/Renaissance Leonel Power c. 1370 1445 Médiévale/Renaissance Oswald von Wolkenstein c. 1376 1445 Médiévale/Renaissance John Dunstaple c. 1390 1453 Renaissance Guillaume Dufay 1397 1474 Renaissance Gilles Binchois c. 1400 1460 Renaissance Johannes Ockeghem c. 1410 1497 Renaissance Gilles Joye c. 1424 1483 Renaissance Antoine Busnois c. 1430 1492 Renaissance Alexander Agricola c. 1446 1506 Renaissance Heinrich Isaac c. 1450 1517 Renaissance Loyset Compère c. 1450 1518 Renaissance Josquin des Prez c. 1450 1521 Renaissance Jacob Obrecht c. 1457 1505 Renaissance Jean Mouton c. 1459 1522 Renaissance Antoine Brumel c. 1460 c. 1513 Renaissance Pierre de la Rue c. 1460 1518 Renaissance Robert Fayrfax 1464 1521 Renaissance William Cornysh 1465 1523 Renaissance Francisco de Penalosa c. -
[email protected]
Bratislava Music Festival 48th Year 28. 9. 2013 – 14. 10. 2012 Main organizer Slovak Philharmonic as delegated by and with financial support from the Ministry of Culture of the Slovak Republic The festival is held under the patronage of Ivan Gašparovič, the President of the Slovak Republic Honorary President of the BMF – Edita Gruberova Friday, 28th September 7.30 p. m. Concert Hall of the Slovak Philharmonic Opening Concert of the 48th Year of the BMF Slovak Philharmonic Emmanuel Villaume, conductor Sarah Chang, violin Johannes Brahms Violin Concerto in D Major, Op. 77 Richard Strauss Also sprach Zarathustra, tone poem, Op. 30 Saturday, 29th September 5.00 p. m. St. Martin’s Cathedral Solamente naturali Bratislava Boys’ Choir Miloš Valent, artistic leader Magdaléna Rovňáková, conductor Gabriel Rovňák, conductor Miriam Garajová, soprano Alexander Schneider, countertenor Matej Slezák, tenor Tomáš Šelc, bass-baritone Ondrej Bajan, bass and soloists of the Bratislava Boys’ Choir Marc-Antoine Charpentier, François Couperin, Simon Brixi, Juan Cererols, Georg Friedrich Händel, Franz Xaver, Tost Johann Pachelbel Ľuboš Bernáth O mitissima virgo Maria for baritone solo, male choir and orchestra premiere Sunday, 30th September 4.00 p. m. Concert Hall of the Slovak Philharmonic Organ Recital Ján Vladimír Michalko Franz Schmidt, Max Reger, Alexandre Guilmant, Louis Vierne, Charles Tournemire 7.30 p. m. Small Hall of the Slovak Philharmonic Quasars Ensemble Ivan Buffa, artistic leader / conductor Eva Šušková, soprano František Výrostko, reciter Maja Hriešik, scenic collaboration Ilja Zeljenka Metamorphoses XV for reciter and 9 instruments Alexander Albrecht Sonatina for Eleven Instruments Arnold Schönberg Pierrot lunaire Op. 21 Monday, 1st October 7.30 p. -
KINGSWINFORD (Inc
HITCHMOUGH’S BLACK COUNTRY PUBS KINGSWINFORD (Inc. Himley, Wall Heath) 3rd. Edition - © 2015 Tony Hitchmough. All Rights Reserved www.longpull.co.uk INTRODUCTION Well over 40 years ago, I began to notice that the English public house was more than just a building in which people drank. The customers talked and played, held trips and meetings, the licensees had their own stories, and the buildings had experienced many changes. These thoughts spurred me on to find out more. Obviously I had to restrict my field; Black Country pubs became my theme, because that is where I lived and worked. Many of the pubs I remembered from the late 1960’s, when I was legally allowed to drink in them, had disappeared or were in the process of doing so. My plan was to collect any information I could from any sources available. Around that time the Black Country Bugle first appeared; I have never missed an issue, and have found the contents and letters invaluable. I then started to visit the archives of the Black Country boroughs. Directories were another invaluable source for licensees’ names, enabling me to build up lists. The censuses, church registers and licensing minutes for some areas, also were consulted. Newspaper articles provided many items of human interest (eg. inquests, crimes, civic matters, industrial relations), which would be of value not only to a pub historian, but to local and social historians and genealogists alike. With the advances in technology in mind, I decided the opportunity of releasing my entire archive digitally, rather than mere selections as magazine articles or as a book, was too good to miss. -
The Day of Pentecost St. Philipls Church
S T . P HILI P ’ S C HU RCH Established 1680 • Charleston, SC THE DAY OF PENTECOST HOLY COMMUNION: RITE I MAY 23, 2021 • 10:30 AM WELCOME To all who are spiritually weary and seek rest, to all who mourn and long for comfort, to all who struggle and desire victory, to all who sin and need a Savior, to all who are strangers and want fellowship, to all who hunger and thirst after righteousness, to all who have been blessed and wish to give thanks, and to whoever will come—this church opens wide her doors and offers her welcome in the name of the Lord Jesus Christ. HOLY COMMUNION: RITE I THE PRELUDE Prelude Samuel Ducommun (1914-1987) THE INTROIT Veni, Sancte Spiritus Jacques Berthier (1923-1994) (Come, Holy Spirit) Veni, Sancte Spiritus. Come, Holy Spirit, from heaven shine forth with your glorious light. Come, Father of the poor, come, generous Spirit, come, light of our hearts. Come, from the four winds, O Spirit, come breath of God; Disperse the shadows over us, renew and strengthen your people. You are our only Comforter, Peace of the soul. In the heat you shade us; in our labor you refresh us, And in trouble you are our strength. Text: Taize Community, 1978. Music: Jacques Berthier (1923-1994) THE WORD OF GOD THE OPENING HYMN 352 Hail Thee, Festival Day Salve Festa Dies Refrain: Hail thee, festival day! Blest day that art hallowed forever, Day whereon God from heav’n shone in the world with his grace. He who was nailed to the cross is Lord and the ruler of all men; All things created on earth sing to the glory of God. -
Harris Composed NAXOS Much Music for Choir and for Organ Solo As Well As Larger Pieces for the Three Choirs Festival and Two Premières at the London Proms
570148 Inlay USA 20/10/06 5:13 pm Page 1 NAXOS During his tenure as Organist at St George’s Chapel, Windsor Castle, William Henry Harris composed NAXOS much music for choir and for organ solo as well as larger pieces for the Three Choirs Festival and two premières at the London Proms. In addition to music previously unrecorded, this disc includes Harris’ two best known works: Faire is the heav’n, and Bring us O Lord God, both pinnacles of twentieth- century English Church Music, recorded in the Chapel by the Choir of boys and men with which he Sir WILLIAM HENRY HARRIS: was associated for almost thirty years. 8570148 Sir WILLIAM HENRY HARRIS: Sir William Henry DDD Playing Time HARRIS 65:45 (1883-1973) 7 where indicated by * Anthems 47313 1 O hearken thou 2:32 2 Strengthen ye the weak hands 7:47 3 Faire is the heav’n 5:47 01487 4 Love of love 5:43 5 King of glory 5:24 6 Praise the Lord 10:30 3 7 The night is come * 10:23 www.naxos.com Made in Canada http://www.naxos.com/libretti/570148.htm Includes sung texts, which are also available at: Booklet notes in English ắ 8 The shepherd-men * 2:50 & 9 O joyful light 4:45 Ả Choral Music Choral Music 0 From a heart made whole 3:23 2006 Naxos Rights International Ltd. ! I said to the man * 2:20 @ Bring us, O Lord God 4:24 Choir of St George’s Chapel, Windsor Castle • Roger Judd, Organ Timothy Byram-Wigfield, Director Publishers: Chester Novello (track 1, 2, 6 and 12) • Ascherberg, Hopwood & Crew Ltd. -
Disc A: Miniaturised Concertos (Total Duration 58:48)
disc A: Miniaturised Concertos (total duration 58:48) 1 Swimming with the Stone Book (Andrew Poppy) 15:43 Kate Halsall, Fumiko Miyachii: pianos F Andrew Poppy: keyboard Joel Bell: electric guitar F Ruth Goller: electric bass F Lucy Shaw: upright bass Robert Millett & Jeremy Barnett: percussion 2 Always again (Naomi Pinnock) 13:48 Kate Halsall, Fumiko Miyachi: pianos F Delia Stevens: percussion 3 Furor (Philip Cashian) 9:14 Kate Halsall, Fumiko Miyachi: pianos Ensemble Dark Inventions, conductor Chris Leedham 4 Hanging in the Balance (Colin Riley) 19:54 I Ritual Groove II Break, Tackle and Bowl III Scent of an Ending Kate Halsall, Fumiko Miyachi: pianos James Waterworth: electronics, sound design video track not on album: Katharine Norman: Making Place 16:15 Kate Halsall (pianos) Buy the download (£2.00 or $3.50) at http://www.divineartrecords.com/CD/makingplace.htm Stream video on YouTube at https://youtu.be/RZLwjCh6j5E in case of difficulty accessing video contact [email protected] disc B: Maché (total duration 39:39) 1 Maché 1 16:20 Duncan MacLeod: Cut, Strike, Grip, Throw * Kate Halsall, Fumiko Miyachi: keyboards F Duncan MacLeod: electronics Simon Vincent: Study No. 3 * Kate Halsall, Martin Butler:pianos F Simon Vincent: electronic soundtrack Joel Bell: bell-like * Kate Halsall, Martin Butler: pianos F Joel Bell: e.guitar Ryoko Akama: an.dt.wo * Kate Halsall, Fumiko Miyachi: pianos 2 Maché 2 5:38 Dominic Murcott: Time and Place* Kate Halsall: pianos F Sounds of Chatham Historic Dockyard recorded by Chris Lewis 3 Maché 3 12:45