2017 Conference 1 3–7 July, 2017 July, 2016 July, Newsletter 59 Newsletter The 2017 SES Conference SES The 2017 This theme includes the main theoretical issues in This theme should focus on the various agents in This theme should on the various in focus agents inquiryFurther into the history of emblem books The conference organizers have proposed eight eight organizers proposed The conference have 3. Methodology3. and historiography of emblem stud- development the ancient and recent - prob the need for interdisciplinaryies; approaches; practices and methods; working lems of periodization; 1. Making an emblem book 1. books of emblem and production the conception engrav- academies, patrons, printers, (publishers, - com authors, copperplate printers, draftsmen, ers, as on as well proofreaders...), translators, mentators, and (edition of its creation the steps and procedures counterfeits ; plagiarism, recurrence, re-use, re-edition, until its sale. competition...) cooperation, and collecting Reading 2. studies focussing their readers on by is prompted the marks...), ownership foreclosures, (inventories, and satire the liber amicorum, market, books rare in of emblem books the place collectors, censorship, and connoisseurhip of em- collections and libraries, about important collectors in the 19th Papers blems. the organization and cataloguing and 20th centuries, and the scholarship and literature of their collections, be particularlydevoted to them would welcome. The Eleventh International Conference of the The EleventhConference International Society forMonday, Studies Emblem from will take place at Nancy in (France) 2017, July 7, July 3 to Friday, sci- droit, de de Lorrainethe Université (Faculté of under the direction et gestion), ences économiques Please committee. and her organizing Choné Paulette to note that the deadline of proposals for submission is 1 Septembe included program the conference - on be sent jointly should and that all proposals ber 2016, and ([email protected]) to Mme Choné Chair of the Society- (ihoepel@kunstge Ingrid Höpel, schichte.uni-kiel.de). What the Call follows is extracted from themes. broad which be found may at the Society web for Papers, site (http://www.emblemstudies.org/files/2016/03/ CfP-07-03-16.pdf ). 1 3 11 18 19 3 4 4 18 18 18 18 19 19 19 19 19 19 20 20 11 16
Contents of Newsletter 59 Contents
Advisory Board Representatives National committee and executive President Membership information Subscription rates Newsletter information including deadlines group Facebook The SES emblemata.ch Update from New Wikipedia project Newsletter editorial policy The Internet Archive 20 Emblematica Online Update on Website news Website Contact information Contact Rubem Amaral, on reuse of woodcuts from Alciato from of woodcuts reuse on Rubem Amaral, Recent publications reports Workshop versification Hall’s John on Tung, Mason The 2017 SES Conference: CallPapers 1 for Conference: The 2017 SES Other calls for papers and contributions Virtual emblematics...... Society information...... In memoriam: Daniel S. Russell...... S. Daniel In memoriam: notes...... Research
Research activities of interest to members activities...... Research of interest Society for Studies Emblem This theme intends to explore the relationships between between relationships the This theme intends to explore in of emblems and emblem-books representation The technicalA special highlight on innova and scientific - The theoretical and historical issues about the emblem The “adaptation” of emblematics might be concentrated might be concentrated of emblematics “adaptation” The the various investigate should therefore This section 7. Emblems, curiosities, mirabilia curiosities, Emblems, 7. cabinets of emblematics and encyclopedic collections, curiosity; wondrous categoriesscientific and taxonomy; of - ethnog natural history, to archaelogy, objects belonging of emblem the role historical relics; and religious raphy, and dramatizing the mundus expressing in thinking, symbolicus as a microcosm. of pictorial or any record especially still-lifes, paintings, a significant constitutes part of this topic. emblematics, - be appreci would in emblems inventions) (engines, tion ated. idiosyncrasy National of the emblem? 8. as indicative of a peculiar mentalité symbolique (Daniel would The Conference veryRussell) proved have fertile. like to verify the validity of such hypothesis firstlyby in- viting Shakespeare and Cervantes scholars the to discuss of these writersemblematical productions and secondly focusing mainlyby (though not exclusively) three on Central Italy, cultural and their protagonists: contexts Lorraine and Grand Est France. Europe, light of the call for papers. festivals and objects. areas: in two symbolic form emblem and any combined uses of device, (including tour- heraldry) in theater and festivals (entries, they the way contribute to staging masques...) ; naments, ; their application medals and tokens on and meaning ; ; painted sgraffito Haussprüche ; ; epigraphy portraits ; concerned are As far as objects decorations and programs. might be devoted to household items special attention textiles, embroideries, kitchenware, table and (furniture, as utensils) domestic sundials, firebacks, iron costume, popular and educational imagery, as to advertising, well uses or mis- unintentional Unexpected, posters and labels. of emblems might also be identified. appropriations Below: the banner for the 2017 Conference of the Society of the for the banner the 2017 Conference Below: for- Em Studies.blem - to applications of emblem to architec related Research This theme (cross-cutting with theme 2) aims to with theme 2) aims to This theme (cross-cutting layout, page on the shaping of text, The be focus may The sessions in this partThe sessions might in- of the program Special to the links between might be given attention - relation This theme also includes into the research in contemporaryThe emblematic process art also de- Meanwhile, any paper about the “pioneers” of emblem of emblem “pioneers” paper about the any Meanwhile, 6. Adapted and diffracted emblems Adapted 6. significantly and objects has grown furniture tural spaces, this rubric thematic hight- one constitutes years; in recent 5. Emblem books, material culture, history material of art culture, Emblem books, 5. as an ar- our understanding of the emblem book increase rhetorically object or more whether as an aesthetic tefact, “une machine à communiquer”. as calligraphy; technical and artistic aspects of typography, manuscript marks; printer’s or engravings; the woodcuts Special might also be given attention bindings. additions; of ornament frames and decorative in the to the role emblematic process. 4. The symbolicThe process 4. clude of theorists concerning the discussion and treatises - including Pref emblem book and the emblem, impresa They might also the 16th to the 18th century. from aces, include of the rules discussion of the emblem as a defined ars meditandi, with ars memorativa, its relation genre, the of enigma, role and function the pedagogy and lusus, or translation and polyglot of prosody texts. place emblem and allegory. of emblematics and comics, the semiotics ship between other form inscriptions in or any of presenting subtitling, and image. art word combining serves attention. special the peculiar ethos of emblem studies; access to digitized access emblem studies; the peculiar ethos of and its effectson scientific language and documentation, production. Karl or Karl-Ludwig such as Mario Praz Selig, studies, Peter (and others such Russell, Josef Höltgen as Daniel about the history thesauri & of great (Henkel Daly), M. Schöne) be welcome. would and databases or websites SES NEWSLETTER 59 (07/16) NEWSLETTER SES Call for Papers 2 The 2017 Conference Research Activities 3 Calls for Papers
Woodcut” Pedro Germano Leal Pedro Tamara Goeglein Tamara Jane Farnsworth
John CullJohn Carol-Ann Johnston Carol-Ann SES NEWSLETTER 59 (07/16) NEWSLETTER SES : David Graham air: h Variations on EarlyTheory Modern Emblematic and Variations Practice David Graham Organizer: C Emblematic in the Iberian Culture World Chair: Organizer: : Presenters “Mary Carme as the Shield Lopez of Myrtil Calderón: - and Classical Borrowings Iberianlus: Emblems, Applied Catholic Propaganda” Identity “Emblems and National in Early Luis Gomes, Modern Portugal” “The ‘Pic - organizer and presenter: Germano Leal, Pedro - hiero the turn from World: the New in torial Dispute’ glyphic catechisms to emblematic culture” the Contribu- Unmaking and Remaking the Emblem: Russell (1938–2016) tion of Daniel S. David Graham Organizer: Germano Leal Pedro Chair: : Presenters “Daniel Russell and Sensitivity to Em- Choné: Paulette blematic ‘Bricolage’ as KeyElements “Semiosis and Process David Graham: Emblematic Reading” of Daniel Russell’s Respondent: Agnès Guiderdoni Visualizing Politics Through the Emblem in the Emblem Through Seven- Visualizing Politics teenth-Century England Elizabeth BlackChair: Organizer: : Presenters Worm will Hester grow’: Pulter’s “‘That Mary Silcox: Ruptured World” Emblematic in I.M.’s Politic “RefiguringBody the Brycen Janzen: Corpus visibili” sine capite Political Em- “The Fruitful Vine: Jane Farnsworth,: “A Speech to George Jordan’s Thomas blematics in (1660)” General” Monck, Verbal-Visual Structure of The Spenser›s Shepheardes Calendar Chair: Organizer: : Presenters “The Integral Kenneth Borris: Pictorialism of Spenser’s CalenderShepheardes ” Virgilian Hour: Careful “Colin’s David Samuel Adkins: in the Januarye Tragedy and Siting Colin Sighting, “Citing, Goeglein: Tamara Shep- Ekphrastic Experimentation Spenser’s in Clout: heardes Calender”
In Memoriam Calls for Papers Daniel S. Russell, 1938–2016 Russell, Daniel S. and Conference Announcements and Conference First, the following panels sponsored by the Society by the following panels sponsored First, Our friend, colleague and long-time Society colleague and long-time Our mem- friend, learned“It that that we is with immense sadness all value Dan for establishing our discipline his We our heartfelt please accept condolences Dear Lila, lost a friend.” all have We has been posted on Wade obituaryAn Mara R. by Research Activities of Interest Activities Research ber Daniel S. Russell died April 10, 2016, after long a 2016, Russell died April 10, S. ber Daniel sent the chair Society, of the Ingrid Höpel, illness. our on Lila Penchansky following to his widow note behalf: and colleague, mentor, our dear friend, Daniel Russell, “Societyfounding member of the for Emblem Stud- with generous Ever has died after illness. long his ies”, all been profoundly have we his time and insights, his by his scholarship through writingsinfluenced or of us will deeply and many miss and treasure in person, been have and we much, him so owe We his friendship. very with him. and worked lucky known indeed to have his host- and through the journal, the Society, through and participation in conferences ing of and frequent He has been a pillar of the discipline and publications. He will fondly be to thank him for. much all have we for his unstinting generosity to his col- remembered will. and good research, path-breaking leagues, a very had that you time. know hard We and sympathy. fondly a big part and we of his work were - remem You extend We the years. meetings over our from ber you who follows Nicholas his son to you, our condolences and his Renaissance literature, as a scholar of French Alison. daughter, of the Renaissance Societythe website of America. have been approved for the 2017 meeting: been approved have SES at RSA Chicago April 2017) SES (30 March–1 the As an organization with having an official affiliation the SocietyRenaissance Society for Emblem of America, panels Studies several is entitled to submit preapproved Meet- Annual for inclusion of the RSA’s the program on which will in Chicago next take place next spring. ing, organized the designated RSA panels are by Additional William Professor for emblem studies, representative Other to Society panels and papers of interest Engel. present We program. on the final members will also figure preliminarysome - information about those panels here with. www.wmich.edu/medieval/congress/ Recent Workshops Research Emblem books and manuscripts, Medieval for em- sources and manuscripts, Emblem books Deadline for proposals: September 15, 2016 SeptemberDeadline 15, for proposals: SessionOrganizer: Sabine Mödersheim WisconsinUniversity of - Madison Department of German 1220 Linden Drive Hise Hall, Van 818 WI 53706 Madison, (608) 262 7949 Fax [email protected] http://german.lss.wisc.edu/~smoedersheim/ site: Web Congress “Emblematic Programs” announced in Ingrid us that the workshop Höpel has advised 2016, 26–28, Held May taken place. Newsletter 57 has now was organized the workshop by Tübingen, at the University of Seraina were Plotke Participants (University Potysch. Nicolas Beck Andreas Dieter Bitterli (University of Zürich), of Basel), - Po Nicolas (Munich), Dietmar Peil (University of Bochum), Biederbick Maren and Ingrid Tübingen), tysch (University of to meet again plans The group Kiel). Höpel herself (both from Johannes with together perhaps near Hildesheim, in 2017, Köhler. Shaping Dynastic and University Identity the through Emblem Gregory Johnston Chair: Uni- for the Knowledgeable: Festival “A Cholcmann, Tamar Emblems” versity Festival “Dynasty Emblematic in the and Devotion Wade, Mara R. Stammbuch” Anglo- Tudor: of Elizabeth Medals I “Portrait Claudia Mesa, Netherlands” Spanish of the Conflict and the Relations on Me- 52nd International Congress Call for Papers: 2017) dieval Studies (May 11–14, - to par proposals The Society Studies your for Emblem invites Sessionsticipate in the Emblem at the International Congress on Medieval StudiesWestern at the Medieval Institute at Michigan Kalamazoo, Michigan University, Suggested Topics: and court culture, heraldry, Emblems and blems and imprese. Symbol arts Emblem and the and in architecture. entries. royal Emblems theories and emblematic ideas in art and writing. practice and Emblems in religious traditions. and national Emblems in political discourses and iconography. theology. Emblems and the Emblems in the material and visual culture. new to emblem approaches welcome We history the book. of and reception global including perspectives, gender studies, the practice and contribution on of emblems, production theory emblem digitization. of : Pedro Germano Leal Pedro Chair: Paving Phase“Emblematica 3, Online: Biel, Monika Open Data for for the SemanticWeb–Linked Way the Emblems Sarol, Janina Myung_Ja Han, Timothy Cole (presenter), Interactivity Enhancing User with Emblems: “Annotating Emblematica Online” “EditingEarly and Annotating Mod- Dario Kampkaspar, ern German Texts” Annotation and Edition of Early Modern Genres HAB Panels of Interest to SES Members to SES of Interest HAB Panels us that she has organized advises the fol - Wade Mara R. behalf of the Herzog-August panels on lowing Bibliothek RSA. itself an affiliated organization of the Wolfenbüttel, Joeseph Ortiz: “Inscrutable Forms: Petrarch, Alberti, and and Alberti, Petrarch, “Inscrutable Forms: Ortiz: Joeseph the Epic Blazon” Blazon of Leander” in Marlowe’s “Touch Macfie: Pamela and the Rhetoric, “Elizabethan Blazons, Williams: Grant Extended Phantasy” The Blazon: Poetics and Rhetoric The Blazon: Emblem and England: Context and SubtextEmblem and England: - Tradi “Philip SidneySusan Harlan: and the Emblematic funeris Lant’s Sequitur & pompa ” celebritas tion: “Thomas- and the limits of Hiero Browne Wolfe: Jessica glyphic Authority” , Urania “Emblems and Mary Wroth’s Karen Nelson, and Counter-Reform” Reform, : The Imprese: Acad- “Camillo Camilli’s Liana Cheney: emies” Emblem or Emblematics? Fig - “Enigma, Pelta: Maureen Spacesured in Renaissance Parma” Visual“Emblems in the of Culture Sabine Mödersheim: the Reformation” Emblem and the Continent: Context and SubtextEmblem and the Continent: RSA Emblem Discipline Panels RSA Emblem Discipline the fol- us that he has submitted advises Engel Professor in panels for program lowing inclusion the conference on Chicago: : Presenters “Ephemeral Emblem Series in the Jesuit Rosa De Marco: Solemnities for of 1622” the canonisation French - Reflec “TheFacticity of the Invisible: Cornelia Kemp: of Experimentaltions Science Literature“ in Emblematic Tabula Down: Upside Turned “Emblems Barbour: Carol ” and AllegoriesCebetis ofWorld the Unbridled And – Emblem Pleasure Profit “For Elizabeth Black: Their Reading Public” And Writers SES NEWSLETTER 59 (07/16) NEWSLETTER SES Calls for Papers 4 Workshop Reports Research Activities 5 Recent Publications
as Emblematic as Emblematic Iesu primiImago saeculi Societatis SES NEWSLETTER 59 (07/16) NEWSLETTER SES Many scholars have considered this or that Jesuit writer, this or that Jesuit writer, considered scholarsMany have The Jesuit The Jesuit S.J. Dimler, Richard Daly and G. M. Peter Early $70.00. Price: . Context in the European Emblem VisualModern and the Catholicism Vol. Arts Series, ISBN 978-0-91610-188-6. July 2016. Published: 14. 486 pp. sets out to un- Context in the European The Jesuit Emblem been written have to derstand the emblems currently known Jesuits (at least 1,525 printed of the in the context books) by offersThe Introduction of emblems in Europe. production chapters by followed a brief of the Society account of Jesus, the Ratio studiorum (the flexible Emblem, the European on blueprintby Jesuit colleges for Jesuit education as offered the Ma- Theory of Jesuit Symbology, the world), throughout the Material (everything Culture jor Jesuit Emblem Books, and Purposes Served- print), Jesuits Us not deriving by from with historical Conclusions follow, ing Emblematic Forms. and colleges of the Societyinformation provinces on of Jesus in appendices. provided of and the role individual colleges, of his works, some in- to date these However, emblem in Jesuit education. twerp, in a Latin edition, followed later that year by a a by year later that followed a Latin in edition, twerp, Jesuit better reveals book other No Dutch adaptation. had order when the at the moment self-understanding ink was hardlyThe dry its on form. achieved its mature of the one it became before an object of controversy, pages volleysfirst war that culture in the bitter Jesuit/Jansenist Society for a centurydivided French and that contributed the Jesuits in 1773. of to the papal suppression Contributions Uni- [Georgetown S.J. O’Malley, (Introduction W. John versity]) : A of the Imago and Opening Emblem “The Frontispiece University]) Putnam [Brown J. C. (Michael Translation” primi The Imago saeculi and “Classicism and the Baroque: [l’Académie Française]; Fumaroli (Marc Its Detractors” University]) [Georgetown Young J. Paul translation by (Jeffrey of Flanders” “Jesuit of Art Uses in the Province University]) Muller [Brown “The Vaeck, Van (Marc Commitment” and Self-Presentation [Katholieke- Lien Roggen and Univer Houdt, Van Toon siteit Leuven]) and Hebrew Poetry” Greek, to the Latin, “Introductions Alexander University], Putnam [Brown J. (Michael C. University]) [Georgetown Walsh M. and James P. Sens, Putnam J. by Michael C. (translated “The Emblems” Walsh, M. James P. and Alexander Sens [Greek], [Latin], [Hebrew]) S.J. 1640 1626, and Houses, Jesuit Provinces Appendix: This workshop workshop This —Developing an Ontology for- Annotat Recent Publications Price: $120.00. Early $120.00. Price: S.J. O’Malley, W. John d. e In 1640 the SocietyJesus observed of the centenary of its most The founding with elaborate celebrations worldwide. the occasion primi is the Imago saeculi from lasting monument volume of 952 folio-sized a magnificent pages Iesu, Societatis copperplate and 127 exquisite engravings prose, of poetry, - An Plantin-Moretus the prestigious Press, published by Art, Controversy, and the Jesuits: The Imago The Imago Primi Saeculi Controversy,Art, and the Jesuits: (1640), Modern Catholicism and the Visual Arts Series, vol. 12. VisualModern 12. and the Catholicism Arts vol. Series, 771 pp. ISBN 978-0-91610-184-8. 2015. August Emblematica Online: Linked Open Linked Data Emblematica Online: University of Illinois at Urbana- Wade, Organized Mara R. by Herzog Bibliothek, August Biel, Monika and Champaign, - the Deutsche Forschungsge and funded by Wolfenbüttel, on workshop a meinsschaft and the University of Illinois, “Linked Open Data ing Emblems” was held at the Newberry Library, Chicago, 5-7 5-7 Chicago, held at the Newberry was Library, ing Emblems” included presenters Wade, to Professor In addition April 2016. Myung- Tim Cole, Thomas Biel (HAB); Stäcker and Monika Germano Leal (Rio Pedro (UIUC), Kilton Tom and Ja Han, Hans Brand- University), Boot (Utrecht Peter de Janiero), Martin Rotterdam), University, and Erasmus horst (Arkyves Ingrid and Höpel (Kiel). Mueller (Northwestern University, the University of Illinois from contingent was in entire An includ- attendance and participating discussions, in the active Johannes Sarol, Janina Lampron, Patricia ing Harriett Green, Fleming. and Patricia Melina Zavala, Heim, Heidi Fröhlich, by the Center for Re- generously hosted was This conference Chicago. Newberry Library, naissance Studies, - “Creat and lectures, days of workshops three by was followed at the Visual for Cultural Heritage,” ing the SemanticWeb Arkyves. featuring Hans Brandhorst, University of Illinois, “Maturè” . Image from from Image . “Maturè” De- Claude Paradin’s Cour- vises heoroiques. tesy of the Glasgow University Emblem Site (click to see Web in context). A full facsimile, including foldout plates, is offered here, here, offered is including foldout plates, A full facsimile, of activities and disciplines in which Kircher involved himself. himself. and disciplines in which involved of activities Kircher The commentary refer to others also identifies passages which also The edition works. and prodigious numerous of Kircher’s state of schol- on the current reflecting an afterword, contains last a text At and his world. his museum, Kircher, arship on which has often Rome, in studies of baroque been mentioned of intellectual networks in early-modernof museums Italy, English-speaking is available to the in 17th-century Europe, which in a lavish edition preserves reader and enhances the splendor of the original production. animals, of one of the first magic-lanterns or projected images, images, of the first magic-lanterns or projected of one animals, little short which of machines are the presence hints at its text machines, wonderful it also illustrates numerous of computers, or chiming ambulant clocks, and be those clockworkautomata, It is perhaps most famous multiplying and distorting mirrors. for the exceptionally obelisks fold-out lavish Roman plates of dedicated obelisks of the each page to one which it contains, or new Rome with pseudo- obelisks in baroque re-discovered to his own scheme devised according hierolgyphics Kircher, by in baroque hieroglyphicsof interpretation of as pictograms or, impresa emblems or . practice, of a notoriously with the first English translation together is also a commentaryThere to the Latin problematic text. while also and facts sources identifying objects, translation, and its which of the status the museum explaining something of the scarcely-credible range as epitomes description share, Trans. Anastasi Callinicos and Daniel Höhr, Callinicos Anastasi and Daniel Höhr, Trans. Ratio studiorum Athanasius Kircher’s catalogue early of the prodigious Kircher’s Athanasius or cabinet of curiosities) which Wunderkammer (a museum College of the he assembled and arranged at the Roman Society his assistant Giorgio de by of Jesus was completed with many This publication, Sepi for publication in 1678. expertly-engraved illustrations, is of the most sump- one tuous and most curious examples book of high baroque and birds It has memorable of exotic images production. The Celebrated Museum of the Roman College of Museum of the So- the Roman College The Celebrated A facsimileciety of Amsterdam the 1678 of edition Jesus: description ofof Athanasius Giorgio Kircher’s de Sepi’s Museum. ann. Jane Stevenson, ed. Peter Davidson. Early Mod- Davidson. Peter ed. Jane Stevenson, ann. 13. Visualern Catholicism and the Vol. Arts Series, 172 pp. ISBN 978-0-91610-87-9. December 2015. 3. The Jesuit Theory ofThe Jesuit Symbology 3. Major Jesuit Emblematic Books The 4. Material The Culture 5. Purposes Served Emblematic Jesuits Using 6. by Forms Conclusions Contents Preface Introduction Emblem European The 1. The 2. vestigations remain partial. This is the first comprehensive comprehensive This is the first partial. remain vestigations attempt ever to review using what Jesuits accomplished the emblem form. SES NEWSLETTER 59 (07/16) NEWSLETTER SES Research Activities 6 Recent Publications Research Activities 7 Recent Pulibcations SES NEWSLETTER 59 (07/16) NEWSLETTER SES - EmblemforschungIn der neueren stehen die Auswirkun Alltagsleben der gedrucktengen Bücher auf Architektur, - Dabei ist die Ostseere Vordergrund. im und Festkultur ikonographischen von Netzwerk in ein europäisches gion ritua- von Mustern und Motivwanderungen eingebunden, der bildlichenlisierten und sprachlichen- Formen Kom Ausgewählte Beiträge zur 10. Internationalen Tagung der der Tagung Internationalen Beiträge zur 10. Ausgewählte - Au Juli bis 1. 27. Society for Emblem studies in Kiel, International Tenth the from gust 2014 [Selected Papers 27 July–1 of the SocietyConference for Studies, Emblem 2014]. August fabrication, ou la leçon de la coquille ou la leçon fabrication, et emblématique Architecture Judi Loach: la Des coquillesl’Archevêque pour : Stéphane Rolet: des Hieroglyphicadédicace XXVIII du livre de Pierio Valeriano La coquille de De la tête au cœur. Ralph Dekoninck: jésuite sacrée l’âme dans l’emblématique qui tarde ou la paix L’escargot Ingrid Höpel: Christian Bouzy: sur les traces La : cité sans murailles d’un lieu commun LesViard: Langrois Gentil Cor- Emblemata du Georges dier (1598) La coquille et et Le Corbusier. Valéry Entre Judi Loach: d’Orle Nombre Around – Emblematics the im Ostseeraum Emblematik Lars Olof Larsson. Ingrid von Höpel, Baltic. Hrsg. 978-3- ISBN: pp. Mundus Symbolicus 232 (Band 3). 39.90 €. 86935-278-7. . Sous . d’emblématique essais Huit Des rêveries de la Renaissance sur ces deux formes sym- Contributions » « En tournoyant Préface Choné: Paulette et production un emblème : faire Comment †Daniel Russell: - utopies architec jusqu’aux boliques étrangement solidaires assiste à une exploration active on turales contemporaines, qui fait alternativement et d’échelle du changement d’ordre coquillage à l’intimité du frêle et descendre monter de l’espace est une L’emblème à la ville. au jardin, à la maison, mental, forme et visuelle jouer ce jeu de littéraire spécialement apte à d’un en à nous conduire à un autre monde la miniaturisation, qui mêlent les Lesd’emblèmes, auteurs le vertige. contrôlant de paix, rêves humaine et les sur la condition lucides constats tutélaire la ville la demeure comme nous aident à considérer un dur co- comme domestique le petit univers des citoyens, et d’une une comme générale le lieu protecteur façon quillage, à la fois quiète et en éveil. de la conscience image Cet ouvrage histo- par neuf rassemble les travaux présentés réunis de l’art et des représentations riens de la littérature, de rencontres des le cadre dans à l’Université Bourgogne de des qu’accompagnèrent sur l’emblème recherches de l’équipe Les « le chemin sur dans l’artséminaires » et « la spirale ». une inclinationthèmes de la coquille et de la ville résument certaine des auteurs pour formecommune d’interrogation sur « le Valéry de Paul célèbres les pages dont et animée libre idéal. de la coquille le modèle » procuraient petit problème . coquille et la La ville la direction de Paulette Choné. Beauchesne éditeur. Choné. Paulette de la direction 29.00 €. 9782701021720. ISBN :
Aproximación a la naturaleza y características Aproximación de de la imagen to the nature approach de emblemas españoles [An los libros and characteristics in Spanish of the images emblem books], Arranz; José Julio García y paramotes pseudomotes en la emblemática hispánica Motes, Summary - Present ; Emblemata Agradecimientos [Acknowledgements]; Escalerra Reyes Pérez. [Presentation], ación La literatura emblemática teóricosI. y sus espacios y prác- Practical Theoretical and ticos [Emblem Literature and its Spaces]. , ed. ed. [EmblematicLos espacios de la emblemática Spaces] , Colegio Martínez and Bárbara SkinfillNogal. Pérez Herón 978-607- ISBN: 396 pp. 2014. de Michoacán (Mexico), 8257-85-0. in n˚ 21 of this Newsletter was given of this volume Notice 20–21). (pp. Bildwelt des GottorferBildwelt zwischen Hofes 1659 und Anlässen zu 1689 »Lapillum Biederbick: in pede« – die Kraniche im C. Maren Ein Anwendungsversuch Wismar. in Heiligen-Geist-Hospital der Korrespondenzanalyse in der Kunstgeschichte St.- der Taufdeckel auf dem Die Embleme Dietrich Bieber: zu Gettorf Jürgen-Kirche Pietismus und Emblematik im Dienst von Ingrid Höpel: – die KatharinenkircheAufklärung in Enge and Instruc of Revelation Emblems - Carsten Bach-Nielsen: Tercentenary and of the Reformation in Denmark The tion. Schleswig-Holstein (1817) Die Emblematik ist aufgrundDie Emblematik ist Zusammensetzung ihrer Contributions Vorwort Beuckers: Klaus Gereon Ingrid und Lars Höpel im Emblematik Olof Larsson: Einleitung Ostseeraum. EarlySimon Erik signs of madness? McKeown: XIV of Sweden and his Emblems of Legitimation Poems of Wedding Emblems in Hamburg Theise: Antje Epithalamia the sixteenth century: unexpected Find. An Henning conradinus the poeta laureatus by Zum emblematischen DenkprinzipPiotr im Kociumbas: Jahrhunderts KantatenschaffenDanziger des 18. im Bürgerkapitäne der Hamburger das Fest Maja Kolze: in der Ein Beitrag zur Festkultur Licht der Emblematik. Jahrhundert und 18. im 17. Hansestadt Trauerzeremoniell. SinnbilderChristaSchlumbohm: im im herzoglichen und Funeralrhetorik Funeralschmuck Jahrhunderts und 18. Mecklenburg des 17. the Life of the Beatified from Images Jolita Liškevičienė: Kuntsevych Josaphat Hands: the Emblem in the Enlightener’s Māra Grudule: and his spiritual Architecture Stender, Friedrich Gotthard reflections - Funk Alltagsembleme in Lettland: Elita Grosmane: und Milieu Formen tionen, Das emblematische Deckenprogramm Biel: Monika Isaak van de Blocke im Roten Saal(1604 –1608) von des Das Zusammenspiel- der komposi Rathauses. Danziger torischen Einfluss und der Elemente im Gesamtkomplex des reformatorischen Gedankenguts – ein neues Zuord- nungsschema On the »Bunte kammer« in the Manor Hartmut Freytag: House of Ludwigsburg near Eckernförde und Friedenssehnsucht. Vergänglichkeit Jan Drees: Ergänzendes sinnbildlichen zu drei Darstellungen aus der mentierung von Architekturen, Orten und Biographien, Orten Biographien, und mentierung Architekturen, von nach bis hin Regionen europäischen anderen das sie mit Geographisch verbindet. Westeuropa Südwest- und Süd-, Schleswig-Holstein Bandes von die Beiträge des streuen mit Polen Mecklenburg, und Schweden, über Dänemark Beiträge drei Vilnius bis Sankt Petersburg, Riga, Danzig, interessantes Phäno- Ein besonders Hamburg. betreffen ‒ in den ist die zeitlicheVerschiebung men für die Region trittRandgebieten später auf als Europas die Emblematik zur Verhältnis ihr Beiträgen wird In zwei in den Zentren. thematisiert.Aufklärung So finden sich in die- interdisziplinär. Text aus Bild und Literaturwis - sem Band Aufsätze Kunsthistorikern, von Latinisten) und Anglisten, senschaftlern (Germanisten, Theologen. SES NEWSLETTER 59 (07/16) NEWSLETTER SES Research Activities 8 Recent Publications Research Activities 9 Recent Publications
[Emblems to the death of the “Prudent King”. “Prudent King”. to the death of the [Emblems SES NEWSLETTER 59 (07/16) NEWSLETTER SES . Iconografía y texto [The Iconografía . de las suertes Libro juego del as one of the order’s defining characteristics. Although Although defining characteristics. of the order’s as one has been richly in images this interest documented by and scholars of the historians, theatre art historians, theory of Jesuit image the question to has yet emblem, a multi-disciplinary from be approached perspective conceived, was defined, the image that examines how and interpreted within the various of fields produced, pas- the Society:learning cultivated by oratory, sacred collegiate theology, scriptural exegesis, toral instruction, (1600) Rey del a la Magesta de las Exequias Relación historiada Bravo María Dolores Nuestro (1600)], Philippo Señor D. Arriaga; Estrategias strate emblemáticas [Emblematic - en el teatro Revueltas; Eugenia gies in the theater], La triunfante alegoríasolar en El sol [The solar allegory in Elizondo; Terán Isabel Ma. triunfanteEl sol ], El Mar- and texts], Iconography . de las suertes Libro juego del garita Peña; Fludd [Fludd de los emblemas musicales y la genealogía Alcázar. Jorge and the genealogy musical emblems], of Karl A.E. Wietse de Boer, Jesuit ed. TheoryImage , €172.00 ($206.00). Melion. S. Walter Enenkel and 2016. Brill, Leiden: 45. Intersections verbal whether or visual, in images, The Jesuit investment rhetorical- or exegeti pictorial or poetic, virtual or actual, even be identified and may and sustained, was strong cal,
[Mottos, pseudo-mottos and para-mottos in the Hispanic para-mottos and pseudo-mottos in the Hispanic [Mottos, Román; Cirilo García emblematics], La selva letrada la emblemática. erudiciónCuando la rebosa [Whende Solórzano Pereira emblema- scholarship overflows Revilla; Federico scholarly ], jungle Solórzano Pereira’s tics. de Séneca a las citas de Mondo Simbolico en el Aproximación Filippo of Seneca to the quotations Picinelli approach [An in Bárbara SkinfillNogal; ], Mondo Simblico Filippo Picinelli’s de Saavedra Fajardo La en las Empresas Políticas citación Alejan- ], Empresas Políticas [Quotations in Saavedra Fajardo’s Arteagadro Martínez; La emblemática bíblica de Agustín Erath en la traducción Herón translation], in Agustinus Erath’s [Bible emblematics Martínez. Pérez La emblemática en el coloquio XVI de Fernán González de González de La emblemática en el coloquio XVI de Fernán coloquio González de Eslava’s Eslava [Emblematics in Fernán para una edición Motivos Valencia; García Édgar A. XVI], imperial ciudad de la gran de México crítica moderna del Túmulo III. La literatura emblemáticaIII. textuales y sus espacios Spaces]. Textual [Emblem Literature and its Túmulo imperial imperial for[Reasons a modern critical of the Túmulo edition José Quiñones Melgoza; ciudadde la gran de México], Relación historiada “Rey Prudente”. Emblemas a la muerte del Nuestro Philippo Señor Rey del D. la Magesta a de las Exequias II. La literatura emblemática [Em- icónicos II. y sus espacios its Iconic Spaces]. blem Literature and VirgenEmblemas marianos de la Capilla de la en la Cartuja iconográfica. y su repercusión El modelo pintado de Burgos. Virgin[Marian emblems in the Chapel of the in the Char- The painted model and its iconographic of Burgos. treuse González; Andrés Patricia repercussion], Alciato de los emblemas de Andrea Sobre la posible presencia Florentino del Códice en el medio de elaboración [On the emblems in the circle of Alciato’s of Andrea possible presence Escalante- Gon Pablo elaboration of the Florentine], Codex zalbo; en el Santuario cordiales Imágenes La emblemática amorosa. Heart images Guanajuato [Love emblems. de Atotonilco, Isabel Pérez Ana Guanajuato], in the Shrine of Atotonilco, Gavilán A.; Los diseños de lazos Más allá y del símbolo. de lo decorativo en la sillería la catedral de del coro de Puebla [Beyhond the Drawings in the choir of bows and the symbol. decorative Cayeros; Díaz Patricia stalls in the cathedral of Puebla], Las dos caras de la polémica novohispana y hachas. Calaveras [Skulls de la Compañía and tras de los Padres la expulsión following Neo-Hispanic controversy of the faces The two axes. Rosario Inés of the Company], the Priests of the expulsions Silva; Granados Salinas Moreno y Désirée legislador de la justicia y del rey Imágenes iustitiae . Templum - of justice and the law Images iustitiae . en Nueva [Templum Salvador Gutiérrez. Cárdenas making king in New Spain], In these two collections, music appears as one of the most of the most appears as one music collections, In these two David Graham, “‘Piece out our imperfections with your out our imperfections“‘Piece with your David Graham, Lessons the History from thoughts’: of Emblem Studies” Politi- “Paradin van Heijnsbergen, Theo Michael Bath and Some New Sourcescized: for Scottish Paintings” Predecessors, Emblematic “More French Saunders, Alison Godly and Amorous” The Emblematic Silenus in intus ut extra’: “‘Non Lucy Razzall, Early Modern Literature” Vincenzo in Venus of Images “Captioned Mulryan, John Imagini”Cartari’s in Eighteenth- ‘Idea’ and “‘Imitation’ Simon McKeown, Sir Joshua William of Bath, Hoare Century English Painting: and the Emblematic Inheritance” Reynolds, Emblems in Recursive “Booksand Buildings: Michael Bath, Arts”the Applied Grégory Emblèmes Anne-Emmanuelle Ceulemans, Ems, Bruxelles et Courtrai au jésuites. musicaux dans les collèges de Rennes, Universitaires Presses Rennes: XVIIe siècle. 26 978-2-7535-4858-9. ISBN : Art 2016. et Société, coll. €. especially- Jesuit teachers were con During the Ancien, Régime cerned students with as wide a with familiarizing their young during making them face some the lessons as possible, culture an original form The emblem, new literary and artistic genres. textual and some in which image a figurative of expression to a mode of thought and that belongs parts closely interact, of those genres was one typical of the Early Modern Period, Brussels of the and and the abundant emblematic production Courtrai the seventeenth jesuit college students throughout century bears witness to it. the musical Nevertheless, topics. iconographic widespread Emblematica: An InterdisciplinaryEmblematica: Journal for Emblem ISSN 2016. Inc., Press, AMS York: New 22. Vol. Studies. $164.50. 0885-968X. us that volume has advised Wade Editor MaraManaging R. AMS 22 of Emblematica has recently by been published it the usual reviews to and criticism, addition In Inc. Press, includes the folloiwng contributions: Libellus Piarum Precum (1575): Iterations of the Five (1575): Libellus Piarum Precum S. Walter in an Early Jesuit Prayerbook, Wounds Holy Melion On Advent, Meditations Canisius’ Interior Sight In Peter Hilmar Pabel il- dans le livre de l’image précaire Le et de l’écrit Pacte le cas spirituelle de La Peinture moderne : d’époque lustre Pier Fabre Antoine (1611) de Louis Richeome, Sallaert’s of Spiritual Anthonis Glo- Pleasures: Variety A James Clifton Name The rificationOf Jesus, Of Marvels Marbles and in the Antwerp Jesuit Church: of the Life of the Stone Paintings Balen’s HendrickVan Knaap C. Anna Virgin (1621), Wal- Poems By Avorum in Jesuit Latin The Simulacra Scholastic to Imitation Vergilian from Carrara: lius And Aline Smeesters Theory, and ArtPhilosophy Jesuit Sacred Space as Enar- Present’. Yourself Make ‘To Steffen Zierholz Space, getic Muller Jeffrey The Jesuit StrategyAccommodation, of Part II: Embedded Jesuit Image Theory Embedded Jesuit Image Part II: The Early Jesuits and the Catholic Debate about Sacred Wietse De Boer Images, Riche- From The Jesuit Ars and Scientia Symbolica. Ralph and Sandaeusome and Ménestrier, to Masen Dekoninck Van In Maximilian Theory OfThe Figurative Language. Agnes Guiderdoni Writings, Der Sandt’s Wounds: its Through the Body and Looking on Writing of the Metaphor The Mnemonic Stigmata in Emanuele Torre Andrea Rhetoric, Tesauro’s “EarlyFounder of The Ménestrier: Claude-François Theory”, David Graham Modern Grounded Franciscus Theory in Jesuit Image Fireworks: Enargeia 1748) Rhetorical Manual (Idea Rhetoricae, Neumayr’s Enenkel Karl A.E. Tragedies, and His Part I. Jesuit Image Theory – Rheorical Jesuit Image - and Emblem Part I. and Theoretical Debates atic Treatises, Contributions with the The Jesuit Engagement Status and Introduction. Melion S. Walter Visual of the Image, Functions pedagogy, poetry and poetics, etc. The papers published in published in The papers etc. poetry and poetics, pedagogy, the ways which in Jesuits reflected investigate this volume visually and verbally of the and functions the status on in 1540 and of the order the foundation between imago, purport I examines texts that Part in 1773. its suppression explicitly to theorize and to analyze about the imago its II what one examines Part various forms and functions. that is, theory, of embedded image might call expressions Jesuit authors and artistsvarious instances where use im- of such implicitly the status and functions ages to explore as indices of image-making. images SES NEWSLETTER 59 (07/16) NEWSLETTER SES Research Activities 10 Recent Publications Research Notes 11 Rumem Amaral, Jr.
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Rubem Amaral, Jr. Rubem Amaral, A Case of Belated Reuse Belated Reuse A Case of Research Notes Research Illustrate a Different Work Illustrate a Different to 1 of Alciato’s picturæ of Some Early Cuts of Alciato’s SES NEWSLETTER 59 (07/16) NEWSLETTER SES I wondered whether the volume might contain other other might contain whether the volume I wondered Le Comte de de Le Comte is as volume The descriptionfollows: of the was no knowledge, of which until then I had work, This , 1745), Abbé Cointreau Abbé Cointreau Les aventures d’Abdallah, 1745), fils , d’Hanif salamandre ou les aventures de l’infortunéeL’amant 1756), Julie, The chance of recently browsing an old-book auction auction old-book cata- an recentlyThe chance of browsing of a page of me the reproduction put before the web logue on illustrated known with the well , de Gabalis Le Comte the book “Virtuti- emblem consid fortunacomes”, of Alciato’s pictura device as personal and adopted own as Alciato’s some by ered the symbol caduceus of the journal Emblematica: the winged - super crossed two and embraced by petasos Hermes’ topped by Chrétien after the model of the Parisian imposed cornucopias, Praz, 7; (Green, of the Emblematum libellus editions Wechel’s Adams/Rawles/Saunders, 4; Tung, 12; Landwehr, 249; p. F.001). my query having communicated and, Alciato from picturae he kindly supplied me with a link for a to David Graham, and informed me digitized Google books, available on edition fifteen another contained the volume emblems in fact, that, therefrom. - & misterieuses suiv ou entretiensGabalis Sur les Sciences secretes, dans Augmenté ant les principles ou Cabalistes. Mages des anciens dernierecette d’une édition Quod impen- tanto seconde Partie. etiam solummodò demonstrare destruere est. dio absconditur, Jeune M. le Jaques Chez, [vignette] A Amsterdam . Tertullien Yves-Plessis, 7702; III, 1) (Caillet, in 12º (Fig. 260 p., DCC. 497). by in 1570, Paris, in forfirst time, the published anonymously, attributed but its authorship was soon to the Claude Barbin, Villars de abbé Nicolas-Pierre-Henri de Montfaucon (1635- and Europe throughout since a wide diffusion It had 1673). for of the elemental beings that many a source is considered undines, like nymphs, literature, populate later European the writers Among who and gnomes. salamanders, sylphs, Nodot (HisFrançois France, in by it are, influenced were 1698),2 Princesse Fils et de ses , de Mélusine, de Lusignan, toire de des imaginations extravagantes (Histoire Abbé Bordelon Bignon] de Sandisson [Abbé J.-P. H. 1710), Monsieur Oufle, ( ( , “Le Morales (Bagatelles Abbé Coyer ), (Le sylphe fils Crébillon, 1. https://books.google.ca/books?id=SnUA9vI2PgIC&printsec 1. =frontcover&dq=Le+Comte+de+Gabalis&hl=en&sa=X&redir_ esc=y#v=onepage&q=Le%20Comte%20de%20Gabalis&f=false. LE intitulé Livre le “Voyez states: work II of this Chapter in footnote A 2. la nature de ces peuples [the elementary COMTE DE GABALIS touchant people]. Il est fort divertissant.” (Nodot, 52). - to an ‘extramusi This study considers several reasons of the prevalent use of the prevalent use reasons severalThis study considers cal’ content conceptual in nature. It is therefore necessary It is therefore in nature. conceptual content cal’ as the relevance of the musical iconography to question the students why and the reasons process”, “semiologic a so keenly instruments used musical scenes and in their productions. reviewing in the emblems of the Jesuit students, of music in the Brussels at work and Courtrai keysome trends cor- that needed essential areas the different investigating pus, to understand the richnessto be explored of the emblems, - music iconog by possibilities offered and also the many this examples, examining several By representative raphy. enriched with unpublished translations and original book, of ideas network highlights the complex reproductions, emblems and and influences at stake in the Jesuit students’ Thanks to fertile how it reveals is. the musical metaphor it often or effects it connotations carries, all the meanings, to the students as a very appeared theme to convenient their ideas. express themes used in the emblems do not truly do not the emblems used in themes musical reflect in scenes shown musical since the reality that period, of alwaysthe emblems metaphorically refer “Excudebat” of the printer Mathieu Bonhomme, from Barthélemy from of the printer Mathieu Bonhomme, “Excudebat” published in Lyons. of 1552, poesis Picta Aneau’s As stated above, the volume under consideration contains contains under consideration the volume As stated above, , Amsterdam: Jaques le Jeune, 1700, 87. 1700, le Jeune, Jaques Amsterdam: , de Gabalis 2 Le Comte Fig. the alchemists, occultists, cabalists, and superstition in general, in general, and superstition cabalists, occultists, the alchemists, important some but later it came personages, to be taken by as serious Bulwer-Lytton, Edward like the English novelist mysterious at an assassination Montfaucon’s doctrine. secret early was even attributed age to Rosicrucians outraged for his many had It having supposedly arcana. their society’s revealed (20 until 1800) and elsewhere, both in France re-editions, ones in different translations into English (two had and soon and Italian (1681). German (1684?), 1680), Em- of Alciato’s an ancient edition sixteen engravings from corresponding inserted points of the text, at different blemata “Vir 37 – “Vis- 34 – p. Amoris”; p. to the following emblems: Fig. 3. Alciato, Emblematum libellus, Lyons: Jacques Moderne, 1544. Moderne, Jacques Lyons: Emblematum libellus, Alciato, 3. Fig. -century manuscript -century th Anatole Jérôme Coignard. opinions de M. l’abbé et Vie The original version, comprising only five conversations comprisingonlyconversations five The originalversion, , Amsterdam: Jaques le Jeune, 1700, 1700, le Jeune, Jaques Amsterdam: , de Gabalis 1 Le Comte Fig. title page. France (2-3) apparently relied, for the conception of this work, for the conception relied, France (2-3) apparently of Le Comte de Gabalis, Amsterdam 1700 edition on the exactly which is the only expressly cited in footnote 2 of his novel as an His abbé Coignard is clearly among many editions thereof. example d’Astarac Hercule his cabalist abbé Montfaucon; the after modeled of the Nazard rabbi the after Mosaïde his rabbi and Gabalis; after aprocryphal second part. entitled This book pretends to be the edition of an 18 This book pretends to be the edition 3. between the author and the fictitious between cabalist Count of against the beliefs a pleasant satire of in fact, is, Gabalis, Sylphe amoureux”), Charles Baudelaire and Anatole Charles Baudelaire and Anatole Sylphe amoureux”), La Rôtisserie for the latter’s the main source was France–it - English literature, Al (1892)3; in Pédauque de la Reine the sylphs create it to from who borrowed exander Pope, it and in German literature, in The of (1714); the Lock Rape - Un de la Motte Fouqué’s is a likely for Friedrich source dine (1811). SES NEWSLETTER 59 (07/16) NEWSLETTER SES Research Notes 12 Rubem Amaral, Jr. Research Notes 13 Rubem Amaral, Jr. On p. 251 there 251 there On p. 4 SES NEWSLETTER 59 (07/16) NEWSLETTER SES Nevertheless, these engravings do not illustrate passages Nevertheless, they follow very closely , the models As for the picturae , Lyons: Jacques Moderne, 1544. Moderne, Jacques Lyons: , Emblematum libellus Alciato, 6. Fig. is an engraving without relation with Alciato’s emblems, an el- emblems, with Alciato’s is an engraving relation without in different heads liptical eleven frame small containing lion’s whose origin not been able to determine. I have positions, to The first correspond seven original work. of Montfaucon’s and constitute interpolations in the entretiens the new editor, by allegedlyimages the Count of Gabalis to his coun- by shown terpart to demonstrate in the course of their dialogue in order The other nine illustrate the second statement. or confirm some which other edition, appear in any does not part of the volume, an apocryphal addendum. with all probability, constituting, includedThey are in the final part of a sixth entretien in which de by given an imaginaryis presented original explanation, for the origin of the sudden fabulous fortune of the Gabalis, to which according Flamel, alchemist Nicholas famous French in Italy manuscript an old Hebrew acquired have he would the Jew where - informationcontaining about the sites in France supposedly cities had different from secretly ish communities buried their riches the occasion on of their expul- in common emblems Alciato’s from The picturae that country. from sion to the symbols to depicted at certaincorrespond in order places hidden. were identify the buildings under which such treasures but they do Jollat, attributed to Mercure Wechel, printed by These emblems have the following numbers in Peter M. Daly’s standard M. Daly’s following numbers in Peter the These emblems have 4. 157, 190, 123, 107, 041, 133, 108, 119, emblems: Latin Alciato’s index of 162, and 109. 021, 177, 046, 106, 143, 114, and p. 253 – “In captum studiosum Amore”. 253 – and p. , Paris: Chrétien Wechel, 1534. 1534. Wechel, Chrétien Paris: , Emblematum libellus Alciato, 4. Fig. tuti fortuna comes”; p. 46 – “In mortem praepoperum”; p. p. “In mortem praepoperum”; 46 – p. tuti fortuna comes”; 102 p. “Interrorem”; subitum 87 – p. “Dives indoctus”; 78 – duos plurimum “Unum nihil, 106 – p. Amoris”; “Potentia – “Ex literarum studiis immortalitatem 229 – - ac p. posse”; 237 – p. “Pax”; 235 – p. “In deprehensum”; 233 – quiri”; p. affectus “Potentissimus 239 – p. “Illicitum sperandum”; non ut de tumultibus Alciatum, D. ad “Albucii 242 – p. Amor”; “In 245 – p. Italicis se subducat et in Gallia profiteatur”; nunquam deficiens”; “Auxilium 248 – p. statuam Amoris”; Fig. 5. Le Comte de Gabalis, Amsterdam: Jaques le Jeune, 1700, 102. 1700, le Jeune, Jaques Amsterdam: Le de Gabalis, Comte 5. Fig. (Augsburg, 1531), thought that the thought that the 1531), (Augsburg, liber Emblematum Certainly the 1700 printer, the same as supposedlythe same did Certainly printer, the 1700 that the cuts printed to explain how for time the first But, Fig. 7 Alciato, Emblematum libellus, Paris: Chrétien Wechel, 1534. Wechel, Chrétien Paris: Emblematum libellus, 7 Alciato, Fig. (ou Jacques) le Jeune is one among the fictitious ones used ones used the fictitious among Jeune is one le (ou Jacques) the printers of the famous Dutchby Elzevier dynasty to that might bring of books identify their editions embarrass- of ment for conflicts the printers in those times of dangerous When issuing ideas and of political censorship. and religious the Elzeviers either anonymous remained works, controversial used include Names those of Jean Sambix or pseudonymous. (for Leiden) (Wil le Jeune (for and Jacques Amsterdam) - CV). of the printing In 1700 the owner house as from lems, the last printer the dynasty, in 1681 was Abraham Elzevier, With the imprint of who died in 1712 (Willems, CCV-CCI). dated 1672 and 1682, is, there in Amsterdam le Jeune Jaques the De la Delicatesse, Villars, de Montfaucon by another work constituting a defenseDomi- dialogues of first four of its five in his day Henry day in his Steyner of edition to the first with regard Alciato’s visually volume make the would more of the images addition As successful. commercially more consequently, and, attractive ready the original with the cuts he had not combine text did costly, more not turn the edition use would whose at hand, he decided to insert new justify their paragraphs that would fortune. the same good not have it did Nevertheless, inclusion. in 1700 and le Jeune Jaques of possession in in 1544 were The name Jaques after 156 years creation? their reused were 5 - with the ad and the same Latin epigraph, The research induced by such evidence took me to the by such me to the induced evidence took research The de Gabalis of Le Comte of the editions none Apparently, I am very grateful to Julie Gardham, Keeper of Special Collections 5. of copies sending me for kindly Library, Glasgow University the at Stirling from the 1545 Jacques Moderne edition of the both emblems Maxwell Collection, for the sake of comparison. Lyons, Jacques Moderne’s editions of Alciato (Green, of Alciato (Green, editions Moderne’s Jacques Lyons, Adams/Rawles/ 15–18; Tung, 29–31; Landwehr, 24–27, absolutely whose engravings are F.015–F.016), Saunders, forexcept some identical in the 1700 edition, to the ones and latter, of the cuts in the reuse derived from damage been cuts had Moderne’s Jacques possibly works. in other He newly hands after different models. opened by Jollat’s being two editions, different three them, using printed, the in 1544 and 1545—the latter exhibiting on in Latin, sug- device Giunta, of Iacobus the printer’s title-page 31)—and in 1544 one (Landwehr, a co-edition gesting 28; Landwehr, 24; (Green, in Latin and French or 1545, F.016). Adams/Rawles/Saunders, 15; Tung, Laufer, Roger prior illustrations. that of 1700 contains to and 58), (1963:53-54, to his edition in the introduction whose second the 1700 edition, under number 10 records the sixteen He mentions part apocryphal. he considers (for Green, “grossières” which he qualifies as engravings, and transcribes of the inter- one executed”), “roughly 25, refers plates to he two Besides, of the first part. polations which 30 and 31 and 60 and 61, pages between respectively digitized mentioned the above version missing from are the natal astrological chartand contain author and of the Laufer Pentacle of Solomon. the cabalistic Great figure to be edition French believes it pointed to a probable that He makes peddlerssold by colportage). (à domicile ou au - but consid to the origin of the illustrations, no reference also, He records and name. address ers fake the publisher’s of 1671 with the same 56) an edition under number 3 (p. ou Entretiens de Gabalis with the title Le Comte sur imprint, les sciences secrètes Chez of the observationdition Sur la copie imprimée à Paris, This . Chapelle sur le perron de la Ste. Palais au Barbin, Claude the historian under number 1439 by is recorded edition Willems, Alphonse and bibliographer of the Elzeviers, the 1700 but does not mention rarity, its great who stresses as equally not even in his list of fake Elzeviers, edition Did they not does not Gustaf. Berghman in his Supplément to illus reference - make no records These the edition? know the 1700 edi- record The other bibliographers who trations. Pierre Mariel, the illustrations do not mention either. tion, de of Le Comte to his edition in the excellent Introduction the edition. does not even record (1961), Gabalis not come directly from any of his cuts. In spite of their In spite of their cuts. of his any directly from not come subtle dif- reveals comparison a careful overall similarity, discrepancyThe is more of design in all of them. ferences to those of emblems relation in and decisive conspicuous - in each be Amoris”, “Potentia and “In subitum terrorem” 7). 2 through (Figs. and a bush a tree ing omitted SES NEWSLETTER 59 (07/16) NEWSLETTER SES Research Notes 14 Rubem Amaral, Jr. Research Notes 15 Rubem Amaral, Jr.
ème 6 dauque, dauque,
sur la bibliographie études sur la bibliographie Le Comte de Gabalis ou entretien de Gabalis Le Comte sur SES NEWSLETTER 59 (07/16) NEWSLETTER SES century by the brothers Jean Henry (1664–1749), Marc Marc century Jean Henry the brothers by (1664–1749), - mem Huguetan, and Pierre (1674–1740) (1655–1702) old and highlybers of an bookselling family respected the city to leave been forced after had 1685. in Lyons who a be this seems to in time, difference In spite of the long Moderne’s line of transmission of Jacques plausible more was printed assuming that the book in Holland. cuts, cited Works Stephen Rawles Saunders, and Alison Alison, Adams, of the Sixteenth Books Emblem of French A Bibliography 1999 (Travaux Droz, Geneva: Centuries, and Seventeenth N° CCCXXXI). d’Humanisme et Renaissance, Nouvelles Gustaf S., Berghman, sur les Elzevier de M. à l’ouvrage Supplément elzevirienne. 1897. Iduns, Stockholm: Alphonse Willem, de sciences psy- bibliographique Manuel Albert L., Caillet, 1912. Lucien Dorbon, Paris: III, T. , ou occultes chiques Callahan assisted by Virginia with W. M., Peter Daly, The Andreas Alciatus 1 (Index emblematicus) Symon Cuttler, - Toronto/Buffalo/Lon Indexes and Lists, Latin Emblems 1985. Press, Toronto University of don: La Rôtisserie de la Reine Pé Anatole, France, ed., Paris: Calmann Lévy, 1893. Calmann Lévy, Paris: ed., Andrea of Emblems. Alciati Books and His Henry, Green, Burt York: New Study, and Bibliographical A Biographical 1872) Trubner, (originally published London: Franklin Series and Reference Bibliography # 131). (Burt Franklin: Center of the The Dutch Republic, G., Paul Hoftijzer, EGO Eu- in the 17th Century, Trade Book European
nd - in in hexameters. The amaze- in hexameters. Mason Tung in tetra- and i Brussels: G.A. Van Tigt, Paris: Adolphe Adolphe Paris: Tigt, Van G.A. Brussels: A Note on the MeritVerse A Note of its in penta-, tetra-, and trimeters, followed by by followed and trimeters, tetra-, dee in penta-, in dimeters, followed by i by followed in penta- and hh in dimeters, in penta- i g The most complex scheme The most complex is found in the 19-line At first sight the versification seemed to be the work work versification seemed to be the the first sight At in di-, g in di-, 1658: Figures 1658: with Elegant Emblems Hall’s John 49 (2011): 9-12), and the memory of its 9-12), 49 (2011): Newsletter SES ed., Rome: Edizioni di Storia e Letteratura, 1964 (Sussidi Storia di Edizioni e Letteratura, Rome: ed., Eruditi 16). Edi- a New Census of Alciati’s “Towards Mason, Tung, Report A Research the that Solicits Help from tions: Scholarly & Community and Curators of Rare Books An Interdisciplinary Emblematica. Special Collections”, 1989), 1 (Spring, 4 No. Vol. Journal for Studies Emblem , 135-176. Pp. AMS Press, York: New et annales Histoire Les Elzevier. Alphonse, Willems, typographiques, 1880. MartinusNijhoff, Hague: The Labitte, Essai d’une Mé R., Française Bibliothèque Yves-Plessis, thodique et Raisonnée de la Sorcellerie et de la Possession 1900. Bibliothèque Charconac, Paris: Démoniaque, Veuve de Claude Barbin, M.DCC. M.DCC. Claude Barbin, de Veuve Studies in Serventeenth-Century Imagery, 2 Mario, Paz, I read Hall’s 28 verse emblems for the first time without emblems for the first time without 28 verse Hall’s I read I Soon introductory note. Horden’s first at John looking amazing stuff !” “this is was sitting up and said to myself, is divided once of Love, called Divine Sparkles The book, whereas part has 20 emblems, one unequal parts: into two The first thing that struckme part has only two eight. not unlike that in was the diversity of its stanzaic forms, 1638. of Hieroglyphikes the life Quarles’s of Man, Francis Like Quarles an epigram Hall also adds at the end of Quarles Again like Hall run-on uses many each emblem. written I have work Quarles’s on his verses. lines among ( table outlining 15 unique rhyme schemes in is still fresh I will describe the same tabular format, Using my mind. Table 1 (opposite). in unusual versification Hall’s abab two which rhymes as follows: stanza in emblem I.9, ff alternate with di- and pentameters, followed by ccd in by followed alternate with di- and pentameters, trimeters, tri- is magnified ment due to its mind-numbing complexities little has verse “But Hall’s brief comment: Horden’s by note In this ill-assimilated.” are merit and his borrowings and his versification I will focus the diversity on of Hall’s hoping that such a focus may copious use of run-on lines, remark. offhand perhaps moderate Horden’s malfunctioned. had whose invention scientist of a mad if not seems to be order there however, look, On second out-doing Hall seemed intent on in his madness. reason Quarles trying by stanzaic 28 different forms to invent SES NEWSLETTER 59 (07/16) NEWSLETTER SES Research Notes 16 Mason Tung Research Notes 17 Mason Tung aa5 - yy5 aa5 - yy5 aa5 - yy5 aa4bb2cb5c3 a4a2b4b2c4c2 a4a2b4b2c4c2 aabb4 aabb4 ababcc5 ababcc5 abab4 - stst4 abab4 - stst4 a5a2b5b2c5c2dd5 a5a2b5b2c5c2dd5 aa5 - BB5 aa5 - BB5 aa4 - ww4 aa4 - ww4 a4a2b4b2cc4 a4a2b4b2cc4 a5a4 - u5u4 a5a4 - u5u4 aa2b3cc2b3 aa2b3cc2b3 aa4 - tt4 aa4 - tt4 a4b2a4b3c5c4 a4b2a4b3c5c4 a2a5 - v2v5 a2a5 - v2v5 a4a2b4b2c4c2d4d2e5 a4a2b4b2c4c2d4d2e5 aa5 - tt5 aa5 - tt5 a4a2b4bb2cdd4c5 a4a2b4bb2cdd4c5 a2b5a2b5ccd3d5e4e3ff2g5hh2i3g5i4i6 aa4a5 - pp4p5 aa4a5 - pp4p5 a2b3b2a4cd4c2d5 a4b2a4b2cc4 a4b2a4b2cc4 ababacc4 ababacc4 aa3bb2cc4d5d2e4ff2e5 a5a2bbcc5 a5a2b5b2c5c2dd5 a5a2b5b2c5c2dd5 a2bb4a2b3cc3c5 a2bb4a2b3cc3c5 Rhyme Scheme SES NEWSLETTER 59 (07/16) NEWSLETTER SES Both emblems near the end of each part pas- have versifica in terms- Enough has been shown of diverse sages dominated by end-stopped lines as if to balance end-stopped lines as if to balance by dominated sages Last of run-ons in the earlierout the profusion passages. “Another this: 10 lines in II.7 chosen to represent are ‘las armes:|| silly Giants have^By boasts strong Dwarfes These russle in rich silk:|| unto their grave./ been drag’d gay is more Peacock plum’d A well so gay,/ though ne’re of Tennis-ball man,|| what art?|| A Poor then they./ in a Sea of terror:/ Issu- Errour;/ A ship of Glasse toss’d Crauling in the wombe,/ from ing in blood and sorrow slippery How and mourning to the tombe./ teares thy are fall?/ art How thy thou nothing when sure pathes,|| how 1 run-on, 5 medial caesuras, (10 lines, most of all?” th’art and 8 end-stops.) run-on of end-stopped versus and the use lines to tion is not verse be able to conclude that Hall’s reasonably entirely without merit. iambic pentameter couplet iambic pentameter couplet iambic multi-meter septet iambic multi-meter iambic multi-meter sextet iambic multi-meter iambic tetrameter quatrain iambic pentameter sextet iambic pentameter sextet iambic tetrameter quatrain iambic multi-meter octet iambic multi-meter iambic pentameter couplet iambic tetrameter couplet iambic multi-meter sextet sextet iambic multi-meter iambic multi-meter couplet iambic multi-meter iambic multi-meter sextet iambic multi-meter iambic tetrameter couplet iambic multi-meter sextet iambic multi-meter iambic multi-meter couplet iambic multi-meter iambic multi-meter 9-line iambic multi-meter iambic pentameter couplet iambic pentameter iambic multi-meter 9-line iambic multi-meter iambic multi-meter 19-line iambic multi-meter iambic multi-meter triplet iambic multi-meter iambic multi-meter octet iambic multi-meter iambic multi-meter sextet iambic multi-meter iambic tetrameter septet iambic tetrameter septet iambic multi-meter 12-line iambic multi-meter iambic multi-meter sextet iambic multi-meter iambic multi-meter octet iambic multi-meter iambic multi-meter octet octet iambic multi-meter Meter 50 50 35 42 20 36 40 32 56 46 42 42 42 40 42 44 36 40 45 38 45 40 42 42 36 42 40 40 Total 2 2 7 6 4 6 4 8 2 2 6 2 6 2 6 2 9 2 9 19 3 8 6 7 12 6 8 8 Verse 25 25 5 7 5 6 10 4 28 23 7 21 7 20 7 22 4 20 5 2 15 5 7 6 3 7 5 5 Stanza II.8. II.8. II.7 II.6 II.5 II.4 II.3 II.2 II.1 I.20 I.19 I.18 I.17 I.16 I.15 I.14 I.13 I.12 I.11 I.10 I.9 I.8 I.7 I.6 I.5 I.4 I.3 I.2 I.1 No. Other unusual examples of run-ons will further affirm this Stanza no run-ons. have stanzas 1 & 7 in II.2. In contrast, elegance without a persuasive reveals Stanza 7 in I.14. Table 1: Summary versification. 1: of Hall’s Table impression. Stanzas 4 and 5 in I.3. have all run-on lines. Stan- all run-on have lines. Stanzas 4 and 5 in I.3. impression. “By disturb’d this means conscience za 4 will this: exemplify so all she whips out peace,|| doth so^ Enraged grow^That our own our false securitie^And torne by from we^Snatch’t worst offenderfrom can tyrant tortures,|| such as ne’re^The 0 end-stop.) 5 run-ons, caesuras, 2 medial (6 lines, fear.” thou behold,|| this little ball?/ “Do’st 1 will instance this: toy?/ round Which This children These fleeting bubbles?|| (4 destory. breath withall,/ with a wanton play And may well 3 end-stops.) 0 run-on, 2 medial caesuras, lines, should he strike “Nay me overloading lines with run-ons: grasp him:|| He is there I^Would hell,|| yet so low^As down I know:/ He in those depths doth lie^So should I surfet all on 2 medial (6 lines, ‘Tishappiness;/ he is.” solely where heaven 2 end-stops.) 3 run-ons, caesuras,
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NEH their second at Urbana-Champaign completed The for emblem studies. grant resource for this web has begun a Wolfenbüttel, Herzog Bibliothek, August full to test text new of research phase eighteen-month and annotation emblem indexing, additional transcription, models. [email protected]. look is a new interface and added functionality. Please is a newlook functionality. interface and added the and books, emblems searching the newexplore tabs, the Iconclass for both links from headings searching for example to Festival the portal, within and beyond and (The VKK Online and PrintBooks Virtual Room), The new portal also options. search the multi-lingual sign “+” using the by to build searches allows researchers box. next to the search the integra- blem scholarship possible through made services of Linked Open Data (LOD)-based tion and authorities into EmblematicaLOD-compatible Online. This corpus and its associated portal Emblematica Online Update the in progress an update on has provided Wade Mara R. Emblematica (see the summary Online project of the ##). p. , supra linked open data, on workshop related The Internet Archive with the Internet familiar Archive not yet are If you digital This incredible be. should you (https://archive.org), houses ten million digitized in addition books resources sound documents includingto millions of other films, scores which are among and the like, digital images, files, of high-qualityif not hundreds digitized early modern - To such as the Getty, collections from emblem books sites that Unlike online and Illinois others. among ronto, specificallyare suchGlasgow, as the emblematic in nature site. general-interest this is a and Illinois sites, Utrecht, All material to download. is free please let me know by writing to me: David Graham Graham David writing by me know please let to me: forwardlook I you! to hearing from