Learned Love.Proceedings of the Emblem Project Utrecht Conference

Total Page:16

File Type:pdf, Size:1020Kb

Learned Love.Proceedings of the Emblem Project Utrecht Conference The emblem is a wonderful invention of the Renais- Learned Love sance. The funny, mysterious, moralizing, learned or pious combinations of word and image in the Learned Love crossover emblematic genre can be characterized as a delicate network of motifs and mottoes. This network served as a receptacle for the traditions of the European visual and literary arts. In its turn it Proceedings of the Emblem Project Utrecht Conference on influenced architecture, painting, love poetry, chil- dren’s books, preaching and interior decoration. Dutch Love Emblems and the Internet (November 2006) Together emblem books and the culture to which they belong form a web of closely interre- lated references. It is surely no coincidence that digitised emblem books are popular items on what may be their modern counterpart: the World Wide Web. In 2003 the Emblem Project Utrecht set out to digitise 25 representative Dutch love emblem books. The love emblem is one of the best known emblem- atic subgenres, first developed in the Low Countries and soon popular all over Europe. To celebrate the completion of the work done by the Emblem Project Utrecht, a conference was held on November 6 and 7, 2006. The focus of this con- ference was twofold: the Dutch love emblem and the process of digitising the emblems. This volume contains the selected papers of this conference, com- plemented by a general introduction and additional papers by the editors. Stronks and Boot DANS (Data Archiving and Networked Services) is the national organization in the Netherlands for storing and providing permanent access to research data from the humanities and social sciences. DANS manages existing data archives but also works on further developments of the data infrastructure in new fields. In the course of performing this task, DANS frequently organizes scholarly symposia and conferences about sub- jects related to data preservation, access and in- frastructure. Reports of these and other impor- tant meetings in the field are published in the series DANS Symposium Publications. Edited by Els Stronks and Peter Boot DANS DANS Symposium Publications 1 Learned Love ARCHIVEREN VAN DIGITAAL ACADEMISCH ERFGOED ii ARCHIVEREN VAN DIGITAAL ACADEMISCH ERFGOED Learned Love Proceedngs of the Emblem Project Utrecht Conference on Dutch Love Emblems and the Internet (November 2006) Edted by Els Stronks and Peter Boot, asssted by Dagmar Stebral DANS Symposum Publcatons 1 The Hague, 2007 ARCHIVEREN VAN DIGITAAL ACADEMISCH ERFGOED iii 2007 DANS © Some rights reserved. Usage and distribution of this work is defined in the Creative Commons Attri- bution-Non-Commercial-Share Alike 2.5 Netherlands License. To view a copy of this licence, visit http://creativecommons.org/licenses/by-nc-sa/2.5/nl/. Published by DANS – Data Archiving and Networked Services PO Box 93067 2509 AB The Hague T 00 31 (0)70 3494450 F 00 31 (0)70 3494451 [email protected] www.dans.knaw.nl Isbn 978-90-6984-510-4 Available as pdf at http://emblems.let.uu.nl/learnedlove Typesetting and design: Ellen Bouma The paper in this publication meets the requirements of the ∞ ISO-standard 9706 (1994) for permanence. The publication of this book was made possible by the generous grants of: NWO (Netherlands Organisation of Scientific Research) K.F. Hein Fonds Research Institute for History and Culture (OGC) (Utrecht University) Data Archiving and Networked Services (DANS-KNAW) Huygens Institute (KNAW) Illustration cover: Emblem no. 20 from Daniel Heinsius, ‘Ambacht van Cupido’, in: Nederduytsche poemata. Amsterdam 1616 (EPU site). v ARCHIVEREN VAN DIGITAAL ACADEMISCH ERFGOED Contents The Dutch love emblem on the Internet: an introduction – Els Stronks and Peter Boot 1 Part 1 The Dutch loVE EMbleM Creator of the earliest collection of love emblems? – Alison Saunders 13 Commonplaces of Catholic love – Arnoud Visser 33 Encoding the emblematic tradition of love – Marc van Vaeck 49 Churches as indicators of a larger phenomenon – Els Stronks 73 The Spanish epigramsin Vaenius’s Amoris divini emblemata – Sagrario López Poza 93 Love emblems and a web of intertextuality – Jan Bloemendal 111 The Ambacht van Cupido from 1615 in Wroclaw (Poland) – Stefan Kiedron and Joanna Skubisz 119 Investing in your relationship – Arie Jan Gelderblom 131 The love emblem applied – Peter Boot 143 Part 2 The DIGITIsatIon of the EMbleM The Emblem Project Utrecht as a knowledge site – Els Stronks 151 Traditional editorial standards and the digital edition – Edward Vanhoutte 157 The technical backbone of the Emblem Project Utrecht – Johan Tilstra 175 Digitising Dutch love emblems – Peter M. Daly 183 Setting the emblem schema to work – Thomas Stäcker 201 Mesotext. Framing and exploring annotations – Peter Boot 211 Colour plates v The Dutch love emblem on the Internet: an ntroducton The Dutch love emblem on the Internet: an ntroducton Els Stronks, Utrecht University Peter Boot, Utrecht University/Huygens Institute This volume contains the selected papers of the conference on the Dutch love em- blem and emblem digitisation held in Utrecht, on November 6th and 7th, 2006. On those two days, scholars from multiple disciplines and countries gathered to discuss Dutch love emblems books, their digitisation in the Emblem Project Utrecht, and its connection with other emblem digitisation efforts. The conferen- ce’s title, Learned Love, referred to the motto of emblem 23 in one of those emblem books, first published in 1613: Daniel Heinsius’s Ambacht van Cupido (Trade of Cupid). As it turned out, not only this motto but also the beginning of the sub- scriptio of this emblem 23 proved to be applicable to the conference: ‘He who pos- sesses knowledge, flies over all countries’ (Fig. 1).1 Studying the Dutch love emblem in the context of emblem digitisation requires knowledge from disciplines such as art history, editorial science, information sci- ence, literary studies, theology and history. This volume mirrors the diversity of disciplines. Part I is dedicated to the study of the (digitised) Dutch love emblem; Part II to the study of emblem digitisation. This introduction first discusses the goals of the Emblem Project Utrecht and its results, and then summarizes the spe- cific contributions to the study of the Dutch love emblem and emblem digitisation in this volume. The two goals of the Emblem Project Utrecht In recent years, scholars from all over the world have recognized the value of in- formation technology for the study of the emblematic tradition. Due to the typi- cal constraint of the emblematic genre (best described as a web of citations, imi- tations and adaptations from pictorial as well as textual sources) emblem studies are partly comparative in nature. Before the digital era, emblem studies were un- dertaken with scholarly reprints, and indexes – such as the iconographical index of Arthur Henkel en Albrecht Schöne’s Emblemata. Handbuch zur Sinnbildkunst des XVI. und XVII. Jahrhunderts and Peter Daly’s Index emblematicus. However useful, the reprints and indexes were not as flexible as one might wish. To find -an swers to questions of origin and influence in the literary and pictorial (and some- times musical) motifs and elements of emblems, we need some of the benefits of recent IT-techniques. 1 ‘Die wetenschap besit, vliecht over alle landen’ Els Stronks and Peter Boot 1 Fig. 1: D. Heinsius, ‘Amor eruditus’ [Learned love], emblem 23 of Ambacht van Cupido: in Nederduytsche poemata 1616 (EPU site). In line with these efforts, the Emblem Project Utrecht (EPU) was created in 2002. The Netherlands Organisation of Scientific Research (NWO) funded it from 2003 to 2006. The project aimed to publish an Internet site with scholarly and searchable editions of Dutch emblem books. Through these editions, the project hoped to stimulate research in the field of the Dutch love emblem as well as to in- vestigate and test the application of recent IT-developments in emblem digitisa- tion. In general, how successful has EPU been in producing an Internet site with advanced digital resources? In November 2006, the EPU launched a site with 26 digital editions of Dutch love emblem books at http://emblems.let.uu.nl. The site includes a bibliography referring to literature relevant to the Dutch love emblem, editorial introductions as well as search indexes, concordances and references to parallels and sources. The editions may be searched through a variety of means. The global search page allows selection by pictorial motifs/elements and other in- dexes. The tables of contents allow selection by motto, concordances allow selec- tion by individual words, and the bibliography cross-references all places in the EPU editions that refer to a given bibliographical item. From the first, unofficial launch of the EPU site in 2003, the number of visitors has been growing regularly, adding up to a total of approximately 145,000 hits in the year 2006. A third of these visitors log in from the Netherlands, a tenth from the United States and Belgium. But it is not only numbers that tell us how widely the EPU site is known. Based on 2 The Dutch love emblem on the Internet: an ntroducton the emails with requests and questions we get on a daily basis, it is clear scholars as well as visitors with other interests and backgrounds are using the EPU site in a fruitful manner. Publications that specifically record their use of the EPU site in- clude Peil 2004 and Peil 2005. As a further indication of the impact of the EPU site, we include in this volume a paper on wall paintings in a French castle, the owner of which contacted us shortly after the conference was over. Searching on the Inter- net, she had found out for herself that Heinsius’s Emblemata amatoria must have been the source for these wall paintings. Needless to say she would probably never have managed to do so if the EPU corpus was not digitised.
Recommended publications
  • What Is an Emblem Book
    A brief introduction to the Stirling Maxwell Collection of Emblem Books at the University of Glasgow. David Weston April 2011 The last forty years have witnessed an increasing interest in emblem literature as a potential key to a fuller understanding of the Renaissance and Baroque mind. At an early stage in this development the importance of the collection of emblem books formed in the 19th century by Sir William Stirling Maxwell was recognised as a major resource for anyone pursuing research in this area. With some 1200 emblem books in the collection in 1958, it proved an invaluable source of information to Mario Praz in the production of his Studies in seventeenth century imagery, especially the bibliography, where he frequently refers to copies seen at Nether Pollok, the country house of the Maxwell family now within the boundaries of Glasgow. Since then few works published in emblematics fail to mention the Stirling Maxwell Collection and frequently they are illustrated with prints taken from copies in the collection. Sir William Stirling Maxwell, writer on Spanish art and history, a discerning and tireless collector of paintings, books and porcelain, a poet, politician, distinguished public figure, and last but not least, a breeder of short-horn cattle and Clydesdale horses, was without doubt a most remarkable figure. Born on the 8th of March, 1818, into the ancient Scottish family of Stirling, plain William Stirling as he was then, was educated privately in Buckinghamshire and later at Trinity College Cambridge. As the only son of Archibald Stirling of Keir, he inherited his father's estates in 1847, and subsequently, on the death of his uncle Sir John Maxwell of Pollok, he inherited the title, acquiring the additional name of Maxwell.
    [Show full text]
  • Literature of the Low Countries
    Literature of the Low Countries A Short History of Dutch Literature in the Netherlands and Belgium Reinder P. Meijer bron Reinder P. Meijer, Literature of the Low Countries. A short history of Dutch literature in the Netherlands and Belgium. Martinus Nijhoff, The Hague / Boston 1978 Zie voor verantwoording: http://www.dbnl.org/tekst/meij019lite01_01/colofon.htm © 2006 dbnl / erven Reinder P. Meijer ii For Edith Reinder P. Meijer, Literature of the Low Countries vii Preface In any definition of terms, Dutch literature must be taken to mean all literature written in Dutch, thus excluding literature in Frisian, even though Friesland is part of the Kingdom of the Netherlands, in the same way as literature in Welsh would be excluded from a history of English literature. Similarly, literature in Afrikaans (South African Dutch) falls outside the scope of this book, as Afrikaans from the moment of its birth out of seventeenth-century Dutch grew up independently and must be regarded as a language in its own right. Dutch literature, then, is the literature written in Dutch as spoken in the Kingdom of the Netherlands and the so-called Flemish part of the Kingdom of Belgium, that is the area north of the linguistic frontier which runs east-west through Belgium passing slightly south of Brussels. For the modern period this definition is clear anough, but for former times it needs some explanation. What do we mean, for example, when we use the term ‘Dutch’ for the medieval period? In the Middle Ages there was no standard Dutch language, and when the term ‘Dutch’ is used in a medieval context it is a kind of collective word indicating a number of different but closely related Frankish dialects.
    [Show full text]
  • THE EARLY MODERN BOOK AS SPECTACLE by PAULINE
    THROUGH A GLASS DARKLY: THE EARLY MODERN BOOK AS SPECTACLE by PAULINE E. REID (Under the Direction of Sujata Iyengar) ABSTRACT This dissertation approaches the print book as an epistemologically troubled new media in early modern English culture. I look at the visual interface of emblem books, almanacs, book maps, rhetorical tracts, and commonplace books as a lens for both phenomenological and political crises in the era. At the same historical moment that print expanded as a technology, competing concepts of sight took on a new cultural prominence. Vision became both a political tool and a religious controversy. The relationship between sight and perception in prominent classical sources had already been troubled: a projective model of vision, derived from Plato and Democritus, privileged interior, subjective vision, whereas the receptive model of Aristotle characterized sight as a sensory perception of external objects. The empirical model that assumes a less troubled relationship between sight and perception slowly advanced, while popular literature of the era portrayed vision as potentially deceptive, even diabolical. I argue that early print books actively respond to these visual controversies in their layout and design. Further, the act of interpreting different images, texts, and paratexts lends itself to an oscillation of the reading eye between the book’s different, partial components and its more holistic message. This tension between part and whole appears throughout these books’ technical apparatus and ideological concerns; this tension also echoes the conflict between unity and fragmentation in early modern English national politics. Sight, politics, and the reading process interact to construct the early English print book’s formal aspects and to pull these formal components apart in a process of biblioclasm.
    [Show full text]
  • Florida State University Libraries
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Book Illustration and Intersemiotic Translation in Early Modern England Taylor Clement Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES BOOK ILLUSTRATION AND INTERSEMIOTIC TRANSLATION IN EARLY MODERN ENGLAND By TAYLOR CLEMENT A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 © 2018 Taylor Clement Taylor Clement defended this dissertation on March 19, 2018 The members of the supervisory committee were: A. E. B. Coldiron Professor Directing Dissertation Stephanie Leitch University Representative Gary Taylor Committee Member Bruce Boehrer Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I would like to thank my doctoral committee for their guidance, time, and instruction as I worked to complete this dissertation. Thanks especially to Dr. A. E. B. Coldiron for her rigorous training in Renaissance Lyric and History of Text Technologies, and her invaluable assistance and bright encouragement from the beginning stages of this project to the finished work. Thanks to Dr. Stephanie Leitch for her contagious enthusiasm and for teaching me to Rethink the Renaissance. Thanks also to Astrid, whose marker-board portrait of Man Behind a Window (c. 2014) inspired my research on portraiture. To Dr. Bruce Boehrer for suggesting readings about fowling and mousetraps, and to Dr.
    [Show full text]
  • Newsletter 4
    Society for Emblem Studies Newsletter 59 July, 2016 2017 Conference The 2017 SES Conference The Eleventh International Conference of the Society for Emblem Studies will take place from Monday, July 3 to Friday, July 7, 2017, in Nancy (France) at the Université de Lorraine (Faculté de droit, sci- ences économiques et gestion), under the direction of Paulette Choné and her organizing committee. Please note that the deadline for submission of proposals to be included on the conference program is 1 Septem- 1 ber 2016, and that all proposals should be sent jointly to Mme Choné ([email protected]) and 2017 3–7 July, Ingrid Höpel, Chair of the Society (ihoepel@kunstge- schichte.uni-kiel.de). The conference organizers have proposed eight broad themes. What follows is extracted from the Call for Papers, which may be found at the Society web site (http://www.emblemstudies.org/files/2016/03/ CfP-07-03-16.pdf ). Contents of Newsletter 59 1. Making an emblem book Research activities of interest to members ........................ 1 This theme should focus on the various agents in The 2017 SES Conference: Call for Papers 1 the conception and production of emblem books Other calls for papers and contributions 3 (publishers, printers, patrons, academies, engrav- Recent publications 4 ers, draftsmen, copperplate printers, authors, com- Workshop reports 4 mentators, translators, proofreaders...), as well as on In memoriam: Daniel S. Russell .....................................3 the steps and procedures of its creation (edition and Research notes ................................................................11 re-edition, re-use, recurrence, plagiarism, counterfeits ; cooperation, competition...) until its sale. Rubem Amaral, on reuse of woodcuts from Alciato 11 Mason Tung, on John Hall’s versification 16 2.
    [Show full text]
  • Mapping England's Trade Through Depictions in English Emblems. Valerie J
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2011 Mapping England's Trade Through Depictions in English Emblems. Valerie J. Erickson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the European History Commons Recommended Citation Erickson, Valerie J., "Mapping England's Trade Through Depictions in English Emblems." (2011). Electronic Theses and Dissertations. Paper 2258. https://dc.etsu.edu/etd/2258 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Mapping England‟s Trade Through Depictions in English Emblems ____________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History ____________________ by Valerie J. Erickson May 2011 ____________________ Dr. Brian Maxson, Chair Dr. Henry Antkiewicz Dr. Doug Burgess Dr. Melvin Page Keywords: English Emblems, English trade, English shipping, English Empire, Empire-building, colonial expansion. ABSTRACT Mapping England‟s Trade Through Depictions in English Emblems by Valerie J. Erickson This thesis explores the growing interaction between England and foreign countries comparing their trade with contemporary later sixteenth century and seventeenth century English emblems. The emblems used are those available over the internet from several different library and university sources. As England expanded its trade throughout the world, English emblems began to show the exchange occurring between England and its various trading partners.
    [Show full text]
  • The Library, 7.1.4, December Zooo 453 Conclusions Regarding the Venetian Music Printing Business Are Impressive
    The Library, 7.1.4, December zooo 453 conclusions regarding the Venetian music printing business are impressive. This book proves to be complementary to the existing works in the field and is thoroughly deserving of a place on the shelf beside them. Oxford MARTIN HOLMES Charta of Greek Printing: The Contribution of Greek Editors, Printers and Publishers Downloaded from https://academic.oup.com/library/article/1/4/453/943484 by guest on 01 October 2021 to the Renaissance in Italy and the West. Vol. I: Fifteenth Century. By KONSTANTINOS SP. STAIKOS. Cologne: Jiirgen Dinter. 1998. lxix + 557 pp. + 128 illus., one folding map. 500 DM. ISBN 3 924794 19 7. THIS IS A VERY LARGE, very handsome, and very expensive book. It is also infuriating: so much effort expended to produce a guide (a map, in the word of the title) that can do nothing but mislead the unwary, perpetuate old errors, and start new ones. It is not about the printing of Greek, but as the subtitle puts it, 'The Contribution of Greek Editors, Printers and Publishers to the Renaissance in Italy and the West'. It is thus a long essay in Renaissance cultural history from a strictly Hellenic perspective. There are many faults with Staikos's lists. Practically everyone who knew Greek in Quattrocento Italy is said to be a pupil of Chrysoloras (d. 1415), including Nicholas V, who was born the year that Chrysoloras started his short stint of teaching in Florence (p. 70). Throughout chapter 1, Staikos wobbles between Johannes and Vindelinus de Spira as prototypographer of Venice, an honour accorded to Nicolas Jenson in the index.
    [Show full text]
  • Emblem Books and the Age of Symbolism
    8. The Renaissance The two defining achievements of the Renaissance, the revival of classic- ism and the invention of the printing press assured the simultaneous tri- umph and demise of the age of symbolism. On the one hand, scholars were faced with the recovery of a complete literary and artistic culture which in spite of its historical and aesthetic attractions knew nothing of Christian orthodoxy. Undaunted, these scholars reacted by attempting to reconcile the two traditions, classical and Christian, and to integrate them into one coherent system, one effect of which was to reinforce and per- petuate the culture of symbolism. At the same time, printing enabled the widespread dissemination of the literature of symbolism including the new genres of emblem and device. By the end of the 17th century tens of thousands of these books had been sold and hundreds of thousands of emblems, devices and enigmas as well as other genres had been com- posed, read and deciphered and their symbolism contemplated and ab- sorbed. But the same benefits of printing applied to the nascent scientific revolution. The rapid spread of knowledge, the sharing of information, the loosening of the censorship of the Church slowly but inexorably brought about the triumph of empiricism. 209 · Recovery of the Ancient Texts · The politics of Europe at the end of the Middle Ages had been dominat- ed by the centuries long struggle between the Papacy and the Holy Ro- man Empire for control of the Church, finally ending with victory for the Popes. It was natural that after relative political stability had been achieved by the formation of self-contained city-states, the Renaissance should begin in Italy.
    [Show full text]
  • De Weerliicke Liefden Tot Roose-Mond
    De weerliicke liefden tot Roose-mond Justus de Harduwijn editie O. Dambre bron Justus de Harduwijn, De weerliicke liefden tot Roose-mond, 1613. (ed. Dr. O. Dambre.) Tweede herziene en bijgewerkte druk. Tjeenk Willink/Noorduijn, Culemborg 1978. Zie voor verantwoording: http://www.dbnl.org/tekst/hard001weer01_01/colofon.htm © 2001 dbnl / erven O. Dambre 6 Dr. O. Dambre overleed te Gent op 23 juni 1972. Het was zijn hartewens de publicatie van deze herdruk nog te mogen beleven. Deze wens is helaas niet in vervulling gegaan. De tekst van deze uitgave heeft Dambre nog wel zelf klaargemaakt. De redactie Justus de Harduwijn, De weerliicke liefden tot Roose-mond 7 Woord vooraf bij de eerste druk Ongeveer een eeuw nadat J.M. Schrant, in zijn gentse intreerede 1 ‘Over het beoefenswaardige der Nederlandse Tale’, Justus de Harduwijns naam uit de vergetelheid opdiepte, ontdekte een ander gents professor, Dr. R. Foncke 2, het ‘Roose-mond’-unicum; hij beschreef het bibliografisch, situeerde het literair-historisch, gaf het met passend commentaar weer uit 3. Eveneens omtrent een eeuw nadat dezelfde Schrant zijn Harduwijn-bloemlezing 4 in het licht gaf, verscheen van onze hand een monografie over de dichter, weldra gevolgd door een nieuwe keur uit zijn poëzie 5 en een facsimile-druk 6. Onze belangstelling en onze bewondering voor de renaissancist de Harduwijn dankten wij overigens in de eerste plaats aan de colleges van een derde gents professor, wijlen Karel van de Woestijne. Dr. Foncke's en onze navorsingen en onthullingen wekten bij velen uit Zuid en Noord verrassing en vreugde. En zo werden de pijlers opgetrokken van de triomfboog, waaronder de zuidnederlandse dichter Justus de Harduwijn zijn blijde intrede zou houden in de huidige algemeen-nederlandse letterkundige geschiedenis.
    [Show full text]
  • The Catalogue Is the Exhibit: Artists’ Books at Memorial University Libraries
    The Catalogue Is the Exhibit: Artists’ Books at Memorial University Libraries "" The Catalogue Is the Exhibit: Artists’ Books at Memorial University Libraries from the holdings1 of Archives & Special Collections The Catalogue Is the Exhibit: Artists’ Books at Memorial University Libraries 2 The Catalogue Is the Exhibit: Artists’ Books at Memorial University Libraries The Catalogue Is the Exhibit: Artists’ Books at Memorial University Libraries Selected from the holdings of Archives & Special Collections Catalogue by Patrick Warner QUEEN ELIZABETH II LIBRARY 2018 3 The Catalogue Is the Exhibit: Artists’ Books at Memorial University Libraries Cover Image Bryan, Tara. Walking on Eggs. St. John’s. Walking Bird Press. 1997. Title Page Image Detail from Tara Bryan’s Walking on Eggs. Walking Bird Press. 1997. Acknowledgements Photographs: Rich Blenkinsopp, Marketing and Communications, Memorial University. Catalogue design: Rochelle Baker and Patrick Warner. ISBN: 978-0-8891-490-6 4 The Catalogue Is the Exhibit: Artists’ Books at Memorial University Libraries Introduction Artists’ books announce themselves in extravagant ways. They exist on a continuum between the traditional book (the codex) and book objects that resemble sculptures. There is no general agreement about when artists’ books first appeared; depending on who is asked, it was either in the early decades of the twentieth century or sometime in the 1960s. Nor is there any consensus about what constitutes an artist’s book: it is perhaps a traditional book reimagined, a sculpture, a painter’s portfolio, a coffee table book, a book of photographs, a novelty item, a work of art in book form, or some combination of the above.
    [Show full text]
  • SES Newsletter 55 (July 2014): 14)
    SOCIETY FOR EMBLEM STUDIES NEWSLETTER Number 56, January 2015 Sabine Mödersheim, Wim van Dongen, Editors __________________________________________________________ President of the Society: Michael Bath Chairperson: Ingrid Höpel Treasurer: Elizabeth C. Black Website: www.emblemstudies.org The Newsletter is vital to our community of researchers, providing information and updates on research, conferences, publications and other information. Please send us your updates for inclusion in the next Newsletter. We ask that you update your subscription information (if you haven’t done so before) to include your e-mail address for electronic delivery of the Newsletter. Please write to Elizabeth Black, [email protected], to update your contact information and to inquire about subscription payments. National Representatives The National Representatives for the Society are as follows: Austria: Elisabeth Klecker, Universität Wien, Institut für Klassische Philologie, Universitätsring 1, 1010 Wien, [email protected] Belgium & The Netherlands: Wim van Dongen, Molenstraat 31, B-2018 Antwerp, [email protected] Canada: Mary Silcox, Department of English, Chester New Hall 321, McMaster University, 1280 Main Street W., Hamilton, Ontario, L8S 4L9, [email protected] Page 1 France: Anne-Elisabeth Spica, 5 Rue des Piques, 57000 Metz, [email protected] Germany: Gilbert Heß, [email protected] Great Britain & Ireland: Alison Adams, Stirling Maxwell Centre, SMLC, University of Glasgow, Glasgow G12 8QQ, Scotland, [email protected], [email protected] Japan: Misako Matsuda, 1-16-13 Nakamachi, Tokyo 158-0091. Poland: Justyna Kilianczyk-Zieba, [email protected] Spain: Sagrario López Poza, C/ Cerquidos, 1, 15660 Cambre (A Coruña), [email protected] Switzerland: Seraina Plotke, Universität Basel, Deutsches Seminar, Nadelberg 4, CH - 4051 Basel, [email protected] U.S: Debra Barrett-Graves, 125 Shoreline Circle, Apt.
    [Show full text]
  • Thesis Has Been Conducted As Part of the Project ‘Latin and Vernacular Cultures, Theatre and Public Opinion in the Netherlands, Ca
    UvA-DARE (Digital Academic Repository) An eloquent enigma: the dramas of Jacobus Cornelius Lummenaeus à Marca (c. 1580 - c. 1628) and their contexts Gruijters, R.J. Publication date 2010 Document Version Final published version Link to publication Citation for published version (APA): Gruijters, R. J. (2010). An eloquent enigma: the dramas of Jacobus Cornelius Lummenaeus à Marca (c. 1580 - c. 1628) and their contexts. Eigen Beheer. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:24 Sep 2021 AN ELOQUENT ENIGMA AN ELOQUENT ENIGMA THE DRAMAS OF JACOBUS CORNELIUS LUMMENAEUS À MARCA (c. 1580 - c. 1628) AND THEIR CONTEXTS ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof.
    [Show full text]