PK 05\06 Köpfe

Total Page:16

File Type:pdf, Size:1020Kb

PK 05\06 Köpfe Neuinszenierungen 2007/08 Donnerstag, 3. Mai 2007, 10.00 Uhr, Foyer I. Rang Medienkonferenz Die Neuinszenierungen der Spielzeit 2007/08 Opernhaus Zürich Neuinszenierungen 2007/08 Samstag, 1. September 2007 Ballettabend Before Nightfall Ballett von Nils Christe Musik: Bohuslav Martinu˚ (Doppelkonzert für Streicher, Klavier und Pauken) Uraufführung: 6. Mai 1985; Opéra de Paris Choreographie Nils Christe Ausstattung Keso Dekker Lichtgestaltung Joop Caboort Choreographische Uraufführung Ballett von Filipe Portugal Musik: John Adams Choreographie Filipe Portugal Ausstattung Regula Mattmüller Lichtgestaltung Martin Gebhardt Abschied Ballett von Heinz Spoerli Musik: Alban Berg Uraufführung: 15. Dezember 1985, Staatstheater Stuttgart Choreographie Heinz Spoerli Bühnenbild Stefan Mayer Kostüme Stephanie Geiger Es tanzt das Zürcher Ballett Unterstützt von Davidoff UBS – Partner des Zürcher Balletts Neuinszenierungen 2007/08 Donnerstag, 6. September 2007 Theater am Stadtgarten Winterthur In italienischer Sprache mit deutscher Übertitelung Il Barbiere di Siviglia ovvero La Precauzione inutile (Der Barbier von Sevilla oder Die unnütze Vorsicht) Dramma giocoso per musica in zwei Akten von Giovanni Paisiello (1740-1816) Libretto von Giuseppe Petrosellini, nach der Komödie «Le Barbier de Séville ou La Précaution inutile» von Pierre Augustin Caron de Beaumarchais Uraufführung: 1. Fassung: 15. September 1782, Eremitage-Theater, St. Petersburg 2. Fassung in drei Akten mit Texterweiterungen von Giovanni Battista Lorenzi: 1787, Teatro dei Fiorentini, Neapel Spielfassung von Mario Parenti (1960) Musikalische Leitung Zsolt Hamar Inszenierung Cesare Lievi Bühnenbild Csaba Antal Kostüme Marina Luxardo Lichtgestaltung Hans Rudolf Kunz Graf Almaviva Javier Camarena Rosina Rebeca Olvera Bartolo Paolo Rumetz Figaro Ruben Drole Don Basilio Giuseppe Scorsin Orchester Musikkollegium Winterthur Neuinszenierungen 2007/08 Sonntag, 30. September 2007 Letzte Neuinszenierung am Opernhaus Zürich in der Spielzeit 1993/94 In italienischer Sprache mit deutscher Übertitelung Andrea Chénier Dramma di ambiente storico in quattro quadri von Umberto Giordano (1867-1948) Libretto von Luigi Illica Uraufführung: 28. März 1896, Teatro alla Scala, Mailand Musikalische Leitung Nello Santi Inszenierung Grischa Asagaroff Ausstattung Reinhard von der Thannen Lichtgestaltung Martin Gebhardt Chor Jürg Hämmerli Andrea Chénier Salvatore Licitra/Marcello Giordani Carlo Gérard Lucio Gallo Maddalena di Coigny Micaela Carosi/Raffaela Angeletti Bersi Judith Schmid La Contessa di Coigny Margaret Chalker Madelon Cornelia Kallisch Roucher Gabriel Bermúdez Pietro Fléville Kresˇimir Strazˇanac Fouquier Tinville Morgan Moody Mathieu Valeriy Murga Incroyable Martin Zysset Abate Andreas Winkler Schmidt Giuseppe Scorsin Haushofmeister Michael Adair Dumas Murat Açikada Ein Kulturengagement der Credit Suisse Neuinszenierungen 2007/08 Sonntag, 21. Oktober 2007 Zum letzten Mal am Opernhaus Zürich im Jahr 1918 In deutscher Sprache mit Übertitelung Königskinder Märchenoper in drei Aufzügen von Engelbert Humperdinck (1854-1921) Libretto von Engelbert Humperdinck, nach dem Märchendrama (1893) von Ernst Rosmer (eigtl.: Elsa Agnes Bernstein, geb. Porges) Uraufführung: 1. Fassung als «Königskinder. Ein Märchen»: 23. Januar 1897, Hoftheater, München 2. Fassung: 28. Dezember 1910, Metropolitan Opera House, New York Musikalische Leitung Ingo Metzmacher Inszenierung Jens-Daniel Herzog Ausstattung Mathis Neidhardt Lichtgestaltung Jürgen Hoffmann Chor Ernst Raffelsberger Der Königssohn Jonas Kaufmann Die Gänsemagd Isabel Rey Der Spielmann Oliver Widmer Die Hexe Liliana Nikiteanu Der Holzhacker Andreas Hörl Der Besenbinder Volker Vogel Der Ratsälteste Tomasz Slawinski Der Wirt Reinhard Mayr Die Wirtstochter Martina Welschenbach Der Schneider Bogusl/aw Bidzin´ski Die Stallmagd Kismara Pessatti Neuinszenierungen 2007/08 Samstag, 10. November 2007 Zum ersten Mal am Opernhaus Zürich Choreographische Uraufführung Peer Gynt Ballett von Heinz Spoerli Musik von Edward Grieg, Brett Dean und Mark-Anthony Turnage Musikalische Leitung Arild Remmereit Choreographie Heinz Spoerli Ausstattung Florian Etti Lichtgestaltung Martin Gebhardt Peer Gynt Sebastian Hülk Sopran 1 Julia Kleiter Sopran 2 Sandra Trattnigg Es tanzt das Zürcher Ballett UBS – Partner des Zürcher Balletts Neuinszenierungen 2007/08 Sonntag, 2. Dezember 2007 Letzte Neuinszenierung am Opernhaus Zürich in der Spielzeit 1996/97 In italienischer Sprache mit deutscher Übertitelung Il Trovatore Dramma lirico in quattro parti von Giuseppe Verdi (1813-1901) Libretto von Salvatore Cammarano und Leone Emanuele Bardare nach dem Drama «El Trovador» von Antonio García y Gutiérrez Uraufführung: 19. Januar 1853, Teatro Apollo, Rom Musikalische Leitung Adam Fischer Inszenierung Giancarlo del Monaco Ausstattung Peter Sykora Lichtgestaltung Hans Rudolf Kunz Chor Jürg Hämmerli Il Conte di Luna Leo Nucci Leonora Cristina Gallardo-Domâs Azucena Luciana D’Intino Manrico Marcelo Álvarez Ferrando Giuseppe Scorsin Inez Katharina Peetz Ruiz Bogusl/aw Bidzin´ski/Miroslav Christoff Neuinszenierungen 2007/08 Samstag, 22. Dezember 2007 Zum letzten Mal am Opernhaus Zürich in der Spielzeit 1925/26 In französischer Sprache mit deutscher Übertitelung La Juive Opéra en cinq actes von Jacques François Élie Fromental Halévy (1799-1862) Libretto von Augustin Eugène Scribe Uraufführung: 23. Februar 1835, Opéra, Salle de la rue Le Peletier, Paris Musikalische Leitung Carlo Rizzi Inszenierung David Pountney Bühnenbild Robert Israel Kostüme Marie-Jeanne Lecca Choreographie Renato Zanella Lichtgestaltung Jürgen Hoffmann Chor Ernst Raffelsberger Rachel Angeles Blancas Prinzessin Eudoxie Malin Hartelius Eléazar Neil Shicoff Kardinal Jean-François de Brogny László Polgár Léopold Celso Albelo Ruggiero Massimiliano Cavaletti Albert Kresˇimir Strazˇanac Unterstützt von InCentive Asset Management AG Neuinszenierungen 2007/08 Sonntag, 13. Januar 2008 Zum ersten Mal am Opernhaus Zürich Koprodution mit der Opéra Toulouse In französischer Sprache mit deutscher Übertitelung Le Cid Opéra en quatre actes et dix tableaux von Jules Massenet (1842-1912) Libretto von Adolphe Philippe Dennery (eigtl.:Adolphe Philippe), Louis Marie Alexandre Gallet und Edouard Blau (eigtl.: Stanislas Viateur), nach der Tragikomödie von Pierre Corneille und dem Schauspiel «Las mocedades del Cid» von Guillén de Castro y Bellvís Uraufführung: 30. November 1885, Opéra, Salle Garnier, Paris Musikalische Leitung Michel Plasson Inszenierung Nicolas Joel Ausstattung Andreas Reinhardt Lichtgestaltung Jürgen Hoffmann Chor Jürg Hämmerli Chimène Isabel Kabatu Die Infantin Isabel Rey Rodrigue, le Cid José Cura Don Diègue Andreas Hörl Der König Vladimir Stoyanov/Massimiliano Cavaletti Graf von Gormas Cheyne Davidson Saint Jacques Tomasz Slawinski Der maurische Gesandte Kresˇimir Strazˇanac Don Arias Miroslav Christoff Don Alonzo Reinhard Mayr Neuinszenierungen 2007/08 Sonntag, 27. Januar 2008 Auftragswerk des Opernhauses Zürich im Rahmen von «Teatro minimo» Uraufführung In deutscher Sprache mit Übertitelung Im Schatten des Maulbeerbaums Kinderoper von Edward Rushton (*1972) Libretto von Dagny Gioulami nach dem chinesischen Märchen «Unter dem Schatten des Maulbeerbaums» Musikalische Leitung Ralf Weikert Inszenierung Aglaja Nicolet Bühnenbild Martin Kinzlmaier Kostüme N.N. Lichtgestaltung Hans Rudolf Kunz Herr Bim Valeriy Murga Frau Bim Irène Friedli Wim, ihr Sohn, zehn Jahre alt Andreas Winkler Alter Mann Reinhard Mayr Gemeindepräsident Rolf Haunstein Neli, seine Tochter, zwölf Jahre alt Sen Guo Nilu, ihre Schwester, zehn Jahre alt Rebeca Olvera In Partnerschaft mit der Fondation Edouard et Maurice Sandoz Neuinszenierungen 2007/08 Sonntag, 17. Februar 2008 Zum ersten Mal am Opernhaus Zürich In deutscher Sprache mit Übertitelung Genoveva Oper in vier Akten von Robert Schumann (1810-1856) Libretto von Robert Reinick und Robert Schumann, nach dem Trauerspiel «Leben und Tod der heiligen Genoveva» von Johann Ludwig Tieck und der Tragödie «Genoveva» von Christian Friedrich Hebbel Uraufführung: 25. Juni 1850, Stadttheater, Leipzig Musikalische Leitung Nikolaus Harnoncourt Inszenierung Martin Kusˇej Bühnenbild Rolf Glittenberg Kostüme Heidi Hackl Lichtgestaltung Jürgen Hoffmann Chor Ernst Raffelsberger Hidulfus, Bischof von Trier Ruben Drole Siegfried, Pfalzgraf Oliver Widmer Genoveva Juliane Banse Golo Shawn Mathey Drago, Haushofmeister Alfred Muff Margaretha Cornelia Kallisch Neuinszenierungen 2007/08 Sonntag, 9. März 2008 Letzte Neuinszenierung am Opernhaus Zürich in der Saison 1950/51 In deutscher Sprache mit Übertitelung Intermezzo Eine bürgerliche Komödie mit sinfonischen Zwischenspielen in zwei Aufzügen von Richard Strauss (1864-1949) Libretto von Richard Strauss Uraufführung: 4. November 1924, Schauspielhaus, Dresden Musikalische Leitung Peter Schneider Inszenierung Jens-Daniel Herzog Ausstattung Mathis Neidhardt Lichtgestaltung Jürgen Hoffmann Christine Malin Hartelius Hofkapellmeister Storch Rod Gilfry Anna Irène Friedli Baron Lummer Roberto Saccà Der Notar Ruben Drole Seine Frau Katharina Peetz Kapellmeister Stroh Volker Vogel Der Kommerzienrat Kresˇimir Strazˇanac Der Justizrat Morgan Moody Der Kammersänger Pavel Daniluk Unterstützt von der Hermann Scheel Stiftung Neuinszenierungen 2007/08 Sonntag, 29. März 2008 Letzte Neuinszenierung am Opernhaus Zürich in der Spielzeit 1999/2000 In deutscher Sprache mit Übertitelung Die Fledermaus Operette in drei Akten von Johann Strauss (1825-1899) Text: Richard Genée, nach der Komödie «Le Réveillon» von Henri
Recommended publications
  • Rádio MEC FM DIAL:99,3 FM JANEIRO UF: RJ
    PLANILHA DE PROGRAMAÇÃO MUSICAL RAZÃO SOCIAL: EMPRESA BRASIL DE COMUNICAÇÃO CNPJ: 09.168.704/0001-42 CIDADE:RIO DE NOME FANTASIA: Rádio MEC FM DIAL:99,3 FM JANEIRO UF: RJ PROGRAMA EXECUÇÃO DATA HORA MÚSICA AUTOR INTÉRPRETE GRAVADORA AO VIVO MECÂNICA 01/12/2017 01:30:58 CADMUS E HERMIONE LONDON OBOE BAND LULLY (Jean-Baptiste de) (1632-1687)(Itália) DIREÇÃO DE PAUL GOODWIN PROGRAMAÇÃO MUSICAL X 01/12/2017 02:20:19 SINFONIA CONCERTANTE PARA OBOÉ, CLARINETA: ANTHONY GIGLIOTTI MOZART (Wolfgang Amadeus) (1756-1791) (Áustria) CLARINETA, TROMPA, FAGOTE E FAGOTE: BERNARD GARFIELD ORQUESTRA EM MI BEMOL MAIOR K.297B OBOÉ: JOHN DE LANCIE PROGRAMAÇÃO MUSICAL X REGENTE:EUGENE ORMANDY 01/12/2017 02:53:29 CONCERTO PARA PIANO EM SOL MENOR ORQUESTRASOLISTA: ANDREAS DE FILADÉLFIA STAIER DUSSEK(Johann Ladislaus) (1760 - 1810) (Checo) OPUS 49 TROMPA:ORQUESTRA MASON DE CÂMARA JONES "CONCERTO DE COLÔNIA" PROGRAMAÇÃO MUSICAL X 01/12/2017 03:24:22 MOVIMENTO DE CONCERTO EM DÓ MAIOR VIOLINO: GIDON KREMER BEETHOVEN (Ludwig van)(1770 - 1827)(Alemanha) PARA VIOLINO E ORQUESTRA DE CÂMARA - REGENTE: EMIL TCHAKAROV (1770 - 1827) ALLEGRO COM BRIO ORQUESTRA SINFÔNICA DE LONDRES PROGRAMAÇÃO MUSICAL X 01/12/2017 03:40:32 RAPSODIA HUNGARA Nº1 EM FÁ MENOR ORQUESTRA FILARMÔNICA DE NOVA YORK LISZT (Franz) (1811-1886)(Hungria-Alemanha) REGÊNCIA: LEONARD BERNSTEIN PROGRAMAÇÃO MUSICAL X 01/12/2017 03:52:06 PEQUENA SINFONIA PARA INSTRUMENTOS ENSEMBLE MAURICE BOURGUE GOUNOD DE SOPRO PROGRAMAÇÃO MUSICAL X 01/12/2017 04:11:02 DANÇA DAS HORAS ORQUESTRA DE FILADÉLFIA PONCHIELLI (Amilcare)
    [Show full text]
  • Ludwig Van Beethoven FIDELIO
    UniTeL and Classica present Ludwig van Beethoven FIDELIO Melanie Diener Roberto Saccà Sandra Trattnigg Alfred Muff Bernard Haitink Opernhaus Zürich Ludwig van Beethoven his opera will win me the martyr’s crown”, lamented “ Beethoven about his “Fidelio”. Indeed, it cost him almost Tsuperhuman efforts to find an adequate musico-dramatical way of bringing to the stage the battered ideals of the French Revolution, “freedom, equality, fraternity”. The opera underwent FIDELIO and survived two titles, three librettists, three versions and four overtures until it was finally given its successful world premiere in Vienna in 1814 in the two-act form we are familiar with today. Conductor Bernard Haitink Beethoven blends Singspiel, drama, tragedy and a hymn to Orchestra Orchestra of the Zurich Opera House humanity into a unique whole. Chorus Chorus of the Zurich Opera House Chorus Master Ernst Raffelsberger With his “Fidelio”, Bernard Haitink, at the head of the orchestra Don Fernando Krešimir Stražanac of the Oper Zürich, proves that he is an ideal interpreter Don Pizarro Lucio Gallo of Beethoven’s masterwork by delivering an unforgettable Florestan Roberto Saccà performance. Haitink, as we can read in the “Neue Zürcher Leonore/Fidelio Melanie Diener Zeitung”, “grabs the score, carves it into a warm and compact Rocco Alfred Muff musical shape, and sheds the brightest light onto the multitude Marzelline Sandra Trattnigg of motivic connections and contrapuntal reactions”. Haitink drew Jaquino Christoph Strehl storms of applause from the Zurich public especially with his First Prisoner Bogusław Bidziński decision to insert the Third Leonore Overture between the Second Prisoner Morgan Moody dungeon scene and the oratorical closing jubilatory chorus.
    [Show full text]
  • SANDRA TRATTNIGG - Sopran Die Aus Südkärnten Stammende Sopranistin SANDRA TRATTNIGG Lebt Seit Dem Jahr 2005 in Zürich
    SANDRA TRATTNIGG - Sopran Die aus Südkärnten stammende Sopranistin SANDRA TRATTNIGG lebt seit dem Jahr 2005 in Zürich. Ihr Gesangsstudium absolvierte sie an der Universität für Musik und darstellende Kunst in Wien bei Helena Lazarska (Gesang) sowie Edith Mathis (Lied und Oratorium). 2001 gewann sie den Gesangswettbewerb «Kammeroper Schloss Rheinsberg» (Berlin), 2002 war sie Preisträgerin des «Musica Juventutis» Wettbewerbes des Wiener Konzerthauses und 2003 erhielt sie den Förderpreis der Universität Mozarteum Salzburg. 2001 gab Sandra Trattnigg ihr Operndebüt am Schlosstheater Schönbrunn mit Euridice in Glucks «Orfeo ed Euridice». Anschliessend war sie als Cleopatra («Giulio Cesare in Egitto») in Wien, Donna Elvira («Don Giovanni») an der Kammeroper Schloss Rheinsberg, Pamina («Die Zauberflöte»), Marie («Verkaufte Braut») und Antonia («Hoffmanns Erzählungen») bei der Oper Klosterneuburg sowie als Micaela («Carmen») am Stadttheater Klagenfurt zu hören. Danach wurde sie durch Nikolaus Harnoncourt an das OPERNHAUS ZÜRICH engagiert, wo die junge Sopranistin seit dieser Zeit u.a. Rollen wie Pamina, Erste Dame, Drusilla, Celia, Anna Geppone, Erstes Blumenmädchen, Herzogin von Parma, Solveig, Tamiri, Marzelline, Micaela, Vitellia, Rosalinde, Elisabeth, Ortlinde, Dritte Norne und Gutrune darstellte. Kürzlich war sie im Palau de les Arts in Valencia unter Zubin Mehta als Marzelline im FIDELIO zu hören und zuletzt brillierte sie mit der Hauptpartie in einer Uraufführung von DIE STADT DER BLINDEN, sowie als Regina im MATHIS DER MALER in Zürich. Im Sommer 2012 sang sie in der ZAUBERFLÖTE bei den Salzburger Festspielen und verkörperte die Freia im RHEINGOLD im neuen Leipziger Ring, in Sevilla die Gutrune und dritte Norne in der Fura dels Baus GÖTTERDÄMMERUNG. In den letzten zwei Jahren konnte Sandra Trattnigg ihren Fachwechsel ins jugendlich dramatische Fach vollziehen.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • The Digital Concert Hall
    Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • Realidade E Sonho
    O compositor norte-americano Frederic Rzewski • Editor’s choice: os melhores CDs u NOVEMBRO 2018 Guia mensal de música clássica www.concerto.com.br Realidade e sonho Turandot, de Puccini, e Sonho de uma noite de verão, de Britten, encerram temporada lírica em São Paulo; Rio de Janeiro, Curitiba e Vitória também apresentam óperas JÚLIO MEDAGLIA Chiquinha Gonzaga JORGE COLI Verdi na Itália JOÃO MARCOS COELHO Robert Musil TEMPORADAS 2019 Cultura Artística, Mozarteum Brasileiro, Tucca, Filarmônica de Minas Gerais E MAIS Evelyn Glennie Festival Sesc de Música de Câmara São Paulo Companhia de Dança ISSN 1413-2052 - ANO XXIV - Nº 255 R$ 16,90 Maquete digital do cenário realizado por Renato Theobaldo para Turandot, de Puccini, nova produção do Theatro Municipal de São Paulo ENTREVISta FERMATA Maestro e violinista Luis Otavio Santos Jovem regente William Coelho assume fala de música antiga e de sua carreira posto frente ao Coro da Osesp u ÍNDICE @RevistaConcerto ConcertoRevista concerto.com.br 28 u novembro 2018 nº 255 2 Editorial 4 Cartas 6 Contraponto Notícias do mundo musical 16 8 Temporadas 2019 Conheça as programações da Cultura Artística, do Mozarteum Brasileiro, da Tucca e da Orquestra Filarmônica de Minas Gerais 12 Atrás da Pauta Chiquinha Gonzaga, por Júlio Medaglia 14 Notas Soltas Jorge Coli escreve sobre o Festival Verdi em Parma, na Itália 16 Em Conversa Passado vivo: entrevista com o maestro e violinista 14 8 Luis Otavio Santos, por Irineu Franco Perpetuo 18 Acontece Festival Sesc de Música de Câmara realiza sua terceira edição 20
    [Show full text]
  • Contents Price Code an Introduction to Chandos
    CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296
    [Show full text]
  • Digital Concert Hall Programme 2018/2019 3
    2 DIGITAL CONCERT HALL PROGRAMME 2018/2019 3 WELCOME TO THE DIGITAL CONCERT HALL The 2018/2019 season marks a very special Zubin Mehta. Another highlight is the return phase in the history of the Berliner Philhar- on two occasions of Sir Simon Rattle, and moniker. Following on from the end of the with several debuts, new artistic connections Simon Rattle era, it is characterised by look- will also be made. Among the top-class guest ing forward to a new beginning when Kirill soloists is the pianist Daniil Trifonov to name Petrenko takes up office as chief conductor. but one, the Berliner Philharmoniker’s current Although this is not due until the summer of Artist in Residence. 2019, exciting joint concerts are on the hori- zon, beginning with the season opening con- Another special feature of this season: cert which is dedicated to the core repertoire the 10th anniversary of the Digital Concert of the Berliner Philharmoniker: a Beethoven Hall. On 17 December 2008, this unprece- symphony and two symphonic poems by dented project went online, followed by a first Richard Strauss. In the Digital Concert Hall live broadcast on 6 January 2009. Since then, we are also showing a tour concert from Lu- around 50 live concerts have been shown cerne, a programme with works by Schoen- per season. The video archive now holds more berg and Tchaikovsky in the spring of 2019, than 500 concert recordings, from the and Kirill Petrenko appears at the helm of the present day back to the Karajan era. There National Youth Orchestra of Germany as well.
    [Show full text]
  • Bratislava MUSIC FESTIVAL Fêtes De Musique De Bratislava • BRATISLAVSKÉ HUDOBNÉ SLÁVNOSTI Musikfestspiele Bratislava • Festival De Música De Bratislava
    BratislavA MUSIC FESTIVAL Fêtes de Musique de Bratislava • BRATISLAVSKÉ HUDOBNÉ SLÁVNOSTI Musikfestspiele Bratislava • Festival de Música de Bratislava 43rd YEAR 23.11.-7.12.2007 Main Organizer Main Sponsor Sponsor BHS Member of European Festivals Association BHSS_sklad2007_V2_modre_Aj.indd_sklad2007_V2_modre_Aj.indd 4 110/11/070/11/07 22:36:42:36:42 PM Main Organizer as delegated by and with a contribution of the Ministry of Culture of the SR Slovenská fi lharmónia / Slovak Philharmonic Th e festival is held under the patronage of Ivan Gašparovič, President of the Slovak Republic Honorary President – Edita Gruberova Friday, November 23 Moyzes Hall TI International Forum of Young Performers New Talent 2007 – SPP Foundation Award chamber concerts / semifi nal 5.00 pm Aljaž Beguš, clarinet / SLO Tine Th ing Helseth, trumpet /NOR Jana Vonášková-Nováková, violin / CZE Fanny Clamagirand, violin / FRA 8.00 pm Anna Maria Staskiewicz, violin / POL Ladislav Fančovič, piano / SVK Tomáš Jamník, cello / CZE Toke Moldrup, cello / DEN Saturday, November 24 7.30 pm Concert Hall of the Slovak Philharmonic Opening Concert of the 43rd Bratislava Music Festival 2007 Slovak Philharmonic conductor: Alexander Rahbari soloist: Alban Gerhardt, cello J. L. Bella: Concert Piece in Hungarian Style E. Elgar: Cello Concerto in E Minor, Op. 85 D. Shostakovich: Symphony No. 10 in E Minor Op. 93 Th is year the festival is opened by an overture composed by a founder of the classical Slovak music Ján Levoslav Bella. Opinions diff er as to the year of the origin of the piece – according to sources it was written either before 1893 or in 1896.
    [Show full text]
  • Euridice Opéra Calendrier Table Des Matières
    Hiver 2007 /2008 Supplément à la brochure automne 2007 séjours culturels séjours euridice opéra Calendrier Table des matières octobre décembre février Escapade à Prague et Dresde, Opéra d’Etat, Semperoper ..................... 4 du 18 au 21 Cagliari 1 du 6 au 9 Cologne 3 du 1er au 4 Carnaval Venise 2 Zurich 1 Venise 1 du 7 au 10 Cologne 4 du 24 au 28 Vienne & Budapest 1 du 6 au 10 Vienne & Budapest 5 Valencia 5 Lucerne, Lukaskirche, Konzertsaal ...................................................... 6 du 25 au 29 Dresde & Prague 1 du 12 au 16 Vienne & Budapest 6 du 14 au 17 Cologne 5 Zurich 2 du 13 au 16 Lisbonne 1 du 14 au 18 Dresde & Prague 6 du 26 au 29 Milan et Venise, Teatro alla Scala, Teatro La Fenice ............................... 8 du 31 au 4 novembre Toussaint Naples 1 du 19 au 22 Valencia 6 Dresde & Prague 2 Valencia 2 du 20 au 25 Chicago 2 Vienne & Budapest 2 Zurich 6 du 21 au 24 Lisbonne 2 Naples, Teatro di San Carlo ............................................................... 10 du 13 au 17 Milan & Venise 1 Stockholm 4 novembre du 19 au 23 Vienne & Budapest 7 Zurich 13 du 1er au 4 Toussaint Stockholm 1 du 20 au 23 Cagliari 2 du 21 au 25 Toronto 2 Valencia, Palau de les Arts Reina Sofia ............................................... 11 du 1er au 5 Toussaint Toronto 1 Valencia 3 du 22 au 26 Los Angeles 2 Zurich 3 du 20 au 24 Dresde & Prague 3 du 28 au 2 mars Florence 3 du 8 au 11 Armistice Cologne 1 du 21 au 24 Zurich 7 du 29 au 3 mars Zurich 14 Venise, Teatro La Fenice ..................................................................
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]