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5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018) Advances in Social Science, Education and Humanities Research Volume 289 Moscow, Russia 28-29 November 2018 Editors: Randall Green Iana Rumbal Yong Zhang Manjin Zhang ISBN: 978-1-5108-7978-2 Printed from e-media with permission by: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 Some format issues inherent in the e-media version may also appear in this print version. This work is licensed under a Creative Commons Attribution 4.0 International Licence. Licence details: http://creativecommons.org/licenses/by/4.0/. Conference Website: https://www.atlantis-press.com/proceedings/icelaic-18 Printed by Curran Associates, Inc. (2019) For permission requests, please contact the publisher: Atlantis Press Amsterdam / Paris Email: [email protected] Additional copies of this publication are available from: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 USA Phone: 845-758-0400 Fax: 845-758-2633 Email: [email protected] Web: www.proceedings.com TABLE OF CONTENTS FORMATION OF SYSTEMATIC MANAGEMENT KNOWLEDGE AS AN IMPORTANT COMPONENT OF MODERN POLITICAL EDUCATION...........................................................................................................................................................1 Kulinchenko Alexander, Mamaeva Yulia, Ageeva Elena, Sedykh Nikolay HUMANITARIAN MEASUREMENT OF INTERNATIONAL RELATIONS BETWEEN RUSSIA AND ECUADOR ..........................................................................................................................................................................................................6 -
A Cultural-Translation Study of Paratexts Via Victor H. Mair's
Compilation and Translation Review Vol. 11, No. 2 ( September 2018 ), 61 - 98 A Cultural-Translation Study of Paratexts via Victor H. Mair’s English Translation of the Tao Te Ching Chih-hong Rudy Chen This paper looks at the authoritative sinologist and philologist Victor H. Mair’s English translation of the Tao Te Ching. It examines Mair’s use of paratexts to support his cross-cultural transfer of such highly Chinese-culture-bound religious and philosophical terms as Tao, Te and Ching from the Chinese source text into English. More specifically, it looks at Mair’s interpretative assumptions as well as methodologies. This brings into play several relevant issues with regard to the role of cultural translation within the wider field of translation studies. Firstly, the paper explores Kwame Anthony Appiah’s “thick translation” approach, and such cross-cultural linguistic practices as the use of annotations and of other forms of scholarly paratexts, in order that (in Appiah’s words) an “academic’ translation” is produced. Secondly, selected elements of these paratexts are examined in the light of André Lefevere’s notion of ideology and Lawrence Venuti’s notions of foreignization and visibility, to help us better understand the external factors requiring Mair’s careful considerations in the “transaction” of meaning across languages and cultures. This cultural translation study on Mair’s translation of the Tao Te Ching with extensive preface, annotations and back matter seeks to shed light, then, on the depth and complexity of the art of cultural-translation, itself so vital to cross-cultural understanding. Keywords : Tao Te Ching, thick translation, cultural translation, paratexts, ideology Received: July 14, 2017 Revised: Feburary 12, 2018, June 22, 2018 Accepted: June 27, 2018 Chih-hong Rudy Chen, PhD Candidate, Graduate Institute of Translation and Interpretation, National Taiwan Normal University, E-mail: [email protected] 編譯論叢 第十一卷 第二期(2018年9月 ), 61 — 98 梅維恆《道德經》英譯:副文本之文化翻譯探討 陳致宏 本文透過觀察當代權威漢學家及文字學家梅維恆(Victor H. -
Has Man a Future? Dialogues with the Last Confucian China Academic Library
China Academic Library Shu Ming Liang Guy S. Alitto Has Man a Future? Dialogues with the Last Confucian China Academic Library For further volumes: http://www.springer.com/series/11562 Academic Advisory Board: Researcher Geng, Yunzhi, Institute of Modern History, Chinese Academy of Social Sciences, China Professor Han, Zhen, Beijing Foreign Studies University, China Researcher Hao, Shiyuan, Institute of Ethnology and Anthropology, Chinese Academy of Social Sciences, China Professor Li, Xueqin, Department of History, Tsinghua University, China Professor Li, Yining, Guanghua School of Management, Peking University, China Researcher Lu, Xueyi, Institute of Sociology, Chinese Academy of Social Sciences, China Professor Tang, Yijie, Department of Philosophy, Peking University, China Professor Wong, Young-tsu, Department of History, Virginia Polytechnic Institute and State University, USA Professor Yu, Keping, Central Compilation and Translation Bureau, China Professor Yue, Daiyun, Department of Chinese Language and Literature, Peking University, China Zhu, Yinghuang, China Daily Press, China Shu Ming Liang • Guy S. Alitto Has Man a Future? Dialogues with the Last Confucian Shu Ming Liang (deceased) Guy S. Alitto East Asian Languages and Civilizations The University of Chicago Chicago, IL, USA ISSN 2195-1853 ISSN 2195-1861 (electronic) ISBN 978-3-642-35815-9 ISBN 978-3-642-35816-6 (eBook) DOI 10.1007/978-3-642-35816-6 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013933021 © Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, speci fi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on micro fi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
Engaging with Socialism in China: the Political Thought and Activities of Chen Gongbo and Tan Pingshan, 1917-1928
Engaging with Socialism in China: The Political Thought and Activities of Chen Gongbo and Tan Pingshan, 1917-1928 Xuduo Zhao PhD University of York History May 2019 1 Abstract This thesis investigates Chen Gongbo (1892-1946) and Tan Pingshan (1886-1956), two significant Cantonese Marxists who helped found the Chinese Communist Party (CCP) in 1921. I use Chen and Tan as a lens to re-examine the dissemination of Marxism in May Fourth China and the underlying tensions in 1920s Chinese revolution. My study demonstrates that it was in the changing educational system in the early 20th century that Chen and Tan gradually improved their positions in the cultural field and participated in the intellectual ferment during the May Fourth period. At Peking University they became familiarised with Marxism. Their understanding of Marxism, however, was deeply influenced by European social democracy, as opposed to many other early communist leaders who believed in Bolshevism. This divergence finally led to the open conflict within the CCP between Guangzhou and Shanghai in the summer of 1922, which also embodied the different social identities among early Chinese Marxists. After the quarrel, Chen quit while Tan remained within the party. During the Nationalist Revolution, both Tan and Chen became senior leaders in the Kuomintang, but they had to face yet another identity crisis of whether to be a revolutionary or a politician. Meanwhile, they had to rethink the relationship between socialism and nationalism in their political propositions. This study of Chen and Tan’s political thought and activities in the late 1910s and 1920s offers a different picture of Chinese radicalism and revolution in the early Republican period. -
Thèse De Doctorat
THÈSE DE DOCTORAT de l’Université de recherche Paris Sciences et Lettres PSL Research University Préparée à l’Ecole des hautes études en sciences sociales Du nationalisme au conservatisme : les groupes intellectuels associés à l’« essence nationale » en Chine (vers 1890-1940) Ecole doctorale n°286 ECOLE DOCTORALE DE L’EHESS Spécialité HISTOIRE ET CIVILISATIONS COMPOSITION DU JURY : Mme. BERTHEZÈNE Clarisse Université Paris Diderot, Rapporteur M. KURTZ JoaChim Université de Heidelberg, Rapporteur M. CHEVRIER Yves EHESS, Membre du jury M. VEG Sebastian Soutenue par Dongxiang XU EHESS, Membre du jury le 7 décembre 2018 M. ZUFFEREY Nicolas h Université de Genève, Membre du jury Dirigée par Sebastian VEG h R EMERCIEMENTS Cette thèse n’aurait vu le jour sans les conseils prodigués par mon directeur, Monsieur Sebastian Veg. Je le remercie pour sa disponibilité, sa patience, mais également pour la confiance, qu’il m’a accordée, me permettant d’écrire en toute liberté sur un sujet qui me passionne. Un nombre important de sources et de références consultées lors de mes séjours de recherche à l’Institut des études avancées sur l’Asie de l’université de Tokyo et à l’Institut de l’histoire moderne de l’Academia sinica, ont été d’une aide extrêmement précieuse, sans laquelle cette thèse n’aurait pu aboutir. Je remercie ces deux institutions pour leur généreux accueil et leur très grand professionnalisme. Je tiens également à remercier le CECMC et le SIMI de l’EHESS de m’avoir accordé plusieurs financements, qui m’ont permis de réaliser mes séjours de recherche. Au cours de ces années de doctorat, j’ai eu, à de multiples reprises, l’immense chance de pouvoir discuter et débattre de mes travaux, lors de colloques, d’ateliers et de journées d’études à l’EHESS, à l’université Paris-Diderot, à l’université Radboud de Nimègue, à l’université d’Amsterdam, à l’université de Tokyo et à l’université de Princeton. -
Indian Images in Chinese Literature: a Historical Survey
Indian Images in Chinese Literature: A Historical Survey Tan Chung School of Languages Jawaharlal Nehru University New Delhi. INDIA is the closest ancient civilization to China which is another ancient civilization. The two civilizations can be described as ’Trans-Himalayan Twins’ not only because they rank the Himalayan ranges, but also because both were given birth to by the rivers flowing from the Himalayan region. It is but natural that India figures prominently in the Chinese imagination, folklore, and literary records. The image of India in Chinese literature changes according to two factors: (i) mutual knowledge and intimacy between Indian and Chinese peoples, and (ii) India’s impact on China. We can divide the cultural contacts between India and China into four historical periods. First, from the time of Christ to the early centuries of the present millennium was the period when China was under active influence of Indian culture through the vehicle of Buddhism. Second, from the 13th to the 19th century was a period of little contact between India and China. In the meanwhile, both countries underwent political, social and cultural changes because of invasions by external forces. Third, from the 19th century upto the time when both countries won complete independence from West- ern imperialist domination (India in 1947 and China in 1949) was the period when the two trans-Himalayan twins became colonial twins-co-sufferers of the world imperialist systems. From the 1950s onwards, we have the fourth period of Sino-Indian contacts which saw the two newly independent peoples first being perplexed by the historical burdens and recently starting the process of liberating themselves from the labyrinth of historical problems 51 Downloaded from chr.sagepub.com at Sciences Po on September 27, 2016 to found Sino-Indian relations on a new rational basis. -
Contemporary Confucianism, the 'Reorganization of the National Heritage,' and Non-Western Histories of Thought in a Global Age
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by LSE Research Online Leigh Jenco How should we use the Chinese past? Contemporary Confucianism, the 'reorganization of the national heritage,' and non-western histories of thought in a global age Article (Accepted version) (Refereed) Original citation: Jenco, Leigh (2017) How should we use the Chinese past? Contemporary Confucianism, the 'reorganization of the national heritage,' and non-western histories of thought in a global age. European Journal of Political Theory . ISSN 1474-8851 © 2017 The Author This version available at: http://eprints.lse.ac.uk/72832/ Available in LSE Research Online: April 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. How Should We Use the Chinese Past? -
The Celebrated Buddhist Traveler and Translator Of
Early Medieval China 8 (2002) 43 THE MAKING OF A SAINT: IMAGES OF XUANZANG IN EAST ASIA* Dorothy C. Wong University of Virginia The figure ofXuanzang 1: ~ (600-64), the celebrated Buddhist traveler and translator of early Tang China was revered in many different countries and inspired a variety of visual representations and commemorative objects. One of the most common in East Asian tradition is Xuanzang's portrayal as a pilgrin1 and itinerant, wearing sandals and carrying a backpack of siltra scrolls. We are also familiar with his portrayal in Journey to the West (Xiyou ji ~ iRl ~c) by Wu Cheng'en **)~, (ca. 1500-ca. 1582), a novel which fictionalizes Xuanzang's journey to India in the company of the mythical Monkey and other colorful characters. * In the research for this paper, I have relied on many pioneering studies by scholars of the distant past and of more recent times. A number of important sources are acknowledged in the notes but specifics ofthe arguments will not be repeated here except when pertinent. Early versions of this paper were pre sented at the College Art Association meeting of February 1999, Los Angeles, and at the International Conference on Dunhuang Studies held at the University of Hong Kong, July 2000. I would like to thank the following individuals for their comments and suggestions: Sylvan Barnet, Terese Tse Bartholomew, Karen Brock, William Burto, Susan Bush, Lokesh Chandra, Chen Jinhua, Robert Gimello, Paul Groner, Jao Tsung-I, Robert Linrothe, Victor H. Mair, Naonli Richard, John Shepherd, and Roderick Whitfield. At the Dunhuang Studies conference in Dunhuang, also summer 2000, I learned that an exhibition titled "The Silk Road and the World of Xuanzang" had opened at the Nara Prefectural Museum the previous summer, and was traveling to other sites in Japan. -
Academia Sinica Balanced Corpus (Sinica Corpus) Contains 5,345,871 Characters, Equivalent to 3.5 Million Words.” (Chen Et Al., “Sinica Corpus”, 167)
QUANTITATIVE CHARACTERISTICS OF DIGITAL CHINESE CLASSICS: A PRELIMINARY STUDY Sergey Zinin Warring States Project University of Massachusetts, Amherst To the memory of Prof. Tatiana Grigoryeva Abstract1 The study analyzes quantitative aspects of digital versions of fifteen pre-Qin classical Chinese texts2, such as text length and number of character types. These parameters are critical for the analysis of character frequencies, but they vary in existing digital corpora. This article analyzes the available data (collected for the first time), beginning from the pre-digital period. It delineates the evolution of digital resources of classical Chinese and provides an up-to-date review of major available online resources as well as offline research corpora. The paper demonstrates the scope of variation and discusses the inherent inaccuracy of digital texts (“digital content gap,” i.e., the discrepancy between printed and digital versions of the same text). The digital content gap could affect traditional philological studies, but it 1 An earlier version of this article was published as Zinin, Sergey. “Pre-Qin Digital Classics: Study of Text Length Variations”. This material is an extended version of the former material. 2 All texts, except Zhuangzi, are from the “Thirteen Classics” (Shisanjing), and are available through a web-based concordancer Warring States Workshop Ctexts (thereafter, “WSW Ctexts”, to discern it from another project with similar name, Donald Sturgeon’s “Chinese Text Project (CTP)”). 1 may not be very significant for a quantitative analysis. The article presents a comparative analysis of length statistics, and concludes that because of the existing variety in text characteristics, any quantitative study of Chinese classics will be corpus-specific. -
Historical Romance and Sixteenth-Century Chinese Cultural Fantasies
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies Yuanfei Wang University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the English Language and Literature Commons, and the History Commons Recommended Citation Wang, Yuanfei, "Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies" (2013). Publicly Accessible Penn Dissertations. 938. https://repository.upenn.edu/edissertations/938 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/938 For more information, please contact [email protected]. Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies Abstract Chinese historical romance blossomed and matured in the sixteenth century when the Ming empire was increasingly vulnerable at its borders and its people increasingly curious about exotic cultures. The project analyzes three types of historical romances, i.e., military romances Romance of Northern Song and Romance of the Yang Family Generals on northern Song's campaigns with the Khitans, magic-travel romance Journey to the West about Tang monk Xuanzang's pilgrimage to India, and a hybrid romance Eunuch Sanbao's Voyages on the Indian Ocean relating to Zheng He's maritime journeys and Japanese piracy. The project focuses on the trope of exogamous desire of foreign princesses and undomestic women to marry Chinese and social elite men, and the trope of cannibalism to discuss how the expansionist and fluid imagined community created by the fiction shared between the narrator and the reader convey sentiments of proto-nationalism, imperialism, and pleasure. -
"Confucian" Classics, by Michael Nylan Endnotes
Copyright 2001 Yale University The Five "Confucian" Classics, by Michael Nylan Endnotes Page ¶ Chapter 1— Introduction to the Five Classics 1 1 "…the Chinese system"—In Korea, a national university dedicated to classical education in Chinese was established in AD 372 in Koguryô, one of the Three Kingdoms absorbed into Unified Silla, but it was not until the fourteenth century that the Yi dynasty designated Zhu Xi's teachings as Korea's official state ideology (for 500 years). In Japan, elements of Chinese-style classicism were first promoted by the fourth and fifth shoguns of Tokugawa (from 1651), and fully systematized only in Meiji. See Kurozumi Makoto (1994). In Vietnam, Van Mieu, a university on the Chinese model, with classes conducted in Mandarin Chinese, was in operation after AD 1070. For more information on Vietnam, see Alexander Woodside (1971). For Zhu Xi (1130-1200), see below in the introduction and Key Terms. 2 1 "…well worth revisiting"—Thomas Wilson (Hamilton College, private communication) reminds us that the modernists disputed the view that the world is iinherently moral; the postmodernists, that the world is intelligible. For the phrase "real science of men," see Charles Calia (1998), p. 139. 2 1 "…squander their riches"—Of course, Zhu Xi once scoffed at this ardent desire, which he ascribed to the Han classical masters, to fully comprehend thhe Supreme Sage: "Short of recalling Confucius's soul (hun) so that he can explain in person, I do not know what is to be done" about interpreting the past. See ZZYL 83, no. 44 (VI, p.