The Anglican Singers Repertoire As of June 2015
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Preces and Responses” Has Been Performed Throughout the US and in England and Is Fast Becoming a Staple of the Evensong Repertoire
Evensong paraclete press PPM01351 $2.90 Selected Works Published by Paraclete Press Ashdown, Franklin D. My Song Is Love Unknown—PPM01313 SATB and Organ Morning Canticle—PPM01314 SATB with some divisi and Organ Bratt, C. Griffith Bread of the World—PPM01305 SATB and Organ Forster, Stuart It is a Good Thing to Give Thanks unto Preces and the Lord–PPM01317 SATB and Organ Galetar, Charles Humbly, I Adore Thee—PPM01318 SATB a cappella Responses Livingston, Donald O Sons and Daughters—PPM01320 SATB with some divisi, Organ, Brass, Timpani, and Percussion Westminster Abbey Lovelace, Austin Benedictus es Domine—PPM01306 SATB and Organ Copy Nelson, Daniel Wherever I May Wander—PPM01322 SATB and Piano Phillips, Craig Communion Service in G: Rite I—PPM01328 SATB a cappella with divisi James Buonemani Powell, Robert Concerto on Jesus Shall Reign—PPM01307 SATB, Congregation, Trumpets, and Organ Stearns, Peter Pindar Spirit of Mercy, Truth and Love—PPM01302 SATB and Organ Not Weidner, Raymond From the Rising of the Sun—PPM01308 SATB a cappella SATB a cappella Do with some divisi paraclete press P.O. Box 1568, Orleans, MA 02653 1-800-451-5006 www.paracletesheetmusic.com James Buonemani James Buonemani (b. 1956) began his musical career at age 13 when he was appointed Assistant Organist to then Director of Music William Ferris at Sacred Heart Cathedral, Rochester, NY. An early interest in composition won him first prize in a national competition for composers sponsored by Baylor University, at age 15. Since then he has composed music exclusively for the church, much of which can be found on his website MusicaBellaLuna.com. -
Choral Evensong with Carols
THE CATHEDRAL AND METROPOLITICAL CHURCH OF CHRIST, CANTERBURY Choral Evensong with Carols Christmas Eve Thursday 24th December 2020 5.30pm Welcome to Canterbury Cathedral for this Service For your safety Please keep social distance at all times Please stay in your seat as much as possible Please use hand sanitiser on the way in and out Please avoid touching your face and touching surfaces Cover Image: The Nativity (Christopher Whall) South West Transept, Canterbury Cathedral Transept As part of our commitment to the care of the environment in our world, this Order of Service is printed on unbleached 100% recycled paper Please ensure that mobile phones are switched off. No form of visual or sound recording, or any form of photography, is permitted during Services. Thank you for your co-operation. An induction loop system for the hard of hearing is installed in the Cathedral. Hearing aid users should adjust their aid to T. Large print orders of service are available from the stewards and virgers. Please ask. Some material included in this service is copyright: © The Archbishops' Council 2000 © The Crown/Cambridge University Press: The Book of Common Prayer (1662) Hymns and songs reproduced under CCLI number: 1031280 Produced by the Music & Liturgy Department: [email protected] 01227 865281 www.canterbury-cathedral.org ORDER OF SERVICE All stand as the choir and clergy enter the Nave Welcome The Dean Please remain standing Introit O little one sweet, O little one sweet, O little one mild, O little one mild, thy Father’s purpose thou hast fulfilled; with joy thou hast the whole world filled; thou cam’st from heav’n to mortal ken thou camest here from heaven’s domain equal to be with us poor men, to bring men comfort in their pain, O little one sweet, O little one sweet, O little one mild. -
ORDINATION 2021.Pdf
WELCOME TO THE CATHEDRAL OF SAINT PAUL Restrooms are located near the Chapel of Saint Joseph, and on the Lower Level, which is acces- sible via the stairs and elevator at either end of the Narthex. The Mother Church for the 800,000 Roman Catholics of the Archdiocese of Saint Paul and Minneapolis, the Cathedral of Saint Paul is an active parish family of nearly 1,000 households and was designated as a National Shrine in 2009. For more information about the Cathedral, visit the website at www.cathedralsaintpaul.org ARCHDIOCESE OF SAINT PAUL AND MINNEAPOLIS SAINT PAUL, MINNESOTA Cover photo by Greg Povolny: Chapel of Saint Joseph, Cathedral of Saint Paul 2 Archdiocese of Saint Paul and Minneapolis Ordination to the Priesthood of Our Lord Jesus Christ E Joseph Timothy Barron, PES James Andrew Bernard William Duane Duffert Brian Kenneth Fischer David Leo Hottinger, PES Michael Fredrik Reinhardt Josh Jacob Salonek S May 29, 2021 ten o’clock We invite your prayerful silence in preparation for Mass. ORGAN PRELUDE Dr. Christopher Ganza, organ Vêpres du commun des fêtes de la Sainte Vierge, op. 18 Marcel Dupré Ave Maris Stella I. Sumens illud Ave Gabrielis ore op. 18, No. 6 II. Monstra te esse matrem: sumat per te preces op. 18, No. 7 III. Vitam praesta puram, iter para tutum: op. 18, No. 8 IV. Amen op. 18, No. 9 3 HOLY MASS Most Rev. Bernard A. Hebda, Celebrant THE INTRODUCTORY RITES INTROITS Sung as needed ALL PLEASE STAND Priests of God, Bless the Lord Peter Latona Winner, Rite of Ordination Propers Composition Competition, sponsored by the Conference of Roman Catholic Cathedral Musicians (2016) ANTIPHON Cantor, then Assembly; thereafter, Assembly Verses Daniel 3:57-74, 87 1. -
Evensong Wednesday in the Second Week of Lent
Evensong wednesday in the second week of lent March 3, 2021 ◆ 4:30 pm Welcome to this service of Evensong at Saint Mark’s Cathedral via Zoom on Wednesday in the Second Week of Lent. Everything you need to participate in the service will be in this leaflet, which will be shared on the Zoom screen throughout the service. Note: Everyone will be muted upon entry to this Zoom meeting. The Officiant begins the service with the following sentence of Scripture. sentence of scripture Joel 2:13 Officiating Priest Rend your hearts and not your garments. Return to the Lord your God, for he is gracious and merciful, slow to anger and abounding in steadfast love, and repents of evil. preces The Book of Common Prayer, p. 117 Officiant O God, make speed to save us. People O Lord, make haste to help us. All Glory to the Father and to the Son, and to the Holy Spi rit as it was in the beginning, is now, and will be for ever. A men. Al le lu ia. 1 phos hilaron O gracious light ◆ sung by all tune: The Eighth Tune This hymn will be sung unaccompanied in a round at a distance of one measure. psalter Psalm 119:73-80: Yodh ◆ chanted by Choristers Plainsong Tone 8.1 Manus tuœ fecerunt me 73 [Your hands have] made me and / fashioned me; * give me understanding, that I may learn / your commandments. 74 Those who fear you will be glad when they / see me, * because I / trust in your word. 75 I know, O Lord, that your judgments are / right * and that in faithfulness you / have afflicted me. -
Evensong 9 August 2018 5:15 P.M
OUR VISION: A world where people experience God’s love and are made whole. OUR MISSION: To share the love of Jesus through compassion, inclusivity, creativity and learning. Evensong 9 August 2018 5:15 p.m. Evensong Thursday in the Eleventh Week after Pentecost • 9 August 2018 • 5:15 pm Welcome to Grace Cathedral. Choral Evensong marks the end of the working day and prepares for the approaching night. The roots of this service come out of ancient monastic traditions of Christian prayer. In this form, it was created by Thomas Cranmer, Archbishop of Canterbury in the 16th century, as part of the simplification of services within the newly-reformed Church of England. The Episcopal Church, as part of the worldwide Anglican Communion, has inherited this pattern of evening prayer. In this service we are invited to reflect on the business of the past day, to pray for the world and for ourselves, and to commend all into God’s hands as words of Holy Scripture are said and sung. The beauty of the music is offered to help us set our lives in the light of eternity; the same light which dwelt among us in Jesus, and which now illuminates us by the Spirit. May this service be a blessing to you. Voluntary Canzonetta William Mathias The people stand as the procession enters. The Invitatory and Psalter Opening Sentence Said by the officiant. Preces John Rutter Officiant O Lord, open thou our lips. Choir And our mouth shall shew forth thy praise. O God, make speed to save us. -
The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary
Alternative Services The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary Anglican Book Centre Toronto, Canada Copyright © 1985 by the General Synod of the Anglican Church of Canada ABC Publishing, Anglican Book Centre General Synod of the Anglican Church of Canada 80 Hayden Street, Toronto, Ontario, Canada M4Y 3G2 [email protected] www.abcpublishing.com All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of the publisher. Acknowledgements and copyrights appear on pages 925-928, which constitute a continuation of the copyright page. In the Proper of the Church Year (p. 262ff) the citations from the Revised Common Lectionary (Consultation on Common Texts, 1992) replace those from the Common Lectionary (1983). Fifteenth Printing with Revisions. Manufactured in Canada. Canadian Cataloguing in Publication Data Anglican Church of Canada. The book of alternative services of the Anglican Church of Canada. Authorized by the Thirtieth Session of the General Synod of the Anglican Church of Canada, 1983. Prepared by the Doctrine and Worship Committee of the General Synod of the Anglican Church of Canada. ISBN 978-0-919891-27-2 1. Anglican Church of Canada - Liturgy - Texts. I. Anglican Church of Canada. General Synod. II. Anglican Church of Canada. Doctrine and Worship Committee. III. Title. BX5616. A5 1985 -
Cantate Concert Program May-June 2014 "Choir + Brass"
About Cantate Founded in 1997, Cantate is a mixed chamber choir comprised of professional and avocational singers whose goal is to explore mainly a cappella music from all time periods, cultures, and lands. Previous appearances include services and concerts at various Chicago-area houses of worship, the Chicago Botanic Garden’s “Celebrations” series and at Evanston’s First Night. antate Cantate has also appeared at the Chicago History Museum and the Chicago Cultural Center. For more information, visit our website: cantatechicago.org Music for Cantate Choir + Br ass Peter Aarestad Dianne Fox Alan Miller Ed Bee Laura Fox Lillian Murphy Director Benjamin D. Rivera Daniella Binzak Jackie Gredell Tracy O’Dowd Saturday, May 31, 2014 7:00 pm Sunday, June 1, 2014 7:00 pm John Binzak Dr. Anne Heider Leslie Patt Terry Booth Dennis Kalup Candace Peters Saint Luke Lutheran Church First United Methodist Church Sarah Boruta Warren Kammerer Ellen Pullin 1500 W Belmont, Chicago 516 Church Street, Evanston Gregory Braid Volker Kleinschmidt Timothy Quistorff Katie Bush Rose Kory Amanda Holm Rosengren Progr am Kyle Bush Leona Krompart Jack Taipala Joan Daugherty Elena Kurth Dirk Walvoord Canzon septimi toni #2 (1597) ....................Giovanni Gabrieli (1554–1612) Joanna Flagler Elise LaBarge Piet Walvoord Surrexit Christus hodie (1650) .......................... Samuel Scheidt (1587–1654) Canzon per sonare #1 (1608) ..............................................................Gabrieli Thou Hast Loved Righteousness (1964) .........Daniel Pinkham (1923–2006) About Our Director Sonata pian’ e forte (1597) ...................................................................Gabrieli Benjamin Rivera has been artistic director of Cantate since 2000. He has prepared and conducted choruses at all levels, from elementary Psalm 114 [116] (1852) ................................. Anton Bruckner (1824–1896) school through adult in repertoire from gospel, pop, and folk to sacred polyphony, choral/orchestral masterworks, and contemporary pieces. -
BATES, JAMES M., DMA Music in Honor of the Virgin Mary
BATES, JAMES M., D.M.A. Music in Honor of the Virgin Mary during the Middle Ages and Renaissance. (2010) Directed by Dr. Welborn Young. 50 pp. Veneration of the Virgin Mary was one of the most important aspects of Christianity during the Middle Ages and Renaissance, and sacred music of the time incorporated many Marian concepts. The Virgin Mary was considered the greatest intercessor with God and Christ at a time when fear of Purgatory was strong. Prayers and devotions seeking her aid were among the most significant aspects of spiritual life, and texts of this kind were set to music for devotional use. Beyond her identity as intercessor, there were many additional conceptions of her, and these also found musical expression. The purpose of this study was, first, to explore the basic elements of Marian devotion, and, second, to examine how veneration of Mary was expressed musically. Seven musical compositions from c. 1200-1600 are examined as representative examples. The ―Marian aspects‖ of some compositions may be as straightforward as the use of texts that address Mary, or they may be found in musical and textual symbolism. Of special interest is a particular genre of motet used in private devotions. Precise and detailed information about how sacred music was used in the Middle Ages and Renaissance is scarce, but evidence related to this particular kind of devotional motet helps bring together a number of elements related to Marian meditative practices and the kind of physical settings in which these took place, allowing a greater understanding of the overall performance context of such music. -
Preces and Responses for Tenor, Baritone, and Bass Voices
L013 S T E P H E N B A R K E R Preces and Responses for Tenor, Baritone, and Bass voices www.sbarker.net For the gentlemen of St Stephen's Church Choir, Canterbury and in memory of Marten Rogers Preces and Responses Book of Common Prayer Stephen Barker (b. 1977) Lively f Cantor Choir mf ˙ 7 œ 2˙˙ ? œ œ œ œ œ œ ? 8 œ œ œ œ œ œ œ œ œ 4 O Lord, o - pen thou our lips and our mouth shall shew forth thy praise. mp Cantor Choir œ œ œ œ œ œ œ œ ˙ 5 œ œ œ œœ œ 2œœ œœ ? œ ? 8 J œ 4 O God, make speed to save us. O Lord, make haste to help us. Cantor Choir œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ 4 mœp œ ? ? 4 Glo - ry be to the Fa - ther, and to the Son, and to the Ho - ly Ghost; as it mf mp f ff œ j œ œ ˙ œ œ , ˙ ? œ œ œœœœœœ œ œ 7 œ œ œœœœ œœ œ 4 œ œ œ œœ ˙œ œ ˙œ˙ 2#˙ ‰ J 8 ‰ 4 œ 4 was in the be-gin- ning, is now and ev - er shall be, world with - out end. A - men. f ff œj Cantor œ œ œ ˙ Choir œ œ œ œ ˙œ ? œ ? 5 œ œ œ œ 3œ 2 œ 8 J J 8 J 4 Praise ye the Lord. e Lord's name be praised. -
Services and Music List
Services and Music List December 2018 WELCOME December begins almost immediately with the thrill of Advent and our Carol Service, How shall we call Thee?, built around the Great Advent Antiphons. These are set to music this year by Richard Allain under the title Vero Cras. Amid the many celebrations of Christmas hosted by the Cathedral throughout Advent, we keep the daily round of prayer and praise as excitement builds, and we are surprised again by God’s gift of himself. We hope very much that you will join us when you can. The Reverend Canon Nicholas Jepson-Biddle, Precentor Communicant members of other churches in good standing are welcome to receive the Sacrament in this church if they so desire. IN RESIDENCE December 1: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 2 – 8: The Very Reverend Dr John Davies DL, Dean December 9 – 15: The Reverend Canon Rosalind Paul, Pastor December 16 – 25: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 26 – 31: The Reverend Canon Rosalind Paul, Pastor WELLS CATHEDRAL CHOIR The Cathedral’s Organist and Master of the Choristers, Prebendary Matthew Owens, is always pleased to hear from parents of prospective choristers. Scholarships and additional bursaries for Wells Cathedral School, which all choristers attend, are available. For more information, or about choral and organ scholarships at the Cathedral, please telephone 01749 832204 or email [email protected] USE OF INCENSE At certain services throughout the year, incense is used to enhance the festal nature of the day. These services are marked with an asterisk (*). ANTHEMS Selected translations of anthems which are not sung in English may be found towards the back of the Services and Music List, following the final listed week. -
English Translation of Mozart's Requiem
English Translation of Mozart's Requiem I. Introit: Requiem Requiem aeternam dona eis, Grant them eternal rest, Lord, Domine, and let perpetual light shine on et lux perpetua luceat eis. them. Te decet hymnus, Deus, in Sion, You are praised, God, in Zion, et tibi reddetur votum in and homage will be paid to You in Jerusalem. Jerusalem. Exaudi orationem meam, Hear my prayer, ad te omnis care veniet. to You all flesh will come. Requiem aeternam dona eis, Grant them eternal rest, Lord, Domine, and let perpetual light shine on et lux perpetua luceat eis. them. II. Kyrie Kyrie, eleison. Lord, have mercy on us. Christe, eleison. Christ, have mercy on us. Kyrie, eleison. Lord, have mercy on us. III. Sequence 1. Dies irae Day of wrath, day of anger Dies irae, dies illa will dissolve the world in ashes, Solvet saeclum in favilla, as foretold by David and the Sibyl. teste David cum Sibylla. Great trembling there will be Quantus tremor est futurus, when the Judge descends from quando judex est venturus, heaven cuncta stricte discussurus! to examine all things closely. 2. Tuba mirum The trumpet will send its wondrous Tuba mirum spargens sonum sound per sepulcra regionum, throughout earth's sepulchres coget omnes ante thronum. and gather all before the throne. Mors stupebit et natura, Death and nature will be cum resurget creatura, astounded, judicanti responsura. when all creation rises again, Liber scriptus proferetur, to answer the judgement. in quo totum continetur, A book will be brought forth, unde mundus judicetur. in which all will be written, by which the world will be judged. -
Nineteenth Century Sacred Music: Bruckner and the Rise of the Cäcilien-Verein
Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2020 Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein Nicholas Bygate Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the Music Commons Recommended Citation Bygate, Nicholas, "Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein" (2020). WWU Graduate School Collection. 955. https://cedar.wwu.edu/wwuet/955 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein By Nicholas Bygate Accepted in Partial Completion of the Requirements for the Degree Master of Music ADVISORY COMMITTEE Chair, Dr. Bertil van Boer Dr. Timothy Fitzpatrick Dr. Ryan Dudenbostel GRADUATE SCHOOL David L. Patrick, Interim Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non- exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work and does not infringe or violate any rights of others. I warrant that I have obtained written permissions from the owner of any third party copyrighted material included in these files.