Excellence in Choral Music Carus – Leidenschaft Chormusik Der Carus-Verlag Stuttgart Wurde 1972 Mit Dem Schwerpunkt Chormusik Gegründet

Total Page:16

File Type:pdf, Size:1020Kb

Excellence in Choral Music Carus – Leidenschaft Chormusik Der Carus-Verlag Stuttgart Wurde 1972 Mit Dem Schwerpunkt Chormusik Gegründet ChorExcellence in choral music Carus – Leidenschaft Chormusik Der Carus-Verlag Stuttgart wurde 1972 mit dem Schwerpunkt Chormusik gegründet. Im Zentrum unserer Tätigkeit steht die Edition unbekannter Vokalmusik aller Epochen in kritischen Erstaus- gaben sowie die Neuveröffentlichung von Werken, die nicht mehr in zeitgemäßen oder zuverlässigen Ausgaben vorliegen. Seither hat sich unser Verlag zu einem weltweit führenden Anbieter von geist- licher und weltlicher Chormusik entwickelt. Carus – Excellence in choral music Carus was founded in 1972 with the aim of pub- lishing editions of previously unpublished works of sacred choral music, works out of print or works in older editions which did not conform to the standards of modern editorial practice. In pursuing its goal of continually expanding the repertoire available to choirs, Carus has become a leading publisher of sacred music worldwide. Die Verlagsgründer Günter und Waltraud Graulich mit Dr. Johannes Graulich (M.), der nun den Verlag führt. The founders of Carus, Günter and Waltraud Graulich, with Dr. Johannes Graulich (m.), who now leads the company. Preisliste · Price list (PDF) www.carus-verlag.com/Download.html Metadaten · Meta datas www.carus-verlag.com/katalog159 Alle Werke bei Carus sowie weitere Informationen, Hörbeispiele und Probepartituren unter www.carus-verlag.com / All works, further details, sound samples and evaluation scores at www.carus-verlag.com Impressum Carus-Verlag GmbH & Co. KG Preisänderungen, Irrtum und Stand: 8/2013 Sielminger Str. 51 Liefermöglichkeiten vorbehalten. Carus 99.080 D-70771 Leinfelden-Echterdingen Prices are subject to change. Errors Tel.: +49 (0)711 / 797 330-0 excepted. Folgen Sie Carus auf Fax: +49 (0)711 / 797 330-29 Facebook! [email protected] Bestellungen über den Fachhandel www.carus-verlag.com oder den Verlag. · Order from your www.facebook.de/CarusVerlag local music dealer or from Carus. J. S. Bach, BWV 147: Carus-Urtext und autographe Partitur (Leipzig um 1730) · Carus Urtext edition and autograph score (Leipzig, ca. 1730) s-Ve Carus – Urtext Carus – Urtext ru rla a g C Unsere Urtext-Ausgaben Our Urtext editions aim to provide a reliable music URTEXT stellen einen zuverlässigen text, cleansed of the additions of later centuries. und von Zutaten späterer They are developed according to current mu- C Jahrhunderte gereinigten sicological standards, taking into account all of Notentext zur Verfügung. Er the known sources, with the objective of most wird nach aktuellen wissenschaftlichen Standards closely realizing the composer’s intention. Every unter Auswertung aller derzeit bekannten Quellen decision made by the editor – from the choice of erarbeitet. Ziel ist es, der Absicht des Komponisten the definitive source to the individual readings – is so nahe wie möglich zu kommen. Alle Entschei- documented and discussed in the critical report, dungen des Herausgebers – von der Wahl der and emendations in the musical text – for example, maßgeblichen Quelle bis hin zur Einzellesart – in parallel passages – are marked accordingly. The werden im Kritischen Bericht dokumentiert und foreword offers performers important information diskutiert. Das Vorwort bietet dem Aufführenden concerning the work and its genesis as well as wichtige Informationen zum Werk und seiner suggestions for performance. Entstehungsgeschichte sowie Anregungen für die Aufführungspraxis. s-Ve ru rla a g Stuttgarter Reihen – Urtext C URTEXT Joseph Haydn. Geistliche Vokalmusik Die „Stuttgarter Ausgaben“ sind C Alle vollständig überlieferten lateinischen Messen weltweit als führende Urtext-Editi- Joseph Haydns liegen bereits bei Carus vor und onen im Bereich der geistlichen Chormusik aner- eröffnen die Möglichkeit, die ganze Bandbreite kannt. Ziel von Carus ist es, das gesamte geistliche, von Haydns Kirchenmusik kennen zu lernen. in manchen Fällen auch das weltliche, Vokalwerk der jeweiligen Komponisten vorzulegen. Felix Mendelssohn Bartholdy Die geistliche Vokalmusik stellt einen Grundpfeiler Johann Sebastian Bach und Bach-Familie im Schaffen Mendelssohns dar und spiegelt seine In Zusammenarbeit mit dem Bach-Archiv Leipzig. musikalische Entwicklung und Vielseitigkeit wider. Seit Gründung des Verlags ist die Edition der Bei Carus liegt Mendelssohns gesamtes geistliches Musik von Johann Sebastian Bach ein besonderer Vokalwerk in einer historisch-kritischen Ausgabe vor. Schwerpunkt. Mit dem Projekt Bach vocal streben wir die Vervollständigung der Vokalmusik-Ausga- ben Bachs in den kommenden Jahren an. Kontinu- Wolfgang Amadeus Mozart ierlich werden auch die verlagseigenen Ausgaben Das gesamte geistliche Vokalwerk Mozarts – neu aufgelegt, so aktuelle Forschungsergebnisse neben den bekannten Highlights auch zahlreiche dies erforderlich machen. Auch die Musik der großartige aber nahezu unbekannte Werke – liegt Bach-Familie, besonders die der vier komponieren- bei Carus in einer historisch-kritischen Ausgabe vor. den Söhne J. S. Bachs, ist bei Carus in kritischen Ausgaben erhältlich. Josef Gabriel Rheinberger Das geistliche und weltliche Vokalwerk Rhein- Georg Friedrich Händel bergers liegt bei Carus komplett in kritischen Die Vokalwerke von Händel sind fester Bestandteil Ausgaben vor. des Musiklebens. Carus erweitert das Angebot an Werken Händels beständig – sowohl um die po- pulären Kompositionen als auch um manche noch Franz Schubert weitgehend unbekannte Kostbarkeit. Die Kirchenmusik beschäftigte Franz Schubert ein Leben lang. Schuberts sämtliche Messen und klei- neren Kirchenwerke liegen komplett bei Carus vor. Johann Michael Haydn. Messen Obwohl zu Lebzeiten als Kirchenkomponist viel bekannter, stand Johann Michael Haydn lange im Heinrich Schütz Schatten seines älteren Bruders Joseph. Carus legt Heinrich Schütz gilt als der erste deutsche Mu- nach und nach Johann Michael Haydns Messver- siker von europäischem Rang. Die Stuttgarter tonungen vor. Schütz-Ausgabe versteht sich als quellenkritische Gesamtausgabe, präsentiert aber zugleich ein mo- dernes, für heutige Benutzer problemlos lesbares Notenbild. s-Ve ru rla a g Stuttgart Urtext Editions C URTEXT Joseph Haydn: Sacred vocal music The Stuttgart Editions are interna- C All of Joseph Haydn’s Latin masses which have tionally recognized as the leading been handed down in their entirety are available Urtext editions in the field of sacred choral music. at Carus with complete performance material. This Carus aims to publish the complete sacred vocal offers the possibility to get to know the range and music (and in some cases the secular music) for breadth of Haydn’s church music. each of the major composers in our music pro- gram. Felix Mendelssohn Bartholdy Mendelssohn’s sacred vocal music is a cornerstone Johann Sebastian Bach and Bach family of his creative output. It reflects and represents the In cooperation with the Bach-Archiv Leipzig musical development and diversity of this compo- Since its founding the editions of the music of ser. His complete sacred vocal music is available in Johann Sebastian Bach have played an important historical-critical editions at Carus. role at Carus. With the Bach vocal project it is our goal to complete the publication of Bach’s sacred music in the coming years. In addition, based on Wolfgang Amadeus Mozart the latest scholarly research we are continually Mozart’s complete sacred vocal music, including updating those editions which are currently part of many great, lesser-known works in addition to the our music program. The music of the Bach family, more famous works, is available in historical-critical especially of J. S. Bach’s four composing sons, is editions at Carus. available in critical Carus editions. Josef Gabriel Rheinberger George Frideric Handel Rheinbergers complete sacred and secular vocal The vocal works of Handel occupy a solid position music is available in critical editions at Carus. in musical life. Carus continues to increase the number of Handel’s works in our music program to include not only his popular compositions, but also Franz Schubert less well-known treasures. Schubert composed church music throughout his entire life. His complete masses and shorter sacred works are available at Carus. Johann Michael Haydn: Masses Although he was well known as a composer of church music during his lifetime, Johann Michael Heinrich Schütz Haydn has long stood in the shadow of his older Heinrich Schütz was the first German church brother Joseph. Carus continues to publish Johann musician of European stature. The Stuttgart Schütz Michael Haydn’s settings of the Mass. Edition is a complete edition of his works based on a critical examination of the sources presented in modern, easily readable format. Aufführungsmaterial zu über 1.500 Werken erhältlich. · Performance material available for more than 1,500 works. Aus der Praxis für die Praxis Musicology meets performance Aufführungsmaterial Performance Material Zusammen mit den kritisch edierten Partituren Together with our critically edited scores, we offer bieten wir für die Praxis preisgünstige Auffüh- the following affordable performance material: rungsmaterialien an: • Klavierauszüge mit gut spielbarem, griffi gem • Vocal scores with playable, substantial and und klaviergerechtem Satz auf Urtext-Basis pianistic settings on the basis of the Urtext • Chorpartituren für die kostengünstige Auf- • Choral scores to reduce the cost of perform- führung großer Chorwerke ing large choral works • Orchesterstimmen mit günstigen Wendestel- • Orchestral parts with convenient page turns len und sinnvollen Stichnoten and practical
Recommended publications
  • LCOM182 Lent & Eastertide
    LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas
    [Show full text]
  • Georg Friedrich Händel
    CAPPELLA „ARS MUSICA“ ÜBERREGIONALER CHOR 2004 Messiah HWV 56 Georg Friedrich Händel festschrift Georg Friedrich Händel 1685 – 1759 Messiah Georg Friedrich Händel Ingrid Haselberger, Sopran Florian Meixner, Countertenor Gerd Jaburek, Tenor Marcus Pelz, Bass Nikolaus Newerkla, Cembalo Cappella „Ars Musica“ Camerata „Ars Musica“ Einstudierung: Holger Kristen, Kurt Kren, Maria Magdalena Nödl Dirigentin Maria Magdalena Nödl mitwirkende 3 SONNTAG, 17. OKTOBER, 15.00 UHR PFARRKIRCHE TRAUNSTEIN SONNTAG, 24. OKTOBER, 16.00 UHR PFARRKIRCHE WULLERSDORF DIENSTAG, 26. OKTOBER, 16.00 UHR EGGENBURG - FESTSAAL LINDENHOF SONNTAG, 31. OKTOBER, 16.00 UHR KLOSTER PERNEGG SONNTAG, 14. NOVEMBER, 16.00 UHR STIFT ALTENBURG termine 4 Dr. Erwin Pröll Landeshauptmann von Niederösterreich Die Musik ist die beste Art der Kommunikation und die gemeinsame Sprache der Menschen. Niederösterreich verfügt über ein reiches, viel- fältiges und dynamisches Kulturleben. Der Chor Cappella „Ars Musica“ wird heuer das Wald- und Weinviertel musikalisch zum Klingen bringen. Der „Messias“ von G.F. Händel wird in fünf verschiedenen Orten aufgeführt. Und das ist auch die Philosophie der niederösterreichischen Kulturpolitik. Kunst und Kultur sind bei uns in jeder Gemeinde, in jeder Region erlebbar. Kunst und Kultur schaffen Lebensfreude, Lebensqualität, Zusammengehörig- keit und Identität. Die Musik ist zudem ein wirkungsvoller Botschafter unse- res Heimatlandes. Ich darf also dem Chor viel Erfolg und den Besuchern schöne Stunden mit dem „Messias“ wünschen. vorwort 5 Liebe Bevölkerung Yehudi Menuhin hat einmal gesagt: „Singen und Musik sind die eigent- liche Muttersprache aller Menschen, denn Musik ist die natürlichste Weise, in der wir uns ganz mitteilen können – mit all unseren Erfah- rungen, Empfindungen und Hoffnungen.“ Musik gehört also zur Natur des Menschen und ist eine der ursprünglichsten zwischenmenschlichen Ausdrucksformen.
    [Show full text]
  • The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary
    Alternative Services The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary Anglican Book Centre Toronto, Canada Copyright © 1985 by the General Synod of the Anglican Church of Canada ABC Publishing, Anglican Book Centre General Synod of the Anglican Church of Canada 80 Hayden Street, Toronto, Ontario, Canada M4Y 3G2 [email protected] www.abcpublishing.com All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of the publisher. Acknowledgements and copyrights appear on pages 925-928, which constitute a continuation of the copyright page. In the Proper of the Church Year (p. 262ff) the citations from the Revised Common Lectionary (Consultation on Common Texts, 1992) replace those from the Common Lectionary (1983). Fifteenth Printing with Revisions. Manufactured in Canada. Canadian Cataloguing in Publication Data Anglican Church of Canada. The book of alternative services of the Anglican Church of Canada. Authorized by the Thirtieth Session of the General Synod of the Anglican Church of Canada, 1983. Prepared by the Doctrine and Worship Committee of the General Synod of the Anglican Church of Canada. ISBN 978-0-919891-27-2 1. Anglican Church of Canada - Liturgy - Texts. I. Anglican Church of Canada. General Synod. II. Anglican Church of Canada. Doctrine and Worship Committee. III. Title. BX5616. A5 1985
    [Show full text]
  • Beethoven (1819-1823) (1770-1827)
    Friday, May 10, 2019, at 8:00 PM Saturday, May 11, 2019, at 3:00 PM MISSA SOLEMNIS IN D, OP. 123 Ludwig van Beethoven (1819-1823) (1770-1827) Tami Petty, soprano Helen KarLoski, mezzo-soprano Dann CoakwelL, tenor Joseph Beutel, bass-baritone Kyrie GLoria Credo Sanctus and Benedictus* Agnus Dei * Jorge ÀviLa, violin solo Approximately 80 minutes, performed without intermission. PROGRAM NOTES The biographer Maynard SoLomon him to conceptuaLize the Missa as a work described the Life of Ludwig van of greater permanence and universaLity, a Beethoven (1770-1827) as “a series of keystone of his own musicaL and creative events unique in the history of personaL Legacy. mankind.” Foremost among these creative events is the Missa Solemnis The Kyrie and GLoria settings were (Op. 123), a work so intense, heartfeLt and largely complete by March of 1820, with originaL that it nearly defies the Credo, Sanctus, Benedictus and categorization. Agnus Dei foLLowing in Late 1820 and 1821. Beethoven continued to poLish the work Beethoven began the Missa in 1819 in through 1823, in the meantime response to a commission from embarking on a convoLuted campaign to Archduke RudoLf of Austria, youngest pubLish the work through a number of son of the Hapsburg emperor and a pupiL competing European houses. (At one and patron of the composer. The young point, he represented the existence of no aristocrat desired a new Mass setting for less than three Masses to various his enthronement as Archbishop of pubLishers when aLL were one and the Olmütz (modern day Olomouc, in the same.) A torrent of masterworks joined Czech RepubLic), scheduLed for Late the the Missa during this finaL decade of following year.
    [Show full text]
  • Cantate Concert Program May-June 2014 "Choir + Brass"
    About Cantate Founded in 1997, Cantate is a mixed chamber choir comprised of professional and avocational singers whose goal is to explore mainly a cappella music from all time periods, cultures, and lands. Previous appearances include services and concerts at various Chicago-area houses of worship, the Chicago Botanic Garden’s “Celebrations” series and at Evanston’s First Night. antate Cantate has also appeared at the Chicago History Museum and the Chicago Cultural Center. For more information, visit our website: cantatechicago.org Music for Cantate Choir + Br ass Peter Aarestad Dianne Fox Alan Miller Ed Bee Laura Fox Lillian Murphy Director Benjamin D. Rivera Daniella Binzak Jackie Gredell Tracy O’Dowd Saturday, May 31, 2014 7:00 pm Sunday, June 1, 2014 7:00 pm John Binzak Dr. Anne Heider Leslie Patt Terry Booth Dennis Kalup Candace Peters Saint Luke Lutheran Church First United Methodist Church Sarah Boruta Warren Kammerer Ellen Pullin 1500 W Belmont, Chicago 516 Church Street, Evanston Gregory Braid Volker Kleinschmidt Timothy Quistorff Katie Bush Rose Kory Amanda Holm Rosengren Progr am Kyle Bush Leona Krompart Jack Taipala Joan Daugherty Elena Kurth Dirk Walvoord Canzon septimi toni #2 (1597) ....................Giovanni Gabrieli (1554–1612) Joanna Flagler Elise LaBarge Piet Walvoord Surrexit Christus hodie (1650) .......................... Samuel Scheidt (1587–1654) Canzon per sonare #1 (1608) ..............................................................Gabrieli Thou Hast Loved Righteousness (1964) .........Daniel Pinkham (1923–2006) About Our Director Sonata pian’ e forte (1597) ...................................................................Gabrieli Benjamin Rivera has been artistic director of Cantate since 2000. He has prepared and conducted choruses at all levels, from elementary Psalm 114 [116] (1852) ................................. Anton Bruckner (1824–1896) school through adult in repertoire from gospel, pop, and folk to sacred polyphony, choral/orchestral masterworks, and contemporary pieces.
    [Show full text]
  • Jean Langlais Remembered: Chapter-9
    The Upheavals of the Sixties ! ! ! CHAPTER 9 The$Upheavals$of$the$Sixties$ Jean Langlais’s mature years should have unfolded smoothly as his fame increased, but it was not to be. A major upheaval would rock the Roman Catholic Church, a budding ecumenical movement would gain momentum, and the world of French organists would split along fault lines between proponents of Baroque, Romantic, and contemporary music. Jean Langlais suddenly found himself doing battle on multiple fronts, under attack from the liturgical consequences of Vatican II on the one hand, and confronting new ideas from younger colleagues on the other. In spite of the resulting tumult, he would continue to advance his career as a brilliant recitalist and teacher, attracting a growing number of foreign organ students along the way. The Second Vatican Council: Jean Langlais confronts the evolution of the Roman Catholic liturgy We arrive at what proved to be one of the saddest moments in the life of Jean Langlais. For some time he had been considered a specialist of the highest order in the domain of Roman Catholic sacred music, most notably since 1954-1955 and the success of his Missa Salve Regina. The Second Vatican Council, particularly as interpreted by certain French liturgists, now stood poised to completely disrupt the happy order of his life as a composer. His six choral masses in Latin, a Passion, and numerous motets and cantatas notwithstanding, Langlais initially reacted with enthusiasm to the Church’s new directives concerning religious music, composing many simple works in French that were directly accessible to the faithful.
    [Show full text]
  • Volume 93, Summer 1966
    Volume 93, Summer 1966 Published quarterly by the Church Music Association of America Offices of publication at Saint Vincent Arcfiabbey, Latrobe, Pennsylvania 15650 Continuation of: CAECILIA, published by the St. Caecilia Society since 1874 and THE CATHOLIC CHoiRMASTER, published by the St. Gregory Society since 1915. EDITORIAL BOARD Rt. Rev. Rembert G. Weakland, O.S.B., Chairman Mother C. A. Carroll, R.S.C.J., Music review editor Louise Cuyler, Book review editor Rev. Richard J. Schuler, News editor Rev. Ignatius J. Purta, O.S.B., Managing editor Frank D. Szynskie, Circulation Rev. Lawrence Heiman, C.PP.S. Rev. C. J. McNaspy, S.J. Very Rev. Francis P. Schmitt J. Vincent Higginson Rev. Peter D. Nugent Editorial correspondence may be sent to : SACRED MUSIC, SAINT VINCENT ARCHABBEY, LATROBE, PENNSYLVANIA 15650 CHURCH MUSIC ASSOCIATION OF AMERICA EXEcUTIVE BoARD Rt. Rev. Rembert G. Weakland, O.S.B., President Rev. Cletus Madsen, Vice-president Rev. Richard J. Schuler, General Secretary Frank D. Szynskie, Treasurer Cecilia Kenny, Regional Chairman, East Coast Rev. Robert Skeris, Regional Chairman, Middle West Roger Wagner, Regional Chairman, West Coast Rev. Joseph R. Foley, C.S.P. Mother Josephine Morgan, R.S.C.J. Rev. John C. Selner, S.S. J. Vincent Higginson Very Rev. Francis P. Schmitt Sister M. Theophane, O.S.F. Memberships in the CMAA include a subscription to SACRED MUSIC. Voting membership, $10.00 annually; by subscription only, $5.00; student membership, $4.00. Application forms for voting and student memberships must be obtained frdm• Sister M. Theophane, O.S.F., Chairman, Membership Committee, CMAA, 3401 South 39th Street, Milwaukee, Wisconsin 53215.
    [Show full text]
  • Nineteenth Century Sacred Music: Bruckner and the Rise of the Cäcilien-Verein
    Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2020 Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein Nicholas Bygate Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Music Commons Recommended Citation Bygate, Nicholas, "Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein" (2020). WWU Graduate School Collection. 955. https://cedar.wwu.edu/wwuet/955 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein By Nicholas Bygate Accepted in Partial Completion of the Requirements for the Degree Master of Music ADVISORY COMMITTEE Chair, Dr. Bertil van Boer Dr. Timothy Fitzpatrick Dr. Ryan Dudenbostel GRADUATE SCHOOL David L. Patrick, Interim Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non- exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files.
    [Show full text]
  • Findbuch Als
    Inhaltsverzeichnis Vorwort II 1.0 Orgelkonzerte 1 2.0 Internationale Orgeltage 24 3.0 Geistliche Konzerte 57 4.0 Weihnachtsmusik / Christmetten 90 5.0 Pfingstkonzerte 105 6.0 Passionsmusik 110 7.0 Besondere Anlässe 126 8.0 Einzelne Komponisten 135 8.1 Bach 136 8.2 Haydn 139 8.3 Händel 141 9.0 Sonstiges 144 I Vorwort Vorwort Der Bestand setzt sich aus digitalisierten Aufnahmen der Marienkantorei zu- sammen. Vorhanden sind v.a. diverse Konzertmitschnitte von Auftritten der Marienkantorei oder befreundeter Künstler/Gruppen. Wer im Einzelnen die Mitschnitte angefertigt hat, ist unklar. Die Digitalisierung der analogen Vorlagen erfolgte über die MarienKantorei. Die Tonaufnahmen liegen als wav-Dateien vor. Die eigentlichen Audioaufnahmen (Tonbänder, Tonkassetten...) befinden sich im Bestand NL 12 Nachlass Marienkantorei Lemgo/Kantor Walther Schmidt. Benutzung des Bestandes Die Benutzung des Bestandes (d.h. das Hören der Digitalaufnahmen) erfolgt nur nach vorheriger Genehmigung durch den Vorstand der MarienKantorei Lemgo im Benutzersaal des Stadtarchivs. Verweis Das Schriftgut und Bild/Videomaterial der Marienkantorei Lemgo befindet sich im Bestand NL 12 - Nachlass Marienkantorei Lemgo/Kantor Walther Schmidt. Dort auch weitere Verweise und Literaturangaben. II 1.0 Orgelkonzerte 1.0 Orgelkonzerte NL 12 a - Kass. C5 Byrd-Fantasia Byrd - In Assumptione - Beatae Mariae Virginis Messeproprius Vokalensemble Chanticleer-Nicholas Danby St.Marien MarienKantorei Digitalisat auf mobiler Festplatte Nr. 1 2015/008 NL 12 a - 11.3.8 Lieder und Dvorak-Messe Johannes Homburg,Orgel St.Marien MarienKantorei Digitalisat auf mobiler Festplatte Nr. 1 2015/008 NL 12 a - 18.98 02.11.1958 Chor- und Orgelkonzert des Pres:Kyrie, Sanctus und Agnus dei aus Missa de beata virgine, Brixi: Concerto F-dur, Reichel: Con- certo f.Orgel, Muffat: Toccata Nr.
    [Show full text]
  • Ticketpreise Ticket Prices
    Programmbuch · Programme book TiCketprEisE TiCkET Prices European Choir Games Eröffnungs- und Abschlusskonzert · Graz (Österreich · Austria) 2013 Opening & Closing concert: € 30,- | € 20,-*| € 20,-** | frei · free *** (Plätze begrenzt · limited seats) INTERKULTUR INTERKULTUR Österreich Festivalchor-konzert: Verdi: requiem · Ruhberg 1 · 35463 Fernwald, Germany Liebenauer Hauptstraße 2-6 Festival Choir Concert: Verdi: Requiem: Telefon · Phone: +49 (0)6404 69749-25 8041 Graz Fax: +49 (0)6404 69749-29 Austria € 69,-/59,-/49,-/29,- | € 62,-/53,-/44,-/26,-* E-mail: [email protected] € 59,-/50,-/42,-/24,-** | € 15,-/12,-/10,-/8,-*** www.europeanchoirgames.com Galakonzerte · Gala concerts: € 20,-| € 15,-*| € 15,-**| € 10,-*** Großpreis-Wettbewerb · Grand Prize Competition: € 15,-| € 10,-*| € 10,-**| frei · free *** (Plätze begrenzt · limited seats) Wettbewerbe · Competitions: Tagesticket · one-day ticket: € 10,- | € 7,-*| € 7,-** | frei · free *** Wettbewerbsabo (für alle Wettbewerbe) · competition pass (for all competition concerts): € 20,-| € 15,-*| € 15,-** | frei · free *** Freundschaftskonzerte in der steiermark · Friendship concerts in Styria: € 12,- (Vorverkauf / advance sale) € 15,- (Abendkasse / box office) € 5,- (Kinder bis 15 Jahre /children up to 15 years) Tickets erhältlich · Tickets available • Ö-Ticket Vorverkaufsstellen · Ö-Ticket offices • Kundenbüros der Kleinen Zeitung · Costumer Service Centers Kleine Zeitung • Graz Tourismus Information (Herrengasse 16, Graz), Tel: 0316/8075-0 • Online: www.oeticket.com • Ö-Ticketcenter Hotline in Graz: Tel.: 0316/8088-200 • Abendkasse an den Konzertorten · box office at the concert venues • Ticketschalter im Congress Graz · Ticket counter in Congress Graz Tickethotline: +43-664-7907231 Freundschaftskonzerte in der Steiermark: Tickets nur in den jeweiligen Konzertorten erhältlich, weitere Informationen unter www.kultur-land-leben.at · Friendship concerts in Styria: tickets 14. – 21. Juli 2013, Graz, Österreich | Austria Österreich 14.
    [Show full text]
  • Published on February 11, 2019; Disregard All Previous Documents 1
    Subject to change without notice; Published on February 11, 2019; disregard all previous documents 1 Subject to change without notice; Published on February 11, 2019; disregard all previous documents 2 Subject to change without notice; Published on February 11, 2019; disregard all previous documents 3 Subject to change without notice; Published on February 11, 2019; disregard all previous documents 4 2020 Music Tour to Prague and Berlin Registration Deadline: November 15, 2020 Two performances in The Basilica Vyšehrad and The Church of St. Simon and St. Jude On Monday, June 22 and Wednesday, June 24 Mozart’s Vesperae solennes de confessore, K. 339 Earl Rivers, conductor College-Conservatory of Music University of Cincinnati, Ohio And Director of Music Knox Presbyterian Church, Cincinnati, Ohio Virtuosi di Praga Oldřich Vlček, Artistic Director & World-class soloists PLUS Friday, June 26 An a cappella solo performance opportunity by visiting choirs In Berliner Gedächtniskirche A minimum of three groups must agree to perform for this concert to go forward. The Basilica Vyšehrad The Church of St. Simon and St. Jude Berliner Gedächtniskirche MidAm International, Inc. · 39 Broadway, Suite 3600 (36th FL) · New York, NY 10006 Tel. (212) 239-0205 · Fax (212) 563-5587 · www.midamerica-music.com Subject to change without notice; Published on February 11, 2019; disregard all previous documents 5 2020 MUSIC TOUR TO PRAGUE AND BERLIN: Itinerary Day 1 – Friday, June 19, 2020 – Arrive Prague • Arrive in Prague. MidAm International, Inc. staff and The Columbus Welcome Management staff will meet you at the airport and transfer you to Hotel Don Giovanni (http://www.hotelgiovanni.cz/en) for check-in.
    [Show full text]
  • Presenting a Comprehensive Picture of Bach's Creative Genius Is One Of
    Presenting a comprehensive picture of Bach’s creative genius is one of the chief objectives of the Baldwin Wallace Bach Festival. The list that follows records works performed on Festival programs since its inception in 1933. VOCAL WORKS LARGE CHORAL WORKS BWV 232, Messe in h-moll. 1935, 1936, 1940, 1946, 1947, 1951,1955, 1959, 1963, 1967, 1971, 1975, 1979, 1983, 1985, 1989, 1993, 1997, 2001, 2005, 2007, 2011, 2015, 2019. BWV 245, Johannespassion. 1937, 1941, 1948, 1952, 1956, 1960, 1964, 1968, 1972, 1976, 1980, 1984, 1990, 1994, 1998, 2002, 2006, 2010, 2014, 2018. BWV 248, Weihnachts-Oratorium. 1938, 1942, 1949, 1953, 1957, 1961, 1965, 1969, 1973, 1977, 1981, 1986, 1991, 1995, 1999, 2003, 2009, 2013. BWV 244, Matthäuspassion. 1939, 1950, 1954, 1958, 1962, 1966, 1970, 1974, 1978, 1982, 1987, 1992, 1996, 2000, 2004, 2008, 2012. BWV 243, Magnificat in D-Dur. 1933, 1934, 1937, 1939, 1943, 1945, 1946, 1950, 1957, 1962, 1968, 1976, 1984,1996, 2006, 2014. BWV 249, Oster-Oratorium. 1962, 1990. MOTETS BWV 225, Singet dem Herrn ein neues Lied. 1940, 1950, 1957, 1963, 1971, 1976, 1982, 1991, 1996, 1999, 2006, 2017, 2019. BWV 226, Der Geist hilft unsrer Schwachheit auf. 1937, 1949, 1956, 1962, 1968, 1977, 1985, 1992, 1997, 2003, 2007, 2019. BWV 227, Jesu, meine Freude. 1934, 1939, 1943, 1951, 1955, 1960, 1966, 1969, 1975, 1981, 1988, 1995, 2001, 2005, 2019. BWV 228, Fürchte dich nicht, ich bin bei dir. 1936, 1947, 1952, 1958, 1964, 1972, 1979, 1995, 2002, 2016, 2019. BWV 229, Komm, Jesu, komm. 1941, 1949, 1954, 1961, 1967, 1973, 1992, 1993, 1999, 2004, 2010, 2019.
    [Show full text]