Ludwig Van Beethoven FIDELIO

Unitel and Classica present

Ludwig van Beethoven FIDELIO

Moody Morgan Prisoner Second Melanie Diener Leonore/Fidelio Raffelsberger Ernst Master Chorus Breisach Felix Director Video Don Fernando Krešimir Fernando Stražanac Don production House Opera A Zurich Bidziński Bogusław Prisoner First FIDELIO Ludwig van Beethoven Don Pizarro Lucio Pizarro Don Gallo Haitink Bernard Conductor House Opera Zurich the of Orchestra Orchestra Sandra Trattnigg Marzelline Thalbach Katharina by Staged Roberto Saccà Florestan Jaquino ChristophJaquino Strehl House Opera Zurich the of Chorus Chorus 147’ Length 1080 HDTV in Shot Rocco AlfredRocco Muff Cat. no. A90500925 no. Cat. “ [email protected] +49-(0)3030306464 WORLD SALES:CMajorEntertainment T Sandra Trattnig as Marzelline and Christoph Strehl as Jaquino. as Strehl Christoph and Marzelline as Trattnig Sandra Rocco, as as Muff Diener Alfred as Don Fernando, Melanie Strazanac Lucio Kresimir Gallo as Don Florestan, Pizarro, as are Saccà Roberto portraits Leonore, role impressive Providing truthfulness. its in faith and love with fashion, compelling any in down trim to hard is which work, the stages Thalbach Katharina actress German of Piranesi. etchings prison monumental the recalls architecture, ponderous of its the a with interior and, prison depicts stage Toffolutti’s Ezio the between chorus. Overture jubilatory closing oratorical the and scene Leonore dungeon Third the his with insert especially to public decision Zurich the from applause of storms drew Haitink reactions”. and of contrapuntal connections motivic multitude the onto light brightest the sheds and shape, compact musical and warm Zürcher a into “Neue it carves the unforgettable score, in the “grabs read an Zeitung”, can we interpreter delivering as ideal Haitink, by an performance. is masterwork he that Beethoven’s proves of Zürich, Oper the of orchestra the of head the at Haitink, Bernard “Fidelio”, his With to hymn a and tragedy whole. aunique into humanity drama, Singspiel, blends Beethoven today. with familiar we are 1814in form Vienna in two-act the in premiere world successful its given finally was it until overtures four and versions three librettists, three titles, two survived and French the The underwent ofopera equality, fraternity”. “freedom, Revolution, ideals battered the stage the to bringing of way superhuman efforts to find an adequate musico-dramatical lamented musico-dramatical adequate crown”, almost an find him to cost martyr’s efforts it superhuman the Indeed, “Fidelio”. me his about win Beethoven will opera his